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Best Famous Straps Poems

Here is a collection of the all-time best famous Straps poems. This is a select list of the best famous Straps poetry. Reading, writing, and enjoying famous Straps poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of straps poems.

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Written by Andrew Barton Paterson | Create an image from this poem

Mulga Bills Bicycle

 'Twas Mulga Bill, from Eaglehawk, that caught the cycling craze; 
He turned away the good old horse that served him many days; 
He dressed himself in cycling clothes, resplendent to be seen; 
He hurried off to town and bought a shining new machine; 
And as he wheeled it through the door, with air of lordly pride, 
The grinning shop assistant said, "Excuse me, can you ride?" 
"See here, young man," said Mulga Bill, "from Walgett to the sea, 
From Conroy's Gap to Castlereagh, there's none can ride like me.
I'm good all round at everything, as everybody knows, Although I'm not the one to talk - I hate a man that blows.
But riding is my special gift, my chiefest, sole delight; Just ask a wild duck can it swim, a wildcat can it fight.
There's nothing clothed in hair or hide, or built of flesh or steel, There's nothing walks or jumps, or runs, on axle, hoof, or wheel, But what I'll sit, while hide will hold and girths and straps are tight: I'll ride this here two-wheeled concern right straight away at sight.
" 'Twas Mulga Bill, from Eaglehawk, that sought his own abode, That perched above the Dead Man's Creek, beside the mountain road.
He turned the cycle down the hill and mounted for the fray, But ere he'd gone a dozen yards it bolted clean away.
It left the track, and through the trees, just like a silver streak, It whistled down the awful slope towards the Dead Man's Creek.
It shaved a stump by half an inch, it dodged a big white-box: The very wallaroos in fright went scrambling up the rocks, The wombats hiding in their caves dug deeper underground, As Mulga Bill, as white as chalk, sat tight to every bound.
It struck a stone and gave a spring that cleared a fallen tree, It raced beside a precipice as close as close could be; And then as Mulga Bill let out one last despairing shriek It made a leap of twenty feet into the Dead Man's Creek.
'Twas Mulga Bill from Eaglehawk, that slowly swam ashore: He said, "I've had some narrer shaves and lively rides before; I've rode a wild bull round a yard to win a five-pound bet, But this was the most awful ride that I've encountered yet.
I'll give that two-wheeled outlaw best; It's shaken all my nerve To feel it whistle through the air and plunge and buck and swerve.
It's safe at rest in Dead Man's Creek, we'll leave it lying still; A horse's back is good enough henceforth for Mulga Bill.
"


Written by Walt Whitman | Create an image from this poem

Drum-Taps

 1
FIRST, O songs, for a prelude, 
Lightly strike on the stretch’d tympanum, pride and joy in my city, 
How she led the rest to arms—how she gave the cue, 
How at once with lithe limbs, unwaiting a moment, she sprang; 
(O superb! O Manhattan, my own, my peerless!
O strongest you in the hour of danger, in crisis! O truer than steel!) 
How you sprang! how you threw off the costumes of peace with indifferent hand; 
How your soft opera-music changed, and the drum and fife were heard in their stead; 
How you led to the war, (that shall serve for our prelude, songs of soldiers,) 
How Manhattan drum-taps led.
2 Forty years had I in my city seen soldiers parading; Forty years as a pageant—till unawares, the Lady of this teeming and turbulent city, Sleepless amid her ships, her houses, her incalculable wealth, With her million children around her—suddenly, At dead of night, at news from the south, Incens’d, struck with clench’d hand the pavement.
A shock electric—the night sustain’d it; Till with ominous hum, our hive at day-break pour’d out its myriads.
From the houses then, and the workshops, and through all the doorways, Leapt they tumultuous—and lo! Manhattan arming.
3 To the drum-taps prompt, The young men falling in and arming; The mechanics arming, (the trowel, the jack-plane, the blacksmith’s hammer, tost aside with precipitation;) The lawyer leaving his office, and arming—the judge leaving the court; The driver deserting his wagon in the street, jumping down, throwing the reins abruptly down on the horses’ backs; The salesman leaving the store—the boss, book-keeper, porter, all leaving; Squads gather everywhere by common consent, and arm; The new recruits, even boys—the old men show them how to wear their accoutrements—they buckle the straps carefully; Outdoors arming—indoors arming—the flash of the musket-barrels; The white tents cluster in camps—the arm’d sentries around—the sunrise cannon, and again at sunset; Arm’d regiments arrive every day, pass through the city, and embark from the wharves; (How good they look, as they tramp down to the river, sweaty, with their guns on their shoulders! How I love them! how I could hug them, with their brown faces, and their clothes and knapsacks cover’d with dust!) The blood of the city up—arm’d! arm’d! the cry everywhere; The flags flung out from the steeples of churches, and from all the public buildings and stores; The tearful parting—the mother kisses her son—the son kisses his mother; (Loth is the mother to part—yet not a word does she speak to detain him;) The tumultuous escort—the ranks of policemen preceding, clearing the way; The unpent enthusiasm—the wild cheers of the crowd for their favorites; The artillery—the silent cannons, bright as gold, drawn along, rumble lightly over the stones; (Silent cannons—soon to cease your silence! Soon, unlimber’d, to begin the red business;) All the mutter of preparation—all the determin’d arming; The hospital service—the lint, bandages, and medicines; The women volunteering for nurses—the work begun for, in earnest—no mere parade now; War! an arm’d race is advancing!—the welcome for battle—no turning away; War! be it weeks, months, or years—an arm’d race is advancing to welcome it.
4 Mannahatta a-march!—and it’s O to sing it well! It’s O for a manly life in the camp! And the sturdy artillery! The guns, bright as gold—the work for giants—to serve well the guns: Unlimber them! no more, as the past forty years, for salutes for courtesies merely; Put in something else now besides powder and wadding.
5 And you, Lady of Ships! you Mannahatta! Old matron of this proud, friendly, turbulent city! Often in peace and wealth you were pensive, or covertly frown’d amid all your children; But now you smile with joy, exulting old Mannahatta!
Written by Donald Hall | Create an image from this poem

The Man In The Dead Machine

 High on a slope in New Guinea
The Grumman Hellcat
lodges among bright vines
as thick as arms.
In 1943, the clenched hand of a pilot glided it here where no one has ever been.
In the cockpit, the helmeted skeleton sits upright, held by dry sinews at neck and shoulder, and webbing that straps the pelvic cross to the cracked leather of the seat, and the breastbone to the canvas cover of the parachute.
Or say the shrapnel missed him, he flew back to the carrier, and every morning takes the train, his pale hands on the black case, and sits upright, held by the firm webbing.
Written by Robert William Service | Create an image from this poem

The Trail Of Ninety-Eight

 Gold! We leapt from our benches.
Gold! We sprang from our stools.
Gold! We wheeled in the furrow, fired with the faith of fools.
Fearless, unfound, unfitted, far from the night and the cold, Heard we the clarion summons, followed the master-lure--Gold! Men from the sands of the Sunland; men from the woods of the West; Men from the farms and the cities, into the Northland we pressed.
Graybeards and striplings and women, good men and bad men and bold, Leaving our homes and our loved ones, crying exultantly--"Gold!" Never was seen such an army, pitiful, futile, unfit; Never was seen such a spirit, manifold courage and grit.
Never has been such a cohort under one banner unrolled As surged to the ragged-edged Arctic, urged by the arch-tempter--Gold.
"Farewell!" we cried to our dearests; little we cared for their tears.
"Farewell!" we cried to the humdrum and the yoke of the hireling years; Just like a pack of school-boys, and the big crowd cheered us good-bye.
Never were hearts so uplifted, never were hopes so high.
The spectral shores flitted past us, and every whirl of the screw Hurled us nearer to fortune, and ever we planned what we'd do-- Do with the gold when we got it--big, shiny nuggets like plums, There in the sand of the river, gouging it out with our thumbs.
And one man wanted a castle, another a racing stud; A third would cruise in a palace yacht like a red-necked prince of blood.
And so we dreamed and we vaunted, millionaires to a man, Leaping to wealth in our visions long ere the trail began.
II We landed in wind-swept Skagway.
We joined the weltering mass, Clamoring over their outfits, waiting to climb the Pass.
We tightened our girths and our pack-straps; we linked on the Human Chain, Struggling up to the summit, where every step was a pain.
Gone was the joy of our faces, grim and haggard and pale; The heedless mirth of the shipboard was changed to the care of the trail.
We flung ourselves in the struggle, packing our grub in relays, Step by step to the summit in the bale of the winter days.
Floundering deep in the sump-holes, stumbling out again; Crying with cold and weakness, crazy with fear and pain.
Then from the depths of our travail, ere our spirits were broke, Grim, tenacious and savage, the lust of the trail awoke.
"Klondike or bust!" rang the slogan; every man for his own.
Oh, how we flogged the horses, staggering skin and bone! Oh, how we cursed their weakness, anguish they could not tell, Breaking their hearts in our passion, lashing them on till they fell! For grub meant gold to our thinking, and all that could walk must pack; The sheep for the shambles stumbled, each with a load on its back; And even the swine were burdened, and grunted and squealed and rolled, And men went mad in the moment, huskily clamoring "Gold!" Oh, we were brutes and devils, goaded by lust and fear! Our eyes were strained to the summit; the weaklings dropped to the rear, Falling in heaps by the trail-side, heart-broken, limp and wan; But the gaps closed up in an instant, and heedless the chain went on.
Never will I forget it, there on the mountain face, Antlike, men with their burdens, clinging in icy space; Dogged, determined and dauntless, cruel and callous and cold, Cursing, blaspheming, reviling, and ever that battle-cry--"Gold!" Thus toiled we, the army of fortune, in hunger and hope and despair, Till glacier, mountain and forest vanished, and, radiantly fair, There at our feet lay Lake Bennett, and down to its welcome we ran: The trail of the land was over, the trail of the water began.
III We built our boats and we launched them.
Never has been such a fleet; A packing-case for a bottom, a mackinaw for a sheet.
Shapeless, grotesque, lopsided, flimsy, makeshift and crude, Each man after his fashion builded as best he could.
Each man worked like a demon, as prow to rudder we raced; The winds of the Wild cried "Hurry!" the voice of the waters, "Haste!" We hated those driving before us; we dreaded those pressing behind; We cursed the slow current that bore us; we prayed to the God of the wind.
Spring! and the hillsides flourished, vivid in jewelled green; Spring! and our hearts' blood nourished envy and hatred and spleen.
Little cared we for the Spring-birth; much cared we to get on-- Stake in the Great White Channel, stake ere the best be gone.
The greed of the gold possessed us; pity and love were forgot; Covetous visions obsessed us; brother with brother fought.
Partner with partner wrangled, each one claiming his due; Wrangled and halved their outfits, sawing their boats in two.
Thuswise we voyaged Lake Bennett, Tagish, then Windy Arm, Sinister, savage and baleful, boding us hate and harm.
Many a scow was shattered there on that iron shore; Many a heart was broken straining at sweep and oar.
We roused Lake Marsh with a chorus, we drifted many a mile; There was the canyon before us--cave-like its dark defile; The shores swept faster and faster; the river narrowed to wrath; Waters that hissed disaster reared upright in our path.
Beneath us the green tumult churning, above us the cavernous gloom; Around us, swift twisting and turning, the black, sullen walls of a tomb.
We spun like a chip in a mill-race; our hearts hammered under the test; Then--oh, the relief on each chill face!--we soared into sunlight and rest.
Hand sought for hand on the instant.
Cried we, "Our troubles are o'er!" Then, like a rumble of thunder, heard we a canorous roar.
Leaping and boiling and seething, saw we a cauldron afume; There was the rage of the rapids, there was the menace of doom.
The river springs like a racer, sweeps through a gash in the rock; Buts at the boulder-ribbed bottom, staggers and rears at the shock; Leaps like a terrified monster, writhes in its fury and pain; Then with the crash of a demon springs to the onset again.
Dared we that ravening terror; heard we its din in our ears; Called on the Gods of our fathers, juggled forlorn with our fears; Sank to our waists in its fury, tossed to the sky like a fleece; Then, when our dread was the greatest, crashed into safety and peace.
But what of the others that followed, losing their boats by the score? Well could we see them and hear them, strung down that desolate shore.
What of the poor souls that perished? Little of them shall be said-- On to the Golden Valley, pause not to bury the dead.
Then there were days of drifting, breezes soft as a sigh; Night trailed her robe of jewels over the floor of the sky.
The moonlit stream was a python, silver, sinuous, vast, That writhed on a shroud of velvet--well, it was done at last.
There were the tents of Dawson, there the scar of the slide; Swiftly we poled o'er the shallows, swiftly leapt o'er the side.
Fires fringed the mouth of Bonanza; sunset gilded the dome; The test of the trail was over--thank God, thank God, we were Home!
Written by Mary Darby Robinson | Create an image from this poem

Male Fashions for 1799

 Crops like hedgehogs, high-crown'd hats,
Whispers like Jew MOSES ;
Padded collars, thick cravats,
And cheeks as red as roses.
Faces painted pink and brown ; Waistcoats strip'd and gaudy ; Sleeves thrice doubled thick with down, And straps to brace the body.
Short great-coats that reach the knees, Boots like French postillion ; Worn the G----- race to please, But laugh'd at by the million.
Square-toed shoes, with silken strings, Pantaloons not fitting ; Finger deck'd with wedding rings, And small-clothes made of knitting.
Curricles so low, that they Along the ground seem dragging ; Hacks that weary half the day In Rotten-row are fagging.
Bull-dogs grim, and boxers bold, In noble trains attending ; Science which is bought with gold, And flatt'rers vice commending.
Hair-cords, and plain rings, to shew Many a LADY's favour, BOUGHT by ev'ry vaunting beau, With mischievous endeavour.
Such is giddy FASHION's son ! Such a MODERN LOVER! Oh ! wou'd their reign had ne'er begun ! And may it soon BE OVER!


Written by Wilfred Owen | Create an image from this poem

The Parable Of The Old Men And The Young

 So Abram rose, and clave the wood, and went,
And took the fire with him, and a knife.
And as they sojourned both of them together, Isaac the first-born spake and said, My Father, Behold the preparations, fire and iron, But where the lamb for this burnt-offering? Then Abram bound the youth with belts and straps, And builded parapets and trenches there, And stretchèd forth the knife to slay his son.
When lo! an Angel called him out of heaven, Saying, Lay not thy hand upon the lad, Neither do anything to him, thy son.
Behold! Caught in a thicket by its horns, A Ram.
Offer the Ram of Pride instead.
But the old man would not so, but slew his son, And half the seed of Europe, one by one.
Written by Carl Sandburg | Create an image from this poem

Child Margaret

 THE CHILD Margaret begins to write numbers on a Saturday morning, the first numbers formed under her wishing child fingers.
All the numbers come well-born, shaped in figures assertive for a frieze in a child’s room.
Both 1 and 7 are straightforward, military, filled with lunge and attack, erect in shoulder-straps.
The 6 and 9 salute as dancing sisters, elder and younger, and 2 is a trapeze actor swinging to handclaps.
All the numbers are well-born, only 3 has a hump on its back and 8 is knock-kneed.
The child Margaret kisses all once and gives two kisses to 3 and 8.
(Each number is a bran-new rag doll … O in the wishing fingers … millions of rag dolls, millions and millions of new rag dolls!!)

Book: Shattered Sighs