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Best Famous Suspicions Poems

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Written by Margaret Atwood | Create an image from this poem

Helen of Troy Does Countertop Dancing

 The world is full of women
who'd tell me I should be ashamed of myself
if they had the chance.
Quit dancing.
Get some self-respect and a day job.
Right.
And minimum wage, and varicose veins, just standing in one place for eight hours behind a glass counter bundled up to the neck, instead of naked as a meat sandwich.
Selling gloves, or something.
Instead of what I do sell.
You have to have talent to peddle a thing so nebulous and without material form.
Exploited, they'd say.
Yes, any way you cut it, but I've a choice of how, and I'll take the money.
I do give value.
Like preachers, I sell vision, like perfume ads, desire or its facsimile.
Like jokes or war, it's all in the timing.
I sell men back their worse suspicions: that everything's for sale, and piecemeal.
They gaze at me and see a chain-saw murder just before it happens, when thigh, ass, inkblot, crevice, tit, and nipple are still connected.
Such hatred leaps in them, my beery worshippers! That, or a bleary hopeless love.
Seeing the rows of heads and upturned eyes, imploring but ready to snap at my ankles, I understand floods and earthquakes, and the urge to step on ants.
I keep the beat, and dance for them because they can't.
The music smells like foxes, crisp as heated metal searing the nostrils or humid as August, hazy and languorous as a looted city the day after, when all the rape's been done already, and the killing, and the survivors wander around looking for garbage to eat, and there's only a bleak exhaustion.
Speaking of which, it's the smiling tires me out the most.
This, and the pretence that I can't hear them.
And I can't, because I'm after all a foreigner to them.
The speech here is all warty gutturals, obvious as a slab of ham, but I come from the province of the gods where meanings are lilting and oblique.
I don't let on to everyone, but lean close, and I'll whisper: My mother was raped by a holy swan.
You believe that? You can take me out to dinner.
That's what we tell all the husbands.
There sure are a lot of dangerous birds around.
Not that anyone here but you would understand.
The rest of them would like to watch me and feel nothing.
Reduce me to components as in a clock factory or abattoir.
Crush out the mystery.
Wall me up alive in my own body.
They'd like to see through me, but nothing is more opaque than absolute transparency.
Look--my feet don't hit the marble! Like breath or a balloon, I'm rising, I hover six inches in the air in my blazing swan-egg of light.
You think I'm not a goddess? Try me.
This is a torch song.
Touch me and you'll burn.


Written by Rg Gregory | Create an image from this poem

from Proverbs of Hell

 (a) radical

ban all fires
and places where people congregate
to create comfort
put an end to sleep
good cooking
and the delectation of wine
tear lovers apart
piss on the sun and moon
degut all heavenly harmony
strike out across the bitter ice
and the poisonous marshes

make (if you dare) a better world

(b) expect poison from standing water
  (iii)
lake erie
why not as a joke one night
pick up your bed and walk
to washington – sleep
your damned sleep in its streets
so that one bright metallic morning
it can wake up to the stench
and fermentation of flesh
the gutrot of nerves – the blood’s
green effervescence so active
your skin has a job to keep it all in

isn’t that what things with the palsy
are supposed to do – lovely lake
give the world the miracle it waits for
what a laugh that would be

especially if washington lost its temper
and screamed christ lake erie
i don’t even know what to do
with my own garbage

pollution is just one of those things

go on lake erie
do it tonight

(c) drive your cart and your plow over the bones of the dead

(i)
isn't the next one
easter egg

  i don't want to live any more in an old way

yes it is

  to be a socialist wearing capitalism's cap
  a teacher in the shadow of a dead headmaster
  a tree using somebody else's old sap

  i want to build my future out of new emotions
  to seek more than my own in a spring surround
  to move amongst people keen to move outwards
  putting love and ideas into fresh ground

  who will come with me across this border
  not anywhere but in the bonds we make
  taking the old apart to find new order
  living ourselves boldly for each other's sake

then love is

  if you ask me today what love is
  i should have to name the people i love
  and perhaps because it's spring
  and i cannot control the knife that's in me
  their names would surprise me as much as you

  for years i have assumed that love is bloody
  a thing locked up in house and a family tree
  but suddenly its ache goes out beyond me
  and the first love is greater for the new

  this year more than any other
  the winter has savaged my deepest roots
  and the easter sun is banging hard against the window
  the arms of my loves are flowering widely
  and over the fields a new definition is running

  even though the streets we walk cannot be altered
  and faces there are that will not understand
  we have a sun born of our mutual longings
  whose shine is a hard fact - love is a new land

new spartans

  i haven't felt this young for twenty years
  yesterday i felt twenty years older
  then i had the curtains drawn over recluse fears
  today the sun comes in and instantly it's colder

  must shave and get dressed - i'm being nagged
  to shove my suspicions in a corner and get out
  what use the sun if being plagued with new life
  i can't throw off this centrally-heated doubt

  accept people with ice in their brows
  are the new spartans - they wait
      shall i go with them
  indoor delights that slowly breed into lies
  need to be dumped out of doors - and paralysis with them

no leave it
there's still one more
the need now

  the need now is to chronicle new times
  by their own statutes not as ***-ends of the old
  ideas stand out bravely against the surrounding grey
  seeking their own order in what themselves proclaim
  fortresses no longer belong by right to an older day

  i want to gather in my hands things i believe in
  not to be told that other rules prevail - there is
  a treading forward to be done of great excitement
  and people to be found who by the old laws
  should be little more than dead
      this enlightment

  is cutting like spring into a bitter winter
  and there is this smashing of many concrete shells
  a dream with the cheek to be aggressive has assumed
  its own flesh and bone and will not put up with sleep
  as its prime condition - life out of death is exhumed

it's the other side
is so disappointing
no thanks
leave it for now

(ii)

there follows a brief interlude in honour of mr vasko popa
(the yugoslav poet who in a short visit to this country
has stayed a long time)
and it will not now take place

  this game is called x
  no one else can play

  when the game is over
  we have all joined in

  those who have not been playing
  have to give in an ear

  if you don't have an ear
  use one of those lying about

  left over from the last time
  the game wasn't played

  this game is not to do with ears
  shooting must be done from the heart

  x sits in the middle of the ring - he
  has gone for a stroll up his left nostril

  how can he seize a left-over ear
  and drag it under the ground

  hands up if you have been shot from the heart
  x comes up in the middle of himself

  in this way the game is over before
  it began and everyone willy-nilly

  has had to go home
  before he could put a foot outside


(d) enough! – or too much

   reading popa
   i let fly
   too many words

   i bang away
   at the seed
   but can’t break it

   hurt i turn to
   constructing
   castles with cards

   if you can’t split
   the atom
   man stop writing
Written by Eugene Field | Create an image from this poem

The peter-bird

 Out of the woods by the creek cometh a calling for Peter,
And from the orchard a voice echoes and echoes it over;
Down in the pasture the sheep hear that strange crying for Peter,
Over the meadows that call is aye and forever repeated.
So let me tell you the tale, when, where, and how it all happened, And, when the story is told, let us pay heed to the lesson.
Once on a time, long ago, lived in the State of Kentucky One that was reckoned a witch--full of strange spells and devices; Nightly she wandered the woods, searching for charms voodooistic-- Scorpions, lizards, and herbs, dormice, chameleons, and plantains! Serpents and caw-caws and bats, screech-owls and crickets and adders-- These were the guides of that witch through the dank deeps of the forest.
Then, with her roots and her herbs, back to her cave in the morning Ambled that hussy to brew spells of unspeakable evil; And, when the people awoke, seeing that hillside and valley Sweltered in swathes as of mist--"Look!" they would whisper in terror-- "Look! the old witch is at work brewing her spells of great evil!" Then would they pray till the sun, darting his rays through the vapor, Lifted the smoke from the earth and baffled the witch's intentions.
One of the boys at that time was a certain young person named Peter, Given too little to work, given too largely to dreaming; Fonder of books than of chores, you can imagine that Peter Led a sad life on the farm, causing his parents much trouble.
"Peter!" his mother would call, "the cream is a'ready for churning!" "Peter!" his father would cry, "go grub at the weeds in the garden!" So it was "Peter!" all day--calling, reminding, and chiding-- Peter neglected his work; therefore that nagging at Peter! Peter got hold of some books--how, I'm unable to tell you; Some have suspected the witch--this is no place for suspicions! It is sufficient to stick close to the thread of the legend.
Nor is it stated or guessed what was the trend of those volumes; What thing soever it was--done with a pen and a pencil, Wrought with a brain, not a hoe--surely 't was hostile to farming! "Fudge on all readin'!" they quoth; or "that's what's the ruin of Peter!" So, when the mornings were hot, under the beech or the maple, Cushioned in grass that was blue, breathing the breath of the blossoms, Lulled by the hum of the bees, the coo of the ring-doves a-mating, Peter would frivol his time at reading, or lazing, or dreaming.
"Peter!" his mother would call, "the cream is a'ready for churning!" "Peter!" his father would cry, "go grub at the weeds in the garden!" "Peter!" and "Peter!" all day--calling, reminding, and chiding-- Peter neglected his chores; therefore that outcry for Peter; Therefore the neighbors allowed evil would surely befall him-- Yes, on account of these things, ruin would come upon Peter! Surely enough, on a time, reading and lazing and dreaming Wrought the calamitous ill all had predicted for Peter; For, of a morning in spring when lay the mist in the valleys-- "See," quoth the folk, "how the witch breweth her evil decoctions! See how the smoke from her fire broodeth on woodland and meadow! Grant that the sun cometh out to smother the smudge of her caldron! She hath been forth in the night, full of her spells and devices, Roaming the marshes and dells for heathenish magical nostrums; Digging in leaves and at stumps for centipedes, pismires, and spiders, Grubbing in poisonous pools for hot salamanders and toadstools; Charming the bats from the flues, snaring the lizards by twilight, Sucking the scorpion's egg and milking the breast of the adder!" Peter derided these things held in such faith by the farmer, Scouted at magic and charms, hooted at Jonahs and hoodoos-- Thinking and reading of books must have unsettled his reason! "There ain't no witches," he cried; "it isn't smoky, but foggy! I will go out in the wet--you all can't hender me, nuther!" Surely enough he went out into the damp of the morning, Into the smudge that the witch spread over woodland and meadow, Into the fleecy gray pall brooding on hillside and valley.
Laughing and scoffing, he strode into that hideous vapor; Just as he said he would do, just as he bantered and threatened, Ere they could fasten the door, Peter had done gone and done it! Wasting his time over books, you see, had unsettled his reason-- Soddened his callow young brain with semi-pubescent paresis, And his neglect of his chores hastened this evil condition.
Out of the woods by the creek cometh a calling for Peter And from the orchard a voice echoes and echoes it over; Down in the pasture the sheep hear that shrill crying for Peter, Up from the spring house the wail stealeth anon like a whisper, Over the meadows that call is aye and forever repeated.
Such were the voices that whooped wildly and vainly for Peter Decades and decades ago down in the State of Kentucky-- Such are the voices that cry now from the woodland and meadow, "Peter--O Peter!" all day, calling, reminding, and chiding-- Taking us back to the time when Peter he done gone and done it! These are the voices of those left by the boy in the farmhouse When, with his laughter and scorn, hatless and bootless and sockless, Clothed in his jeans and his pride, Peter sailed out in the weather, Broke from the warmth of his home into that fog of the devil, Into the smoke of that witch brewing her damnable porridge! Lo, when he vanished from sight, knowing the evil that threatened, Forth with importunate cries hastened his father and mother.
"Peter!" they shrieked in alarm, "Peter!" and evermore "Peter!"-- Ran from the house to the barn, ran from the barn to the garden, Ran to the corn-crib anon, then to the smoke-house proceeded; Henhouse and woodpile they passed, calling and wailing and weeping, Through the front gate to the road, braving the hideous vapor-- Sought him in lane and on pike, called him in orchard and meadow, Clamoring "Peter!" in vain, vainly outcrying for Peter.
Joining the search came the rest, brothers and sisters and cousins, Venting unspeakable fears in pitiful wailing for Peter! And from the neighboring farms gathered the men and the women, Who, upon hearing the news, swelled the loud chorus for Peter.
Farmers and hussifs and maids, bosses and field-hands and niggers, Colonels and jedges galore from cornfields and mint-beds and thickets, All that had voices to voice, all to those parts appertaining, Came to engage in the search, gathered and bellowed for Peter.
The Taylors, the Dorseys, the Browns, the Wallers, the Mitchells, the Logans, The Yenowines, Crittendens, Dukes, the Hickmans, the Hobbses, the Morgans; The Ormsbys, the Thompsons, the Hikes, the Williamsons, Murrays, and Hardins, The Beynroths, the Sherleys, the Hokes, the Haldermans, Harneys, and Slaughters-- All, famed in Kentucky of old for prowess prodigious at farming, Now surged from their prosperous homes to join in that hunt for the truant, To ascertain where he was at, to help out the chorus for Peter.
Still on those prosperous farms where heirs and assigns of the people Specified hereinabove and proved by the records of probate-- Still on those farms shall you hear (and still on the turnpikes adjacent) That pitiful, petulant call, that pleading, expostulant wailing, That hopeless, monotonous moan, that crooning and droning for Peter.
Some say the witch in her wrath transmogrified all those good people; That, wakened from slumber that day by the calling and bawling for Peter, She out of her cave in a thrice, and, waving the foot of a rabbit (Crossed with the caul of a coon and smeared with the blood of a chicken), She changed all those folk into birds and shrieked with demoniac venom: "Fly away over the land, moaning your Peter forever, Croaking of Peter, the boy who didn't believe there were hoodoos, Crooning of Peter, the fool who scouted at stories of witches, Crying of Peter for aye, forever outcalling for Peter!" This is the story they tell; so in good sooth saith the legend; As I have told it to you, so tell the folk and the legend.
That it is true I believe, for on the breezes this morning Come the shrill voices of birds calling and calling for Peter; Out of the maple and beech glitter the eyes of the wailers, Peeping and peering for him who formerly lived in these places-- Peter, the heretic lad, lazy and careless and dreaming, Sorely afflicted with books and with pubescent paresis, Hating the things of the farm, care of the barn and the garden, Always neglecting his chores--given to books and to reading, Which, as all people allow, turn the young person to mischief, Harden his heart against toil, wean his affections from tillage.
This is the legend of yore told in the state of Kentucky When in the springtime the birds call from the beeches and maples, Call from the petulant thorn, call from the acrid persimmon; When from the woods by the creek and from the pastures and meadows, When from the spring house and lane and from the mint-bed and orchard, When from the redbud and gum and from the redolent lilac, When from the dirt roads and pikes cometh that calling for Peter; Cometh the dolorous cry, cometh that weird iteration Of "Peter" and "Peter" for aye, of "Peter" and "Peter" forever! This is the legend of old, told in the tum-titty meter Which the great poets prefer, being less labor than rhyming (My first attempt at the same, my last attempt, too, I reckon!); Nor have I further to say, for the sad story is ended.
Written by Constantine P Cavafy | Create an image from this poem

Finalities

 Amid fear and suspicions,
with agitated mind and frightened eyes,
we melt and plan how to act
to avoid the certain
danger that so horribly threatens us.
And yet we err, this was not in our paths; the messages were false (or we did not hear, or fully understand them).
Another catastrophe, one we never imagined, sudden, precipitous, falls upon us, and unprepared -- there is no more time -- carries us off.
Written by Isaac Watts | Create an image from this poem

Hymn 39

 God's tender care of his church.
Isa.
49:13ff.
Now shall my inward joys arise, And burst into a song; Almighty love inspires my heart, And pleasure tunes my tongue.
God on his thirsty Zion hill Some mercy drops has thrown, And solemn oaths have bound his love To shower salvation down.
Why do we then indulge our fears, Suspicions, and complaints? Is he a God, and shall his grace Grow weary of his saints? Can a kind woman e'er forget The infant of her womb? And 'mongst a thousand tender thoughts Her suckling have no room? "Yet," saith the Lord, "should nature change, And mothers monsters prove, Zion still dwells upon the heart Of everlasting love.
"Deep on the palms of both my hands I have engraved her name; My hands shall raise her ruined walls, And build her broken frame?"



Book: Shattered Sighs