Written by
William Butler Yeats |
I dreamed that I stood in a valley, and amid sighs,
For happy lovers passed two by two where I stood;
And I dreamed my lost love came stealthily out of the wood
With her cloud-pale eyelids falling on dream-dimmed eyes:
I cried in my dream, O women, bid the young men lay
Their heads on your knees, and drown their eyes with your fair,
Or remembering hers they will find no other face fair
Till all the valleys of the world have been withered away.
|
Written by
Claude McKay |
I
Throughout the afternoon I watched them there,
Snow-fairies falling, falling from the sky,
Whirling fantastic in the misty air,
Contending fierce for space supremacy.
And they flew down a mightier force at night,
As though in heaven there was revolt and riot,
And they, frail things had taken panic flight
Down to the calm earth seeking peace and quiet.
I went to bed and rose at early dawn
To see them huddled together in a heap,
Each merged into the other upon the lawn,
Worn out by the sharp struggle, fast asleep.
The sun shone brightly on them half the day,
By night they stealthily had stol'n away.
II
And suddenly my thoughts then turned to you
Who came to me upon a winter's night,
When snow-sprites round my attic window flew,
Your hair disheveled, eyes aglow with light.
My heart was like the weather when you came,
The wanton winds were blowing loud and long;
But you, with joy and passion all aflame,
You danced and sang a lilting summer song.
I made room for you in my little bed,
Took covers from the closet fresh and warm,
A downful pillow for your scented head,
And lay down with you resting in my arm.
You went with Dawn. You left me ere the day,
The lonely actor of a dreamy play.
|
Written by
Stephen Crane |
On the desert
A silence from the moon's deepest valley.
Fire rays fall athwart the robes
Of hooded men, squat and dumb.
Before them, a woman
Moves to the blowing of shrill whistles
And distant thunder of drums,
While mystic things, sinuous, dull with terrible colour,
Sleepily fondle her body
Or move at her will, swishing stealthily over the sand.
The snakes whisper softly;
The whispering, whispering snakes,
Dreaming and swaying and staring,
But always whispering, softly whispering.
The wind streams from the lone reaches
Of Arabia, solemn with night,
And the wild fire makes shimmer of blood
Over the robes of the hooded men
Squat and dumb.
Bands of moving bronze, emerald, yellow,
Circle the throat and the arms of her,
And over the sands serpents move warily
Slow, menacing and submissive,
Swinging to the whistles and drums,
The whispering, whispering snakes,
Dreaming and swaying and staring,
But always whispering, softly whispering.
The dignity of the accursed;
The glory of slavery, despair, death,
Is in the dance of the whispering snakes.
|
Written by
Walt Whitman |
BY the bivouac’s fitful flame,
A procession winding around me, solemn and sweet and slow;—but first I note,
The tents of the sleeping army, the fields’ and woods’ dim outline,
The darkness, lit by spots of kindled fire—the silence;
Like a phantom far or near an occasional figure moving;
The shrubs and trees, (as I lift my eyes they seem to be stealthily watching me;)
While wind in procession thoughts, O tender and wondrous thoughts,
Of life and death—of home and the past and loved, and of those that are far away;
A solemn and slow procession there as I sit on the ground,
By the bivouac’s fitful flame.
|
Written by
Rg Gregory |
(i) introduction
his home in ruins
his parents gone
frederick seeks
to reclaim his throne
to the golden mountain
he sets his path
the enchantress listening
schemes with wrath
four desperate trials
which she takes from store
to silence frederick
for ever more
(ii) the mist
softly mist suppress all sight
swirling stealthily as night
slur the sureness of his steps
suffocate his sweetest hopes
swirling curling slip and slide
persuasively seduce his stride
from following its essential course
seal his senses at its source
bemuse the soil he stands upon
till power of choice has wholly gone
seething surreptitious veil
across the face of light prevail
against this taciturn and proud
insurgent - o smother him swift cloud
yet if you cannot steal his breath
thus snuffing him to hasty death
at least in your umbrageous mask
stifle his ambitious task
mystify his restless brain
sweep him swirl him home again
(iii) the bog
once more the muffling mists enclose
frederick in their vaporous throes
forcing him with unseeing sway
to veer from his intended way
back they push and back
make him fall
stumble catch
his foot become
emmired snatch
hopelessly at fog
no grip slip further back
into the sucking fingers of the bog
into the slush
squelching and splotch-
ing the marsh
gushes and gurgles
engulfing foot leg
chuckling suckles
the heaving thigh
the plush slugged waist
sucking still and still flushing
with suggestive slurp
plop slap
sluggishly upwards
unctuous lugubrious
soaking and enjoying
with spongy gestures
the swallowed wallowing
body - the succulence
of soft shoulder
squirming
elbow
wrist
then
all.......
but no
his desperate palm
struggling to forsake
the clutches of the swamp
finds one stark branch overhanging
to fix glad fingers to and out of the maw
of the murderous mud safely delivers him
(iv) the magic forest
safely - distorted joke
from bog to twisted forest
gnarled trees writhe and fork
asphixiated trunks - angular branches
hook claw throttle frederick in their creaking
joints
jagged weird
knotted and misshapen
petrified maniacal
figures frantically contorted
grotesque eccentric in the moon-toothed
half-light
tug clutch struggle
with the haggard form
zigzag he staggers
awe-plagued giddy
near-garrotted mind-deranged
forcing his sagging limbs through the mangled danger
till almost beyond redemption beyond self-care
he once again survives to breathe free air
(v) the barrier of thorns
immediately a barrier of thorns
springs up to choke his track
thick brier evil bramble twitch
stick sharp needles in his skin
hag's spite inflicts its bitter sting
frederick (provoked to attack
stung stabbed by jabbing spines
wincing with agony and grief) seeks to hack
a clear way through
picking swinging at
the spiky barricade inch by prickly inch
smarting with anger bristling with a thin
itch and tingling of success - acute
with aching glory the afflicted victim
of a witch's pique frederick
frederick the king snips hews chops
rips slashes cracks cleaves rends pierces
pierces and shatters into pointless pieces
this mighty barrier of barbs - comes through at last
(belzivetta's malignant magic smashed)
to freedom peace of mind and dreamless sleep
|
Written by
Andrew Barton Paterson |
There's never a stone at the sleeper's head,
There's never a fence beside,
And the wandering stock on the grave may tread
Unnoticed and undenied;
But the smallest child on the Watershed
Can tell you how Gilbert died.
For he rode at dusk with his comrade Dunn
To the hut at the Stockman's Ford;
In the waning light of the sinking sun
They peered with a fierce accord.
They were outlaws both -- and on each man's head
Was a thousand pounds reward.
They had taken toll of the country round,
And the troopers came behind
With a black who tracked like a human hound
In the scrub and the ranges blind:
He could run the trail where a white man's eye
No sign of track could find.
He had hunted them out of the One Tree Hill
And over the Old Man Plain,
But they wheeled their tracks with a wild beast's skill,
And they made for the range again;
Then away to the hut where their grandsire dwelt
They rode with a loosened rein.
And their grandsire gave them a greeting bold:
"Come in and rest in peace,
No safer place does the country hold --
With the night pursuit must cease,
And we'll drink success to the roving boys,
And to hell with the black police."
But they went to death when they entered there
In the hut at the Stockman's Ford,
For their grandsire's words were as false as fair --
They were doomed to the hangman's cord.
He had sold them both to the black police
For the sake of the big reward.
In the depth of night there are forms that glide
As stealthily as serpents creep,
And around the hut where the outlaws hide
They plant in the shadows deep,
And they wait till the first faint flush of dawn
Shall waken their prey from sleep.
But Gilbert wakes while the night is dark --
A restless sleeper aye.
He has heard the sound of a sheep-dog's bark,
And his horse's warning neigh,
And he says to his mate, "There are hawks abroad,
And it's time that we went away."
Their rifles stood at the stretcher head,
Their bridles lay to hand;
They wakened the old man out of his bed,
When they heard the sharp command:
"In the name of the Queen lay down your arms,
Now, Dun and Gilbert, stand!"
Then Gilbert reached for his rifle true
That close at hand he kept;
He pointed straight at the voice, and drew,
But never a flash outleapt,
For the water ran from the rifle breech --
It was drenched while the outlaws slept.
Then he dropped the piece with a bitter oath,
And he turned to his comrade Dunn:
"We are sold," he said, "we are dead men both! --
Still, there may be a chance for one;
I'll stop and I'll fight with the pistol here,
You take to your heels and run."
So Dunn crept out on his hands and knees
In the dim, half-dawning light,
And he made his way to a patch of trees,
And was lost in the black of night;
And the trackers hunted his tracks all day,
But they never could trace his flight.
But Gilbert walked from the open door
In a confident style and rash;
He heard at his side the rifles roar,
And he heard the bullets crash.
But he laughed as he lifted his pistol-hand,
And he fired at the rifle-flash.
Then out of the shadows the troopers aimed
At his voice and the pistol sound.
With rifle flashes the darkness flamed --
He staggered and spun around,
And they riddled his body with rifle balls
As it lay on the blood-soaked ground.
There's never a stone at the sleeper's head,
There's never a fence beside,
And the wandering stock on the grave may tread
Unnoticed and undenied;
But the smallest child on the Watershed
Can tell you how Gilbert died.
|
Written by
Victor Hugo |
("Allah! qui me rendra-")
{XVI., May, 1828.}
Oh, Allah! who will give me back my terrible array?
My emirs and my cavalry that shook the earth to-day;
My tent, my wide-extending camp, all dazzling to the sight,
Whose watchfires, kindled numberless beneath the brow of night,
Seemed oft unto the sentinel that watched the midnight hours,
As heaven along the sombre hill had rained its stars in showers?
Where are my beys so gorgeous, in their light pelisses gay,
And where my fierce Timariot bands, so fearless in the fray;
My dauntless khans, my spahis brave, swift thunderbolts of war;
My sunburnt Bedouins, trooping from the Pyramids afar,
Who laughed to see the laboring hind stand terrified at gaze,
And urged their desert horses on amid the ripening maize?
These horses with their fiery eyes, their slight untiring feet,
That flew along the fields of corn like grasshoppers so fleet—
What! to behold again no more, loud charging o'er the plain,
Their squadrons, in the hostile shot diminished all in vain,
Burst grandly on the heavy squares, like clouds that bear the storms,
Enveloping in lightning fires the dark resisting swarms!
Oh! they are dead! their housings bright are trailed amid their gore;
Dark blood is on their manes and sides, all deeply clotted o'er;
All vainly now the spur would strike these cold and rounded flanks,
To wake them to their wonted speed amid the rapid ranks:
Here the bold riders red and stark upon the sands lie down,
Who in their friendly shadows slept throughout the halt at noon.
Oh, Allah! who will give me back my terrible array?
See where it straggles 'long the fields for leagues on leagues away,
Like riches from a spendthrift's hand flung prodigal to earth.
Lo! steed and rider;—Tartar chiefs or of Arabian birth,
Their turbans and their cruel course, their banners and their cries,
Seem now as if a troubled dream had passed before mine eyes—
My valiant warriors and their steeds, thus doomed to fall and bleed!
Their voices rouse no echo now, their footsteps have no speed;
They sleep, and have forgot at last the sabre and the bit—
Yon vale, with all the corpses heaped, seems one wide charnel-pit.
Long shall the evil omen rest upon this plain of dread—
To-night, the taint of solemn blood; to-morrow, of the dead.
Alas! 'tis but a shadow now, that noble armament!
How terribly they strove, and struck from morn to eve unspent,
Amid the fatal fiery ring, enamoured of the fight!
Now o'er the dim horizon sinks the peaceful pall of night:
The brave have nobly done their work, and calmly sleep at last.
The crows begin, and o'er the dead are gathering dark and fast;
Already through their feathers black they pass their eager beaks.
Forth from the forest's distant depth, from bald and barren peaks,
They congregate in hungry flocks and rend their gory prey.
Woe to that flaunting army's pride, so vaunting yesterday!
That formidable host, alas! is coldly nerveless now
To drive the vulture from his gorge, or scare the carrion crow.
Were now that host again mine own, with banner broad unfurled,
With it I would advance and win the empire of the world.
Monarchs to it should yield their realms and veil their haughty brows;
My sister it should ever be, my lady and my spouse.
Oh! what will unrestoring Death, that jealous tyrant lord,
Do with the brave departed souls that cannot swing a sword?
Why turned the balls aside from me? Why struck no hostile hand
My head within its turban green upon the ruddy sand?
I stood all potent yesterday; my bravest captains three,
All stirless in their tigered selle, magnificent to see,
Hailed as before my gilded tent rose flowing to the gales,
Shorn from the tameless desert steeds, three dark and tossing tails.
But yesterday a hundred drums were heard when I went by;
Full forty agas turned their looks respectful on mine eye,
And trembled with contracted brows within their hall of state.
Instead of heavy catapults, of slow unwieldy weight,
I had bright cannons rolling on oak wheels in threatening tiers,
And calm and steady by their sides marched English cannoniers.
But yesterday, and I had towns, and castles strong and high,
And Greeks in thousands, for the base and merciless to buy.
But yesterday, and arsenals and harems were my own;
While now, defeated and proscribed, deserted and alone,
I flee away, a fugitive, and of my former power,
Allah! I have not now at least one battlemented tower.
And must he fly—the grand vizier! the pasha of three tails!
O'er the horizon's bounding hills, where distant vision fails,
All stealthily, with eyes on earth, and shrinking from the sight,
As a nocturnal robber holds his dark and breathless flight,
And thinks he sees the gibbet spread its arms in solemn wrath,
In every tree that dimly throws its shadow on his path!
Thus, after his defeat, pale Reschid speaks.
Among the dead we mourned a thousand Greeks.
Lone from the field the Pasha fled afar,
And, musing, wiped his reeking scimitar;
His two dead steeds upon the sands were flung,
And on their sides their empty stirrups hung.
W.D., Bentley's Miscellany, 1839.
|
Written by
Arthur Symons |
They weave a slow andante as in sleep,
Scaled yellow, swampy black, plague-spotted white;
With blue and lidless eyes at watch they keep
A treachery of silence; infinite
Ancestral angers brood in these dull eyes
Where the long-lineaged venom of the snake
Meditates evil; woven intricacies
Of Oriental arabesque awake,
Unfold, expand, contract, and raise and sway
Swoln heart-shaped heads, flattened as by a heel,
Erect to suck the sunlight from the day,
And stealthily and gradually reveal
Dim cabalistic signs of spots and rings
Among their folds of faded tapestry;
Then these fat, foul, unbreathing, moving things
Droop back to stagnant immobility.
|
Written by
William Topaz McGonagall |
In a humble room in London sat a pretty little boy,
By the bedside of his sick mother her only joy,
Who was called Little Pierre, and who's father was dead;
There he sat poor boy, hungry and crying for bread.
There he sat humming a little song, which was his own,
But to the world it was entirely unknown,
And as he sang the song he felt heartsick,
But he resolved to get Madame Malibran to sing his song in public
Then he paused for a moment and clasped his hands,
And running to the looking-glass before it he stands,
Then he smoothed his yellow curls without delay,
And from a tin box takes a scroll of paper worn and grey.
Then he gave one fond eager glance at his mother,
Trying hard brave boy his grief to smother,
As he gazed on the bed where she lay,
But he resolved to see Madame Malibran without delay.
Then he kissed his mother while she slept,
And stealthily from the house he crept,
And direct to Madame Malibran's house he goes,
Resolved to see her no matter who did him oppose.
And when he reached the door he knocked like a brave gallant
And the door was answered by her lady servant,
Then he told the servant Madame Malibran he wished to see
And the servant said, oh yes, I'll tell her immediately.
Then away the servant goes quite confident,
And told her a little boy wished to see her just one moment
Oh! well, said Madame Malibran, with a smile,
Fetch in the little boy he will divert me a while.
So Little Pierre was broght in with his hat under his arm
And in his hand a scroll of paper, thinking it no harm,
Then walked straight up to Madame Malibran without dread
And said, dear lady my mother is sick and in want of bread.
And I have called to see if you would sing my little song,
At someof your grand concerts, Ah! Say before long,
Or perhaps you could sell it to a publisher for a small sum,
Then I could buy food for my mother and with it would run.
Then Madame Malibran rose from her seat most costly and grand
And took the scroll of paper from Pierre's hand
And hummed his little song, to a plaintive air,
Then said, your song is soul stirring I do declare.
Dear child did you compose the words she asked Pierre,
Oh yes my dear lady just as you see,
Well my dear boy I will sing your song to-night,
And you shall have a seat near me on the right.
Then Pierre, said, Oh! lady I cannot leave my mother,
But my dear boy, as for her you need not bother,
So dear child don't be the least cast down,
And in the meantime here is a crown.
And for your mother you can buy food and medicine,
So run away and be at the concert to-night in time
Then away he ran and bought many little necessary things
And while doing so his little song he hums and sings.
Then home to his poor sick mother he quickly ran,
And told her of his success with Madame Malibran,
Then his mother cried, Oh! Pierre, you are a very good boy,
And to hear of your success my heart is full of joy.
Dear mother, I am going to the concert hall to-night,
To hear Madame Malibran, which will my heart delight,
Oh! well said his mother, God speed you my little man,
I hope you will be delighted to hear Madame Malibran.
So to the concert hall he goes, and found a seat there,
And the lights and flashing of diamonds made him stare,
And caused a joyous smile to play upon his face,
For never had he been in so grand a place.
There the brave boy sat and Madame Malibran came at last
And with his eyes rivetted on her he sared aghast,
And to hear her sing, Oh! how he did long,
And he wondered if the lady would really sing his song.
At last the great singer commenced his little song,
And many a heart was moved and the plaudits loud and long
And as she sang it Pierre clapped his hands for joy.
That he felt as if it were free from the world's annoy.
When the concert was over his heart felt as light as the air
And as for money now he didn't seem to care,
Since the great singer in Europe had sung his little song,
But he hoped that dame fortune would smile on him ere long
The next day he was frightened by a visit from Madame Malibran
And turning to his mother, she said your little boy Madame
Will make a fortune for himself and you before long,
Because I've been offered a large sum for his little song.
And Madame thank God you have such a gifted son,
But dear Madame heavens will must be done,
Then Pierre knelt and prayed that God would the lady bless
For helping them in the time of their distress.
And the memory of Pierre's prayer made the singer do more good
By visiting the poor and giving them clothing and food
And Pierre lightened her last moments ere her soul fled away
And he came to be one of the most talented composers of the day.
|
Written by
Emily Dickinson |
Few, yet enough,
Enough is One --
To that ethereal throng
Have not each one of us the right
To stealthily belong?
|