Written by
Kahlil Gibran |
As the Sun withdrew his rays from the garden, and the moon threw cushioned beams upon the flowers, I sat under the trees pondering upon the phenomena of the atmosphere, looking through the branches at the strewn stars which glittered like chips of silver upon a blue carpet; and I could hear from a distance the agitated murmur of the rivulet singing its way briskly into the valley.
When the birds took shelter among the boughs, and the flowers folded their petals, and tremendous silence descended, I heard a rustle of feet though the grass.
I took heed and saw a young couple approaching my arbor.
The say under a tree where I could see them without being seen.
After he looked about in every direction, I heard the young man saying, "Sit by me, my beloved, and listen to my heart; smile, for your happiness is a symbol of our future; be merry, for the sparkling days rejoice with us.
"My soul is warning me of the doubt in your heart, for doubt in love is a sin.
"Soon you will be the owner of this vast land, lighted by this beautiful moon; soon you will be the mistress of my palace, and all the servants and maids will obey your commands.
"Smile, my beloved, like the gold smiles from my father's coffers.
"My heart refuses to deny you its secret.
Twelve months of comfort and travel await us; for a year we will spend my father's gold at the blue lakes of Switzerland, and viewing the edifices of Italy and Egypt, and resting under the Holy Cedars of Lebanon; you will meet the princesses who will envy you for your jewels and clothes.
"All these things I will do for you; will you be satisfied?"
In a little while I saw them walking and stepping on flowers as the rich step upon the hearts of the poor.
As they disappeared from my sight, I commenced to make comparison between love and money, and to analyze their position in the heart.
Money! The source of insincere love; the spring of false light and fortune; the well of poisoned water; the desperation of old age!
I was still wandering in the vast desert of contemplation when a forlorn and specter-like couple passed by me and sat on the grass; a young man and a young woman who had left their farming shacks in the nearby fields for this cool and solitary place.
After a few moments of complete silence, I heard the following words uttered with sighs from weather-bitten lips, "Shed not tears, my beloved; love that opens our eyes and enslaves our hearts can give us the blessing of patience.
Be consoled in our delay our delay, for we have taken an oath and entered Love's shrine; for our love will ever grow in adversity; for it is in Love's name that we are suffering the obstacles of poverty and the sharpness of misery and the emptiness of separation.
I shall attack these hardships until I triumph and place in your hands a strength that will help over all things to complete the journey of life.
"Love - which is God - will consider our sighs and tears as incense burned at His altar and He will reward us with fortitude.
Good-bye, my beloved; I must leave before the heartening moon vanishes.
"
A pure voice, combined of the consuming flame of love, and the hopeless bitterness of longing and the resolved sweetness of patience, said, "Good-bye, my beloved.
"
They separated, and the elegy to their union was smothered by the wails of my crying heart.
I looked upon slumbering Nature, and with deep reflection discovered the reality of a vast and infinite thing -- something no power could demand, influence acquire, nor riches purchase.
Nor could it be effaced by the tears of time or deadened by sorrow; a thing which cannot be discovered by the blue lakes of Switzerland or the beautiful edifices of Italy.
It is something that gathers strength with patience, grows despite obstacles, warms in winter, flourishes in spring, casts a breeze in summer, and bears fruit in autumn -- I found Love.
|
Written by
Anne Sexton |
I knew you forever and you were always old,
soft white lady of my heart.
Surely you would scold
me for sitting up late, reading your letters,
as if these foreign postmarks were meant for me.
You posted them first in London, wearing furs
and a new dress in the winter of eighteen-ninety.
I read how London is dull on Lord Mayor's Day,
where you guided past groups of robbers, the sad holes
of Whitechapel, clutching your pocketbook, on the way
to Jack the Ripper dissecting his famous bones.
This Wednesday in Berlin, you say, you will
go to a bazaar at Bismarck's house.
And I
see you as a young girl in a good world still,
writing three generations before mine.
I try
to reach into your page and breathe it back.
.
.
but life is a trick, life is a kitten in a sack.
This is the sack of time your death vacates.
How distant your are on your nickel-plated skates
in the skating park in Berlin, gliding past
me with your Count, while a military band
plays a Strauss waltz.
I loved you last,
a pleated old lady with a crooked hand.
Once you read Lohengrin and every goose
hung high while you practiced castle life
in Hanover.
Tonight your letters reduce
history to a guess.
The count had a wife.
You were the old maid aunt who lived with us.
Tonight I read how the winter howled around
the towers of Schloss Schwobber, how the tedious
language grew in your jaw, how you loved the sound
of the music of the rats tapping on the stone
floors.
When you were mine you wore an earphone.
This is Wednesday, May 9th, near Lucerne,
Switzerland, sixty-nine years ago.
I learn
your first climb up Mount San Salvatore;
this is the rocky path, the hole in your shoes,
the yankee girl, the iron interior
of her sweet body.
You let the Count choose
your next climb.
You went together, armed
with alpine stocks, with ham sandwiches
and seltzer wasser.
You were not alarmed
by the thick woods of briars and bushes,
nor the rugged cliff, nor the first vertigo
up over Lake Lucerne.
The Count sweated
with his coat off as you waded through top snow.
He held your hand and kissed you.
You rattled
down on the train to catch a steam boat for home;
or other postmarks: Paris, verona, Rome.
This is Italy.
You learn its mother tongue.
I read how you walked on the Palatine among
the ruins of the palace of the Caesars;
alone in the Roman autumn, alone since July.
When you were mine they wrapped you out of here
with your best hat over your face.
I cried
because I was seventeen.
I am older now.
I read how your student ticket admitted you
into the private chapel of the Vatican and how
you cheered with the others, as we used to do
on the fourth of July.
One Wednesday in November
you watched a balloon, painted like a silver abll,
float up over the Forum, up over the lost emperors,
to shiver its little modern cage in an occasional
breeze.
You worked your New England conscience out
beside artisans, chestnut vendors and the devout.
Tonight I will learn to love you twice;
learn your first days, your mid-Victorian face.
Tonight I will speak up and interrupt
your letters, warning you that wars are coming,
that the Count will die, that you will accept
your America back to live like a prim thing
on the farm in Maine.
I tell you, you will come
here, to the suburbs of Boston, to see the blue-nose
world go drunk each night, to see the handsome
children jitterbug, to feel your left ear close
one Friday at Symphony.
And I tell you,
you will tip your boot feet out of that hall,
rocking from its sour sound, out onto
the crowded street, letting your spectacles fall
and your hair net tangle as you stop passers-by
to mumble your guilty love while your ears die.
|
Written by
Charles Bukowski |
we have everything and we have nothing
and some men do it in churches
and some men do it by tearing butterflies
in half
and some men do it in Palm Springs
laying it into butterblondes
with Cadillac souls
Cadillacs and butterflies
nothing and everything,
the face melting down to the last puff
in a cellar in Corpus Christi.
there's something for the touts, the nuns,
the grocery clerks and you .
.
.
something at 8 a.
m.
, something in the library
something in the river,
everything and nothing.
in the slaughterhouse it comes running along
the ceiling on a hook, and you swing it --
one
two
three
and then you've got it, $200 worth of dead
meat, its bones against your bones
something and nothing.
it's always early enough to die and
it's always too late,
and the drill of blood in the basin white
it tells you nothing at all
and the gravediggers playing poker over
5 a.
m.
coffee, waiting for the grass
to dismiss the frost .
.
.
they tell you nothing at all.
we have everything and we have nothing --
days with glass edges and the impossible stink
of river moss -- worse than ****;
checkerboard days of moves and countermoves,
fagged interest, with as much sense in defeat as
in victory; slow days like mules
humping it slagged and sullen and sun-glazed
up a road where a madman sits waiting among
bluejays and wrens netted in and sucked a flakey
grey.
good days too of wine and shouting, fights
in alleys, fat legs of women striving around
your bowels buried in moans,
the signs in bullrings like diamonds hollering
Mother Capri, violets coming out of the ground
telling you to forget the dead armies and the loves
that robbed you.
days when children say funny and brilliant things
like savages trying to send you a message through
their bodies while their bodies are still
alive enough to transmit and feel and run up
and down without locks and paychecks and
ideals and possessions and beetle-like
opinions.
days when you can cry all day long in
a green room with the door locked, days
when you can laugh at the breadman
because his legs are too long, days
of looking at hedges .
.
.
and nothing, and nothing, the days of
the bosses, yellow men
with bad breath and big feet, men
who look like frogs, hyenas, men who walk
as if melody had never been invented, men
who think it is intelligent to hire and fire and
profit, men with expensive wives they possess
like 60 acres of ground to be drilled
or shown-off or to be walled away from
the incompetent, men who'd kill you
because they're crazy and justify it because
it's the law, men who stand in front of
windows 30 feet wide and see nothing,
men with luxury yachts who can sail around
the world and yet never get out of their vest
pockets, men like snails, men like eels, men
like slugs, and not as good .
.
.
and nothing, getting your last paycheck
at a harbor, at a factory, at a hospital, at an
aircraft plant, at a penny arcade, at a
barbershop, at a job you didn't want
anyway.
income tax, sickness, servility, broken
arms, broken heads -- all the stuffing
come out like an old pillow.
we have everything and we have nothing.
some do it well enough for a while and
then give way.
fame gets them or disgust
or age or lack of proper diet or ink
across the eyes or children in college
or new cars or broken backs while skiing
in Switzerland or new politics or new wives
or just natural change and decay --
the man you knew yesterday hooking
for ten rounds or drinking for three days and
three nights by the Sawtooth mountains now
just something under a sheet or a cross
or a stone or under an easy delusion,
or packing a bible or a golf bag or a
briefcase: how they go, how they go! -- all
the ones you thought would never go.
days like this.
like your day today.
maybe the rain on the window trying to
get through to you.
what do you see today?
what is it? where are you? the best
days are sometimes the first, sometimes
the middle and even sometimes the last.
the vacant lots are not bad, churches in
Europe on postcards are not bad.
people in
wax museums frozen into their best sterility
are not bad, horrible but not bad.
the
cannon, think of the cannon, and toast for
breakfast the coffee hot enough you
know your tongue is still there, three
geraniums outside a window, trying to be
red and trying to be pink and trying to be
geraniums, no wonder sometimes the women
cry, no wonder the mules don't want
to go up the hill.
are you in a hotel room
in Detroit looking for a cigarette? one more
good day.
a little bit of it.
and as
the nurses come out of the building after
their shift, having had enough, eight nurses
with different names and different places
to go -- walking across the lawn, some of them
want cocoa and a paper, some of them want a
hot bath, some of them want a man, some
of them are hardly thinking at all.
enough
and not enough.
arcs and pilgrims, oranges
gutters, ferns, antibodies, boxes of
tissue paper.
in the most decent sometimes sun
there is the softsmoke feeling from urns
and the canned sound of old battleplanes
and if you go inside and run your finger
along the window ledge you'll find
dirt, maybe even earth.
and if you look out the window
there will be the day, and as you
get older you'll keep looking
keep looking
sucking your tongue in a little
ah ah no no maybe
some do it naturally
some obscenely
everywhere.
|
Written by
Judith Wright |
If the year is meditating a suitable gift,
I should like it to be the attitude
of my great- great- grandmother,
legendary devotee of the arts,
who having eight children
and little opportunity for painting pictures,
sat one day on a high rock
beside a river in Switzerland
and from a difficult distance viewed
her second son, balanced on a small ice flow,drift down the current toward a waterfall
that struck rock bottom eighty feet below,
while her second daughter, impeded,
no doubt, by the petticoats of the day,
stretched out a last-hope alpenstock
(which luckily later caught him on his way).
Nothing, it was evident, could be done;
And with the artist's isolating eye
My great-great-grandmother hastily sketched the scene.
The sketch survives to prove the story by.
Year, if you have no Mother's day present planned,
Reach back and bring me the firmness of her hand.
|
Written by
Robinson Jeffers |
When I was young in school in Switzerland, about the time of the Boer War,
We used to take it for known that the human race
Would last the earth out, not dying till the planet died.
I wrote a schoolboy poem
About the last man walking in stoic dignity along the dead shore
Of the last sea, alone, alone, alone, remembering all
His racial past.
But now I don't think so.
They'll die faceless in flocks,
And the earth flourish long after mankind is out.
|
Written by
Sharon Olds |
The first ones were attached to my dress
at the waist, one on either side,
right at the point where hands could clasp you and
pick you up, as if you were a hot
squeeze bottle of tree syrup, and the
sashes that emerged like axil buds from the
angles of the waist were used to play horses, that
racing across the cement while someone
held your reins and you could feel your flesh
itself in your body wildly streaming.
You would come home, a torn-off sash
dangling from either hand, a snake-charmer—
each time, she sewed them back on with
thicker thread, until the seams of
sash and dress bulged like little
knots of gristle at your waist as you walked, you could
feel them like thumbs pressing into your body.
The next sash was the one Thee, Hannah!
borrowed from her be-ribboned friend
and hid in a drawer and got salve on it,
salve on a sash, like bacon grease on a snake,
God's lard on the ribbon a Quaker girl
should not want, Satan's jism on
silk delicate as the skin of a young girl's genital.
When Hannah gave up satin her father
told her she was beautiful
just as God made her.
But all sashes
lead to the sash, very sash of
very sash, begotten, not made, that my
aunt sent from Switzerland—
cobalt ripple of Swiss cotton with
clean boys and girls dancing on it.
I don't know why my mother chose it to
tie me to the chair with, her eye just
fell on it, but the whole day I
felt those blue children dance
around my wrists.
Later someone
told me they had found out
the universe is a kind of strip that
twists around and joins itself, and I believe it,
sometimes I can feel it, the way we are
pouring slowly toward a curve and around it
through something dark and soft, and we are bound to
each other.
|
Written by
Algernon Charles Swinburne |
CHORUS
If with voice of words or prayers thy sons may reach thee,
We thy latter sons, the men thine after-birth,
We the children of thy grey-grown age, O Earth,
O our mother everlasting, we beseech thee,
By the sealed and secret ages of thy life;
By the darkness wherein grew thy sacred forces;
By the songs of stars thy sisters in their courses;
By thine own song hoarse and hollow and shrill with strife;
By thy voice distuned and marred of modulation;
By the discord of thy measure's march with theirs;
By the beauties of thy bosom, and the cares;
By thy glory of growth, and splendour of thy station;
By the shame of men thy children, and the pride;
By the pale-cheeked hope that sleeps and weeps and passes,
As the grey dew from the morning mountain-grasses;
By the white-lipped sightless memories that abide;
By the silence and the sound of many sorrows;
By the joys that leapt up living and fell dead;
By the veil that hides thy hands and breasts and head,
Wrought of divers-coloured days and nights and morrows;
Isis, thou that knowest of God what worlds are worth,
Thou the ghost of God, the mother uncreated,
Soul for whom the floating forceless ages waited
As our forceless fancies wait on thee, O Earth;
Thou the body and soul, the father-God and mother,
If at all it move thee, knowing of all things done
Here where evil things and good things are not one,
But their faces are as fire against each other;
By thy morning and thine evening, night and day;
By the first white light that stirs and strives and hovers
As a bird above the brood her bosom covers,
By the sweet last star that takes the westward way;
By the night whose feet are shod with snow or thunder,
Fledged with plumes of storm, or soundless as the dew;
By the vesture bound of many-folded blue
Round her breathless breasts, and all the woven wonder;
By the golden-growing eastern stream of sea;
By the sounds of sunrise moving in the mountains;
By the forces of the floods and unsealed fountains;
Thou that badest man be born, bid man be free.
GREECE
I am she that made thee lovely with my beauty
From north to south:
Mine, the fairest lips, took first the fire of duty
From thine own mouth.
Mine, the fairest eyes, sought first thy laws and knew them
Truths undefiled;
Mine, the fairest hands, took freedom first into them,
A weanling child.
By my light, now he lies sleeping, seen above him
Where none sees other;
By my dead that loved and living men that love him;
(Cho.
) Hear us, O mother.
ITALY
I am she that was the light of thee enkindled
When Greece grew dim;
She whose life grew up with man's free life, and dwindled
With wane of him.
She that once by sword and once by word imperial
Struck bright thy gloom;
And a third time, casting off these years funereal,
Shall burst thy tomb.
By that bond 'twixt thee and me whereat affrighted
Thy tyrants fear us;
By that hope and this remembrance reunited;
(Cho.
) O mother, hear us.
SPAIN
I am she that set my seal upon the nameless
West worlds of seas;
And my sons as brides took unto them the tameless
Hesperides.
Till my sins and sons through sinless lands dispersed,
With red flame shod,
Made accurst the name of man, and thrice accursed
The name of God.
Lest for those past fires the fires of my repentance
Hell's fume yet smother,
Now my blood would buy remission of my sentence;
(Cho.
) Hear us, O mother.
FRANCE
I am she that was thy sign and standard-bearer,
Thy voice and cry;
She that washed thee with her blood and left thee fairer,
The same was I.
Were not these the hands that raised thee fallen and fed thee,
These hands defiled?
Was not I thy tongue that spake, thine eye that led thee,
Not I thy child?
By the darkness on our dreams, and the dead errors
Of dead times near us;
By the hopes that hang around thee, and the terrors;
(Cho.
) O mother, hear us.
RUSSIA
I am she whose hands are strong and her eyes blinded
And lips athirst
Till upon the night of nations many-minded
One bright day burst:
Till the myriad stars be molten into one light,
And that light thine;
Till the soul of man be parcel of the sunlight,
And thine of mine.
By the snows that blanch not him nor cleanse from slaughter
Who slays his brother;
By the stains and by the chains on me thy daughter;
(Cho.
) Hear us, O mother.
SWITZERLAND
I am she that shews on mighty limbs and maiden
Nor chain nor stain;
For what blood can touch these hands with gold unladen,
These feet what chain?
By the surf of spears one shieldless bosom breasted
And was my shield,
Till the plume-plucked Austrian vulture-heads twin-crested
Twice drenched the field;
By the snows and souls untrampled and untroubled
That shine to cheer us,
Light of those to these responsive and redoubled;
(Cho.
) O mother, hear us.
GERMANY
I am she beside whose forest-hidden fountains
Slept freedom armed,
By the magic born to music in my mountains
Heart-chained and charmed.
By those days the very dream whereof delivers
My soul from wrong;
By the sounds that make of all my ringing rivers
None knows what song;
By the many tribes and names of my division
One from another;
By the single eye of sun-compelling vision;
(Cho.
) Hear us, O mother.
ENGLAND
I am she that was and was not of thy chosen,
Free, and not free;
She that fed thy springs, till now her springs are frozen;
Yet I am she.
By the sea that clothed and sun that saw me splendid
And fame that crowned,
By the song-fires and the sword-fires mixed and blended
That robed me round;
By the star that Milton's soul for Shelley's lighted,
Whose rays insphere us;
By the beacon-bright Republic far-off sighted;
(Cho.
) O mother, hear us.
CHORUS
Turn away from us the cross-blown blasts of error,
That drown each other;
Turn away the fearful cry, the loud-tongued terror,
O Earth, O mother.
Turn away their eyes who track, their hearts who follow,
The pathless past;
Shew the soul of man, as summer shews the swallow,
The way at last.
By the sloth of men that all too long endure men
On man to tread;
By the cry of men, the bitter cry of poor men
That faint for bread;
By the blood-sweat of the people in the garden
Inwalled of kings;
By his passion interceding for their pardon
Who do these things;
By the sightless souls and fleshless limbs that labour
For not their fruit;
By the foodless mouth with foodless heart for neighbour,
That, mad, is mute;
By the child that famine eats as worms the blossom
--Ah God, the child!
By the milkless lips that strain the bloodless bosom
Till woe runs wild;
By the pastures that give grass to feed the lamb in,
Where men lack meat;
By the cities clad with gold and shame and famine;
By field and street;
By the people, by the poor man, by the master
That men call slave;
By the cross-winds of defeat and of disaster,
By wreck, by wave;
By the helm that keeps us still to sunwards driving,
Still eastward bound,
Till, as night-watch ends, day burn on eyes reviving,
And land be found:
We thy children, that arraign not nor impeach thee
Though no star steer us,
By the waves that wash the morning we beseech thee,
O mother, hear us.
|
Written by
William Topaz McGonagall |
There was a rich old gentleman
Lived on a lonely moor in Switzerland,
And he was very hard to the wandering poor,
'Tis said he never lodged nor served them at his door.
'Twas on a stormy night, and Boreas blew a bitter blast,
And the snowflakes they fell thick and fast,
When a poor old mendicant, tired and footsore,
Who had travelled that day fifteen miles and more,
Knocked loudly at the rich man's door.
The rich man was in his parlour counting his gold,
And he ran to the door to see who was so bold,
And there he saw the mendicant shivering with the cold.
Then the mendicant unto him said,
My dear sir, be not afraid,
Pray give me lodgings for the night,
And heaven will your love requite;
Have pity on me, for I am tired and footsore,
I have travelled fifteen miles to-day and more.
Begone! you vagabond, from my door!
I never give lodgings to the poor;
So be off, take to your heels and run,
Or else I'll shoot you with my gun!
Now do not think I'm making fun;
Do you hear, old beggar, what I say?
Now be quick! and go away.
Have mercy, sir, I cannot go,
For I shall perish in the snow;
Oh! for heaven's sake, be not so hard
And God will your love reward.
My limbs are tired, I cannot go away,
Oh! be so kind as let me stay.
'Twas vain! the rich man said, I shan't,
And shut his door on the mendicant,
And said, That is the way I'll serve the poor
While I live on this lonely moor.
Then the old mendicant did go away,
And, murmuring to himself, did say,
Oh, woe's me that ever I was born!
Oh, God, protect me from the storm!
My feeble limbs refuse to go,
And my poor heart does break with woe.
Then he lay down and died among the snow.
He was found by the rich man's shepherd next day,
While he was searching for sheep that had gone astray;
And he was struck with fear and woe
To see the body lying dead among the snow.
So the shepherd ran home and told his master
About the very sad disaster;
That he had found a dead body in the snow,
But whose it was he did not know.
Then the rich man ordered the body to be brought to his house
And to be instantly dressed by his loving spouse,
For his conscience smote him with fear and woe,
When he heard of the old mendicant being found dead in the snow.
So the poor old mendicant was buried without delay
In a very respectable way,
And from that very day the rich man was kind to the poor
And never turned any one away from his door.
|
Written by
Johann Wolfgang von Goethe |
[This sweet Ballad, and the one entitled The
Maid of the Mill's Repentance, were written on the occasion of a
visit paid by Goethe to Switzerland.
The Maid of the Mill's Treachery,
to which the latter forms the sequel, was not written till the following
year.
]
YOUTH.
SAY, sparkling streamlet, whither thou
Art
going!
With joyous mien thy waters now
Are
flowing.
Why seek the vale so hastily?
Attend for once, and answer me!
MILLSTREAM.
Oh youth, I was a brook indeed;
But
lately
My bed they've deepen'd, and my speed
Swell'd
greatly,
That I may haste to yonder mill.
And so I'm full and never still.
YOUTH.
The mill thou seekest in a mood
Contented,
And know'st not how my youthful blood
'S
tormented.
But doth the miller's daughter fair
Gaze often on thee kindly there?
MILLSTREAM.
She opes the shutters soon as light
Is
gleaming;
And comes to bathe her features bright
And
beaming.
So full and snow-white is her breast,--
I feel as hot as steam suppress'd.
YOUTH.
If she in water can inflame
Such
ardour,
Surely, then, flesh and blood to tame
Is
harder.
When once is seen her beauteous face,
One ever longs her steps to trace.
MILLSTREAM.
Over the wheel I, roaring, bound,
All-proudly,
And ev'ry spoke whirls swiftly round,
And
loudly.
Since I have seen the miller's daughter,
With greater vigour flows the water.
YOUTH.
Like others, then, can grief, poor brook,
Oppress
thee?
"Flow on!"--thus she'll, with smiling look,
Address
thee.
With her sweet loving glance, oh say,
Can she thy flowing current stay?
MILLSTREAM.
'Tis sad, 'tis sad to have to speed
From
yonder;
I wind, and slowly through the mead
Would
wander;
And if the choice remain'd with me,
Would hasten back there presently.
YOUTH.
Farewell, thou who with me dost prove
Love's
sadness!
Perchance some day thou'lt breathe of love
And
gladness.
Go, tell her straight, and often too,
The boy's mute hopes and wishes true.
1797.
|