Written by
Laure-Anne Bosselaar |
I watch the man bend over his patch,
a fat gunny sack at his feet.
He combs the earth
with his fingers, picks up pebbles around
tiny heads of sorrel.
Clouds bruise in, clog the sky,
the first fat drops pock-mark the dust.
The man wipes his hands on his chest,
opens the sack, pulls out top halves
of broken bottles, and plants them, firmly,
over each head of sorrel — tilting the necks
toward the rain.
His back is drenched, so am I,
his careful gestures clench my throat,
wrench a hunger out of me I don't understand,
can't turn away from.
The last plant
sheltered, the man straightens his back,
swings the sack over his shouler, looks
at the sky, then at me and — as if to end
a conversation — says: I know they'd survive
without the bottles, I know.
He leaves the garden,
plods downhill, blurs away.
I hear myself
say it to no one: I never had a father.
|
Written by
Dylan Thomas |
Hold hard, these ancient minutes in the cuckoo's month,
Under the lank, fourth folly on Glamorgan's hill,
As the green blooms ride upward, to the drive of time;
Time, in a folly's rider, like a county man
Over the vault of ridings with his hound at heel,
Drives forth my men, my children, from the hanging south.
Country, your sport is summer, and December's pools
By crane and water-tower by the seedy trees
Lie this fifth month unskated, and the birds have flown;
Holy hard, my country children in the world if tales,
The greenwood dying as the deer fall in their tracks,
The first and steepled season, to the summer's game.
And now the horns of England, in the sound of shape,
Summon your snowy horsemen, and the four-stringed hill,
Over the sea-gut loudening, sets a rock alive;
Hurdles and guns and railings, as the boulders heave,
Crack like a spring in vice, bone breaking April,
Spill the lank folly's hunter and the hard-held hope.
Down fall four padding weathers on the scarlet lands,
Stalking my children's faces with a tail of blood,
Time, in a rider rising, from the harnessed valley;
Hold hard, my country darlings, for a hawk descends,
Golden Glamorgan straightens, to the falling birds.
Your sport is summer as the spring runs angrily.
|
Written by
T S (Thomas Stearns) Eliot |
And the trees about me,
Let them be dry and leafless; let the rocks
Groan with continual surges; and behind me
Make all a desolation.
Look, look, wenches!
PAINT me a cavernous waste shore
Cast in the unstilled Cyclades,
Paint me the bold anfractuous rocks
Faced by the snarled and yelping seas.
Display me Aeolus above
Reviewing the insurgent gales
Which tangle Ariadne’s hair
And swell with haste the perjured sails.
Morning stirs the feet and hands
(Nausicaa and Polypheme).
Gesture of orang-outang
Rises from the sheets in steam.
This withered root of knots of hair
Slitted below and gashed with eyes,
This oval O cropped out with teeth:
The sickle motion from the thighs
Jackknifes upward at the knees
Then straightens out from heel to hip
Pushing the framework of the bed
And clawing at the pillow slip.
Sweeney addressed full length to shave
Broadbottomed, pink from nape to base,
Knows the female temperament
And wipes the suds around his face.
(The lengthened shadow of a man
Is history, said Emerson
Who had not seen the silhouette
Of Sweeney straddled in the sun.
)
Tests the razor on his leg
Waiting until the shriek subsides.
The epileptic on the bed
Curves backward, clutching at her sides.
The ladies of the corridor
Find themselves involved, disgraced,
Call witness to their principles
And deprecate the lack of taste
Observing that hysteria
Might easily be misunderstood;
Mrs.
Turner intimates
It does the house no sort of good.
But Doris, towelled from the bath,
Enters padding on broad feet,
Bringing sal volatile
And a glass of brandy neat.
|
Written by
Andrew Barton Paterson |
Born of a thoroughbred English race,
Well proportioned and closely knit,
Neat, slim figure and handsome face,
Always ready and always fit,
Hardy and wiry of limb and thew,
That was the ne'er-do-well Jim Carew.
One of the sons of the good old land --
Many a year since his like was known;
Never a game but he took command,
Never a sport but he held his own;
Gained at his college a triple blue --
Good as they make them was Jim Carew.
Came to grief -- was it card or horse?
Nobody asked and nobody cared;
Ship him away to the bush of course,
Ne'er-do-well fellows are easily spared;
Only of women a sorrowing few
Wept at parting from Jim Carew.
Gentleman Jiim on the cattle-camp,
Sitting his horse with an easy grace;
But the reckless living has left its stamp
In the deep drawn linies of that handsome face,
And the harder look in those eyes of blue:
Prompt at a quarrel is Jim Carew.
Billy the Lasher was out for gore --
Twelve-stone navvy with chest of hair --
When he opened out with a hungry roar
On a ten-stone man, it was hardly fair;
But his wife was wise if his face she knew
By the time you were done with him, Jim Carew.
Gentleman Jim in the stockmen's hut
Works with them, toils with them, side by side;
As to his past -- well, his lips are shut.
"Gentleman once," say his mates with pride,
And the wildest Cornstalk can ne'er outdo
In feats of recklessness Jim Carew.
What should he live for? A dull despair!
Drink is his master and drags him down,
Water of Lethe that drowns all care.
Gentleman Jiim has a lot to drown,
And he reigns as king with a drunken crew,
Sinking to misery, Jim Carew.
Such is the end of the ne'er-do-well --
Jimmy the Boozer, all down at heel;
But he straightens up when he's asked to tell
His name and race, and a flash of steel
Still lightens up in those eyes of blue --
"I am, or -- no, I was -- Jim Carew.
"
|
Written by
Stephen Vincent Benet |
I shall go away
To the brown hills, the quiet ones,
The vast, the mountainous, the rolling,
Sun-fired and drowsy!
My horse snuffs delicately
At the strange wind;
He settles to a swinging trot; his hoofs tramp the dust.
The road winds, straightens,
Slashes a marsh,
Shoulders out a bridge,
Then --
Again the hills.
Unchanged, innumerable,
Bowing huge, round backs;
Holding secret, immense converse:
In gusty voices,
Fruitful, fecund, toiling
Like yoked black oxen.
The clouds pass like great, slow thoughts
And vanish
In the intense blue.
My horse lopes; the saddle creaks and sways.
A thousand glittering spears of sun slant from on high.
The immensity, the spaces,
Are like the spaces
Between star and star.
The hills sleep.
If I put my hand on one,
I would feel the vast heave of its breath.
I would start away before it awakened
And shook the world from its shoulders.
A cicada's cry deepens the hot silence.
The hills open
To show a slope of poppies,
Ardent, noble, heroic,
A flare, a great flame of orange;
Giving sleepy, brittle scent
That stings the lungs.
A creeping wind slips through them like a ferret; they bow and dance,
answering Beauty's voice .
.
.
The horse whinnies.
I dismount
And tie him to the grey worn fence.
I set myself against the javelins of grass and sun;
And climb the rounded breast,
That flows like a sea-wave.
The summit crackles with heat, there is no shelter, no hollow from
the flagellating glare.
I lie down and look at the sky, shading my eyes.
My body becomes strange, the sun takes it and changes it, it does not feel,
it is like the body of another.
The air blazes.
The air is diamond.
Small noises move among the grass .
.
.
Blackly,
A hawk mounts, mounts in the inane
Seeking the star-road,
Seeking the end .
.
.
But there is no end.
Here, in this light, there is no end.
.
.
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