Written by
Anne Sexton |
1. Old Man
Old man, it's four flights up and for what?
Your room is hardly bigger than your bed.
Puffing as you climb, you are a brown woodcut
stooped over the thin tail and the wornout tread.
The room will do. All that's left of the old life
is jampacked on shelves from floor to ceiling
like a supermarket: your books, your dead wife
generously fat in her polished frame, the congealing
bowl of cornflakes sagging in their instant milk,
your hot plate and your one luxury, a telephone.
You leave your door open, lounging in maroon silk
and smiling at the other roomers who live alone.
Well, almost alone. Through the old-fashioned wall
the fellow next door has a girl who comes to call.
Twice a week at noon during their lunch hour
they puase by your door to peer into your world.
They speak sadly as if the wine they carry would sour
or as if the mattress would not keep them curled
together, extravagantly young in their tight lock.
Old man, you are their father holding court
in the dingy hall until their alarm clock
rings and unwinds them. You unstopper the quart
of brandy you've saved, examining the small print
in the telephone book. The phone in your lap is all
that's left of your family name. Like a Romanoff prince
you stay the same in your small alcove off the hall.
Castaway, your time is a flat sea that doesn't stop,
with no new land to make for and no new stories to swap.
2. Seamstress
I'm at pains to know what else I could have done
but move him out of his parish, him being my son;
him being the only one at home since his Pa
left us to beat the Japs at Okinawa.
I put the gold star up in the front window
beside the flag. Alterations is what I know
and what I did: hems, gussets and seams.
When my boy had the fever and the bad dreams
I paid for the clinic exam and a pack of lies.
As a youngster his private parts were undersize.
I thought of his Pa, that muscly old laugh he had
and the boy was thin as a moth, but never once bad,
as smart as a rooster! To hear some neighbors tell,
Your kid! He'll go far. He'll marry well.
So when he talked of taking the cloth, I thought
I'd talk him out of it. You're all I got,
I told him. For six years he studied up. I prayed
against God Himself for my boy. But he stayed.
Christ was a hornet inside his head. I guess
I'd better stitch the zipper in this dress.
I guess I'll get along. I always did.
Across the hall from me's an old invalid,
aside of him, a young one -- he carries on
with a girl who pretends she comes to use the john.
The old one with the bad breath and his bed all mussed,
he smiles and talks to them. He's got some crust.
Sure as hell, what else could I have done
but pack up and move in here, him being my son?
3. Young Girl
Dear love, as simple as some distant evil
we walk a little drunk up these three flughts
where you tacked a Dufy print above your army cot.
The thin apartment doors on the way up will
not tell us. We are saying, we have our rights
and let them see the sandwiches and wine we bought
for we do not explain my husband's insane abuse
and we do not say why your wild-haired wife has fled
or that my father opened like a walnut and then was dead.
Your palms fold over me like knees. Love is the only use.
Both a little drunk in the afternoon
with the forgotten smart of August on our skin
we hold hands as if we were still children who trudge
up the wooden tower, on up past that close platoon
of doors, past the dear old man who always asks us in
and the one who sews like a wasp and will not budge.
Climbing the dark halls, I ignore their papers and pails,
the twelve coats of rubbish of someone else's dim life.
Tell them need is an excuse for love. Tell them need prevails.
Tell them I remake and smooth your bed and am your wife.
|
Written by
Eugene Field |
This talk about the journalists that run the East is bosh,
We've got a Western editor that's little, but, O gosh!
He lives here in Mizzoora where the people are so set
In ante-bellum notions that they vote for Jackson yet;
But the paper he is running makes the rusty fossils swear,--
The smartest, likeliest paper that is printed anywhere!
And, best of all, the paragraphs are pointed as a tack,
And that's because they emanate
From little Mack.
In architecture he is what you'd call a chunky man,
As if he'd been constructed on the summer cottage plan;
He has a nose like Bonaparte; and round his mobile mouth
Lies all the sensuous languor of the children of the South;
His dealings with reporters who affect a weekly bust
Have given to his violet eyes a shadow of distrust;
In glorious abandon his brown hair wanders back
From the grand Websterian forehead
Of little Mack.
No matter what the item is, if there's an item in it,
You bet your life he's on to it and nips it in a minute!
From multifarious nations, countries, monarchies, and lands,
From Afric's sunny fountains and India's coral strands,
From Greenland's icy mountains and Siloam's shady rills,
He gathers in his telegrams, and Houser pays the bills;
What though there be a dearth of news, he has a happy knack
Of scraping up a lot of scoops,
Does little Mack.
And learning? Well he knows the folks of every tribe and age
That ever played a part upon this fleeting human stage;
His intellectual system's so extensive and so greedy
That, when it comes to records, he's a walkin' cyclopedy;
For having studied (and digested) all the books a-goin',
It stands to reason he must know about all's worth a-knowin'!
So when a politician with a record's on the track,
We're apt to hear some history
From little Mack.
And when a fellow-journalist is broke and needs a twenty,
Who's allus ready to whack up a portion of his plenty?
Who's allus got a wallet that's as full of sordid gain
As his heart is full of kindness and his head is full of brain?
Whose bowels of compassion will in-va-ri-a-bly move
Their owner to those courtesies which plainly, surely prove
That he's the kind of person that never does go back
On a fellow that's in trouble?
Why, little Mack!
I've heard 'em tell of Dana, and of Bonner, and of Reid,
Of Johnnie Cockerill, who, I'll own, is very smart indeed;
Yet I don't care what their renown or influence may be,
One metropolitan exchange is quite enough for me!
So keep your Danas, Bonners, Reids, your Cockerills, and the rest,
The woods is full of better men all through this woolly West;
For all that sleek, pretentious, Eastern editorial pack
We wouldn't swap the shadow of
Our little Mack!
|
Written by
Robert Burns |
WHILE briers an’ woodbines budding green,
An’ paitricks scraichin loud at e’en,
An’ morning poussie whiddin seen,
Inspire my muse,
This freedom, in an unknown frien’,
I pray excuse.
On Fasten-e’en we had a rockin,
To ca’ the crack and weave our stockin;
And there was muckle fun and jokin,
Ye need na doubt;
At length we had a hearty yokin
At sang about.
There was ae sang, amang the rest,
Aboon them a’ it pleas’d me best,
That some kind husband had addrest
To some sweet wife;
It thirl’d the heart-strings thro’ the breast,
A’ to the life.
I’ve scarce heard ought describ’d sae weel,
What gen’rous, manly bosoms feel;
Thought I “Can this be Pope, or Steele,
Or Beattie’s wark?”
They tauld me ’twas an odd kind chiel
About Muirkirk.
It pat me fidgin-fain to hear’t,
An’ sae about him there I speir’t;
Then a’ that kent him round declar’d
He had ingine;
That nane excell’d it, few cam near’t,
It was sae fine:
That, set him to a pint of ale,
An’ either douce or merry tale,
Or rhymes an’ sangs he’d made himsel,
Or witty catches—
’Tween Inverness an’ Teviotdale,
He had few matches.
Then up I gat, an’ swoor an aith,
Tho’ I should pawn my pleugh an’ graith,
Or die a cadger pownie’s death,
At some dyke-back,
A pint an’ gill I’d gie them baith,
To hear your crack.
But, first an’ foremost, I should tell,
Amaist as soon as I could spell,
I to the crambo-jingle fell;
Tho’ rude an’ rough—
Yet crooning to a body’s sel’
Does weel eneugh.
I am nae poet, in a sense;
But just a rhymer like by chance,
An’ hae to learning nae pretence;
Yet, what the matter?
Whene’er my muse does on me glance,
I jingle at her.
Your critic-folk may cock their nose,
And say, “How can you e’er propose,
You wha ken hardly verse frae prose,
To mak a sang?”
But, by your leaves, my learned foes,
Ye’re maybe wrang.
What’s a’ your jargon o’ your schools—
Your Latin names for horns an’ stools?
If honest Nature made you fools,
What sairs your grammars?
Ye’d better taen up spades and shools,
Or knappin-hammers.
A set o’ dull, conceited hashes
Confuse their brains in college classes!
They gang in stirks, and come out asses,
Plain truth to speak;
An’ syne they think to climb Parnassus
By dint o’ Greek!
Gie me ae spark o’ nature’s fire,
That’s a’ the learning I desire;
Then tho’ I drudge thro’ dub an’ mire
At pleugh or cart,
My muse, tho’ hamely in attire,
May touch the heart.
O for a ***** o’ Allan’s glee,
Or Fergusson’s the bauld an’ slee,
Or bright Lapraik’s, my friend to be,
If I can hit it!
That would be lear eneugh for me,
If I could get it.
Now, sir, if ye hae friends enow,
Tho’ real friends, I b’lieve, are few;
Yet, if your catalogue be fu’,
I’se no insist:
But, gif ye want ae friend that’s true,
I’m on your list.
I winna blaw about mysel,
As ill I like my fauts to tell;
But friends, an’ folk that wish me well,
They sometimes roose me;
Tho’ I maun own, as mony still
As far abuse me.
There’s ae wee faut they whiles lay to me,
I like the lasses—Gude forgie me!
For mony a plack they wheedle frae me
At dance or fair;
Maybe some ither thing they gie me,
They weel can spare.
But Mauchline Race, or Mauchline Fair,
I should be proud to meet you there;
We’se gie ae night’s discharge to care,
If we forgather;
An’ hae a swap o’ rhymin-ware
Wi’ ane anither.
The four-gill chap, we’se gar him clatter,
An’ kirsen him wi’ reekin water;
Syne we’ll sit down an’ tak our whitter,
To cheer our heart;
An’ faith, we’se be acquainted better
Before we part.
Awa ye selfish, war’ly race,
Wha think that havins, sense, an’ grace,
Ev’n love an’ friendship should give place
To catch-the-plack!
I dinna like to see your face,
Nor hear your crack.
But ye whom social pleasure charms
Whose hearts the tide of kindness warms,
Who hold your being on the terms,
“Each aid the others,”
Come to my bowl, come to my arms,
My friends, my brothers!
But, to conclude my lang epistle,
As my auld pen’s worn to the gristle,
Twa lines frae you wad gar me fissle,
Who am, most fervent,
While I can either sing or whistle,
Your friend and servant.
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