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Best Famous Sports Poems

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12
Written by Walt Whitman | Create an image from this poem

Song at Sunset

 SPLENDOR of ended day, floating and filling me! 
Hour prophetic—hour resuming the past! 
Inflating my throat—you, divine average! 
You, Earth and Life, till the last ray gleams, I sing.
Open mouth of my Soul, uttering gladness, Eyes of my Soul, seeing perfection, Natural life of me, faithfully praising things; Corroborating forever the triumph of things.
Illustrious every one! Illustrious what we name space—sphere of unnumber’d spirits; Illustrious the mystery of motion, in all beings, even the tiniest insect; Illustrious the attribute of speech—the senses—the body; Illustrious the passing light! Illustrious the pale reflection on the new moon in the western sky! Illustrious whatever I see, or hear, or touch, to the last.
Good in all, In the satisfaction and aplomb of animals, In the annual return of the seasons, In the hilarity of youth, In the strength and flush of manhood, In the grandeur and exquisiteness of old age, In the superb vistas of Death.
Wonderful to depart; Wonderful to be here! The heart, to jet the all-alike and innocent blood! To breathe the air, how delicious! To speak! to walk! to seize something by the hand! To prepare for sleep, for bed—to look on my rose-color’d flesh; To be conscious of my body, so satisfied, so large; To be this incredible God I am; To have gone forth among other Gods—these men and women I love.
Wonderful how I celebrate you and myself! How my thoughts play subtly at the spectacles around! How the clouds pass silently overhead! How the earth darts on and on! and how the sun, moon, stars, dart on and on! How the water sports and sings! (Surely it is alive!) How the trees rise and stand up—with strong trunks—with branches and leaves! (Surely there is something more in each of the tree—some living Soul.
) O amazement of things! even the least particle! O spirituality of things! O strain musical, flowing through ages and continents—now reaching me and America! I take your strong chords—I intersperse them, and cheerfully pass them forward.
I too carol the sun, usher’d, or at noon, or, as now, setting, I too throb to the brain and beauty of the earth, and of all the growths of the earth, I too have felt the resistless call of myself.
As I sail’d down the Mississippi, As I wander’d over the prairies, As I have lived—As I have look’d through my windows, my eyes, As I went forth in the morning—As I beheld the light breaking in the east; As I bathed on the beach of the Eastern Sea, and again on the beach of the Western Sea; As I roam’d the streets of inland Chicago—whatever streets I have roam’d; Or cities, or silent woods, or peace, or even amid the sights of war; Wherever I have been, I have charged myself with contentment and triumph.
I sing the Equalities, modern or old, I sing the endless finales of things; I say Nature continues—Glory continues; I praise with electric voice; For I do not see one imperfection in the universe; And I do not see one cause or result lamentable at last in the universe.
O setting sun! though the time has come, I still warble under you, if none else does, unmitigated adoration.
Written by Michael Ondaatje | Create an image from this poem

To A Sad Daughter

 All night long the hockey pictures
gaze down at you
sleeping in your tracksuit.
Belligerent goalies are your ideal.
Threats of being traded cuts and wounds --all this pleases you.
O my god! you say at breakfast reading the sports page over the Alpen as another player breaks his ankle or assaults the coach.
When I thought of daughters I wasn't expecting this but I like this more.
I like all your faults even your purple moods when you retreat from everyone to sit in bed under a quilt.
And when I say 'like' I mean of course 'love' but that embarrasses you.
You who feel superior to black and white movies (coaxed for hours to see Casablanca) though you were moved by Creature from the Black Lagoon.
One day I'll come swimming beside your ship or someone will and if you hear the siren listen to it.
For if you close your ears only nothing happens.
You will never change.
I don't care if you risk your life to angry goalies creatures with webbed feet.
You can enter their caves and castles their glass laboratories.
Just don't be fooled by anyone but yourself.
This is the first lecture I've given you.
You're 'sweet sixteen' you said.
I'd rather be your closest friend than your father.
I'm not good at advice you know that, but ride the ceremonies until they grow dark.
Sometimes you are so busy discovering your friends I ache with loss --but that is greed.
And sometimes I've gone into my purple world and lost you.
One afternoon I stepped into your room.
You were sitting at the desk where I now write this.
Forsythia outside the window and sun spilled over you like a thick yellow miracle as if another planet was coaxing you out of the house --all those possible worlds!-- and you, meanwhile, busy with mathematics.
I cannot look at forsythia now without loss, or joy for you.
You step delicately into the wild world and your real prize will be the frantic search.
Want everything.
If you break break going out not in.
How you live your life I don't care but I'll sell my arms for you, hold your secrets forever.
If I speak of death which you fear now, greatly, it is without answers.
except that each one we know is in our blood.
Don't recall graves.
Memory is permanent.
Remember the afternoon's yellow suburban annunciation.
Your goalie in his frightening mask dreams perhaps of gentleness.
Written by William Blake | Create an image from this poem

Love and Harmony

 Love and harmony combine,
And round our souls entwine
While thy branches mix with mine,
And our roots together join.
Joys upon our branches sit, Chirping loud and singing sweet; Like gentle streams beneath our feet Innocence and virtue meet.
Thou the golden fruit dost bear, I am clad in flowers fair; Thy sweet boughs perfume the air, And the turtle buildeth there.
There she sits and feeds her young, Sweet I hear her mournful song; And thy lovely leaves among, There is love, I hear his tongue.
There his charming nest doth lay, There he sleeps the night away; There he sports along the day, And doth among our branches play.
Written by Marge Piercy | Create an image from this poem

What Are Big Girls Made Of?

 The construction of a woman:
a woman is not made of flesh 
of bone and sinew 
belly and breasts, elbows and liver and toe.
She is manufactured like a sports sedan.
She is retooled, refitted and redesigned every decade.
Cecile had been seduction itself in college.
She wriggled through bars like a satin eel, her hips and ass promising, her mouth pursed in the dark red lipstick of desire.
She visited in '68 still wearing skirts tight to the knees, dark red lipstick, while I danced through Manhattan in mini skirt, lipstick pale as apricot milk, hair loose as a horse's mane.
Oh dear, I thought in my superiority of the moment, whatever has happened to poor Cecile? She was out of fashion, out of the game, disqualified, disdained, dis- membered from the club of desire.
Look at pictures in French fashion magazines of the 18th century: century of the ultimate lady fantasy wrought of silk and corseting.
Paniers bring her hips out three feet each way, while the waist is pinched and the belly flattened under wood.
The breasts are stuffed up and out offered like apples in a bowl.
The tiny foot is encased in a slipper never meant for walking.
On top is a grandiose headache: hair like a museum piece, daily ornamented with ribbons, vases, grottoes, mountains, frigates in full sail, balloons, baboons, the fancy of a hairdresser turned loose.
The hats were rococo wedding cakes that would dim the Las Vegas strip.
Here is a woman forced into shape rigid exoskeleton torturing flesh: a woman made of pain.
How superior we are now: see the modern woman thin as a blade of scissors.
She runs on a treadmill every morning, fits herself into machines of weights and pulleys to heave and grunt, an image in her mind she can never approximate, a body of rosy glass that never wrinkles, never grows, never fades.
She sits at the table closing her eyes to food hungry, always hungry: a woman made of pain.
A cat or dog approaches another, they sniff noses.
They sniff asses.
They bristle or lick.
They fall in love as often as we do, as passionately.
But they fall in love or lust with furry flesh, not hoop skirts or push up bras rib removal or liposuction.
It is not for male or female dogs that poodles are clipped to topiary hedges.
If only we could like each other raw.
If only we could love ourselves like healthy babies burbling in our arms.
If only we were not programmed and reprogrammed to need what is sold us.
Why should we want to live inside ads? Why should we want to scourge our softness to straight lines like a Mondrian painting? Why should we punish each other with scorn as if to have a large ass were worse than being greedy or mean? When will women not be compelled to view their bodies as science projects, gardens to be weeded, dogs to be trained? When will a woman cease to be made of pain?
Written by Walt Whitman | Create an image from this poem

Miracles

 WHY! who makes much of a miracle? 
As to me, I know of nothing else but miracles, 
Whether I walk the streets of Manhattan, 
Or dart my sight over the roofs of houses toward the sky, 
Or wade with naked feet along the beach, just in the edge of the water,
Or stand under trees in the woods, 
Or talk by day with any one I love—or sleep in the bed at night with any one I love, 
Or sit at table at dinner with my mother, 
Or look at strangers opposite me riding in the car, 
Or watch honey-bees busy around the hive, of a summer forenoon,
Or animals feeding in the fields, 
Or birds—or the wonderfulness of insects in the air, 
Or the wonderfulness of the sun-down—or of stars shining so quiet and bright, 
Or the exquisite, delicate, thin curve of the new moon in spring; 
Or whether I go among those I like best, and that like me best—mechanics, boatmen,
 farmers,
Or among the savans—or to the soiree—or to the opera, 
Or stand a long while looking at the movements of machinery, 
Or behold children at their sports, 
Or the admirable sight of the perfect old man, or the perfect old woman, 
Or the sick in hospitals, or the dead carried to burial,
Or my own eyes and figure in the glass; 
These, with the rest, one and all, are to me miracles, 
The whole referring—yet each distinct, and in its place.
To me, every hour of the light and dark is a miracle, Every cubic inch of space is a miracle, Every square yard of the surface of the earth is spread with the same, Every foot of the interior swarms with the same; Every spear of grass—the frames, limbs, organs, of men and women, and all that concerns them, All these to me are unspeakably perfect miracles.
To me the sea is a continual miracle; The fishes that swim—the rocks—the motion of the waves—the ships, with men in them, What stranger miracles are there?
Written by Robert Herrick | Create an image from this poem

THE COUNTRY LIFE:

 TO THE HONOURED MR ENDYMION PORTER, GROOM OF
THE BED-CHAMBER TO HIS MAJESTY

Sweet country life, to such unknown,
Whose lives are others', not their own!
But serving courts and cities, be
Less happy, less enjoying thee.
Thou never plough'st the ocean's foam To seek and bring rough pepper home: Nor to the Eastern Ind dost rove To bring from thence the scorched clove: Nor, with the loss of thy loved rest, Bring'st home the ingot from the West.
No, thy ambition's master-piece Flies no thought higher than a fleece: Or how to pay thy hinds, and clear All scores: and so to end the year: But walk'st about thine own dear bounds, Not envying others' larger grounds: For well thou know'st, 'tis not th' extent Of land makes life, but sweet content.
When now the cock (the ploughman's horn) Calls forth the lily-wristed morn; Then to thy corn-fields thou dost go, Which though well soil'd, yet thou dost know That the best compost for the lands Is the wise master's feet, and hands.
There at the plough thou find'st thy team, With a hind whistling there to them: And cheer'st them up, by singing how The kingdom's portion is the plough.
This done, then to th' enamell'd meads Thou go'st; and as thy foot there treads, Thou seest a present God-like power Imprinted in each herb and flower: And smell'st the breath of great-eyed kine, Sweet as the blossoms of the vine.
Here thou behold'st thy large sleek neat Unto the dew-laps up in meat: And, as thou look'st, the wanton steer, The heifer, cow, and ox draw near, To make a pleasing pastime there.
These seen, thou go'st to view thy flocks Of sheep, safe from the wolf and fox, And find'st their bellies there as full Of short sweet grass, as backs with wool: And leav'st them, as they feed and fill, A shepherd piping on a hill.
For sports, for pageantry, and plays, Thou hast thy eves, and holydays: On which the young men and maids meet, To exercise their dancing feet: Tripping the comely country Round, With daffadils and daisies crown'd.
Thy wakes, thy quintels, here thou hast, Thy May-poles too with garlands graced; Thy Morris-dance; thy Whitsun-ale; Thy shearing-feast, which never fail.
Thy harvest home; thy wassail bowl, That's toss'd up after Fox i' th' hole: Thy mummeries; thy Twelve-tide kings And queens; thy Christmas revellings: Thy nut-brown mirth, thy russet wit, And no man pays too dear for it.
-- To these, thou hast thy times to go And trace the hare i' th' treacherous snow: Thy witty wiles to draw, and get The lark into the trammel net: Thou hast thy cockrood, and thy glade To take the precious pheasant made: Thy lime-twigs, snares, and pit-falls then To catch the pilfering birds, not men.
--O happy life! if that their good The husbandmen but understood! Who all the day themselves do please, And younglings, with such sports as these: And lying down, have nought t' affright Sweet Sleep, that makes more short the night.
CAETERA DESUNT--
Written by Roger McGough | Create an image from this poem

Let Me Die a Youngmans Death

 Let me die a youngman's death
not a clean and inbetween
the sheets holywater death
not a famous-last-words
peaceful out of breath death

When I'm 73
and in constant good tumour
may I be mown down at dawn
by a bright red sports car
on my way home
from an allnight party

Or when I'm 91
with silver hair
and sitting in a barber's chair
may rival gangsters
with hamfisted tommyguns burst in
and give me a short back and insides

Or when I'm 104
and banned from the Cavern
may my mistress
catching me in bed with her daughter
and fearing for her son
cut me up into little pieces
and throw away every piece but one

Let me die a youngman's death
not a free from sin tiptoe in
candle wax and waning death
not a curtains drawn by angels borne
'what a nice way to go' death
Written by Friedrich von Schiller | Create an image from this poem

The Gods Of Greece

 Ye in the age gone by,
Who ruled the world--a world how lovely then!--
And guided still the steps of happy men
In the light leading-strings of careless joy!
Ah, flourished then your service of delight!
How different, oh, how different, in the day
When thy sweet fanes with many a wreath were bright,
O Venus Amathusia!

Then, through a veil of dreams
Woven by song, truth's youthful beauty glowed,
And life's redundant and rejoicing streams
Gave to the soulless, soul--where'r they flowed
Man gifted nature with divinity
To lift and link her to the breast of love;
All things betrayed to the initiate eye
The track of gods above!

Where lifeless--fixed afar,
A flaming ball to our dull sense is given,
Phoebus Apollo, in his golden car,
In silent glory swept the fields of heaven!
On yonder hill the Oread was adored,
In yonder tree the Dryad held her home;
And from her urn the gentle Naiad poured
The wavelet's silver foam.
Yon bay, chaste Daphne wreathed, Yon stone was mournful Niobe's mute cell, Low through yon sedges pastoral Syrinx breathed, And through those groves wailed the sweet Philomel, The tears of Ceres swelled in yonder rill-- Tears shed for Proserpine to Hades borne; And, for her lost Adonis, yonder hill Heard Cytherea mourn!-- Heaven's shapes were charmed unto The mortal race of old Deucalion; Pyrrha's fair daughter, humanly to woo, Came down, in shepherd-guise, Latona's son Between men, heroes, gods, harmonious then Love wove sweet links and sympathies divine; Blest Amathusia, heroes, gods, and men, Equals before thy shrine! Not to that culture gay, Stern self-denial, or sharp penance wan! Well might each heart be happy in that day-- For gods, the happy ones, were kin to man! The beautiful alone the holy there! No pleasure shamed the gods of that young race; So that the chaste Camoenae favoring were, And the subduing grace! A palace every shrine; Your sports heroic;--yours the crown Of contests hallowed to a power divine, As rushed the chariots thundering to renown.
Fair round the altar where the incense breathed, Moved your melodious dance inspired; and fair Above victorious brows, the garland wreathed Sweet leaves round odorous hair! The lively Thyrsus-swinger, And the wild car the exulting panthers bore, Announced the presence of the rapture-bringer-- Bounded the Satyr and blithe Faun before; And Maenads, as the frenzy stung the soul, Hymned in their maddening dance, the glorious wine-- As ever beckoned to the lusty bowl The ruddy host divine! Before the bed of death No ghastly spectre stood--but from the porch Of life, the lip--one kiss inhaled the breath, And the mute graceful genius lowered a torch.
The judgment-balance of the realms below, A judge, himself of mortal lineage, held; The very furies at the Thracian's woe, Were moved and music-spelled.
In the Elysian grove The shades renewed the pleasures life held dear: The faithful spouse rejoined remembered love, And rushed along the meads the charioteer; There Linus poured the old accustomed strain; Admetus there Alcestis still could greet; his Friend there once more Orestes could regain, His arrows--Philoctetes! More glorious than the meeds That in their strife with labor nerved the brave, To the great doer of renowned deeds The Hebe and the heaven the Thunderer gave.
Before the rescued rescuer [10] of the dead, Bowed down the silent and immortal host; And the twain stars [11] their guiding lustre shed, On the bark tempest-tossed! Art thou, fair world, no more? Return, thou virgin-bloom on Nature's face; Ah, only on the minstrel's magic shore, Can we the footstep of sweet fable trace! The meadows mourn for the old hallowing life; Vainly we search the earth of gods bereft; Where once the warm and living shapes were rife, Shadows alone are left! Cold, from the north, has gone Over the flowers the blast that killed their May; And, to enrich the worship of the one, A universe of gods must pass away! Mourning, I search on yonder starry steeps, But thee no more, Selene, there I see! And through the woods I call, and o'er the deeps, And--Echo answers me! Deaf to the joys she gives-- Blind to the pomp of which she is possessed-- Unconscious of the spiritual power that lives Around, and rules her--by our bliss unblessed-- Dull to the art that colors or creates, Like the dead timepiece, godless nature creeps Her plodding round, and, by the leaden weights, The slavish motion keeps.
To-morrow to receive New life, she digs her proper grave to-day; And icy moons with weary sameness weave From their own light their fulness and decay.
Home to the poet's land the gods are flown, Light use in them that later world discerns, Which, the diviner leading-strings outgrown, On its own axle turns.
Home! and with them are gone The hues they gazed on and the tones they heard; Life's beauty and life's melody:--alone Broods o'er the desolate void, the lifeless word; Yet rescued from time's deluge, still they throng Unseen the Pindus they were wont to cherish: All, that which gains immortal life in song, To mortal life must perish!
Written by Robert Frost | Create an image from this poem

The Code

 There were three in the meadow by the brook 
Gathering up windrows, piling cocks of hay, 
With an eye always lifted toward the west 
Where an irregular sun-bordered cloud 
Darkly advanced with a perpetual dagger 
Flickering across its bosom.
Suddenly One helper, thrusting pitchfork in the ground, Marched himself off the field and home.
One stayed.
The town-bred farmer failed to understand.
"What is there wrong?" "Something you just now said.
" "What did I say?" "About our taking pains.
" "To cock the hay?--because it's going to shower? I said that more than half an hour ago.
I said it to myself as much as you.
" "You didn't know.
But James is one big fool.
He thought you meant to find fault with his work.
That's what the average farmer would have meant.
James would take time, of course, to chew it over Before he acted: he's just got round to act.
" "He is a fool if that's the way he takes me.
" "Don't let it bother you.
You've found out something.
The hand that knows his business won't be told To do work better or faster--those two things.
I'm as particular as anyone: Most likely I'd have served you just the same.
But I know you don't understand our ways.
You were just talking what was in your mind, What was in all our minds, and you weren't hinting.
Tell you a story of what happened once: I was up here in Salem at a man's Named Sanders with a gang of four or five Doing the haying.
No one liked the boss.
He was one of the kind sports call a spider, All wiry arms and legs that spread out wavy From a humped body nigh as big's a biscuit.
But work! that man could work, especially If by so doing he could get more work Out of his hired help.
I'm not denying He was hard on himself.
I couldn't find That he kept any hours--not for himself.
Daylight and lantern-light were one to him: I've heard him pounding in the barn all night.
But what he liked was someone to encourage.
Them that he couldn't lead he'd get behind And drive, the way you can, you know, in mowing-- Keep at their heels and threaten to mow their legs off.
I'd seen about enough of his bulling tricks (We call that bulling).
I'd been watching him.
So when he paired off with me in the hayfield To load the load, thinks I, Look out for trouble.
I built the load and topped it off; old Sanders Combed it down with a rake and says, 'O.
K.
' Everything went well till we reached the barn With a big catch to empty in a bay.
You understand that meant the easy job For the man up on top of throwing down The hay and rolling it off wholesale, Where on a mow it would have been slow lifting.
You wouldn't think a fellow'd need much urging Under these circumstances, would you now? But the old fool seizes his fork in both hands, And looking up bewhiskered out of the pit, Shouts like an army captain, 'Let her come!' Thinks I, D'ye mean it? 'What was that you said?' I asked out loud, so's there'd be no mistake, 'Did you say, Let her come?' 'Yes, let her come.
' He said it over, but he said it softer.
Never you say a thing like that to a man, Not if he values what he is.
God, I'd as soon Murdered him as left out his middle name.
I'd built the load and knew right where to find it.
Two or three forkfuls I picked lightly round for Like meditating, and then I just dug in And dumped the rackful on him in ten lots.
I looked over the side once in the dust And caught sight of him treading-water-like, Keeping his head above.
'Damn ye,' I says, 'That gets ye!' He squeaked like a squeezed rat.
That was the last I saw or heard of him.
I cleaned the rack and drove out to cool off.
As I sat mopping hayseed from my neck, And sort of waiting to be asked about it, One of the boys sings out, 'Where's the old man?' 'I left him in the barn under the hay.
If ye want him, ye can go and dig him out.
' They realized from the way I swobbed my neck More than was needed something must be up.
They headed for the barn; I stayed where I was.
They told me afterward.
First they forked hay, A lot of it, out into the barn floor.
Nothing! They listened for him.
Not a rustle.
I guess they thought I'd spiked him in the temple Before I buried him, or I couldn't have managed.
They excavated more.
'Go keep his wife Out of the barn.
' Someone looked in a window, And curse me if he wasn't in the kitchen Slumped way down in a chair, with both his feet Stuck in the oven, the hottest day that summer.
He looked so clean disgusted from behind There was no one that dared to stir him up, Or let him know that he was being looked at.
Apparently I hadn't buried him (I may have knocked him down); but my just trying To bury him had hurt his dignity.
He had gone to the house so's not to meet me.
He kept away from us all afternoon.
We tended to his hay.
We saw him out After a while picking peas in his garden: He couldn't keep away from doing something.
" "Weren't you relieved to find he wasn't dead?" "No! and yet I don't know--it's hard to say.
I went about to kill him fair enough.
" "You took an awkward way.
Did he discharge you?" "Discharge me? No! He knew I did just right.
"
Written by Friedrich von Schiller | Create an image from this poem

The Dance

 See how, like lightest waves at play, the airy dancers fleet;
And scarcely feels the floor the wings of those harmonious feet.
Ob, are they flying shadows from their native forms set free? Or phantoms in the fairy ring that summer moonbeams see? As, by the gentle zephyr blown, some light mist flees in air, As skiffs that skim adown the tide, when silver waves are fair, So sports the docile footstep to the heave of that sweet measure, As music wafts the form aloft at its melodious pleasure, Now breaking through the woven chain of the entangled dance, From where the ranks the thickest press, a bolder pair advance, The path they leave behind them lost--wide open the path beyond, The way unfolds or closes up as by a magic wand.
See now, they vanish from the gaze in wild confusion blended; All, in sweet chaos whirled again, that gentle world is ended! No!--disentangled glides the knot, the gay disorder ranges-- The only system ruling here, a grace that ever changes.
For ay destroyed--for ay renewed, whirls on that fair creation; And yet one peaceful law can still pervade in each mutation.
And what can to the reeling maze breathe harmony and vigor, And give an order and repose to every gliding figure? That each a ruler to himself doth but himself obey, Yet through the hurrying course still keeps his own appointed way.
What, would'st thou know? It is in truth the mighty power of tune, A power that every step obeys, as tides obey the moon; That threadeth with a golden clue the intricate employment, Curbs bounding strength to tranquil grace, and tames the wild enjoyment.
And comes the world's wide harmony in vain upon thine ears? The stream of music borne aloft from yonder choral spheres? And feel'st thou not the measure which eternal Nature keeps? The whirling dance forever held in yonder azure deeps? The suns that wheel in varying maze?--That music thou discernest? No! Thou canst honor that in sport which thou forgettest in earnest.
12