Written by
Chris Tusa |
after Sue Owen
Born from flour anointed with oil,
from a roux dark and mean as a horse’s breath,
you remind me of some strange, mystical stew
spawned from a muddy version of Macbeth.
Only someone’s replaced the spells with spices,
the witches with a Cajun chef.
Maybe you’re a recipe torn from Satan’s Cookbook,
a kind of dumb-downed devil’s brew
where evil stirs its wicked spoon
in a swampy sacrificial hue.
Maybe God damned the okra that thickens
your soup, the muddy bones that haunt your stew.
Maybe this is why, when we smell the cayenne,
we’re struck dumb as a moth.
Maybe this is why everything that crawls or flies
seems to find its way into your swampy broth.
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Written by
Arthur Symons |
They weave a slow andante as in sleep,
Scaled yellow, swampy black, plague-spotted white;
With blue and lidless eyes at watch they keep
A treachery of silence; infinite
Ancestral angers brood in these dull eyes
Where the long-lineaged venom of the snake
Meditates evil; woven intricacies
Of Oriental arabesque awake,
Unfold, expand, contract, and raise and sway
Swoln heart-shaped heads, flattened as by a heel,
Erect to suck the sunlight from the day,
And stealthily and gradually reveal
Dim cabalistic signs of spots and rings
Among their folds of faded tapestry;
Then these fat, foul, unbreathing, moving things
Droop back to stagnant immobility.
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Written by
Emile Verhaeren |
Yon, in the depths of the evening's track,
Like a herd of blind bullocks that seek their fellows,
Wild, as in terror, the tempest bellows.
And suddenly, there, o'er the gables black
That the church, in the twilight, around it raises
All scored with lightnings the steeple blazes.
See the old bell-ringer, frenzied with fear.
Mouth gaping, yet speechless, draw hastening near.
And the knell of alarm that with strokes of lead
He rings, heaves forth in a tempest of dread
The frantic despair that throbs in his head.
With the cross at the height
Of its summit brandished, the lofty steeple
Spreads the crimson mane
Of the fire o'er the plain
Toward the dream-like horizons that bound the night;
The city nocturnal is filled with light;
The face of the swift-gathered crowds doth people
With fears and with clamours both street and lane;
On walls turned suddenly dazzling bright
The dusky panes drink the crimson flood
Like draughts of blood.
Yet, knell upon knell, the old ringer doth cast
His frenzy and fear o'er the country vast.
The steeple, it seems to be growing higher
Against the horizon that shifts and quivers,
And to be flying in gleams of fire
Far o'er the lakes and the swampy rivers.
Its slates, like wings
Of sparks and spangles, afar it flings.
They fly toward the forests across the night:
And in their passage the fires exhume
The hovels and huts from their folds of gloom,
Setting them suddenly all alight.
In the crashing fall of the steeple's crown
The cross to the brazier's depth drops down,
Where, twisted and torn in the fiery fray,
Its Christian arms are crushed like prey.
With might and main
The bell-ringer sounds his knell abroad.
As though the flames would burn his God.
The fire
Funnel-like hollows its way yet higher,
'Twixt walls of stone, up the steeple's height;
Gaining the archway and lofty stage
Where, swinging in light, the bell bounds with rage.
The daws and the owls, with wild, long cry
Pass screeching by;
On the fast-closed casements their heads they smite,
Burn in the smoke-drifts their pinions light,
Then, broken with terror and bruised with flight.
Suddenly, 'mid the surging crowd.
Fall dead outright.
The old man sees toward his brandished bells
The climbing fire
With hands of boiling gold stretch nigher.
The steeple
Looks like a thicket of crimson bushes,
With here a branch of flame that rushes
Darting the belfry boards between;
Convulsed and savage flames, they cling,
With curves that plant-like curl and lean.
Round every joist, round every pulley,
And monumental beams, whence ring
The bells, that voice forth frenzied folly.
His fear and anguish spent, the ringer
Sounds his own knell
On his ruined bell.
A final crash,
All dust and plaster in one grey flash,
Cleaves the whole steeple's height in pieces;
And like some great cry slain, it ceases
All on a sudden, the knell's dull rage.
The ancient tower
Seems sudden to lean and darkly lower;
While with heavy thuds, as from stage to stage
They headlong bound.
The bells are heard
Plunging and crashing towards the ground.
But yet the old ringer has never stirred.
And, scooping the moist earth out, the bell
Was thus his coffin, and grave as well.
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Written by
Andrew Barton Paterson |
The chorus frogs in the big lagoon
Would sing their songs to the silvery moon.
Tenor singers were out of place,
For every frog was a double bass.
But never a human chorus yet
Could beat the accurate time they set.
The solo singer began the joke;
He sang, "As long as I live I'll croak,
Croak, I'll croak,"
And the chorus followed him: "Croak, croak, croak!"
The poet frog, in his plaintive tone,
Sang of a sorrow was all his own;
"How shall I win to my heart's desire?
How shall I feel my spirit's fire?"
And the solo frog in his deepest croak,
"To fire your spirit," he sang, "eat coke,
Coke, eat coke,"
And the chorus followed him: "Coke, coke, coke!"
The green frog sat in a swampy spot
And he sang the song of he knew not what.
"The world is rotten, oh cursed plight,
That I am the frog that must set it right.
How shall I scatter the shades that lurk?"
And the old man bullfrog sang, "Get work,
Work, get work,"
And the chorus followed him: "Work, work, work!"
The soaring spirits that fain would fly
On wings of hope to the starry sky
Must face the snarls of the jealous dogs,
For the world is ruled by its chorus frogs.
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