Written by
John Ashbery |
Far from the Rappahannock, the silent
Danube moves along toward the sea.
The brown and green Nile rolls slowly
Like the Niagara's welling descent.
Tractors stood on the green banks of the Loire
Near where it joined the Cher.
The St.
Lawrence prods among black stones
And mud.
But the Arno is all stones.
Wind ruffles the Hudson's
Surface.
The Irawaddy is overflowing.
But the yellowish, gray Tiber
Is contained within steep banks.
The Isar
Flows too fast to swim in, the Jordan's water
Courses over the flat land.
The Allegheny and its boats
Were dark blue.
The Moskowa is
Gray boats.
The Amstel flows slowly.
Leaves fall into the Connecticut as it passes
Underneath.
The Liffey is full of sewage,
Like the Seine, but unlike
The brownish-yellow Dordogne.
Mountains hem in the Colorado
And the Oder is very deep, almost
As deep as the Congo is wide.
The plain banks of the Neva are
Gray.
The dark Saône flows silently.
And the Volga is long and wide
As it flows across the brownish land.
The Ebro
Is blue, and slow.
The Shannon flows
Swiftly between its banks.
The Mississippi
Is one of the world's longest rivers, like the Amazon.
It has the Missouri for a tributary.
The Harlem flows amid factories
And buildings.
The Nelson is in Canada,
Flowing.
Through hard banks the Dubawnt
Forces its way.
People walk near the Trent.
The landscape around the Mohawk stretches away;
The Rubicon is merely a brook.
In winter the Main
Surges; the Rhine sings its eternal song.
The Rhône slogs along through whitish banks
And the Rio Grande spins tales of the past.
The Loir bursts its frozen shackles
But the Moldau's wet mud ensnares it.
The East catches the light.
Near the Escaut the noise of factories echoes
And the sinuous Humboldt gurgles wildly.
The Po too flows, and the many-colored
Thames.
Into the Atlantic Ocean
Pours the Garonne.
Few ships navigate
On the Housatonic, but quite a few can be seen
On the Elbe.
For centuries
The Afton has flowed.
If the Rio *****
Could abandon its song, and the Magdalena
The jungle flowers, the Tagus
Would still flow serenely, and the Ohio
Abrade its slate banks.
The tan Euphrates would
Sidle silently across the world.
The Yukon
Was choked with ice, but the Susquehanna still pushed
Bravely along.
The Dee caught the day's last flares
Like the Pilcomayo's carrion rose.
The Peace offered eternal fragrance
Perhaps, but the Mackenzie churned livid mud
Like tan chalk-marks.
Near where
The Brahmaputra slapped swollen dikes
And the Pechora? The São Francisco
Skulks amid gray, rubbery nettles.
The Liard's
Reflexes are slow, and the Arkansas erodes
Anthracite hummocks.
The Paraná stinks.
The Ottawa is light emerald green
Among grays.
Better that the Indus fade
In steaming sands! Let the Brazos
Freeze solid! And the Wabash turn to a leaden
Cinder of ice! The Marañón is too tepid, we must
Find a way to freeze it hard.
The Ural
Is freezing slowly in the blasts.
The black Yonne
Congeals nicely.
And the Petit-Morin
Curls up on the solid earth.
The Inn
Does not remember better times, and the Merrimack's
Galvanized.
The Ganges is liquid snow by now;
The Vyatka's ice-gray.
The once-molten Tennessee s
Curdled.
The Japurá is a pack of ice.
Gelid
The Columbia's gray loam banks.
The Don's merely
A giant icicle.
The Niger freezes, slowly.
The interminable Lena plods on
But the Purus' mercurial waters are icy, grim
With cold.
The Loing is choked with fragments of ice.
The Weser is frozen, like liquid air.
And so is the Kama.
And the beige, thickly flowing
Tocantins.
The rivers bask in the cold.
The stern Uruguay chafes its banks,
A mass of ice.
The Hooghly is solid
Ice.
The Adour is silent, motionless.
The lovely Tigris is nothing but scratchy ice
Like the Yellowstone, with its osier-clustered banks.
The Mekong is beginning to thaw out a little
And the Donets gurgles beneath the
Huge blocks of ice.
The Manzanares gushes free.
The Illinois darts through the sunny air again.
But the Dnieper is still ice-bound.
Somewhere
The Salado propels irs floes, but the Roosevelt's
Frozen.
The Oka is frozen solider
Than the Somme.
The Minho slumbers
In winter, nor does the Snake
Remember August.
Hilarious, the Canadian
Is solid ice.
The Madeira slavers
Across the thawing fields, and the Plata laughs.
The Dvina soaks up the snow.
The Sava's
Temperature is above freezing.
The Avon
Carols noiselessly.
The Drôme presses
Grass banks; the Adige's frozen
Surface is like gray pebbles.
Birds circle the Ticino.
In winter
The Var was dark blue, unfrozen.
The
Thwaite, cold, is choked with sandy ice;
The Ardèche glistens feebly through the freezing rain.
|
Written by
Jonathan Swift |
Five hours, (and who can do it less in?)
By haughty Celia spent in dressing;
The goddess from her chamber issues,
Arrayed in lace, brocades, and tissues.
Strephon, who found the room was void
And Betty otherwise employed,
Stole in and took a strict survey
Of all the litter as it lay;
Whereof, to make the matter clear,
An inventory follows here.
And first a dirty smock appeared,
Beneath the arm-pits well besmeared.
Strephon, the rogue, displayed it wide
And turned it round on every side.
On such a point few words are best,
And Strephon bids us guess the rest;
And swears how damnably the men lie
In calling Celia sweet and cleanly.
Now listen while he next produces
The various combs for various uses,
Filled up with dirt so closely fixt,
No brush could force a way betwixt.
A paste of composition rare,
Sweat, dandruff, powder, lead and hair;
A forehead cloth with oil upon't
To smooth the wrinkles on her front.
Here alum flower to stop the steams
Exhaled from sour unsavory streams;
There night-gloves made of Tripsy's hide,
Bequeath'd by Tripsy when she died,
With puppy water, beauty's help,
Distilled from Tripsy's darling whelp;
Here gallypots and vials placed,
Some filled with washes, some with paste,
Some with pomatum, paints and slops,
And ointments good for scabby chops.
Hard by a filthy basin stands,
Fouled with the scouring of her hands;
The basin takes whatever comes,
The scrapings of her teeth and gums,
A nasty compound of all hues,
For here she spits, and here she spews.
But oh! it turned poor Strephon's bowels,
When he beheld and smelt the towels,
Begummed, besmattered, and beslimed
With dirt, and sweat, and ear-wax grimed.
No object Strephon's eye escapes:
Here petticoats in frowzy heaps;
Nor be the handkerchiefs forgot
All varnished o'er with snuff and snot.
The stockings, why should I expose,
Stained with the marks of stinking toes;
Or greasy coifs and pinners reeking,
Which Celia slept at least a week in?
A pair of tweezers next he found
To pluck her brows in arches round,
Or hairs that sink the forehead low,
Or on her chin like bristles grow.
The virtues we must not let pass,
Of Celia's magnifying glass.
When frighted Strephon cast his eye on't
It shewed the visage of a giant.
A glass that can to sight disclose
The smallest worm in Celia's nose,
And faithfully direct her nail
To squeeze it out from head to tail;
(For catch it nicely by the head,
It must come out alive or dead.
)
Why Strephon will you tell the rest?
And must you needs describe the chest?
That careless wench! no creature warn her
To move it out from yonder corner;
But leave it standing full in sight
For you to exercise your spite.
In vain, the workman shewed his wit
With rings and hinges counterfeit
To make it seem in this disguise
A cabinet to vulgar eyes;
For Strephon ventured to look in,
Resolved to go through thick and thin;
He lifts the lid, there needs no more:
He smelt it all the time before.
As from within Pandora's box,
When Epimetheus oped the locks,
A sudden universal crew
Of humane evils upwards flew,
He still was comforted to find
That Hope at last remained behind;
So Strephon lifting up the lid
To view what in the chest was hid,
The vapours flew from out the vent.
But Strephon cautious never meant
The bottom of the pan to grope
And foul his hands in search of Hope.
O never may such vile machine
Be once in Celia's chamber seen!
O may she better learn to keep
"Those secrets of the hoary deep"!
As mutton cutlets, prime of meat,
Which, though with art you salt and beat
As laws of cookery require
And toast them at the clearest fire,
If from adown the hopeful chops
The fat upon the cinder drops,
To stinking smoke it turns the flame
Poisoning the flesh from whence it came;
And up exhales a greasy stench
For which you curse the careless wench;
So things which must not be exprest,
When plumpt into the reeking chest,
Send up an excremental smell
To taint the parts from whence they fell,
The petticoats and gown perfume,
Which waft a stink round every room.
Thus finishing his grand survey,
Disgusted Strephon stole away
Repeating in his amorous fits,
Oh! Celia, Celia, Celia shits!
But vengeance, Goddess never sleeping,
Soon punished Strephon for his peeping:
His foul Imagination links
Each dame he see with all her stinks;
And, if unsavory odors fly,
Conceives a lady standing by.
All women his description fits,
And both ideas jump like wits
By vicious fancy coupled fast,
And still appearing in contrast.
I pity wretched Strephon blind
To all the charms of female kind.
Should I the Queen of Love refuse
Because she rose from stinking ooze?
To him that looks behind the scene
Satira's but some pocky queen.
When Celia in her glory shows,
If Strephon would but stop his nose
(Who now so impiously blasphemes
Her ointments, daubs, and paints and creams,
Her washes, slops, and every clout
With which he makes so foul a rout),
He soon would learn to think like me
And bless his ravished sight to see
Such order from confusion sprung,
Such gaudy tulips raised from dung.
|
Written by
Ezra Pound |
LOQUITUR: En Bertans de Born.
Dante Alighieri put this man in hell
for that he was a stirrer up of strife.
Eccovi! Judge ye! Have I dug
him up again? The scene is at his castle, Altaforte.
"Papiols" is his
jongleur.
"The Leopard," the device of Richard Coeur de Lion.
I
Damn it all! all this our South stinks peace.
You whoreson dog, Papiols, come! Let's to music!
I have no life save when the swords clash.
But ah! when I see the standards gold, vair, purple, opposing
And the broad fields beneath them turn crimson,
Then howl I my heart nigh mad with rejoicing.
II
In hot summer I have great rejoicing
When the tempests kill the earth's foul peace,
And the lightning from black heav'n flash crimson,
And the fierce thunders roar me their music
And the winds shriek through the clouds mad, opposing,
And through all the riven skies God's swords clash.
III
Hell grant soon we hear again the swords clash!
And the shrill neighs of destriers in battle rejoicing,
Spiked breast to spiked breat opposing!
Better one hour's stour than a year's peace
With fat boards, bawds, wine and frail music!
Bah! there's no wine like the blood's crimson!
IV
And I love to see the sun rise blood-crimson.
And I watch his spears through the dark clash
And it fills all my heart with rejoicing
And pries wide my mouth with fast music
When I see him so scorn and defy peace,
His long might 'gainst all darkness opposing.
V
The man who fears war and squats opposing
My words for stour, hath no blood of crimson
But is fit only to rot in womanish peace
Far from where worth's won and the swords clash
For the death of such sluts I go rejoicing;
Yea, I fill all the air with my music.
VI
Papiols, Papiols, to the music!
There's no sound like to swords swords opposing,
No cry like the battle's rejoicing
When our elbows and swords drip the crimson
And our charges 'gainst "The Leopard's" rush clash.
May God damn for ever all who cry "Peace!"
VII
And let the music of the swords make them crimson!
Hell grant soon we hear again the swords clash!
Hell blot black for always the thought "Peace!"
|
Written by
Jonathan Swift |
Corinna, Pride of Drury-Lane,
For whom no Shepherd sighs in vain;
Never did Covent Garden boast
So bright a batter'd, strolling Toast;
No drunken Rake to pick her up,
No Cellar where on Tick to sup;
Returning at the Midnight Hour;
Four Stories climbing to her Bow'r;
Then, seated on a three-legg'd Chair,
Takes off her artificial Hair:
Now, picking out a Crystal Eye,
She wipes it clean, and lays it by.
Her Eye-Brows from a Mouse's Hide,
Stuck on with Art on either Side,
Pulls off with Care, and first displays 'em,
Then in a Play-Book smoothly lays 'em.
Now dextrously her Plumpers draws,
That serve to fill her hollow Jaws.
Untwists a Wire; and from her Gums
A Set of Teeth completely comes.
Pulls out the Rags contriv'd to prop
Her flabby Dugs and down they drop.
Proceeding on, the lovely Goddess
Unlaces next her Steel-Rib'd Bodice;
Which by the Operator's Skill,
Press down the Lumps, the Hollows fill,
Up hoes her Hand, and off she slips
The Bolsters that supply her Hips.
With gentlest Touch, she next explores
Her Shankers, Issues, running Sores,
Effects of many a sad Disaster;
And then to each applies a Plaster.
But must, before she goes to Bed,
Rub off the Daubs of White and Red;
And smooth the Furrows in her Front,
With greasy Paper stuck upon't.
She takes a Bolus e'er she sleeps;
And then between two Blankets creeps.
With pains of love tormented lies;
Or if she chance to close her Eyes,
Of Bridewell and the Compter dreams,
And feels the Lash, and faintly screams;
Or, by a faithless Bully drawn,
At some Hedge-Tavern lies in Pawn;
Or to Jamaica seems transported,
Alone, and by no Planter courted;
Or, near Fleet-Ditch's oozy Brinks,
Surrounded with a Hundred Stinks,
Belated, seems on watch to lie,
And snap some Cull passing by;
Or, struck with Fear, her Fancy runs
On Watchmen, Constables and Duns,
From whom she meets with frequent Rubs;
But, never from Religious Clubs;
Whose Favour she is sure to find,
Because she pays them all in Kind.
CORINNA wakes.
A dreadful Sight!
Behold the Ruins of the Night!
A wicked Rat her Plaster stole,
Half eat, and dragged it to his Hole.
The Crystal Eye, alas, was miss'd;
And Puss had on her Plumpers piss'd.
A Pigeon pick'd her Issue-Peas;
And Shock her Tresses fill'd with Fleas.
The Nymph, tho' in this mangled Plight,
Must ev'ry Morn her Limbs unite.
But how shall I describe her Arts
To recollect the scatter'd Parts?
Or show the Anguish, Toil, and Pain,
Of gath'ring up herself again?
The bashful Muse will never bear
In such a Scene to interfere.
Corinna in the Morning dizen'd,
Who sees, will spew; who smells, be poison'd.
|
Written by
Stephen Dunn |
It was supposed to be Arts & Crafts for a week,
but when she came home
with the "Jesus Saves" button, we knew what art
was up, what ancient craft.
She liked her little friends.
She liked the songs
they sang when they weren't
twisting and folding paper into dolls.
What could be so bad?
Jesus had been a good man, and putting faith
in good men was what
we had to do to stay this side of cynicism,
that other sadness.
OK, we said, One week.
But when she came home
singing "Jesus loves me,
the Bible tells me so," it was time to talk.
Could we say Jesus
doesn't love you? Could I tell her the Bible
is a great book certain people use
to make you feel bad? We sent her back
without a word.
It had been so long since we believed, so long
since we needed Jesus
as our nemesis and friend, that we thought he was
sufficiently dead,
that our children would think of him like Lincoln
or Thomas Jefferson.
Soon it became clear to us: you can't teach disbelief
to a child,
only wonderful stories, and we hadn't a story
nearly as good.
On parents' night there were the Arts & Crafts
all spread out
like appetizers.
Then we took our seats
in the church
and the children sang a song about the Ark,
and Hallelujah
and one in which they had to jump up and down
for Jesus.
I can't remember ever feeling so uncertain
about what's comic, what's serious.
Evolution is magical but devoid of heroes.
You can't say to your child
"Evolution loves you.
" The story stinks
of extinction and nothing
exciting happens for centuries.
I didn't have
a wonderful story for my child
and she was beaming.
All the way home in the car
she sang the songs,
occasionally standing up for Jesus.
There was nothing to do
but drive, ride it out, sing along
in silence.
|
Written by
Paul Celan |
In Kohln, a town of monks and bones,
And pavements fang'd with murderous stones
And rags, and hags, and hideous wenches;
I counted two and seventy stenches,
All well defined, and several stinks!
Ye Nymphs that reign o'er sewers and sinks,
The river Rhine, it is well known,
Doth wash your city of Cologne;
But tell me, Nymphs, what power divine
Shall henceforth wash the river Rhine?
|
Written by
Charles Bukowski |
drunk on the dark streets of some city,
it's night, you're lost, where's your
room?
you enter a bar to find yourself,
order scotch and water.
damned bar's sloppy wet, it soaks
part of one of your shirt
sleeves.
It's a clip joint-the scotch is weak.
you order a bottle of beer.
Madame Death walks up to you
wearing a dress.
she sits down, you buy her a
beer, she stinks of swamps, presses
a leg against you.
the bar tender sneers.
you've got him worried, he doesn't
know if you're a cop, a killer, a
madman or an
Idiot.
you ask for a vodka.
you pour the vodka into the top of
the beer bottle.
It's one a.
m.
In a dead cow world.
you ask her how much for head,
drink everything down, it tastes
like machine oil.
you leave Madame Death there,
you leave the sneering bartender
there.
you have remembered where
your room is.
the room with the full bottle of
wine on the dresser.
the room with the dance of the
roaches.
Perfection in the Star Turd
where love died
laughing.
|
Written by
Theodore Roethke |
Nothing would sleep in that cellar, dank as a ditch,
Bulbs broke out of boxes hunting for chinks in the dark,
Shoots dangled and drooped,
Lolling obscenely from mildewed crates,
Hung down long yellow evil necks, like tropical snakes.
And what a congress of stinks!
Roots ripe as old bait,
Pulpy stems, rank, silo-rich,
Leaf-mold, manure, lime, piled against slippery planks.
Nothing would give up life:
Even the dirt kept breathing a small breath.
|
Written by
John Matthew |
A kite flutters,
On a high tension wire —
Against a stark blue sky.
Beggar and old mother huddle
On Govandi Railway Station —
The dirtiest station in the universe.
He shows her a plastic watch,
Smiles, “See I have time,”
She, old, gnarled, wrinkled,
Looks through beady eyes,
“I have no need for time.
”
Children toss rubber ball —
In cricketing passion.
Jagged slum roofs puncture the sky,
Open drain stinks.
Mother and son —
Hungry, disowned, dispossessed —
Govandi platform is home.
A plastic bag, clothes muddy brown,
He extends a hand,
A black plastic watch on wrist,
“God will do miracles,
Give this man a meal.
”
The kite flutters;
Time stands still over Govandi Station.
|
Written by
Robert William Service |
What are we fighting for,
We fellows who go to war?
fighting for Freedom's sake!
(You give me the belly-ache.
)
Freedom to starve or slave!
Freedom! aye, in the grave.
Fighting for "hearth and home,"
Who haven't an inch of loam?
Hearth? Why even a byre
Can only be ours for hire.
Dying for future peace?
Killing that killing cease?
To hell with such tripe, I say.
"Sufficient unto the day.
"
It isn't much fun being dead.
Better to le in bed,
Cuddle up to the wife,
Making, not taking life.
To the corpse that stinks in the clay,
Does it matter who wins the day?
What odds if tyrants reign?
They can't put irons on the brain.
One always can eat one's grub,
Smoke and drink in a pub.
There's happiness in a glass,
A pipe and the kiss of a lass.
It's the best we get anyhow,
In the life we are living now.
Who's wanting a hero's fate?
To the dead cheers come too late.
Flesh is softer than steel;
Wounds are weary to heal.
In the maniac hell of the fray
Who is there dares to say?
"Hate will be vanquished by Love;
God's in His Heaven above.
"
When those who govern us lead
The lads they command to bleed;
When rulers march at the head,
And statesmen fall with the dead;
When Kings leap into the fray,
Fight in the old-time way,
Perish beside their men,
Maybe, O maybe then
War will be part of the past,
Peace will triumph at last.
Meantime such lads as I,
Who wouldn't have harmed a fly,
Have got to get out and kill
Lads whom we bear no ill;
As simple as we, no doubt,
Who seek what it's all about;
Who die in defence of - what?
Homes that they haven't got;
Who perish when all they ask
is to finish the daily task;
Make bread for the little ones,
Not feed the greed of the guns,
When fields of battle are red,
And diplomats die in bed.
|