Best Famous Sufferer Poems

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Written by William Cullen Bryant | Create an image from this poem

Hymn To Death

 Oh! could I hope the wise and pure in heart
Might hear my song without a frown, nor deem
My voice unworthy of the theme it tries,--
I would take up the hymn to Death, and say
To the grim power, The world hath slandered thee
And mocked thee. On thy dim and shadowy brow
They place an iron crown, and call thee king
Of terrors, and the spoiler of the world,
Deadly assassin, that strik'st down the fair,
The loved, the good--that breath'st upon the lights
Of virtue set along the vale of life,
And they go out in darkness. I am come,
Not with reproaches, not with cries and prayers,
Such as have stormed thy stern insensible ear
From the beginning. I am come to speak
Thy praises. True it is, that I have wept
Thy conquests, and may weep them yet again:
And thou from some I love wilt take a life
Dear to me as my own. Yet while the spell
Is on my spirit, and I talk with thee
In sight of all thy trophies, face to face,
Meet is it that my voice should utter forth

Thy nobler triumphs: I will teach the world
To thank thee.--Who are thine accusers?--Who?
The living!--they who never felt thy power,
And know thee not. The curses of the wretch
Whose crimes are ripe, his sufferings when thy hand
Is on him, and the hour he dreads is come,
Are writ among thy praises. But the good--
Does he whom thy kind hand dismissed to peace,
Upbraid the gentle violence that took off
His fetters, and unbarred his prison cell?
Raise then the Hymn to Death. Deliverer!
God hath anointed thee to free the oppressed
And crush the oppressor. When the armed chief,
The conqueror of nations, walks the world,
And it is changed beneath his feet, and all
Its kingdoms melt into one mighty realm--
Thou, while his head is loftiest, and his heart
Blasphemes, imagining his own right hand
Almighty, sett'st upon him thy stern grasp,
And the strong links of that tremendous chain
That bound mankind are crumbled; thou dost break
Sceptre and crown, and beat his throne to dust.
Then the earth shouts with gladness, and her tribes
Gather within their ancient bounds again.
Else had the mighty of the olden time,
Nimrod, Sesostris, or the youth who feigned
His birth from Lybian Ammon, smote even now
The nations with a rod of iron, and driven
Their chariot o'er our necks. Thou dost avenge,
In thy good time, the wrongs of those who know

No other friend. Nor dost thou interpose
Only to lay the sufferer asleep,
Where he who made him wretched troubles not
His rest--thou dost strike down his tyrant too.
Oh, there is joy when hands that held the scourge
Drop lifeless, and the pitiless heart is cold.
Thou too dost purge from earth its horrible
And old idolatries; from the proud fanes
Each to his grave their priests go out, till none
Is left to teach their worship; then the fires
Of sacrifice are chilled, and the green moss
O'ercreeps their altars; the fallen images
Cumber the weedy courts, and for loud hymns,
Chanted by kneeling crowds, the chiding winds
Shriek in the solitary aisles. When he
Who gives his life to guilt, and laughs at all
The laws that God or man has made, and round
Hedges his seat with power, and shines in wealth,--
Lifts up his atheist front to scoff at Heaven,
And celebrates his shame in open day,
Thou, in the pride of all his crimes, cutt'st off
The horrible example. Touched by thine,
The extortioner's hard hand foregoes the gold
Wrong from the o'er-worn poor. The perjurer,
Whose tongue was lithe, e'en now, and voluble
Against his neighbour's life, and he who laughed
And leaped for joy to see a spotless fame
Blasted before his own foul calumnies,
Are smit with deadly silence. He, who sold
His conscience to preserve a worthless life,

Even while he hugs himself on his escape,
Trembles, as, doubly terrible, at length,
Thy steps o'ertake him, and there is no time
For parley--nor will bribes unclench thy grasp.
Oft, too, dost thou reform thy victim, long
Ere his last hour. And when the reveller,
Mad in the chase of pleasure, stretches on,
And strains each nerve, and clears the path of life
Like wind, thou point'st him to the dreadful goal,
And shak'st thy hour-glass in his reeling eye,
And check'st him in mid course. Thy skeleton hand
Shows to the faint of spirit the right path,
And he is warned, and fears to step aside.
Thou sett'st between the ruffian and his crime
Thy ghastly countenance, and his slack hand
Drops the drawn knife. But, oh, most fearfully
Dost thou show forth Heaven's justice, when thy shafts
Drink up the ebbing spirit--then the hard
Of heart and violent of hand restores
The treasure to the friendless wretch he wronged.
Then from the writhing bosom thou dost pluck
The guilty secret; lips, for ages sealed,
Are faithless to the dreadful trust at length,
And give it up; the felon's latest breath
Absolves the innocent man who bears his crime;
The slanderer, horror smitten, and in tears,
Recalls the deadly obloquy he forged
To work his brother's ruin. Thou dost make
Thy penitent victim utter to the air
The dark conspiracy that strikes at life,

And aims to whelm the laws; ere yet the hour
Is come, and the dread sign of murder given.
Thus, from the first of time, hast thou been found
On virtue's side; the wicked, but for thee,
Had been too strong for the good; the great of earth
Had crushed the weak for ever. Schooled in guile
For ages, while each passing year had brought
Its baneful lesson, they had filled the world
With their abominations; while its tribes,
Trodden to earth, imbruted, and despoiled,
Had knelt to them in worship; sacrifice
Had smoked on many an altar, temple roofs
Had echoed with the blasphemous prayer and hymn:
But thou, the great reformer of the world,
Tak'st off the sons of violence and fraud
In their green pupilage, their lore half learned--
Ere guilt has quite o'errun the simple heart
God gave them at their birth, and blotted out
His image. Thou dost mark them, flushed with hope,
As on the threshold of their vast designs
Doubtful and loose they stand, and strik'st them down.

Alas, I little thought that the stern power
Whose fearful praise I sung, would try me thus
Before the strain was ended. It must cease--
For he is in his grave who taught my youth
The art of verse, and in the bud of life
Offered me to the muses. Oh, cut off
Untimely! when thy reason in its strength,
Ripened by years of toil and studious search

And watch of Nature's silent lessons, taught
Thy hand to practise best the lenient art
To which thou gavest thy laborious days.
And, last, thy life. And, therefore, when the earth
Received thee, tears were in unyielding eyes
And on hard cheeks, and they who deemed thy skill
Delayed their death-hour, shuddered and turned pale
When thou wert gone. This faltering verse, which thou
Shalt not, as wont, o'erlook, is all I have
To offer at thy grave--this--and the hope
To copy thy example, and to leave
A name of which the wretched shall not think
As of an enemy's, whom they forgive
As all forgive the dead. Rest, therefore, thou
Whose early guidance trained my infant steps--
Rest, in the bosom of God, till the brief sleep
Of death is over, and a happier life
Shall dawn to waken thine insensible dust.
Now thou art not--and yet the men whose guilt
Has wearied Heaven for vengeance--he who bears
False witness--he who takes the orphan's bread,
And robs the widow--he who spreads abroad
Polluted hands in mockery of prayer,
Are left to cumber earth. Shuddering I look
On what is written, yet I blot not out
The desultory numbers--let them stand.
The record of an idle revery.

Written by Mark Twain | Create an image from this poem

The Aged Pilot Man

 On the Erie Canal, it was,
All on a summer's day,
I sailed forth with my parents
Far away to Albany.

From out the clouds at noon that day
There came a dreadful storm,
That piled the billows high about,
And filled us with alarm.

A man came rushing from a house,
Saying, "Snub up your boat I pray,
Snub up your boat, snub up, alas,
Snub up while yet you may."

Our captain cast one glance astern,
Then forward glanced he,
And said, "My wife and little ones
I never more shall see."

Said Dollinger the pilot man,
In noble words, but few,--
"Fear not, but lean on Dollinger,
And he will fetch you through."

The boat drove on, the frightened mules
Tore through the rain and wind,
And bravely still, in danger's post,
The whip-boy strode behind.

"Come 'board, come 'board," the captain cried,
"Nor tempt so wild a storm;"
But still the raging mules advanced,
And still the boy strode on.

Then said the captain to us all,
"Alas, 'tis plain to me,
The greater danger is not there,
But here upon the sea.

So let us strive, while life remains,
To save all souls on board,
And then if die at last we must,
Let . . . . I cannot speak the word!"

Said Dollinger the pilot man,
Tow'ring above the crew,
"Fear not, but trust in Dollinger,
And he will fetch you through."

"Low bridge! low bridge!" all heads went down,
The laboring bark sped on;
A mill we passed, we passed church,
Hamlets, and fields of corn;
And all the world came out to see,
And chased along the shore
Crying, "Alas, alas, the sheeted rain,
The wind, the tempest's roar!
Alas, the gallant ship and crew,
Can nothing help them more?"

And from our deck sad eyes looked out
Across the stormy scene:
The tossing wake of billows aft,
The bending forests green,
The chickens sheltered under carts
In lee of barn the cows,
The skurrying swine with straw in mouth,
The wild spray from our bows!

"She balances!
She wavers!
Now let her go about!
If she misses stays and broaches to,
We're all"--then with a shout,]
"Huray! huray!
Avast! belay!
Take in more sail!
Lord, what a gale!
Ho, boy, haul taut on the hind mule's tail!"
"Ho! lighten ship! ho! man the pump!
Ho, hostler, heave the lead!

"A quarter-three!--'tis shoaling fast!
Three feet large!--t-h-r-e-e feet!--
Three feet scant!" I cried in fright
"Oh, is there no retreat?"

Said Dollinger, the pilot man,
As on the vessel flew,
"Fear not, but trust in Dollinger,
And he will fetch you through."

A panic struck the bravest hearts,
The boldest cheek turned pale;
For plain to all, this shoaling said
A leak had burst the ditch's bed!
And, straight as bolt from crossbow sped,
Our ship swept on, with shoaling lead,
Before the fearful gale!

"Sever the tow-line! Cripple the mules!"
Too late! There comes a shock!
Another length, and the fated craft
Would have swum in the saving lock!

Then gathered together the shipwrecked crew
And took one last embrace,
While sorrowful tears from despairing eyes
Ran down each hopeless face;
And some did think of their little ones
Whom they never more might see,
And others of waiting wives at home,
And mothers that grieved would be.

But of all the children of misery there
On that poor sinking frame,
But one spake words of hope and faith,
And I worshipped as they came:
Said Dollinger the pilot man,--
(O brave heart, strong and true!)--
"Fear not, but trust in Dollinger,
For he will fetch you through."

Lo! scarce the words have passed his lips
The dauntless prophet say'th,
When every soul about him seeth
A wonder crown his faith!

And count ye all, both great and small,
As numbered with the dead:
For mariner for forty year,
On Erie, boy and man,
I never yet saw such a storm,
Or one't with it began!"

So overboard a keg of nails
And anvils three we threw,
Likewise four bales of gunny-sacks,
Two hundred pounds of glue,
Two sacks of corn, four ditto wheat,
A box of books, a cow,
A violin, Lord Byron's works,
A rip-saw and a sow.

A curve! a curve! the dangers grow!
"Labbord!--stabbord!--s-t-e-a-d-y!--so!--
Hard-a-port, Dol!--hellum-a-lee!
Haw the head mule!--the aft one gee!
Luff!--bring her to the wind!"

For straight a farmer brought a plank,--
(Mysteriously inspired)--
And laying it unto the ship,
In silent awe retired.

Then every sufferer stood amazed
That pilot man before;
A moment stood. Then wondering turned,
And speechless walked ashore.
Written by Sylvia Plath | Create an image from this poem

Perseus: The Triumph of Wit Over Suffering

Head alone shows you in the prodigious act
Of digesting what centuries alone digest:
The mammoth, lumbering statuary of sorrow,
Indissoluble enough to riddle the guts
Of a whale with holes and holes, and bleed him white
Into salt seas. Hercules had a simple time,
Rinsing those stables: a baby's tears would do it.
But who'd volunteer to gulp the Laocoon,
The Dying Gaul and those innumerable pietas
Festering on the dim walls of Europe's chapels,
Museums and sepulchers? You.
 You
Who borrowed feathers for your feet, not lead,
Not nails, and a mirror to keep the snaky head
In safe perspective, could outface the gorgon-grimace
Of human agony: a look to numb
Limbs: not a basilisk-blink, nor a double whammy,
But all the accumulated last grunts, groans,
Cries and heroic couplets concluding the million
Enacted tragedies on these blood-soaked boards,
And every private twinge a hissing asp
To petrify your eyes, and every village
Catastrophe a writhing length of cobra,
And the decline of empires the thick coil of a vast
Anacnoda.
 Imagine: the world
Fisted to a foetus head, ravined, seamed
With suffering from conception upwards, and there
You have it in hand. Grit in the eye or a sore
Thumb can make anyone wince, but the whole globe
Expressive of grief turns gods, like kings, to rocks.
Those rocks, cleft and worn, themselves then grow
Ponderous and extend despair on earth's
Dark face.
 So might rigor mortis come to stiffen
All creation, were it not for a bigger belly
Still than swallows joy.
 You enter now,
Armed with feathers to tickle as well as fly,
And a fun-house mirror that turns the tragic muse
To the beheaded head of a sullen doll, one braid,
A bedraggled snake, hanging limp as the absurd mouth
Hangs in its lugubious pout. Where are
The classic limbs of stubborn Antigone?
The red, royal robes of Phedre? The tear-dazzled
Sorrows of Malfi's gentle duchess?
 Gone
In the deep convulsion gripping your face, muscles
And sinews bunched, victorious, as the cosmic
Laugh does away with the unstitching, plaguey wounds
Of an eternal sufferer.
 To you
Perseus, the palm, and may you poise
And repoise until time stop, the celestial balance
Which weighs our madness with our sanity.
Written by Robert Browning | Create an image from this poem

Abt Vogler

 Would that the structure brave, the manifold music I build,
Bidding my organ obey, calling its keys to their work,
Claiming each slave of the sound, at a touch, as when Solomon willed
Armies of angels that soar, legions of demons that lurk,
Man, brute, reptile, fly,--alien of end and of aim,
Adverse, each from the other heaven-high, hell-deep removed,--
Should rush into sight at once as he named the ineffable Name,
And pile him a palace straight, to pleasure the princess he loved!

Would it might tarry like his, the beautiful building of mine,
This which my keys in a crowd pressed and importuned to raise!
Ah, one and all, how they helped, would dispart now and now combine,
Zealous to hasten the work, heighten their master his praise!
And one would bury his brow with a blind plunge down to hell,
Burrow awhile and build, broad on the roots of things,
Then up again swim into sight, having based me my palace well,
Founded it, fearless of flame, flat on the nether springs.

And another would mount and march, like the excellent minion he was,
Ay, another and yet another, one crowd but with many a crest,
Raising my rampired walls of gold as transparent as glass,
Eager to do and die, yield each his place to the rest:
For higher still and higher (as a runner tips with fire,
When a great illumination surprises a festal night--
Outlining round and round Rome's dome from space to spire)
Up, the pinnacled glory reached, and the pride of my soul was in sight.

In sight? Not half! for it seemed, it was certain, to match man's birth,
Nature in turn conceived, obeying an impulse as I;
And the emulous heaven yearned down, made effort to reach the earth,
As the earth had done her best, in my passion, to scale the sky:
Novel splendours burst forth, grew familiar and dwelt with mine,
Not a point nor peak but found and fixed its wandering star;
Meteor-moons, balls of blaze: and they did not pale nor pine,
For earth had attained to heaven, there was no more near nor far.

Nay more; for there wanted not who walked in the glare and glow,
Presences plain in the place; or, fresh from the Protoplast,
Furnished for ages to come, when a kindlier wind should blow,
Lured now to begin and live, in a house to their liking at last;
Or else the wonderful Dead who have passed through the body and gone,
But were back once more to breathe in an old world worth their new:
What never had been, was now; what was, as it shall be anon;
And what is,--shall I say, matched both? for I was made perfect too.

All through my keys that gave their sounds to a wish of my soul,
All through my soul that praised as its wish flowed visibly forth,
All through music and me! For think, had I painted the whole,
Why, there it had stood, to see, nor the process so wonder-worth:
Had I written the same, made verse--still, effect proceeds from cause,
Ye know why the forms are fair, ye hear how the tale is told;
It is all triumphant art, but art in obedience to laws,
Painter and poet are proud in the artist-list enrolled:--

But here is the finger of God, a flash of the will that can,
Existent behind all laws, that made them and, lo, they are!
And I know not if, save in this, such gift be allowed to man,
That out of three sounds he frame, not a fourth sound, but a star.
Consider it well: each tone of our scale in itself is nought;
It is everywhere in the world--loud, soft, and all is said:
Give it to me to use! I mix it with two in my thought:
And, there! Ye have heard and seen: consider and bow the head!

Well, it is gone at last, the palace of music I reared;
Gone! and the good tears start, the praises that come too slow;
For one is assured at first, one scarce can say that he feared,
That he even gave it a thought, the gone thing was to go.
Never to be again! But many more of the kind
As good, nay, better, perchance: is this your comfort to me?
To me, who must be saved because I cling with my mind
To the same, same self, same love, same God: ay, what was, shall be.

Therefore to whom turn I but to thee, the ineffable Name?
Builder and maker, thou, of houses not made with hands!
What, have fear of change from thee who art ever the same?
Doubt that thy power can fill the heart that thy power expands?
There shall never be one lost good! What was, shall live as before;
The evil is null, is nought, is silence implying sound;
What was good shall be good, with, for evil, so much good more;
On the earth the broken arcs; in the heaven, a perfect round.

All we have willed or hoped or dreamed of good shall exist;
Not its semblance, but itself; no beauty, nor good, nor power
Whose voice has gone forth, but each survives for the melodist
When eternity affirms the conception of an hour.
The high that proved too high, the heroic for earth too hard,
The passion that left the ground to lose itself in the sky,
Are music sent up to God by the lover and the bard;
Enough that he heard it once: we shall hear it by and by.

And what is our failure here but a triumph's evidence
For the fulness of the days? Have we withered or agonized?
Why else was the pause prolonged but that singing might issue thence?
Why rushed the discords in, but that harmony should be prized?
Sorrow is hard to bear, and doubt is slow to clear,
Each sufferer says his say, his scheme of the weal and woe:
But God has a few of us whom he whispers in the ear;
The rest may reason and welcome; 'tis we musicians know.

Well, it is earth with me; silence resumes her reign:
I will be patient and proud, and soberly acquiesce.
Give me the keys. I feel for the common chord again,
Sliding by semitones till I sink to the minor,--yes,
And I blunt it into a ninth, and I stand on alien ground,
Surveying awhile the heights I rolled from into the deep;
Which, hark, I have dared and done, for my resting-place is found,
The C Major of this life: so, now I will try to sleep.
Written by Dylan Thomas | Create an image from this poem

Lie Still Sleep Becalmed

 Lie still, sleep becalmed, sufferer with the wound
In the throat, burning and turning. All night afloat
On the silent sea we have heard the sound
That came from the wound wrapped in the salt sheet.

Under the mile off moon we trembled listening
To the sea sound flowing like blood from the loud wound
And when the salt sheet broke in a storm of singing
The voices of all the drowned swam on the wind.

Open a pathway through the slow sad sail,
Throw wide to the wind the gates of the wandering boat
For my voyage to begin to the end of my wound,
We heard the sea sound sing, we saw the salt sheet tell.
Lie still, sleep becalmed, hide the mouth in the throat,
Or we shall obey, and ride with you through the drowned.

Written by Alan Seeger | Create an image from this poem

The Torture of Cuauhtemoc

 Their strength had fed on this when Death's white arms 
Came sleeved in vapors and miasmal dew, 
Curling across the jungle's ferny floor, 
Becking each fevered brain. On bleak divides, 
Where Sleep grew niggardly for nipping cold 
That twinged blue lips into a mouthed curse, 
Not back to Seville and its sunny plains 
Winged their brief-biding dreams, but once again, 
Lords of a palace in Tenochtitlan, 
They guarded Montezuma's treasure-hoard. 
Gold, like some finny harvest of the sea, 
Poured out knee deep around the rifted floors, 
Shiny and sparkling, -- arms and crowns and rings: 
Gold, sweet to toy with as beloved hair, -- 
To plunge the lustful, crawling fingers down, 
Arms elbow deep, and draw them out again, 
And watch the glinting metal trickle off, 
Even as at night some fisherman, home bound 
With speckled cargo in his hollow keel 
Caught off Campeche or the Isle of Pines, 
Dips in his paddle, lifts it forth again, 
And laughs to see the luminous white drops 
Fall back in flakes of fire. . . . Gold was the dream 
That cheered that desperate enterprise. And now? . . . 
Victory waited on the arms of Spain, 
Fallen was the lovely city by the lake, 
The sunny Venice of the western world; 
There many corpses, rotting in the wind, 
Poked up stiff limbs, but in the leprous rags 
No jewel caught the sun, no tawny chain 
Gleamed, as the prying halberds raked them o'er. 
Pillage that ran red-handed through the streets 
Came railing home at evening empty-palmed; 
And they, on that sad night a twelvemonth gone, 
Who, ounce by ounce, dear as their own life's blood 
Retreating, cast the cumbrous load away: 
They, when brown foemen lopped the bridges down, 
Who tipped thonged chests into the stream below 
And over wealth that might have ransomed kings 
Passed on to safety; -- cheated, guerdonless -- 
Found (through their fingers the bright booty slipped) 
A city naked, of that golden dream 
Shorn in one moment like a sunset sky. 


Deep in a chamber that no cheerful ray 
Purged of damp air, where in unbroken night 
Black scorpions nested in the sooty beams, 
Helpless and manacled they led him down -- 
Cuauhtemotzin -- and other lords beside -- 
All chieftains of the people, heroes all -- 
And stripped their feathered robes and bound them there 
On short stone settles sloping to the head, 
But where the feet projected, underneath 
Heaped the red coals. Their swarthy fronts illumed, 
The bearded Spaniards, helmed and haubergeoned, 
Paced up and down beneath the lurid vault. 
Some kneeling fanned the glowing braziers; some 
Stood at the sufferers' heads and all the while 
Hissed in their ears: "The gold . . . the gold . . . the gold. 
Where have ye hidden it -- the chested gold? 
Speak -- and the torments cease!" 


They answered not. 
Past those proud lips whose key their sovereign claimed 
No accent fell to chide or to betray, 
Only it chanced that bound beside the king 
Lay one whom Nature, more than other men 
Framing for delicate and perfumed ease, 
Not yet, along the happy ways of Youth, 
Had weaned from gentle usages so far 
To teach that fortitude that warriors feel 
And glory in the proof. He answered not, 
But writhing with intolerable pain, 
Convulsed in every limb, and all his face 
Wrought to distortion with the agony, 
Turned on his lord a look of wild appeal, 
The secret half atremble on his lips, 
Livid and quivering, that waited yet 
For leave -- for leave to utter it -- one sign -- 
One word -- one little word -- to ease his pain. 


As one reclining in the banquet hall, 
Propped on an elbow, garlanded with flowers, 
Saw lust and greed and boisterous revelry 
Surge round him on the tides of wine, but he, 
Staunch in the ethic of an antique school -- 
Stoic or Cynic or of Pyrrho's mind -- 
With steady eyes surveyed the unbridled scene, 
Himself impassive, silent, self-contained: 
So sat the Indian prince, with brow unblanched, 
Amid the tortured and the torturers. 
He who had seen his hopes made desolate, 
His realm despoiled, his early crown deprived him, 
And watched while Pestilence and Famine piled 
His stricken people in their reeking doors, 
Whence glassy eyes looked out and lean brown arms 
Stretched up to greet him in one last farewell 
As back and forth he paced along the streets 
With words of hopeless comfort -- what was this 
That one should weaken now? He weakened not. 
Whate'er was in his heart, he neither dealt 
In pity nor in scorn, but, turning round, 
Met that racked visage with his own unmoved, 
Bent on the sufferer his mild calm eyes, 
And while the pangs smote sharper, in a voice, 
As who would speak not all in gentleness 
Nor all disdain, said: "Yes! And am -I- then 
Upon a bed of roses?" 


Stung with shame -- 
Shame bitterer than his anguish -- to betray 
Such cowardice before the man he loved, 
And merit such rebuke, the boy grew calm; 
And stilled his struggling limbs and moaning cries, 
And shook away his tears, and strove to smile, 
And turned his face against the wall -- and died.
Written by Randall Jarrell | Create an image from this poem

The Old And The New Masters

 About suffering, about adoration, the old masters 
Disagree. When someone suffers, no one else eats 
Or walks or opens the window--no one breathes 
As the sufferers watch the sufferer. 
In St. Sebastian Mourned by St. Irene
The flame of one torch is the only light. 
All the eyes except the maidservant's (she weeps 
And covers them with a cloth) are fixed on the shaft 
Set in his chest like a column; St. Irene's 
Hands are spread in the gesture of the Madonna, 
Revealing, accepting, what she does not understand. 
Her hands say: "Lo! Behold!" 
Beside her a monk's hooded head is bowed, his hands 
Are put together in the work of mourning. 
It is as if they were still looking at the lance 
Piercing the side of Christ, nailed on his cross. 
The same nails pierce all their hands and feet, the same 
Thin blood, mixed with water, trickles from their sides. 
The taste of vinegar is on every tongue 
That gasps, "My God, my God, why hast Thou forsaken me?"
They watch, they are, the one thing in the world. 

So, earlier, everything is pointed 
In van der Goes' Nativity, toward the naked 
Shining baby, like the needle of a compass. 
The different orders and sizes of the world: 
The angels like Little People, perched in the rafters 
Or hovering in mid-air like hummingbirds; 
The shepherds, so big and crude, so plainly adoring; 
The medium-sized donor, his little family, 
And their big patron saints; the Virgin who kneels 
Before her child in worship; the Magi out in the hills 
With their camels--they ask directions, and have pointed out 
By a man kneeling, the true way; the ox 
And the donkey, two heads in the manger 
So much greater than a human head, who also adore; 
Even the offerings, a sheaf of wheat, 
A jar and a glass of flowers, are absolutely still 
In natural concentration, as they take their part 
In the salvation of the natural world. 
The time of the world concentrates 
On this one instant: far off in the rocks 
You can see Mary and Joseph and their donkey 
Coming to Bethlehem; on the grassy hillside 
Where their flocks are grazing, the shepherds gesticulate 
In wonder at the star; and so many hundreds 
Of years in the future, the donor, his wife, 
And their children are kneeling, looking: everything 
That was or will be in the world is fixed 
On its small, helpless, human center. 

After a while the masters show the crucifixion 
In one corner of the canvas: the men come to see 
What is important, see that it is not important. 
The new masters paint a subject as they please, 
And Veronese is prosecuted by the Inquisition 
For the dogs playing at the feet of Christ, 
The earth is a planet among galaxies. 
Later Christ disappears, the dogs disappear: in abstract 
Understanding, without adoration, the last master puts 
Colors on canvas, a picture of the universe 
In which a bright spot somewhere in the corner 
Is the small radioactive planet men called Earth.
Written by Ogden Nash | Create an image from this poem

Winter Complaint

 Now when I have a cold
I am careful with my cold, 
I consult a physician 
And I do as I am told. 
I muffle up my torso 
In woolly woolly garb, 
And I quaff great flagons 
Of sodium bicarb. 
I munch on aspirin, 
I lunch on water, 
And I wouldn’t dream of osculating
Anybody’s daughter, 
And to anybody’s son 
I wouldn’t say howdy, 
For I am a sufferer 
Magna cum laude. 
I don’t like germs, 
But I’ll keep the germs I’ve got. 
Will I take a chance of spreading them?
Definitely not. 
I sneeze out the window 
And I cough up the flue,
And I live like a hermit 
Till the germs get through. 
And because I’m considerate, 
Because I’m wary, 
I am treated by my friends 
Like Typhoid Mary. 

Now when you have a cold 
You are careless with your cold, 
You are cocky as a gangster 
Who has just been paroled. 
You ignore your physician, 
You eat steaks and oxtails, 
You stuff yourself with starches, 
You drink lots of cocktails, 
And you claim that gargling 
Is a time of waste, 
And you won’t take soda 
For you don’t like the taste, 
And you prowl around parties 
Full of selfish bliss, 
And greet your hostess
With a genial kiss. 
You convert yourself 
Into a deadly missle, 
You exhale Hello’s 
Like a steamboat wistle. 
You sneeze in the subway 
And you cough at dances, 
And let everybody else 
Take their own good chances.
You’re a bronchial boor, 
A bacterial blighter, 
And you get more invitations
Than a gossip writer. 

Yes, your throat is froggy, 
And your eyes are swimmy, 
And you hand is clammy, 
And you nose is brimmy, 
But you woo my girls 
And their hearts you jimmy 
While I sit here 
With the cold you gimmy.
Written by William Cullen Bryant | Create an image from this poem

The Conquerors Grave

WITHIN this lowly grave a Conqueror lies  
And yet the monument proclaims it not  
Nor round the sleeper's name hath chisel wrought 
The emblems of a fame that never dies ¡ª 
Ivy and amaranth in a graceful sheaf 5 
Twined with the laurel's fair imperial leaf. 
A simple name alone  
To the great world unknown  
Is graven here and wild-flowers rising round  
Meek meadow-sweet and violets of the ground 10 
Lean lovingly against the humble stone. 

Here in the quiet earth they laid apart 
No man of iron mould and bloody hands  
Who sought to wreak upon the cowering lands 
The passions that consumed his restless heart; 15 
But one of tender spirit and delicate frame  
Gentlest in mien and mind  
Of gentle womankind  
Timidly shrinking from the breath of blame: 
One in whose eyes the smile of kindness made 20 
Its haunt like flowers by sunny brooks in May  
Yet at the thought of others' pain a shade 
Of sweeter sadness chased the smile away. 

Nor deem that when the hand that moulders here 
Was raised in menace realms were chilled with fear 25 
And armies mustered at the sign as when 
Clouds rise on clouds before the rainy East¡ª 
Gray captains leading bands of veteran men 
And fiery youths to be the vulture's feast. 
Not thus were waged the mighty wars that gave 30 
The victory to her who fills this grave; 
Alone her task was wrought  
Alone the battle fought; 
Through that long strife her constant hope was staid 
On God alone nor looked for other aid. 35 

She met the hosts of Sorrow with a look 
That altered not beneath the frown they wore  
And soon the lowering brood were tamed and took  
Meekly her gentle rule and frowned no more. 
Her soft hand put aside the assaults of wrath 40 
And calmly broke in twain 
The fiery shafts of pain  
And rent the nets of passion from her path. 
By that victorious hand despair was slain. 
With love she vanquished hate and overcame 45 
Evil with good in her Great Master's name. 

Her glory is not of this shadowy state  
Glory that with the fleeting season dies; 
But when she entered at the sapphire gate 
What joy was radiant in celestial eyes! 50 
How heaven's bright depths with sounding welcomes rung  
And flowers of heaven by shining hands were flung! 
And He who long before  
Pain scorn and sorrow bore  
The Mighty Sufferer with aspect sweet 55 
Smiled on the timid stranger from his seat; 
He who returning glorious from the grave  
Dragged Death disarmed in chains a crouching slave. 

See as I linger here the sun grows low; 
Cool airs are murmuring that the night is near. 60 
O gentle sleeper from thy grave I go 
Consoled though sad in hope and yet in fear. 
Brief is the time I know  
The warfare scarce begun; 
Yet all may win the triumphs thou hast won. 65 
Still flows the fount whose waters strengthened thee  
The victors' names are yet too few to fill 
Heaven's mighty roll; the glorious armory  
That ministered to thee is open still. 
Written by Robert William Service | Create an image from this poem

The Healer

 "Tuberculosis should not be,"
 The old professor said.
"If folks would hearken unto me
 'Twould save a million dead.
Nay, no consumptive needs to die,
 --A cure have I.

"From blood of turtle I've distilled
 An elixir of worth;
Let every sufferer be thrilled
 And sing for joy of earth;
Yet every doctor turns his back
 And calls me quack.

"Alas! They do not want to cure,
 For sickness is their meat;
So persecution I endure,
 And die in dark defeat:
Ye lungers, listen to my call!
 --I'll save you all."

The old Professor now is dead,
 And turtles of the sea,
Knowing their blood they need not shed,
 Are festive in their glee:
While sanitoriums are crammed
 With legions dammed.
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