10 Best Famous Squirrels Poems

Here is a collection of the top 10 all-time best famous Squirrels poems. This is a select list of the best famous Squirrels poetry. Reading, writing, and enjoying famous Squirrels poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of squirrels poems.

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Dream On

by James Tate
 Some people go their whole lives
without ever writing a single poem.
Extraordinary people who don't hesitate
to cut somebody's heart or skull open.
They go to baseball games with the greatest of ease.
and play a few rounds of golf as if it were nothing.
These same people stroll into a church 
as if that were a natural part of life. 
Investing money is second nature to them. 
They contribute to political campaigns 
that have absolutely no poetry in them 
and promise none for the future.
They sit around the dinner table at night 
and pretend as though nothing is missing. 
Their children get caught shoplifting at the mall 
and no one admits that it is poetry they are missing. 
The family dog howls all night, 
lonely and starving for more poetry in his life. 
Why is it so difficult for them to see
that, without poetry, their lives are effluvial.
Sure, they have their banquets, their celebrations, 
croquet, fox hunts, their sea shores and sunsets, 
their cocktails on the balcony, dog races,
and all that kissing and hugging, and don't 
forget the good deeds, the charity work, 
nursing the baby squirrels all through the night,
filling the birdfeeders all winter,
helping the stranger change her tire.
Still, there's that disagreeable exhalation
from decaying matter, subtle but everpresent.
They walk around erect like champions.
They are smooth-spoken and witty.
When alone, rare occasion, they stare
into the mirror for hours, bewildered.
There was something they meant to say, but didn't: 
"And if we put the statue of the rhinoceros
next to the tweezers, and walk around the room three times,
learn to yodel, shave our heads, call 
our ancestors back from the dead--" 
poetrywise it's still a bust, bankrupt.
You haven't scribbled a syllable of it.
You're a nowhere man misfiring
the very essence of your life, flustering
nothing from nothing and back again.
The hereafter may not last all that long.
Radiant childhood sweetheart,
secret code of everlasting joy and sorrow, 
fanciful pen strokes beneath the eyelids:
all day, all night meditation, knot of hope,
kernel of desire, pure ordinariness of life 
seeking, through poetry, a benediction
or a bed to lie down on, to connect, reveal,
explore, to imbue meaning on the day's extravagant labor. 
And yet it's cruel to expect too much. 
It's a rare species of bird 
that refuses to be categorized.
Its song is barely audible.
It is like a dragonfly in a dream--
here, then there, then here again,
low-flying amber-wing darting upward
then out of sight.
And the dream has a pain in its heart
the wonders of which are manifold,
or so the story is told.

At Tower Peak

by Gary Snyder
At Tower Peak

 Every tan rolling meadow will turn into housing
 Freeways are clogged all day
 Academies packed with scholars writing papers
 City people lean and dark
 This land most real 
 As its western-tending golden slopes
 And bird-entangled central valley swamps
 Sea-lion, urchin coasts
 Southerly salmon-probes 
 Into the aromatic almost-Mexican hills
 Along a range of granite peaks
 The names forgotten,
 An eastward running river that ends out in desert
 The chipping ground-squirrels in the tumbled blocks
 The gloss of glacier ghost on slab
 Where we wake refreshed from ten hours sleep
 After a long day's walking
 Packing burdens to the snow
 Wake to the same old world of no names,
 No things, new as ever, rock and water,
 Cool dawn birdcalls, high jet contrails.
 A day or two or million, breathing
 A few steps back from what goes down
 In the current realm.
 A kind of ice age, spreading, filling valleys
 Shaving soils, paving fields, you can walk in it
 Live in it, drive through it then 
 It melts away
 For whatever sprouts
 After the age of
 Frozen hearts. Flesh-carved rock
 And gusts on the summit,
 Smoke from forest fires is white,
 The haze above the distant valley like a dusk.
 It's just one world, this spine of rock and streams
 And snow, and the wash of gravels, silts
 Sands, bunchgrasses, saltbrush, bee-fields,
 Twenty million human people, downstream, here below.

Dedication

by Wole Soyinka
Dedication

for Moremi, 1963

Earth will not share the rafter's envy; dung floors
Break, not the gecko's slight skin, but its fall
Taste this soil for death and plumb her deep for life

As this yam, wholly earthed, yet a living tuber
To the warmth of waters, earthed as springs
As roots of baobab, as the hearth.

The air will not deny you. Like a top
Spin you on the navel of the storm, for the hoe
That roots the forests plows a path for squirrels.

Be ageless as dark peat, but only that rain's
Fingers, not the feet of men, may wash you over.
Long wear the sun's shadow; run naked to the night.

Peppers green and red—child—your tongue arch
To scorpion tail, spit straight return to danger's threats
Yet coo with the brown pigeon, tendril dew between your lips.

Shield you like the flesh of palms, skyward held
Cuspids in thorn nesting, insealed as the heart of kernel—
A woman's flesh is oil—child, palm oil on your tongue

Is suppleness to life, and wine of this gourd
From self-same timeless run of runnels as refill
Your podlings, child, weaned from yours we embrace

Earth's honeyed milk, wine of the only rib.
Now roll your tongue in honey till your cheeks are
Swarming honeycombs—your world needs sweetening, child.

Camwood round the heart, chalk for flight
Of blemish—see? it dawns!—antimony beneath
Armpits like a goddess, and leave this taste

Long on your lips, of salt, that you may seek
None from tears. This, rain-water, is the gift
Of gods—drink of its purity, bear fruits in season.

Fruits then to your lips: haste to repay
The debt of birth. Yield man-tides like the sea
And ebbing, leave a meaning of the fossilled sands.

Hiawathas Childhood

by Henry Wadsworth Longfellow
 Downward through the evening twilight, 
In the days that are forgotten, 
In the unremembered ages, 
From the full moon fell Nokomis, 
Fell the beautiful Nokomis, 
She a wife, but not a mother.
She was sporting with her women, 
Swinging in a swing of grape-vines, 
When her rival the rejected, 
Full of jealousy and hatred, 
Cut the leafy swing asunder, 
Cut in twain the twisted grape-vines, 
And Nokomis fell affrighted 
Downward through the evening twilight, 
On the Muskoday, the meadow, 
On the prairie full of blossoms. 
"See! a star falls!" said the people; 
"From the sky a star is falling!"
There among the ferns and mosses, 
There among the prairie lilies, 
On the Muskoday, the meadow, 
In the moonlight and the starlight, 
Fair Nokomis bore a daughter. 
And she called her name Wenonah, 
As the first-born of her daughters.
And the daughter of Nokomis 
Grew up like the prairie lilies, 
Grew a tall and slender maiden,
With the beauty of the moonlight, 
With the beauty of the starlight.
And Nokomis warned her often, 
Saying oft, and oft repeating, 
"Oh, beware of Mudjekeewis, 
Of the West-Wind, Mudjekeewis; 
Listen not to what he tells you; 
Lie not down upon the meadow, 
Stoop not down among the lilies,
Lest the West-Wind come and harm you!"
But she heeded not the warning, 
Heeded not those words of wisdom, 
And the West-Wind came at evening, 
Walking lightly o'er the prairie, 
Whispering to the leaves and blossoms, 
Bending low the flowers and grasses, 
Found the beautiful Wenonah, 
Lying there among the lilies, 
Wooed her with his words of sweetness, 
Wooed her with his soft caresses, 
Till she bore a son in sorrow, 
Bore a son of love and sorrow.
Thus was born my Hiawatha, 
Thus was born the child of wonder; 
But the daughter of Nokomis, 
Hiawatha's gentle mother,
In her anguish died deserted 
By the West-Wind, false and faithless, 
By the heartless Mudjekeewis.
For her daughter long and loudly 
Wailed and wept the sad Nokomis; 
"Oh that I were dead!" she murmured, 
"Oh that I were dead, as thou art! 
No more work, and no more weeping, 
Wahonowin! Wahonowin!"
By the shores of Gitche Gumee, 
By the shining Big-Sea-Water, 
Stood the wigwam of Nokomis, 
Daughter of the Moon, Nokomis. 
Dark behind it rose the forest, 
Rose the black and gloomy pine-trees, 
Rose the firs with cones upon them; 
Bright before it beat the water, 
Beat the clear and sunny water, 
Beat the shining Big-Sea-Water.
There the wrinkled old Nokomis 
Nursed the little Hiawatha, 
Rocked him in his linden cradle, 
Bedded soft in moss and rushes, 
Safely bound with reindeer sinews; 
Stilled his fretful wail by saying, 
"Hush! the Naked Bear will hear thee!" 
Lulled him into slumber, singing, 
"Ewa-yea! my little owlet! 
Who is this, that lights the wigwam? 
With his great eyes lights the wigwam? 
Ewa-yea! my little owlet!"
Many things Nokomis taught him 
Of the stars that shine in heaven; 
Showed him Ishkoodah, the comet, 
Ishkoodah, with fiery tresses; 
Showed the Death-Dance of the spirits, 
Warriors with their plumes and war-clubs, 
Flaring far away to northward 
In the frosty nights of Winter; 
Showed the broad white road in heaven, 
Pathway of the ghosts, the shadows, 
Running straight across the heavens, 
Crowded with the ghosts, the shadows.
At the door on summer evenings 
Sat the little Hiawatha; 
Heard the whispering of the pine-trees, 
Heard the lapping of the waters,
Sounds of music, words of wonder; 
'Minne-wawa!" said the Pine-trees, 
Mudway-aushka!" said the water.
Saw the fire-fly, Wah-wah-taysee, 
Flitting through the dusk of evening, 
With the twinkle of its candle 
Lighting up the brakes and bushes, 
And he sang the song of children, 
Sang the song Nokomis taught him: 
"Wah-wah-taysee, little fire-fly, 
Little, flitting, white-fire insect, 
Little, dancing, white-fire creature, 
Light me with your little candle, 
Ere upon my bed I lay me, 
Ere in sleep I close my eyelids!"
Saw the moon rise from the water 
Rippling, rounding from the water, 
Saw the flecks and shadows on it, 
Whispered, "What is that, Nokomis?" 
And the good Nokomis answered: 
"Once a warrior, very angry, 
Seized his grandmother, and threw her 
Up into the sky at midnight; 
Right against the moon he threw her; 
'T is her body that you see there."
Saw the rainbow in the heaven, 
In the eastern sky, the rainbow, 
Whispered, "What is that, Nokomis?" 
And the good Nokomis answered: 
"'T is the heaven of flowers you see there; 
All the wild-flowers of the forest, 
All the lilies of the prairie, 
When on earth they fade and perish, 
Blossom in that heaven above us."
When he heard the owls at midnight, 
Hooting, laughing in the forest, 
'What is that?" he cried in terror, 
"What is that," he said, "Nokomis?"
And the good Nokomis answered: 
"That is but the owl and owlet,
Talking in their native language, 
Talking, scolding at each other."
Then the little Hiawatha 
Learned of every bird its language, 
Learned their names and all their secrets, 
How they built their nests in Summer, 
Where they hid themselves in Winter, 
Talked with them whene'er he met them, 
Called them "Hiawatha's Chickens."
Of all beasts he learned the language, 
Learned their names and all their secrets, 
How the beavers built their lodges, 
Where the squirrels hid their acorns, 
How the reindeer ran so swiftly, 
Why the rabbit was so timid, 
Talked with them whene'er he met them, 
Called them "Hiawatha's Brothers."
Then Iagoo, the great boaster, 
He the marvellous story-teller, 
He the traveller and the talker, 
He the friend of old Nokomis, 
Made a bow for Hiawatha; 
From a branch of ash he made it, 
From an oak-bough made the arrows, 
Tipped with flint, and winged with feathers, 
And the cord he made of deer-skin.
Then he said to Hiawatha: 
"Go, my son, into the forest, 
Where the red deer herd together, 
Kill for us a famous roebuck, 
Kill for us a deer with antlers!"
Forth into the forest straightway 
All alone walked Hiawatha 
Proudly, with his bow and arrows; 
And the birds sang round him, o'er him, 
"Do not shoot us, Hiawatha!"
Sang the robin, the Opechee, 
Sang the bluebird, the Owaissa, 
"Do not shoot us, Hiawatha!"
Up the oak-tree, close beside him, 
Sprang the squirrel, Adjidaumo, 
In and out among the branches, 
Coughed and chattered from the oak-tree, 
Laughed, and said between his laughing, 
"Do not shoot me, Hiawatha!"
And the rabbit from his pathway 
Leaped aside, and at a distance 
Sat erect upon his haunches, 
Half in fear and half in frolic, 
Saying to the little hunter, 
"Do not shoot me, Hiawatha!"
But he heeded not, nor heard them, 
For his thoughts were with the red deer; 
On their tracks his eyes were fastened, 
Leading downward to the river, 
To the ford across the river,
And as one in slumber walked he. 
Hidden in the alder-bushes,
There he waited till the deer came, 
Till he saw two antlers lifted, 
Saw two eyes look from the thicket, 
Saw two nostrils point to windward, 
And a deer came down the pathway, 
Flecked with leafy light and shadow. 
And his heart within him fluttered, 
Trembled like the leaves above him, 
Like the birch-leaf palpitated, 
As the deer came down the pathway.
Then, upon one knee uprising, 
Hiawatha aimed an arrow; 
Scarce a twig moved with his motion, 
Scarce a leaf was stirred or rustled, 
But the wary roebuck started, 
Stamped with all his hoofs together,
Listened with one foot uplifted, 
Leaped as if to meet the arrow; 
Ah! the singing, fatal arrow, 
Like a wasp it buzzed and stung him!
Dead he lay there in the forest, 
By the ford across the river; 
Beat his timid heart no longer, 
But the heart of Hiawatha 
Throbbed and shouted and exulted, 
As he bore the red deer homeward, 
And Iagoo and Nokomis 
Hailed his coming with applauses.
From the red deer's hide Nokomis 
Made a cloak for Hiawatha, 
From the red deer's flesh Nokomis 
Made a banquet to his honor. 
All the village came and feasted, 
All the guests praised Hiawatha, 
Called him Strong-Heart, Soan-ge-taha! 
Called him Loon-Heart, Mahn-go-taysee!

Wild Peaches

by Elinor Wylie
 1

When the world turns completely upside down 
You say we'll emigrate to the Eastern Shore 
Aboard a river-boat from Baltimore; 
We'll live among wild peach trees, miles from town, 
You'll wear a coonskin cap, and I a gown 
Homespun, dyed butternut's dark gold colour. 
Lost, like your lotus-eating ancestor, 
We'll swim in milk and honey till we drown.

The winter will be short, the summer long, 
The autumn amber-hued, sunny and hot, 
Tasting of cider and of scuppernong; 
All seasons sweet, but autumn best of all. 
The squirrels in their silver fur will fall 
Like falling leaves, like fruit, before your shot.

2

The autumn frosts will lie upon the grass 
Like bloom on grapes of purple-brown and gold. 
The misted early mornings will be cold; 
The little puddles will be roofed with glass. 
The sun, which burns from copper into brass, 
Melts these at noon, and makes the boys unfold 
Their knitted mufflers; full as they can hold 
Fat pockets dribble chestnuts as they pass.

Peaches grow wild, and pigs can live in clover; 
A barrel of salted herrings lasts a year; 
The spring begins before the winter's over. 
By February you may find the skins 
Of garter snakes and water moccasins 
Dwindled and harsh, dead-white and cloudy-clear.

3

When April pours the colours of a shell 
Upon the hills, when every little creek 
Is shot with silver from the Chesapeake 
In shoals new-minted by the ocean swell, 
When strawberries go begging, and the sleek 
Blue plums lie open to the blackbird's beak, 
We shall live well -- we shall live very well.

The months between the cherries and the peaches 
Are brimming cornucopias which spill 
Fruits red and purple, sombre-bloomed and black; 
Then, down rich fields and frosty river beaches 
We'll trample bright persimmons, while you kill 
Bronze partridge, speckled quail, and canvasback.

4

Down to the Puritan marrow of my bones 
There's something in this richness that I hate. 
I love the look, austere, immaculate, 
Of landscapes drawn in pearly monotones. 
There's something in my very blood that owns 
Bare hills, cold silver on a sky of slate, 
A thread of water, churned to milky spate 
Streaming through slanted pastures fenced with stones.

I love those skies, thin blue or snowy gray, 
Those fields sparse-planted, rendering meagre sheaves; 
That spring, briefer than apple-blossom's breath, 
Summer, so much too beautiful to stay, 
Swift autumn, like a bonfire of leaves, 
And sleepy winter, like the sleep of death.

La Belle Dame sans Merci

by John Keats
'O WHAT can ail thee knight-at-arms  
Alone and palely loitering? 
The sedge is wither'd from the lake  
And no birds sing. 

'O what can ail thee knight-at-arms 5 
So haggard and so woe-begone? 
The squirrel's granary is full  
And the harvest 's done. 

'I see a lily on thy brow 
With anguish moist and fever dew; 10 
And on thy cheeks a fading rose 
Fast withereth too.' 

'I met a lady in the meads  
Full beautiful¡ªa faery's child  
Her hair was long her foot was light 15 
And her eyes were wild. 

'I made a garland for her head  
And bracelets too and fragrant zone; 
She look'd at me as she did love  
And made sweet moan. 20 

'I set her on my pacing steed 
And nothing else saw all day long  
For sideways would she lean and sing 
A faery's song. 

'She found me roots of relish sweet 25 
And honey wild and manna dew  
And sure in language strange she said  
I love thee true!  

'She took me to her elfin grot  
And there she wept and sigh'd fill sore; 30 
And there I shut her wild wild eyes 
With kisses four. 

'And there she lull¨¨d me asleep  
And there I dream'd¡ªAh! woe betide! 
The latest dream I ever dream'd 35 
On the cold hill's side. 

'I saw pale kings and princes too  
Pale warriors death-pale were they all; 
They cried¡ª"La belle Dame sans Merci 
Hath thee in thrall!" 40 

'I saw their starved lips in the gloam 
With horrid warning gap¨¨d wide  
And I awoke and found me here  
On the cold hill's side. 

'And this is why I sojourn here 45 
Alone and palely loitering  
Though the sedge is wither'd from the lake  
And no birds sing.' 

October

by Hilaire Belloc
 The green elm with the one great bough of gold 
Lets leaves into the grass slip, one by one, -- 
The short hill grass, the mushrooms small milk-white, 
Harebell and scabious and tormentil, 
That blackberry and gorse, in dew and sun, 
Bow down to; and the wind travels too light 
To shake the fallen birch leaves from the fern; 
The gossamers wander at their own will. 
At heavier steps than birds' the squirrels scold. 
The rich scene has grown fresh again and new 
As Spring and to the touch is not more cool 
Than it is warm to the gaze; and now I might 
As happy be as earth is beautiful, 
Were I some other or with earth could turn 
In alternation of violet and rose, 
Harebell and snowdrop, at their season due, 
And gorse that has no time not to be gay. 
But if this be not happiness, -- who knows? 
Some day I shall think this a happy day, 
And this mood by the name of melancholy 
Shall no more blackened and obscured be.

Dedication

by Rainer Maria Rilke
 for Moremi, 1963

Earth will not share the rafter's envy; dung floors
Break, not the gecko's slight skin, but its fall
Taste this soil for death and plumb her deep for life

As this yam, wholly earthed, yet a living tuber
To the warmth of waters, earthed as springs
As roots of baobab, as the hearth.

The air will not deny you. Like a top
Spin you on the navel of the storm, for the hoe
That roots the forests plows a path for squirrels.

Be ageless as dark peat, but only that rain's
Fingers, not the feet of men, may wash you over.
Long wear the sun's shadow; run naked to the night.

Peppers green and red—child—your tongue arch
To scorpion tail, spit straight return to danger's threats
Yet coo with the brown pigeon, tendril dew between your lips.

Shield you like the flesh of palms, skyward held
Cuspids in thorn nesting, insealed as the heart of kernel—
A woman's flesh is oil—child, palm oil on your tongue

Is suppleness to life, and wine of this gourd
From self-same timeless run of runnels as refill
Your podlings, child, weaned from yours we embrace

Earth's honeyed milk, wine of the only rib.
Now roll your tongue in honey till your cheeks are
Swarming honeycombs—your world needs sweetening, child.

Camwood round the heart, chalk for flight
Of blemish—see? it dawns!—antimony beneath 
Armpits like a goddess, and leave this taste

Long on your lips, of salt, that you may seek
None from tears. This, rain-water, is the gift
Of gods—drink of its purity, bear fruits in season.

Fruits then to your lips: haste to repay
The debt of birth. Yield man-tides like the sea
And ebbing, leave a meaning of the fossilled sands.

Doom is the House without the Door

by Emily Dickinson
 Doom is the House without the Door --
'Tis entered from the Sun --
And then the Ladder's thrown away,
Because Escape -- is done --

'Tis varied by the Dream
Of what they do outside --
Where Squirrels play -- and Berries die --
And Hemlocks -- bow -- to God --

In Springtime

by Rudyard Kipling
 My garden blazes brightly with the rose-bush and the peach,
 And the koil sings above it, in the siris by the well,
From the creeper-covered trellis comes the squirrel's chattering speech,
 And the blue jay screams and flutters where the cheery sat-bhai dwell.
But the rose has lost its fragrance, and the koil's note is strange;
 I am sick of endless sunshine, sick of blossom-burdened bough.
Give me back the leafless woodlands where the winds of Springtime range --
 Give me back one day in England, for it's Spring in England now!

Through the pines the gusts are booming, o'er the brown fields blowing chill,
 From the furrow of the ploughshare streams the fragrance of the loam,
And the hawk nests on the cliffside and the jackdaw in the hill,
 And my heart is back in England 'mid the sights and sounds of Home.
But the garland of the sacrifice this wealth of rose and peach is,
 Ah! koil, little koil, singing on the siris bough,
In my ears the knell of exile your ceaseless bell like speech is --
 Can you tell me aught of England or of Spring in England now?


* koil -- Then Indian bell-bird.
 sat-bhai -- Indian starlings.
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