Written by
William Topaz McGonagall |
Beautiful silvery Tay,
With your landscapes, so lovely and gay,
Along each side of your waters, to Perth all the way;
No other river in the world has got scenery more fine,
Only I am told the beautiful Rhine,
Near to Wormit Bay, it seems very fine,
Where the Railway Bridge is towering above its waters sublime,
And the beautiful ship Mars,
With her Juvenile Tare,
Both lively and gay,
Does carelessly lie By night and by day,
In the beautiful Bay
Of the silvery Tay.
Beautiful, beautiful silvery Tay,
Thy scenery is enchanting on a fine summer day,
Near by Balnerino it is beautiful to behold,
When the trees are in full bloom and the cornfields seems like gold -
And nature's face seems gay,
And the lambkins they do play,
And the humming bee is on the wing,
It is enough to make one sing,
While they carelessly do stray,
Along the beautiful banks of the silvery Tay,
Beautiful silvery Tay,
Rolling smoothly on your way,
Near by Newport, as clear as the day,
Thy scenery around is charming I'll be bound.
.
.
And would make the heart of any one feel light and gay on a fine summer day,
To view the beautiful scenery along the banks of the silvery Tay.
|
Written by
Lewis Carroll |
"MY First - but don't suppose," he said,
"I'm setting you a riddle -
Is - if your Victim be in bed,
Don't touch the curtains at his head,
But take them in the middle,
"And wave them slowly in and out,
While drawing them asunder;
And in a minute's time, no doubt,
He'll raise his head and look about
With eyes of wrath and wonder.
"And here you must on no pretence
Make the first observation.
Wait for the Victim to commence:
No Ghost of any common sense
Begins a conversation.
"If he should say 'HOW CAME YOU HERE?'
(The way that YOU began, Sir,)
In such a case your course is clear -
'ON THE BAT'S BACK, MY LITTLE DEAR!'
Is the appropriate answer.
"If after this he says no more,
You'd best perhaps curtail your
Exertions - go and shake the door,
And then, if he begins to snore,
You'll know the thing's a failure.
"By day, if he should be alone -
At home or on a walk -
You merely give a hollow groan,
To indicate the kind of tone
In which you mean to talk.
"But if you find him with his friends,
The thing is rather harder.
In such a case success depends
On picking up some candle-ends,
Or butter, in the larder.
"With this you make a kind of slide
(It answers best with suet),
On which you must contrive to glide,
And swing yourself from side to side -
One soon learns how to do it.
"The Second tells us what is right
In ceremonious calls:-
'FIRST BURN A BLUE OR CRIMSON LIGHT'
(A thing I quite forgot to-night),
'THEN SCRATCH THE DOOR OR WALLS.
'"
I said "You'll visit HERE no more,
If you attempt the Guy.
I'll have no bonfires on MY floor -
And, as for scratching at the door,
I'd like to see you try!"
"The Third was written to protect
The interests of the Victim,
And tells us, as I recollect,
TO TREAT HIM WITH A GRAVE RESPECT,
AND NOT TO CONTRADICT HIM.
"
"That's plain," said I, "as Tare and Tret,
To any comprehension:
I only wish SOME Ghosts I've met
Would not so CONSTANTLY forget
The maxim that you mention!"
"Perhaps," he said, "YOU first transgressed
The laws of hospitality:
All Ghosts instinctively detest
The Man that fails to treat his guest
With proper cordiality.
"If you address a Ghost as 'Thing!'
Or strike him with a hatchet,
He is permitted by the King
To drop all FORMAL parleying -
And then you're SURE to catch it!
"The Fourth prohibits trespassing
Where other Ghosts are quartered:
And those convicted of the thing
(Unless when pardoned by the King)
Must instantly be slaughtered.
"That simply means 'be cut up small':
Ghosts soon unite anew.
The process scarcely hurts at all -
Not more than when YOU're what you call
'Cut up' by a Review.
"The Fifth is one you may prefer
That I should quote entire:-
THE KING MUST BE ADDRESSED AS 'SIR.
'
THIS, FROM A SIMPLE COURTIER,
IS ALL THE LAWS REQUIRE:
"BUT, SHOULD YOU WISH TO DO THE THING
WITH OUT-AND-OUT POLITENESS,
ACCOST HIM AS 'MY GOBLIN KING!
AND ALWAYS USE, IN ANSWERING,
THE PHRASE 'YOUR ROYAL WHITENESS!'
"I'm getting rather hoarse, I fear,
After so much reciting :
So, if you don't object, my dear,
We'll try a glass of bitter beer -
I think it looks inviting.
"
|
Written by
Emily Dickinson |
The Mushroom is the Elf of Plants --
At Evening, it is not --
At Morning, in a Truffled Hut
It stop upon a Spot
As if it tarried always
And yet its whole Career
Is shorter than a Snake's Delay
And fleeter than a Tare --
'Tis Vegetation's Juggler --
The Germ of Alibi --
Doth like a Bubble antedate
And like a Bubble, hie --
I feel as if the Grass was pleased
To have it intermit --
This surreptitious scion
Of Summer's circumspect.
Had Nature any supple Face
Or could she one contemn --
Had Nature an Apostate --
That Mushroom -- it is Him!
|
Written by
John Greenleaf Whittier |
I mourn no more my vanished years
Beneath a tender rain,
An April rain of smiles and tears,
My heart is young again.
The west-winds blow, and, singing low,
I hear the glad streams run;
The windows of my soul I throw
Wide open to the sun.
No longer forward nor behind
I look in hope or fear;
But, grateful, take the good I find,
The best of now and here.
I plough no more a desert land,
To harvest weed and tare;
The manna dropping from God's hand
Rebukes my painful care.
I break my pilgrim staff, I lay
Aside the toiling oar;
The angel sought so far away
I welcome at my door.
The airs of spring may never play
Among the ripening corn,
Nor freshness of the flowers of May
Blow through the autumn morn.
Yet shall the blue-eyed gentian look
Through fringed lids to heaven,
And the pale aster in the brook
Shall see its image given;
The woods shall wear their robes of praise,
The south-wind softly sigh,
And sweet, calm days in golden haze
Melt down the amber sky.
Not less shall manly deed and word
Rebuke an age of wrong;
The graven flowers that wreathe the sword
Make not the blade less strong.
But smiting hands shall learn to heal,
To build as to destroy;
Nor less my heart for others feel
That I the more enjoy.
All as God wills, who wisely heeds
To give or to withhold,
And knoweth more of all my needs
Than all my prayers have told.
Enough that blessings undeserved
Have marked my erring track;
That wheresoe'er my feet have swerved,
His chastening turned me back;
That more and more a Providence
Of love is understood,
Making the springs of time and sense
Sweet with eternal good;
That death seems but a covered way
Which opens into light,
Wherein no blinded child can stray
Beyond the Father's sight;
That care and trial seem at last,
Through Memory's sunset air,
Like mountain-ranges overpast,
In purple distance fair;
That all the jarring notes of life
Seem blending in a psalm,
And all the angles of its strife
Slow rounding into calm.
And so the shadows fall apart,
And so the west-winds play;
And all the windows of my heart
I open to the day.
|
Written by
Emily Dickinson |
"Tomorrow" -- whose location
The Wise deceives
Though its hallucination
Is last that leaves --
Tomorrow -- thou Retriever
Of every tare --
Of Alibi art thou
Or ownest where?
|
Written by
Andrew Marvell |
Daphnis must from Chloe part:
Now is come the dismal Hour
That must all his Hopes devour,
All his Labour, all his Art.
Nature, her own Sexes foe,
Long had taught her to be coy:
But she neither knew t' enjoy,
Nor yet let her Lover go.
But, with this sad News surpriz'd,
Soon she let that Niceness fall;
And would gladly yield to all,
So it had his stay compriz'd.
Nature so her self does use
To lay by her wonted State,
Left the World should separate;
Sudden Parting closer glews.
He, well read in all the wayes
By which men their Siege maintain,
Knew not that the Fort to gain
Better 'twas the siege to raise.
But he came so full possest
With the Grief of Parting thence,
That he had not so much Sence
As to see he might be blest.
Till Love in her Language breath'd
Words she never spake before;
But then Legacies no more
To a dying Man bequeath'd.
For, Alas, the time was spent,
Now the latest minut's run
When poor Daphnis is undone,
Between Joy and Sorrow rent.
At that Why, that Stay my Dear,
His disorder'd Locks he tare;
And with rouling Eyes did glare,
And his cruel Fate forswear.
As the Soul of one scarce dead,
With the shrieks of Friends aghast,
Looks distracted back in hast,
And then streight again is fled.
So did wretched Daphnis look,
Frighting her he loved most.
At the last, this Lovers Ghost
Thus his Leave resolved took.
Are my Hell and Heaven Joyn'd
More to torture him that dies?
Could departure not suffice,
But that you must then grow kind?
Ah my Chloe how have I
Such a wretched minute found,
When thy Favours should me wound
More than all thy Cruelty?
So to the condemned Wight
The delicious Cup we fill;
And allow him all he will,
For his last and short Delight.
But I will not now begin
Such a Debt unto my Foe;
Nor to my Departure owe
What my Presence could not win.
Absence is too much alone:
Better 'tis to go in peace,
Than my Losses to increase
By a late Fruition.
Why should I enrich my Fate?
'Tis a Vanity to wear,
For my Executioner,
Jewels of so high a rate.
Rather I away will pine
In a manly stubborness
Than be fatted up express
For the Canibal to dine.
Whilst this grief does thee disarm,
All th' Enjoyment of our Love
But the ravishment would prove
Of a Body dead while warm.
And I parting should appear
Like the Gourmand Hebrew dead,
While he Quailes and Manna fed,
And does through the Desert err.
Or the Witch that midnight wakes
For the Fern, whose magick Weed
In one minute casts the Seed.
And invisible him makes.
Gentler times for Love are ment:
Who for parting pleasure strain
Gather Roses in the rain,
Wet themselves and spoil their Sent.
Farewel therefore all the fruit
Which I could from Love receive:
Joy will not with Sorrow weave,
Nor will I this Grief pollute.
Fate I come, as dark, as sad,
As thy Malice could desire;
Yet bring with me all the Fire
That Love in his Torches had.
At these words away he broke;
As who long has praying ly'n,
To his Heads-man makes the Sign,
And receives the parting stroke.
But hence Virgins all beware.
Last night he with Phlogis slept;
This night for Dorinda kept;
And but rid to take the Air.
Yet he does himself excuse;
Nor indeed without a Cause.
For, according to the Lawes,
Why did Chloe once refuse?
|
Written by
Alfred Lord Tennyson |
"So careful of the type?" but no.
From scarped cliff and quarried stone
She cries, "A thousand types are gone:
I care for nothing, all shall go.
"Thou makest thine appeal to me:
I bring to life, I bring to death:
The spirit does but mean the breath:
I know no more.
" And he, shall he,
Man, her last work, who seem'd so fair,
Such splendid purpose in his eyes,
Who roll'd the psalm to wintry skies,
Who built him fanes of fruitless prayer,
Who trusted God was love indeed
And love Creation's final law--
Tho' Nature, red in tooth and claw
With ravine, shriek'd against his creed--
Who loved, who suffer'd countless ills,
Who battled for the True, the Just,
Be blown about the desert dust,
Or seal'd within the iron hills?
No more? A monster then, a dream,
A discord.
Dragons of the prime,
That tare each other in their slime,
Were mellow music match'd with him.
O life as futile, then, as frail!
O for thy voice to soothe and bless!
What hope of answer, or redress?
Behind the veil, behind the veil.
|
Written by
Emily Dickinson |
The Sun is one -- and on the Tare
He doth as punctual call
As on the conscientious Flower
And estimates them all --
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