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Best Famous Sycamore Poems

Here is a collection of the all-time best famous Sycamore poems. This is a select list of the best famous Sycamore poetry. Reading, writing, and enjoying famous Sycamore poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of sycamore poems.

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Written by William Wordsworth | Create an image from this poem

Lines Composed a Few Miles above Tintern Abbey

Five years have passed; five summers, with the length 
Of five long winters! and again I hear
These waters, rolling from their mountain-springs
With a soft inland murmur.
Once again Do I behold these steep and lofty cliffs, That on a wild secluded scene impress Thoughts of more deep seclusion; and connect The landscape with the quiet of the sky.
The day is come when I again repose Here, under this dark sycamore, and view These plots of cottage-ground, these orchard-tufts, Which at this season, with their unripe fruits, Are clad in one green hue, and lose themselves 'Mid groves and copses.
Once again I see These hedgerows, hardly hedgerows, little lines Of sportive wood run wild; these pastoral farms, Green to the very door; and wreaths of smoke Sent up, in silence, from among the trees! With some uncertain notice, as might seem Of vagrant dwellers in the houseless woods, Or of some Hermit's cave, where by his fire The Hermit sits alone.
These beauteous forms, Through a long absence, have not been to me As is a landscape to a blind man's eye; But oft, in lonely rooms, and 'mid the din Of towns and cities, I have owed to them, In hours of weariness, sensations sweet, Felt in the blood, and felt along the heart; And passing even into my purer mind With tranquil restoration—feelings too Of unremembered pleasure; such, perhaps, As have no slight or trivial influence On that best portion of a good man's life, His little, nameless, unremembered, acts Of kindness and of love.
Nor less, I trust, To them I may have owed another gift, Of aspect more sublime; that blessed mood, In which the burthen of the mystery, In which the heavy and the weary weight Of all this unintelligible world, Is lightened—that serene and blessed mood, In which the affections gently lead us on— Until, the breath of this corporeal frame And even the motion of our human blood Almost suspended, we are laid asleep In body, and become a living soul; While with an eye made quiet by the power Of harmony, and the deep power of joy, We see into the life of things.
If this Be but a vain belief, yet, oh! how oft— In darkness and amid the many shapes Of joyless daylight; when the fretful stir Unprofitable, and the fever of the world, Have hung upon the beatings of my heart— How oft, in spirit, have I turned to thee, O sylvan Wye! thou wanderer through the woods, How often has my spirit turned to thee! And now, with gleams of half-extinguished thought, With many recognitions dim and faint, And somewhat of a sad perplexity, The picture of the mind revives again; While here I stand, not only with the sense Of present pleasure, but with pleasing thoughts That in this moment there is life and food For future years.
And so I dare to hope, Though changed, no doubt, from what I was when first I came among these hills; when like a roe I bounded o'er the mountains, by the sides Of the deep rivers, and the lonely streams, Wherever nature led—more like a man Flying from something that he dreads than one Who sought the thing he loved.
For nature then (The coarser pleasures of my boyish days And their glad animal movements all gone by) To me was all in all.
—I cannot paint What then I was.
The sounding cataract Haunted me like a passion; the tall rock, The mountain, and the deep and gloomy wood, Their colors and their forms, were then to me An appetite; a feeling and a love, That had no need of a remoter charm, By thought supplied, not any interest Unborrowed from the eye.
—That time is past, And all its aching joys are now no more, And all its dizzy raptures.
Not for this Faint I, nor mourn nor murmur; other gifts Have followed; for such loss, I would believe, Abundant recompense.
For I have learned To look on nature, not as in the hour Of thoughtless youth; but hearing oftentimes The still sad music of humanity, Nor harsh nor grating, though of ample power To chasten and subdue.
And I have felt A presence that disturbs me with the joy Of elevated thoughts; a sense sublime Of something far more deeply interfused, Whose dwelling is the light of setting suns, And the round ocean and the living air, And the blue sky, and in the mind of man: A motion and a spirit, that impels All thinking things, all objects of all thought, And rolls through all things.
Therefore am I still A lover of the meadows and the woods, And mountains; and of all that we behold From this green earth; of all the mighty world Of eye, and ear—both what they half create, And what perceive; well pleased to recognize In nature and the language of the sense The anchor of my purest thoughts, the nurse, The guide, the guardian of my heart, and soul Of all my moral being.
Nor perchance, If I were not thus taught, should I the more Suffer my genial spirits to decay: For thou art with me here upon the banks Of this fair river; thou my dearest Friend, My dear, dear Friend; and in thy voice I catch The language of my former heart, and read My former pleasures in the shooting lights Of thy wild eyes.
Oh! yet a little while May I behold in thee what I was once, My dear, dear Sister! and this prayer I make, Knowing that Nature never did betray The heart that loved her; 'tis her privilege, Through all the years of this our life, to lead From joy to joy: for she can so inform The mind that is within us, so impress With quietness and beauty, and so feed With lofty thoughts, that neither evil tongues, Rash judgments, nor the sneers of selfish men, Nor greetings where no kindness is, nor all The dreary intercourse of daily life, Shall e'er prevail against us, or disturb Our cheerful faith, that all which we behold Is full of blessings.
Therefore let the moon Shine on thee in thy solitary walk; And let the misty mountain winds be free To blow against thee: and, in after years, When these wild ecstasies shall be matured Into a sober pleasure; when thy mind Shall be a mansion for all lovely forms, Thy memory be as a dwelling place For all sweet sounds and harmonies; oh! then, If solitude, or fear, or pain, or grief, Should be thy portion, with what healing thoughts Of tender joy wilt thou remember me, And these my exhortations! Nor, perchance— If I should be where I no more can hear Thy voice, nor catch from thy wild eyes these gleams Of past existence—wilt thou then forget That on the banks of this delightful stream We stood together; and that I, so long A worshipper of Nature, hither came Unwearied in that service; rather say With warmer love—oh! with far deeper zeal Of holier love.
Nor wilt thou then forget, That after many wanderings, many years Of absence, these steep woods and lofty cliffs, And this green pastoral landscape, were to me More dear, both for themselves and for thy sake!


Written by Walt Whitman | Create an image from this poem

American Feuillage

 AMERICA always! 
Always our own feuillage! 
Always Florida’s green peninsula! Always the priceless delta of Louisiana! Always the
 cotton-fields of Alabama and Texas! 
Always California’s golden hills and hollows—and the silver mountains of New
 Mexico!
 Always soft-breath’d Cuba! 
Always the vast slope drain’d by the Southern Sea—inseparable with the slopes
 drain’d
 by the Eastern and Western Seas;
The area the eighty-third year of These States—the three and a half millions of
 square
 miles; 
The eighteen thousand miles of sea-coast and bay-coast on the main—the thirty
 thousand
 miles of
 river navigation, 
The seven millions of distinct families, and the same number of dwellings—Always
 these,
 and
 more, branching forth into numberless branches; 
Always the free range and diversity! always the continent of Democracy! 
Always the prairies, pastures, forests, vast cities, travelers, Kanada, the snows;
Always these compact lands—lands tied at the hips with the belt stringing the huge
 oval
 lakes; 
Always the West, with strong native persons—the increasing density there—the
 habitans,
 friendly, threatening, ironical, scorning invaders; 
All sights, South, North, East—all deeds, promiscuously done at all times, 
All characters, movements, growths—a few noticed, myriads unnoticed, 
Through Mannahatta’s streets I walking, these things gathering;
On interior rivers, by night, in the glare of pine knots, steamboats wooding up; 
Sunlight by day on the valley of the Susquehanna, and on the valleys of the Potomac and
 Rappahannock, and the valleys of the Roanoke and Delaware; 
In their northerly wilds, beasts of prey haunting the Adirondacks, the hills—or
 lapping
 the
 Saginaw waters to drink; 
In a lonesome inlet, a sheldrake, lost from the flock, sitting on the water, rocking
 silently; 
In farmers’ barns, oxen in the stable, their harvest labor done—they rest
 standing—they are too tired;
Afar on arctic ice, the she-walrus lying drowsily, while her cubs play around; 
The hawk sailing where men have not yet sail’d—the farthest polar sea, ripply,
 crystalline, open, beyond the floes; 
White drift spooning ahead, where the ship in the tempest dashes; 
On solid land, what is done in cities, as the bells all strike midnight together; 
In primitive woods, the sounds there also sounding—the howl of the wolf, the scream
 of the
 panther, and the hoarse bellow of the elk;
In winter beneath the hard blue ice of Moosehead Lake—in summer visible through the
 clear
 waters, the great trout swimming; 
In lower latitudes, in warmer air, in the Carolinas, the large black buzzard floating
 slowly,
 high
 beyond the tree tops, 
Below, the red cedar, festoon’d with tylandria—the pines and cypresses, growing
 out
 of the
 white sand that spreads far and flat; 
Rude boats descending the big Pedee—climbing plants, parasites, with color’d
 flowers
 and
 berries, enveloping huge trees, 
The waving drapery on the live oak, trailing long and low, noiselessly waved by the wind;
The camp of Georgia wagoners, just after dark—the supper-fires, and the cooking and
 eating
 by
 whites and *******, 
Thirty or forty great wagons—the mules, cattle, horses, feeding from troughs, 
The shadows, gleams, up under the leaves of the old sycamore-trees—the
 flames—with
 the
 black smoke from the pitch-pine, curling and rising; 
Southern fishermen fishing—the sounds and inlets of North Carolina’s
 coast—the
 shad-fishery and the herring-fishery—the large sweep-seines—the windlasses on
 shore
 work’d by horses—the clearing, curing, and packing-houses; 
Deep in the forest, in piney woods, turpentine dropping from the incisions in the
 trees—There
 are the turpentine works,
There are the ******* at work, in good health—the ground in all directions is
 cover’d
 with
 pine straw: 
—In Tennessee and Kentucky, slaves busy in the coalings, at the forge, by the
 furnace-blaze, or
 at the corn-shucking; 
In Virginia, the planter’s son returning after a long absence, joyfully welcom’d
 and
 kiss’d by the aged mulatto nurse; 
On rivers, boatmen safely moor’d at night-fall, in their boats, under shelter of high
 banks, 
Some of the younger men dance to the sound of the banjo or fiddle—others sit on the
 gunwale,
 smoking and talking;
Late in the afternoon, the mocking-bird, the American mimic, singing in the Great Dismal
 Swamp—there are the greenish waters, the resinous odor, the plenteous moss, the
 cypress
 tree,
 and the juniper tree; 
—Northward, young men of Mannahatta—the target company from an excursion
 returning
 home at
 evening—the musket-muzzles all bear bunches of flowers presented by women; 
Children at play—or on his father’s lap a young boy fallen asleep, (how his lips
 move! how
 he smiles in his sleep!) 
The scout riding on horseback over the plains west of the Mississippi—he ascends a
 knoll
 and
 sweeps his eye around; 
California life—the miner, bearded, dress’d in his rude costume—the stanch
 California
 friendship—the sweet air—the graves one, in passing, meets, solitary, just
 aside the
 horsepath;
Down in Texas, the cotton-field, the *****-cabins—drivers driving mules or oxen
 before
 rude
 carts—cotton bales piled on banks and wharves; 
Encircling all, vast-darting, up and wide, the American Soul, with equal
 hemispheres—one
 Love,
 one Dilation or Pride; 
—In arriere, the peace-talk with the Iroquois, the aborigines—the calumet, the
 pipe
 of
 good-will, arbitration, and indorsement, 
The sachem blowing the smoke first toward the sun and then toward the earth, 
The drama of the scalp-dance enacted with painted faces and guttural exclamations,
The setting out of the war-party—the long and stealthy march, 
The single-file—the swinging hatchets—the surprise and slaughter of enemies; 
—All the acts, scenes, ways, persons, attitudes of These States—reminiscences,
 all
 institutions, 
All These States, compact—Every square mile of These States, without excepting a
 particle—you also—me also, 
Me pleas’d, rambling in lanes and country fields, Paumanok’s fields,
Me, observing the spiral flight of two little yellow butterflies, shuffling between each
 other,
 ascending high in the air; 
The darting swallow, the destroyer of insects—the fall traveler southward, but
 returning
 northward early in the spring; 
The country boy at the close of the day, driving the herd of cows, and shouting to them as
 they
 loiter to browse by the road-side; 
The city wharf—Boston, Philadelphia, Baltimore, Charleston, New Orleans, San
 Francisco, 
The departing ships, when the sailors heave at the capstan;
—Evening—me in my room—the setting sun, 
The setting summer sun shining in my open window, showing the swarm of flies, suspended,
 balancing
 in the air in the centre of the room, darting athwart, up and down, casting swift shadows
 in
 specks
 on the opposite wall, where the shine is; 
The athletic American matron speaking in public to crowds of listeners; 
Males, females, immigrants, combinations—the copiousness—the individuality of
 The
 States,
 each for itself—the money-makers; 
Factories, machinery, the mechanical forces—the windlass, lever, pulley—All
 certainties,
The certainty of space, increase, freedom, futurity, 
In space, the sporades, the scatter’d islands, the stars—on the firm earth, the
 lands, my
 lands; 
O lands! all so dear to me—what you are, (whatever it is,) I become a part of that,
 whatever it
 is; 
Southward there, I screaming, with wings slowly flapping, with the myriads of gulls
 wintering
 along
 the coasts of Florida—or in Louisiana, with pelicans breeding; 
Otherways, there, atwixt the banks of the Arkansaw, the Rio Grande, the Nueces, the
 Brazos, the
 Tombigbee, the Red River, the Saskatchawan, or the Osage, I with the spring waters
 laughing
 and
 skipping and running;
Northward, on the sands, on some shallow bay of Paumanok, I, with parties of snowy herons
 wading in
 the wet to seek worms and aquatic plants; 
Retreating, triumphantly twittering, the king-bird, from piercing the crow with its bill,
 for
 amusement—And I triumphantly twittering; 
The migrating flock of wild geese alighting in autumn to refresh themselves—the body
 of
 the
 flock feed—the sentinels outside move around with erect heads watching, and are from
 time
 to
 time reliev’d by other sentinels—And I feeding and taking turns with the rest; 
In Kanadian forests, the moose, large as an ox, corner’d by hunters, rising
 desperately on
 his
 hind-feet, and plunging with his fore-feet, the hoofs as sharp as knives—And I,
 plunging
 at the
 hunters, corner’d and desperate; 
In the Mannahatta, streets, piers, shipping, store-houses, and the countless workmen
 working in
 the
 shops,
And I too of the Mannahatta, singing thereof—and no less in myself than the whole of
 the
 Mannahatta in itself, 
Singing the song of These, my ever united lands—my body no more inevitably united,
 part to
 part, and made one identity, any more than my lands are inevitably united, and made ONE
 IDENTITY; 
Nativities, climates, the grass of the great Pastoral Plains; 
Cities, labors, death, animals, products, war, good and evil—these me, 
These affording, in all their particulars, endless feuillage to me and to America, how can
 I do
 less
 than pass the clew of the union of them, to afford the like to you?
Whoever you are! how can I but offer you divine leaves, that you also be eligible as I am?

How can I but, as here, chanting, invite you for yourself to collect bouquets of the
 incomparable
 feuillage of These States?
Written by Thomas Carew | Create an image from this poem

The Spring

 Now that the winter's gone, the earth hath lost 
Her snow-white robes, and now no more the frost 
Candies the grass, or casts an icy cream 
Upon the silver lake or crystal stream; 
But the warm sun thaws the benumbed earth, 
And makes it tender; gives a sacred birth 
To the dead swallow; wakes in hollow tree 
The drowsy cuckoo and the humble-bee.
Now do a choir of chirping minstrels bring In triumph to the world the youthful spring.
The valleys, hills, and woods in rich array Welcome the coming of the long'd-for May.
Now all things smile; only my love doth lour; Nor hath the scalding noonday sun the power To melt that marble ice, which still doth hold Her heart congeal'd, and makes her pity cold.
The ox, which lately did for shelter fly Into the stall, doth now securely lie In open fields; and love no more is made By the fireside, but in the cooler shade Amyntas now doth with his Chloris sleep Under a sycamore, and all things keep Time with the season; only she doth carry June in her eyes, in her heart January.
Written by George Herbert | Create an image from this poem

The World

Love built a stately house, where Fortune came,
And spinning fancies, she was heard to say
That her fine cobwebs did support the frame,
Whereas they were supported by the same;
But Wisdom quickly swept them all away.
The Pleasure came, who, liking not the fashion, Began to make balconies, terraces, Till she had weakened all by alteration; But reverend laws, and many a proclomation Reform?d all at length with menaces.
Then entered Sin, and with that sycamore Whose leaves first sheltered man from drought and dew, Working and winding slily evermore, The inward walls and summers cleft and tore; But Grace shored these, and cut that as it grew.
Then Sin combined with death in a firm band, To raze the building to the very floor; Which they effected,--none could them withstand; But Love and Grace took Glory by the hand, And built a braver palace than before.
Written by John Betjeman | Create an image from this poem

Ireland With Emily

 Bells are booming down the bohreens,
White the mist along the grass,
Now the Julias, Maeves and Maureens
Move between the fields to Mass.
Twisted trees of small green apple Guard the decent whitewashed chapel, Gilded gates and doorway grained, Pointed windows richly stained With many-coloured Munich glass.
See the black-shawled congregations On the broidered vestment gaze Murmer past the painted stations As Thy Sacred Heart displays Lush Kildare of scented meadows, Roscommon, thin in ash-tree shadows, And Westmeath the lake-reflected, Spreading Leix the hill-protected, Kneeling all in silver haze? In yews and woodbine, walls and guelder, Nettle-deep the faithful rest, Winding leagues of flowering elder, Sycamore with ivy dressed, Ruins in demesnes deserted, Bog-surrounded bramble-skirted - Townlands rich or townlands mean as These, oh, counties of them screen us In the Kingdom of the West.
Stony seaboard, far and foreign, Stony hills poured over space, Stony outcrop of the Burren, Stones in every fertile place, Little fields with boulders dotted, Grey-stone shoulders saffron-spotted, Stone-walled cabins thatched with reeds, Where a Stone Age people breeds The last of Europe's stone age race.
Has it held, the warm June weather? Draining shallow sea-pools dry, When we bicycled together Down the bohreens fuchsia-high.
Till there rose, abrupt and lonely, A ruined abbey, chancel only, Lichen-crusted, time-befriended, Soared the arches, splayed and splendid, Romanesque against the sky.
There in pinnacled protection, One extinguished family waits A Church of Ireland resurrection By the broken, rusty gates.
Sheepswool, straw and droppings cover, Graves of spinster, rake and lover, Whose fantastic mausoleum, Sings its own seablown Te Deum, In and out the slipping slates.


Written by Philip Levine | Create an image from this poem

A Sleepless Night

 April, and the last of the plum blossoms 
scatters on the black grass 
before dawn.
The sycamore, the lime, the struck pine inhale the first pale hints of sky.
An iron day, I think, yet it will come dazzling, the light rise from the belly of leaves and pour burning from the cups of poppies.
The mockingbird squawks from his perch, fidgets, and settles back.
The snail, awake for good, trembles from his shell and sets sail for China.
My hand dances in the memory of a million vanished stars.
A man has every place to lay his head.
Written by John Betjeman | Create an image from this poem

Cornish Cliffs

 Those moments, tasted once and never done,
Of long surf breaking in the mid-day sun.
A far-off blow-hole booming like a gun- The seagulls plane and circle out of sight Below this thirsty, thrift-encrusted height, The veined sea-campion buds burst into white And gorse turns tawny orange, seen beside Pale drifts of primroses cascading wide To where the slate falls sheer into the tide.
More than in gardened Surrey, nature spills A wealth of heather, kidney-vetch and squills Over these long-defended Cornish hills.
A gun-emplacement of the latest war Looks older than the hill fort built before Saxon or Norman headed for the shore.
And in the shadowless, unclouded glare Deep blue above us fades to whiteness where A misty sea-line meets the wash of air.
Nut-smell of gorse and honey-smell of ling Waft out to sea the freshness of the spring On sunny shallows, green and whispering.
The wideness which the lark-song gives the sky Shrinks at the clang of sea-birds sailing by Whose notes are tuned to days when seas are high.
From today's calm, the lane's enclosing green Leads inland to a usual Cornish scene- Slate cottages with sycamore between, Small fields and tellymasts and wires and poles With, as the everlasting ocean rolls, Two chapels built for half a hundred souls.
Written by Sylvia Plath | Create an image from this poem

Prospect

 Among orange-tile rooftops
 and chimney pots
the fen fog slips,
 gray as rats,

while on spotted branch
 of the sycamore
two black rooks hunch
 and darkly glare,

watching for night,
 with absinthe eye
cocked on the lone, late,
 passer-by.
Written by William Topaz McGonagall | Create an image from this poem

Beautiful Crief

 Ye lovers of the picturesque, if ye wish to drown your grief,
Take my advice, and visit the ancient town of Crieff;
The climate is bracing, and the walks lovely to see.
Besides, ye can ramble over the district, and view the beautiful scenery.
The town is admirably situated from the cold winter winds, And the visitors, during their stay there, great comfort finds, Because there is boating and fishing, and admission free, Therefore they can enjoy themselves right merrily.
There is also golf courses, tennis greens, and good roads, Which will make the travelling easier to tourists with great loads, And which will make the bicyclists' hearts feel gay, Because they have everything there to make an enjoyable holiday.
The principal river there is the Earn, rolling on its way, And which flows from Loch Earn, and joins the silvery Tay Above Newburgh, after a course of more than thirty miles; And as the tourist views the scene with joy he smiles.
The princely domain of Drummond Castle is most beautiful to be seen, Especially when the woody landscape is blown full green, And from the entrance gate to the castle an avenue extends all the way, And to view the branches of the frees interlacing makes the heart feel gay.
Drummond Castle's flowery gardens are really very grand; They cannot be surpassed in Great Britain, And in the summer-time the bee and the butterfly are there on the wing, And with the carolling of birds the gardens doth ring.
And from Knock Hill on the north and west, The view from its summit is considered the best; Because the Grampians and the Ochils can be seen, While the beautiful rich fertile valley lies between.
And there are many seats where the weary traveller can rest, And there is also a fountain of water, the very best, While visitors can drink of while resting there, And gaze on the magnificent scenery and inhale the pure air.
Then there's Lady Mary's Walk near the Bridge of Turret, Which I hope visitors will go and see and not forget, Because near by grows a magnificent oak most lovely to see, Which is known by the name of Eppie Callum's Tree.
And at each end of this walk the visitors can ascend Laggan Hill, And as they view the woods and fields with joy their hearts And they will find seats plenteous on this elevated bower, On which they may rest and wile away the hour.
The Hydropathic is situated on an eminence most grand, And is one of the largest buildings in fair Scotland; And capable of accommodating five hundred visitors, who often call there, To recuperate their health and breathe the fragrant air.
Then there's Abercairny, which is most beautiful to view, And Her Majesty the Queen visited the grounds in 1842; And the park and the trees has the aspect of a southern scene, And the lovely appearance of it gladdened the heart of our Queen.
Then there's the village of Foulis, which tourists ought to see, Because the scenery there is charming and pretty; And there's a sycamore tree there that was planted 300 years ago, And I'm sure the sight thereof will please both high and low.
Therefore, in conclusion, to all lovers of the beautiful I will say, If ye really wish to spend an enjoyable holiday, I would recommend Crieff for lovely scenery and pure air; Besides, the climate gives health to many visitors during their stay there.
Written by Emily Dickinson | Create an image from this poem

I know some lonely Houses off the Road

 I know some lonely Houses off the Road
A Robber'd like the look of --
Wooden barred,
And Windows hanging low,
Inviting to --
A Portico,
Where two could creep --
One -- hand the Tools --
The other peep --
To make sure All's Asleep --
Old fashioned eyes --
Not easy to surprise!

How orderly the Kitchen'd look, by night,
With just a Clock --
But they could gag the Tick --
And Mice won't bark --
And so the Walls -- don't tell --
None -- will --

A pair of Spectacles ajar just stir --
An Almanac's aware --
Was it the Mat -- winked,
Or a Nervous Star?
The Moon -- slides down the stair,
To see who's there!

There's plunder -- where --
Tankard, or Spoon --
Earring -- or Stone --
A Watch -- Some Ancient Brooch
To match the Grandmama --
Staid sleeping -- there --

Day -- rattles -- too
Stealth's -- slow --
The Sun has got as far
As the third Sycamore --
Screams Chanticleer
"Who's there"?

And Echoes -- Trains away,
Sneer -- "Where"!
While the old Couple, just astir,
Fancy the Sunrise -- left the door ajar!

Book: Shattered Sighs