Get Your Premium Membership

Best Famous Statuary Poems

Here is a collection of the all-time best famous Statuary poems. This is a select list of the best famous Statuary poetry. Reading, writing, and enjoying famous Statuary poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of statuary poems.

Search and read the best famous Statuary poems, articles about Statuary poems, poetry blogs, or anything else Statuary poem related using the PoetrySoup search engine at the top of the page.

See Also:
Written by Sylvia Plath | Create an image from this poem

Perseus: The Triumph of Wit Over Suffering

Head alone shows you in the prodigious act
Of digesting what centuries alone digest:
The mammoth, lumbering statuary of sorrow,
Indissoluble enough to riddle the guts
Of a whale with holes and holes, and bleed him white
Into salt seas.
Hercules had a simple time, Rinsing those stables: a baby's tears would do it.
But who'd volunteer to gulp the Laocoon, The Dying Gaul and those innumerable pietas Festering on the dim walls of Europe's chapels, Museums and sepulchers? You.
You Who borrowed feathers for your feet, not lead, Not nails, and a mirror to keep the snaky head In safe perspective, could outface the gorgon-grimace Of human agony: a look to numb Limbs: not a basilisk-blink, nor a double whammy, But all the accumulated last grunts, groans, Cries and heroic couplets concluding the million Enacted tragedies on these blood-soaked boards, And every private twinge a hissing asp To petrify your eyes, and every village Catastrophe a writhing length of cobra, And the decline of empires the thick coil of a vast Anacnoda.
Imagine: the world Fisted to a foetus head, ravined, seamed With suffering from conception upwards, and there You have it in hand.
Grit in the eye or a sore Thumb can make anyone wince, but the whole globe Expressive of grief turns gods, like kings, to rocks.
Those rocks, cleft and worn, themselves then grow Ponderous and extend despair on earth's Dark face.
So might rigor mortis come to stiffen All creation, were it not for a bigger belly Still than swallows joy.
You enter now, Armed with feathers to tickle as well as fly, And a fun-house mirror that turns the tragic muse To the beheaded head of a sullen doll, one braid, A bedraggled snake, hanging limp as the absurd mouth Hangs in its lugubious pout.
Where are The classic limbs of stubborn Antigone? The red, royal robes of Phedre? The tear-dazzled Sorrows of Malfi's gentle duchess? Gone In the deep convulsion gripping your face, muscles And sinews bunched, victorious, as the cosmic Laugh does away with the unstitching, plaguey wounds Of an eternal sufferer.
To you Perseus, the palm, and may you poise And repoise until time stop, the celestial balance Which weighs our madness with our sanity.


Written by Kahlil Gibran | Create an image from this poem

Yesterday and Today XII

 The gold-hoarder walked in his palace park and with him walked his troubles.
And over his head hovered worries as a vulture hovers over a carcass, until he reached a beautiful lake surrounded by magnificent marble statuary.
He sat there pondering the water which poured from the mouths of the statues like thoughts flowing freely from a lover's imagination, and contemplating heavily his palace which stood upon a knoll like a birth-mark upon the cheek of a maiden.
His fancy revealed to him the pages of his life's drama which he read with falling tears that veiled his eyes and prevented him from viewing man's feeble additions to Nature.
He looked back with piercing regret to the images of his early life, woven into pattern by the gods, until he could no longer control his anguish.
He said aloud, "Yesterday I was grazing my sheep in the green valley, enjoying my existence, sounding my flute, and holding my head high.
Today I am a prisoner of greed.
Gold leads into gold, then into restlessness and finally into crushing misery.
"Yesterday I was like a singing bird, soaring freely here and there in the fields.
Today I am a slave to fickle wealth, society's rules, and city's customs, and purchased friends, pleasing the people by conforming to the strange and narrow laws of man.
I was born to be free and enjoy the bounty of life, but I find myself like a beast of burden so heavily laden with gold that his back is breaking.
"Where are the spacious plains, the singing brooks, the pure breeze, the closeness of Nature? Where is my deity? I have lost all! Naught remains save loneliness that saddens me, gold that ridicules me, slaves who curse to my back, and a palace that I have erected as a tomb for my happiness, and in whose greatness I have lost my heart.
"Yesterday I roamed the prairies and the hills together with the Bedouin's daughter; Virtue was our companion, Love our delight, and the moon our guardian.
Today I am among women with shallow beauty who sell themselves for gold and diamonds.
"Yesterday I was carefree, sharing with the shepherds all the joy of life; eating, playing, working, singing, and dancing together to the music of the heart's truth.
Today I find myself among the people like a frightened lamb among the wolves.
As I walk in the roads, they gaze at me with hateful eyes and point at me with scorn and jealousy, and as I steal through the park I see frowning faces all about me.
"Yesterday I was rich in happiness and today I am poor in gold.
"Yesterday I was a happy shepherd looking upon his head as a merciful king looks with pleasure upon his contented subjects.
Today I am a slave standing before my wealth, my wealth which robbed me of the beauty of life I once knew.
"Forgive me, my Judge! I did not know that riches would put my life in fragments and lead me into the dungeons of harshness and stupidity.
What I thought was glory is naught but an eternal inferno.
" He gathered himself wearily and walked slowly toward the palace, sighing and repeating, "Is this what people call wealth? Is this the god I am serving and worshipping? Is this what I seek of the earth? Why can I not trade it for one particle of contentment? Who would sell me one beautiful thought for a ton of gold? Who would give me one moment of love for a handful of gems? Who would grant me an eye that can see others' hearts, and take all my coffers in barter?" As he reached the palace gates he turned and looked toward the city as Jeremiah gazed toward Jerusalem.
He raised his arms in woeful lament and shouted, "Oh people of the noisome city, who are living in darkness, hastening toward misery, preaching falsehood, and speaking with stupidity.
.
.
until when shall you remain ignorant? Unit when shall you abide in the filth of life and continue to desert its gardens? Why wear you tattered robes of narrowness while the silk raiment of Nature's beauty is fashioned for you? The lamp of wisdom is dimming; it is time to furnish it with oil.
The house of true fortune is being destroyed; it is time to rebuild it and guard it.
The thieves of ignorance have stolen the treasure of your peace; it is time to retake it!" At that moment a poor man stood before him and stretched forth his hand for alms.
As he looked at the beggar, his lips parted, his eyes brightened with a softness, and his face radiated kindness.
It was as if the yesterday he had lamented by the lake had come to greet him.
He embraced the pauper with affection and filled his hands with gold, and with a voice sincere with the sweetness of love he said, "Come back tomorrow and bring with you your fellow sufferers.
All your possessions will be restored.
" He entered his palace saying, "Everything in life is good; even gold, for it teaches a lesson.
Money is like a stringed instrument; he who does not know how to use it properly will hear only discordant music.
Money is like love; it kills slowly and painfully the one who withholds it, and it enlivens the other who turns it upon his fellow man.
"
Written by Alfred Lord Tennyson | Create an image from this poem

Boadicea

 While about the shore of Mona those Neronian legionaries
Burnt and broke the grove and altar of the Druid and Druidess,
Far in the East Boadicea, standing loftily charioted,
Mad and maddening all that heard her in her fierce volubility,
Girt by half the tribes of Britain, near the colony Camulodune,
Yell'd and shriek'd between her daughters o'er a wild confederacy.
`They that scorn the tribes and call us Britain's barbarous populaces, Did they hear me, would they listen, did they pity me supplicating? Shall I heed them in their anguish? shall I brook to be supplicated? Hear Icenian, Catieuchlanian, hear Coritanian, Trinobant! Must their ever-ravening eagle's beak and talon annihilate us? Tear the noble hear of Britain, leave it gorily quivering? Bark an answer, Britain's raven! bark and blacken innumerable, Blacken round the Roman carrion, make the carcase a skeleton, Kite and kestrel, wolf and wolfkin, from the wilderness, wallow in it, Till the face of Bel be brighten'd, Taranis be propitiated.
Lo their colony half-defended! lo their colony, Camulodune! There the horde of Roman robbers mock at a barbarous adversary.
There the hive of Roman liars worship a gluttonous emperor-idiot.
Such is Rome, and this her deity: hear it, Spirit of Cassivelaun! `Hear it, Gods! the Gods have heard it, O Icenian, O Coritanian! Doubt not ye the Gods have answer'd, Catieuchlanian, Trinobant.
These have told us all their anger in miraculous utterances, Thunder, a flying fire in heaven, a murmur heard aerially, Phantom sound of blows descending, moan of an enemy massacred, Phantom wail of women and children, multitudinous agonies.
Bloodily flow'd the Tamesa rolling phantom bodies of horses and men; Then a phantom colony smoulder'd on the refluent estuary; Lastly yonder yester-even, suddenly giddily tottering-- There was one who watch'd and told me--down their statue of Victory fell.
Lo their precious Roman bantling, lo the colony Camulodune, Shall we teach it a Roman lesson? shall we care to be pitiful? Shall we deal with it as an infant? shall we dandle it amorously? `Hear Icenian, Catieuchlanian, hear Coritanian, Trinobant! While I roved about the forest, long and bitterly meditating, There I heard them in the darkness, at the mystical ceremony, Loosely robed in flying raiment, sang the terrible prophetesses.
"Fear not, isle of blowing woodland, isle of silvery parapets! Tho' the Roman eagle shadow thee, tho' the gathering enemy narrow thee, Thou shalt wax and he shall dwindle, thou shalt be the mighty one yet! Thine the liberty, thine the glory, thine the deeds to be celebrated, Thine the myriad-rolling ocean, light and shadow illimitable, Thine the lands of lasting summer, many-blossoming Paradises, Thine the North and thine the South and thine the battle-thunder of God.
" So they chanted: how shall Britain light upon auguries happier? So they chanted in the darkness, and there cometh a victory now.
Hear Icenian, Catieuchlanian, hear Coritanian, Trinobant! Me the wife of rich Prasutagus, me the lover of liberty, Me they seized and me they tortured, me they lash'd and humiliated, Me the sport of ribald Veterans, mine of ruffian violators! See they sit, they hide their faces, miserable in ignominy! Wherefore in me burns an anger, not by blood to be satiated.
Lo the palaces and the temple, lo the colony Camulodune! There they ruled, and thence they wasted all the flourishing territory, Thither at their will they haled the yellow-ringleted Britoness-- Bloodily, bloodily fall the battle-axe, unexhausted, inexorable.
Shout Icenian, Catieuchlanian, shout Coritanian, Trinobant, Till the victim hear within and yearn to hurry precipitously Like the leaf in a roaring whirlwind, like the smoke in a hurricane whirl'd.
Lo the colony, there they rioted in the city of Cunobeline! There they drank in cups of emerald, there at tables of ebony lay, Rolling on their purple couches in their tender effeminacy.
There they dwelt and there they rioted; there--there--they dwell no more.
Burst the gates, and burn the palaces, break the works of the statuary, Take the hoary Roman head and shatter it, hold it abominable, Cut the Roman boy to pieces in his lust and voluptuousness, Lash the maiden into swooning, me they lash'd and humiliated, Chop the breasts from off the mother, dash the brains of the little one out, Up my Britons, on my chariot, on my chargers, trample them under us.
' So the Queen Boadicea, standing loftily charioted, Brandishing in her hand a dart and rolling glances lioness-like, Yell'd and shriek'd between her daughters in her fierce volubility.
Till her people all around the royal chariot agitated, Madly dash'd the darts together, writhing barbarous lineaments, Made the noise of frosty woodlands, when they shiver in January, Roar'd as when the rolling breakers boom and blanch on the precipices, Yell'd as when the winds of winter tear an oak on a promontory.
So the silent colony hearing her tumultuous adversaries Clash the darts and on the buckler beat with rapid unanimous hand, Thought on all her evil tyrannies, all her pitiless avarice, Till she felt the heart within her fall and flutter tremulously, Then her pulses at the clamoring of her enemy fainted away.
Out of evil evil flourishes, out of tyranny tyranny buds.
Ran the land with Roman slaughter, multitudinous agonies.
Perish'd many a maid and matron, many a valorous legionary.
Fell the colony, city, and citadel, London, Verulam, Camulodune.
Written by Dylan Thomas | Create an image from this poem

January 1939

 Because the pleasure-bird whistles after the hot wires,
Shall the blind horse sing sweeter?
Convenient bird and beast lie lodged to suffer
The supper and knives of a mood.
In the sniffed and poured snow on the tip of the tongue of the year That clouts the spittle like bubbles with broken rooms, An enamoured man alone by the twigs of his eyes, two fires, Camped in the drug-white shower of nerves and food, Savours the lick of the times through a deadly wood of hair In a wind that plucked a goose, Nor ever, as the wild tongue breaks its tombs, Rounds to look at the red, wagged root.
Because there stands, one story out of the bum city, That frozen wife whose juices drift like a fixed sea Secretly in statuary, Shall I, struck on the hot and rocking street, Not spin to stare at an old year Toppling and burning in the muddle of towers and galleries Like the mauled pictures of boys? The salt person and blasted place I furnish with the meat of a fable.
If the dead starve, their stomachs turn to tumble An upright man in the antipodes Or spray-based and rock-chested sea: Over the past table I repeat this present grace.
Written by Barry Tebb | Create an image from this poem

LEEDS

 O my beloved city,

How many times have I deserted you

For the sights and sounds of Babylon?

How often and from how far

Have I conjured your broad boulevards

O Quartier Latin, crowded street caf?s

With white and scarlet awnings, gold

Adornings on stone cupolas, Byzantine domes

And plinths of equine statuary before

The Gare du Nord, grumbling fading

Faience of the Gare de l’Est?



Often, O how often, did I mingle with your crowds

Crossing the Pont Mirabeau in their Sunday best,

Regretting my lost loves, watching the barges

Snail along the Seine, hearing the bells

Of the Angelus dawn?



II



Exiled in the south and in a new century,

I recall leisurely Sundays on the Grande Jatte;

The children in sun hats knelt by their boats

Unfurling handkerchiefs for sails and for supreme farewells

(Shall I return? Steamer with your poised masts

Raising anchor for exotic climes?)



III



The bells of Sacr? Coeur shake rickety tables

Where old men in blazers sport the L?gion d’Honneur.
Priests in birettas sip Green Chartreuse over their Breviaries while Wilde and Gide stroll round P?re Lachaise vying to outdo each other’s tinted Memories of soft-skinned Moroccan boys.
Weary of their weariness and of my own, and of Rimbaud and Verlaine’s battle of strophe and Anti-strophe and rhetoric’s demise, I take a Lacquered tram to the Bois de Boulogne, hoping To catch Mistinguette’s last song.


Written by Sylvia Plath | Create an image from this poem

The Other Two

 All summer we moved in a villa brimful of echos,
Cool as the pearled interior of a conch.
Bells, hooves, of the high-stipping black goats woke us.
Around our bed the baronial furniture Foundered through levels of light seagreen and strange.
Not one leaf wrinkled in the clearing air.
We dreamed how we were perfect, and we were.
Against bare, whitewashed walls, the furniture Anchored itself, griffin-legged and darkly grained.
Two of us in a place meant for ten more- Our footsteps multiplied in the shadowy chambers, Our voices fathomed a profounder sound: The walnut banquet table, the twelve chairs Mirrored the intricate gestures of two others.
Heavy as a statuary, shapes not ours Performed a dumbshow in the polished wood, That cabinet without windows or doors: He lifts an arm to bring her close, but she Shies from his touch: his is an iron mood.
Seeing her freeze, he turns his face away.
They poise and grieve as in some old tragedy.
Moon-blanched and implacable, he and she Would not be eased, released.
Our each example Of temderness dove through their purgatory Like a planet, a stone, swallowed in a great darkness, Leaving no sparky track, setting up no ripple.
Nightly we left them in their desert place.
Lights out, they dogged us, sleepless and envious: We dreamed their arguments, their stricken voices.
We might embrace, but those two never did, Come, so unlike us, to a stiff impasse, Burdened in such a way we seemed the lighter- Ourselves the haunters, and they, flesh and blood; As if, above love's ruinage, we were The heaven those two dreamed of, in despair.
Written by William Butler Yeats | Create an image from this poem

Wisdom

 The true faith discovered was
When painted panel, statuary.
Glass-mosaic, window-glass, Amended what was told awry By some peasant gospeller; Swept the Sawdust from the floor Of that working-carpenter.
Miracle had its playtime where In damask clothed and on a seat Chryselephantine, cedar-boarded, His majestic Mother sat Stitching at a purple hoarded That He might be nobly breeched In starry towers of Babylon Noah's freshet never reached.
King Abundance got Him on Innocence; and Wisdom He.
That cognomen sounded best Considering what wild infancy Drove horror from His Mother's breast.
Written by Nick Flynn | Create an image from this poem

Statuary

 Bees may be trusted, always, 
 to discover the best, nay, the only 

human, solution.
Let me cite an instance; an event, that, though occurring in nature, is still in itself wholly abnormal.
I refer to the manner in which the bees will dispose of a mouse or a slug that may happen to have found its way into the hive.
The intruder killed, they have to deal with the body, which will very soon poison their dwelling.
If it be impossible for them to expel or dismember it, they will proceed methodically & hermetically to enclose it in a veritable sepulcher of propolis & wax, which will tower fantastically above the ordinary monuments of the city.
* When we die our bodies powder, our bodies the vessel & the vessel empties.
Our dying does not fill the hive with the stench of dying.
But outside the world hungers.
A cockroach, stung, can be dragged back out.
A careless child forced a snail inside with a stick once.
We waxed over the orifice of its shell sealing the creature in.
And here, the bottom of the comb, a mouse, driven in by winter & lack.
Its pawing woke us.
We stung it dead.
Even before it died it reeked - worse the moment it ceased twitching.
Now everyday we crawl over it to pass outside, the wax form of what was staring out, its airless sleep, the mouse we built to warn the rest from us.

Book: Shattered Sighs