Written by
Rg Gregory |
(roundel: variation of the rondeau
consisting of three stanzas of three
lines each, linked together with but
two rhymes and a refrain at the end
of the first and third group)
1.
the blind rose
today's fullness is tomorrow's gone
(the next day after no one knows)
last year's dream now feeds upon
what blindly grows
imagine if you like a rose
on which no likely sun has shone
a darkness chokes it (just suppose)
the die though's cast - a marathon
of hopes endeavours then bestows
dawn's right to spill its colours on
what blindly grows
2.
squeaking
there are so few words left now to grow
green on - my vocabulary's stumped
for a hard-edged phrase to let you know
my truth's not been gazumped
love itself of course is blandly thumped
each time it suits you to imagine no
fruits are guilty for their being scrumped
if you can't be honest with me - better go
if dumped is what you wish then i'll be dumped
excuse me if i go on squeaking though
my truth's not been gazumped
3.
ease of mind
the world spins - today i have migraine
the peace i seek is never less than ill
striving's no answer to the bumptious pain
that is love's overspill
wanting warmth encourages the chill
relaxation breeds its bitter strain
the worst of all crimes is - i love you still
hope itself by nature is inane
i squat in a box dismembered from such will
to let me find the ease of mind again
that is love's overspill
4.
a roundel for ptolemy
the earth is not the system's centre- so ok
heliocentric - well our sun's a midget
spawning galaxies blow our minds away
space then equal to a digit
the mightiest telescope's a widget
science at best hard guessing gone astray
no genius stretch beyond a second's fidget
ptolemy discarded yet may have his say
infinity takes a hologram to bridge it
each shard of us contains the cosmos -
space then equal to a digit
5.
reflection
everything you do is my reflection
the hurts you cause are my pain inside out
blame's no matter for a close inspection
your guilt turns mine about
love itself is many hands of doubt
it cannot be without it breeds rejection
its silences result in one big shout
i am left with nothing but dejection
what's gold in me has nowhere to get out
love's pride is fatal to correction
my guilt turns yours about
6.
the round
the round understands the fluidity of order
how the thing lit up and the shadow can't compete
how the centre is that version of the border
the moment makes complete
notice each face around a space at times replete
with insights given to no one else as warder
but not condemned when those insights retreat
impermanence is eternity's recorder -
with an intricate sense of pattern power can't delete
the round honours those cracks in the divine disorder
the moment makes complete
7.
the actor
acting is not the true self's dissipation
but not its preening either - outside the role
it honours it best fights shy of reputation -
being what prometheus stole
it is a distant spark of that first live coal
a conscious glimpse of human desperation
rekindled as a longing to console
the waning spirit or the shattered dedication
actors are allies of the delphic hole
for good or ill they echo human expectation
being what prometheus stole
8.
roundels in honour of the round
(i)
when energy was born it asked this question
which way dear parents do i go from here
mum fluttered indifferently (i blame exhaustion)
dad pointed with his sexual gear
so energy thrust straight ahead and fostered fear
at once its dreaded source became a bastion
too holy to be doubted - mum flipped a gear
she sought revenge on dad for his lewd suggestion
taking too long of course - things went nuclear
the scale of the damage was too much to ingest when
dad pointed with his sexual gear
(ii)
she sat with her flowing skirt spread out on the earth
and tore the garment into strips from toe to waist
laying them to point around the wide world's girth
my way the truth flows best
dad laughed his head off at the pointless waste
and energy itself was seized by powerful mirth
perhaps mum's petalled skirt was not well placed
in time mishandled plenty breeds its dearth
dad's roisterous one-way-ism was disgraced
energy began to sense what mum was worth
her way the truth flows best
|
Written by
Andrew Barton Paterson |
On Western plains, where shade is not,
'Neath summer skies of cloudless blue,
Where all is dry and all is hot,
There stands the town of Dandaloo --
A township where life's total sum
Is sleep, diversified with rum.
Its grass-grown streets with dust are deep;
'Twere vain endeavour to express
The dreamless silence of its sleep,
Its wide, expansive drunkenness.
The yearly races mostly drew
A lively crowd at Dandaloo.
There came a sportsman from the East,
The eastern land where sportsmen blow,
And brought with him a speedy beast --
A speedy beast as horses go.
He came afar in hope to "do"
The little town of Dandaloo.
Now this was weak of him, I wot --
Exceeding weak, it seemed to me --
For we in Dandaloo were not
The Jugginses we seemed to be;
In fact, we rather thought we knew
Our book by heart in Dandaloo.
We held a meeting at the bar,
And met the question fair and square --
"We've stumped the country near and far
To raise the cash for races here;
We've got a hundred pounds or two --
Not half so bad for Dandaloo.
"And now, it seems we have to be
Cleaned out by this here Sydney bloke,
With his imported horse; and he
Will scoop the pool and leave us broke.
Shall we sit still, and make no fuss
While this chap climbs all over us?"
*
The races came to Dandaloo,
And all the cornstalks from the West
On every kind of moke and screw
Come forth in all their glory drest.
The stranger's horse, as hard as nails,
Look'd fit to run for New South Wales.
He won the race by half a length --
Quite half a length, it seemed to me --
But Dandaloo, with all its strength,
Roared out "Dead heat!" most fervently;
And, sfter hesitation meet,
The judge's verdict was "Dead heat!"
And many men there were could tell
What gave the verdict extra force.
The stewards -- and the judge as well --
They all had backed the second horse.
For things like this they sometimes do
In larger towns than Dandaloo.
They ran it off, the stranger won,
Hands down, by near a hundred yards.
He smiled to think his troubles done;
But Dandaloo held all the cards.
They went to scale and -- cruel fate --
His jockey turned out under weight.
Perhaps they's tampered with the scale!
I cannot tell. I only know
It weighed him out all right. I fail
To paint that Sydney sportsman's woe.
He said the stewards were a crew
Of low-lived thieves in Dandaloo.
He lifted up his voice, irate,
And swore till all the air was blue;
So then we rose to vindicate
The dignity of Dandaloo.
"Look here," said we, "you must not poke
Such oaths at us poor country folk."
We rode him softly on a rail,
We shied at him, in careless glee,
Some large tomatoes, rank and stale,
And eggs of great antiquity --
Their wild, unholy fregrance flew
About the town of Dandaloo.
He left the town at break of day,
He led his racehorse through the streets,
And now he tells the tale, they say,
To every racing man he meets.
And Sydney sportsmen all eschew
The atmosphere of Dandaloo.
|
Written by
Marriott Edgar |
I'll tell of Canute, King of England,
A native of Denmark was he,
His hobbies was roving and raiding
And paddling his feet in the sea.
By trade he were what's called a Viking,
Every summer he'd visit our shore,
Help himself to whatever he wanted,
And come back in the autumn for more.
These trips always showed him a profit,
But what stumped him to know was this 'ere...
Where the English folk got all the money,
He came and took off them each year.
After duly considering the matter,
He concluded as how his best course,
Were to have an invasion of England,
And tap the supply at its source.
He got other Vikings to join him,
With a promise of plunder and spoil,
And raked up atrocity stories,
To bring all their blood to the boil.
They landed one morning at Weymouth,
And waited for fight to begin,
While their foe, Ethelred the Unready,
Found his army and got it fell in.
When the battle were done, Crown of England,
Changed heads, so the history book states,
From Ethelred's seven-and-a-quarter,
To King Canutes six-and-five-eights.
The Vikings was cheered as the winners,
Ethelred, he went somewhere and died,
And Canute, to his lasting atonement...
Made the widow, Queen Emma, his bride.
She started to teach him his manners,
To drink without wetting his nose,
Put his hand to his mouth and say "Pardon!",
Every time the occasion arose.
She said his companions was vulgar,
His habits more easy than free,
Made him promise no more to disgrace her,
By paddling his feet in the sea.
At the time this 'ere promise meant nothing,
It were made in the cool of the spring,
But when summer came in with a heat wave,
T' were a totally different thing.
He moved his court down to the seaside,
Where they took off their shoes and their socks,
And rushed to the water and left him,
Alone on his throne on the rocks.
Said one, "Come on King, have a paddle,
I'll look after your sceptre and crown."
He replied, "Nay, I promised the missus,
And I can't let the old... lady down."
"No need to do that," said the Tempter,
"The tide's coming in, as you see;
You promised you wouldn't go to it,
But you can't stop it coming to thee!"
And that's how it happened... that later,
When Emma came over the sands,
She found Canute knee deep in water,
Trying to shush the sea back with his hands.
For not letting on that he'd seen her,
He was chiding each wave as it came,
Saying, "Thus far, my lad, and no further!"
'Til Emma said, "What is this game?"
He replied, These 'ere flatterers told me,
That the sea would obey me, and so,
I'm giving them this demonstration,
To show what a fat lot they know."
"You're doing quite right," shouted Emma,
"It's time someone made them look small!"
Then she took off her shoes and her stockings,
And started to paddle an' all.
|
Written by
Henry Lawson |
His old clay pipe stuck in his mouth,
His hat pushed from his brow,
His dress best fitted for the South --
I think I see him now;
And when the city streets are still,
And sleep upon me comes,
I often dream that me an' Bill
Are humpin' of our drums.
I mind the time when first I came
A stranger to the land;
And I was stumped, an' sick, an' lame
When Bill took me in hand.
Old Bill was what a chap would call
A friend in poverty,
And he was very kind to all,
And very good to me.
We'd camp beneath the lonely trees
And sit beside the blaze,
A-nursin' of our wearied knees,
A-smokin' of our clays.
Or when we'd journeyed damp an' far,
An' clouds were in the skies,
We'd camp in some old shanty bar,
And sit a-tellin' lies.
Though time had writ upon his brow
And rubbed away his curls,
He always was -- an' may be now --
A favourite with the girls;
I've heard bush-wimmin scream an' squall --
I've see'd 'em laugh until
They could not do their work at all,
Because of Corny Bill.
He was the jolliest old pup
As ever you did see,
And often at some bush kick-up
They'd make old Bill M.C.
He'd make them dance and sing all night,
He'd make the music hum,
But he'd be gone at mornin' light
A-humpin' of his drum.
Though joys of which the poet rhymes
Was not for Bill an' me,
I think we had some good old times
Out on the wallaby.
I took a wife and left off rum,
An' camped beneath a roof;
But Bill preferred to hump his drum
A-paddin' of the hoof.
The lazy, idle loafers what
In toney houses camp
Would call old Bill a drunken sot,
A loafer, or a tramp;
But if the dead should ever dance --
As poets say they will --
I think I'd rather take my chance
Along of Corny Bill.
His long life's-day is nearly o'er,
Its shades begin to fall;
He soon must mount his bluey for
The last long tramp of all;
I trust that when, in bush an' town,
He's lived and learnt his fill,
They'll let the golden slip-rails down
For poor old Corny Bill.
|
Written by
Robert William Service |
I do not write for love of pelf,
Nor lust for phantom fame;
I do not rhyme to please myself,
Nor yet to win acclaim:
No, strange to say it is my plan,
What gifts I have, to lavish
Upon a simple working man
MACTAVISH.
For that's the rather smeary name,
Of dreary toil a hinter,
That heads the galley proofs that came
This morning from my printer;
My patient pencil much they need,
Yet how my eyes they ravish,
As at the top of each I read:
MACTAVISH.
Who is the meek and modest man,
Who puffs no doubt a pipe,
And has my manuscript to scan,
And put in magic type?
Somehow I'm glad that he is not
Iberian or Slavish -
I hail him as a brother Scot,
MACTAVISH.
I do not want to bore him with
My work, I make it snappy;
For even though his name were Smith,
I'd like him to be happy.
I hope, because I'm stumped for rhyme,
He will not think me knavish,
If I should call him just this time:
MACTAVISH.
Forgive me, Friend Mactavish. I
No doubt have cost you curses;
I'm sorry for you as you try
To put my type in verses;
And though new names I know you by,
When of new books creator,
I'll always look on you as my
COLLABORATOR.
|