Written by
James A Emanuel |
When three, he fished these lakes,
Curled sleeping on a lip of rock,
Crib blankets tucked from ants and fishbone flies,
Twitching as the strike of bass and snarling reel
Uncoiled my shouts not quit
Till he jerked blinking up on all-fours,
Swaying with the winking leaves.
Strong awake, he shook his cane pole like a spoon
And dipped among the wagging perch
Till, tired, he drew his silver rubber blade
And poked the winding fins that tugged our string,
Or sprayed the dimpling minnows with his plastic gun,
Or, rainstruck, squirmed to my armpit in the poncho.
Then years uncurled him, thinned him hard.
Now, far he cast his line into the wrinkled blue
And easy toes a rock, reel on his thigh
Till bone and crank cry out the strike
He takes with manchild chuckles, cunning
In his play of zigzag line and plunging silver.
Now fishing far from me, he strides through rain, shoulders
A spiny ridge of pines, and disappears
Near lakes that cannot be, while I must choose
To go or stay: bring blanket, blade, and gun,
Or stand a fisherman.
|
Written by
Raymond Carver |
October.
Here in this dank, unfamiliar kitchen
I study my father's embarrassed young man's face.
Sheepish grin, he holds in one hand a string
of spiny yellow perch, in the other
a bottle of Carlsbad Beer.
In jeans and denim shirt, he leans
against the front fender of a 1934 Ford.
He would like to pose bluff and hearty for his posterity,
Wear his old hat cocked over his ear.
All his life my father wanted to be bold.
But the eyes give him away, and the hands
that limply offer the string of dead perch
and the bottle of beer.
Father, I love you,
yet how can I say thank you, I who can't hold my liquor either,
and don't even know the places to fish?
|
Written by
D. H. Lawrence |
On he goes, the little one,
Bud of the universe,
Pediment of life.
Setting off somewhere, apparently.
Whither away, brisk egg?
His mother deposited him on the soil as if he were no more than droppings,
And now he scuffles tinily past her as if she were an old rusty tin.
A mere obstacle,
He veers round the slow great mound of her --
Tortoises always foresee obstacles.
It is no use my saying to him in an emotional voice:
"This is your Mother, she laid you when you were an egg.
"
He does not even trouble to answer: "Woman, what have I to do with thee?"
He wearily looks the other way,
And she even more wearily looks another way still,
Each with the utmost apathy,
Incognisant,
Unaware,
Nothing.
As for papa,
He snaps when I offer him his offspring,
Just as he snaps when I poke a bit of stick at him,
Because he is irascible this morning, an irascible tortoise
Being touched with love, and devoid of fatherliness.
Father and mother,
And three little brothers,
And all rambling aimless, like little perambulating pebbles scattered in the garden,
Not knowing each other from bits of earth or old tins.
Except that papa and mama are old acquaintances, of course,
Though family feeling there is none, not even the beginnings.
Fatherless, motherless, brotherless, sisterless
Little tortoise.
Row on then, small pebble,
Over the clods of the autumn, wind-chilled sunshine,
Young gaiety.
Does he look for a companion?
No, no, don't think it.
He doesn't know he is alone;
Isolation is his birthright,
This atom.
To row forward, and reach himself tall on spiny toes,
To travel, to burrow into a little loose earth, afraid of the night,
To crop a little substance,
To move, and to be quite sure that he is moving:
Basta!
To be a tortoise!
Think of it, in a garden of inert clods
A brisk, brindled little tortoise, all to himself --
Adam!
In a garden of pebbles and insects
To roam, and feel the slow heart beat
Tortoise-wise, the first bell sounding
From the warm blood, in the dark-creation morning.
Moving, and being himself,
Slow, and unquestioned,
And inordinately there, O stoic!
Wandering in the slow triumph of his own existence,
Ringing the soundless bell of his presence in chaos,
And biting the frail grass arrogantly,
Decidedly arrogantly.
|
Written by
Robert Graves |
This valley wood is pledged
To the set shape of things,
And reasonably hedged:
Here are no harpies fledged,
No rocs may clap their wings,
Nor gryphons wave their stings.
Here, poised in quietude,
Calm elementals brood
On the set shape of things:
They fend away alarms
From this green wood.
Here nothing is that harms -
No bulls with lungs of brass,
No toothed or spiny grass,
No tree whose clutching arms
Drink blood when travellers pass,
No mount of glass;
No bardic tongues unfold
Satires or charms.
Only, the lawns are soft,
The tree-stems, grave and old;
Slow branches sway aloft,
The evening air comes cold,
The sunset scatters gold.
Small grasses toss and bend,
Small pathways idly tend
Towards no fearful end.
|
Written by
Thomas Hardy |
I
Its roots are bristling in the air
Like some mad Earth-god's spiny hair;
The loud south-wester's swell and yell
Smote it at midnight, and it fell.
Thus ends the tree
Where Some One sat with me.
II
Its boughs, which none but darers trod,
A child may step on from the sod,
And twigs that earliest met the dawn
Are lit the last upon the lawn.
Cart off the tree
Beneath whose trunk sat we!
III
Yes, there we sat: she cooed content,
And bats ringed round, and daylight went;
The gnarl, our seat, is wrenched and sunk,
Prone that ***** pocket in the trunk
Where lay the key
To her pale mystery.
IV
"Years back, within this pocket-hole
I found, my Love, a hurried scrawl
Meant not for me," at length said I;
"I glanced thereat, and let it lie:
The words were three -
'Beloved, I agree.
'
V
"Who placed it here; to what request
It gave assent, I never guessed.
Some prayer of some hot heart, no doubt,
To some coy maiden hereabout,
Just as, maybe,
With you, Sweet Heart, and me.
"
VI
She waited, till with quickened breath
She spoke, as one who banisheth
Reserves that lovecraft heeds so well,
To ease some mighty wish to tell:
"'Twas I," said she,
"Who wrote thus clinchingly.
VII
"My lover's wife--aye, wife!--knew nought
Of what we felt, and bore, and thought .
.
.
He'd said: 'I wed with thee or die:
She stands between, 'tis true.
But why?
Do thou agree,
And--she shalt cease to be.
'
VIII
"How I held back, how love supreme
Involved me madly in his scheme
Why should I say? .
.
.
I wrote assent
(You found it hid) to his intent .
.
.
She--DIED .
.
.
But he
Came not to wed with me.
IX
"O shrink not, Love!--Had these eyes seen
But once thine own, such had not been!
But we were strangers .
.
.
Thus the plot
Cleared passion's path.
--Why came he not
To wed with me? .
.
.
He wived the gibbet-tree.
"
X
- Under that oak of heretofore
Sat Sweetheart mine with me no more:
By many a Fiord, and Strom, and Fleuve
Have I since wandered .
.
.
Soon, for love,
Distraught went she -
'Twas said for love of me.
|
Written by
Conrad Aiken |
No, I shall not say why it is that I love you—
Why do you ask me, save for vanity?
Surely you would not have me, like a mirror,
Say 'yes,—your hair curls darkly back from the temples,
Your mouth has a humorous, tremulous, half-shy sweetness,
Your eyes are April grey.
.
.
.
with jonquils in them?'
No, if I tell at all, I shall tell in silence .
.
.
I'll say—my childhood broke through chords of music
—Or were they chords of sun?—wherein fell shadows,
Or silences; I rose through seas of sunlight;
Or sometimes found a darkness stooped above me
With wings of death, and a face of cold clear beauty.
.
I lay in the warm sweet grass on a blue May morning,
My chin in a dandelion, my hands in clover,
And drowsed there like a bee.
.
.
.
blue days behind me
Stretched like a chain of deep blue pools of magic,
Enchanted, silent, timeless.
.
.
.
days before me
Murmured of blue-sea mornings, noons of gold,
Green evenings streaked with lilac, bee-starred nights.
Confused soft clouds of music fled above me.
Sharp shafts of music dazzled my eyes and pierced me.
I ran and turned and spun and danced in the sunlight,
Shrank, sometimes, from the freezing silence of beauty,
Or crept once more to the warm white cave of sleep.
No, I shall not say 'this is why I praise you—
Because you say such wise things, or such foolish.
.
.
'
You would not have me say what you know better?
Let me instead be silent, only saying—:
My childhood lives in me—or half-lives, rather—
And, if I close my eyes cool chords of music
Flow up to me .
.
.
long chords of wind and sunlight.
.
.
.
Shadows of intricate vines on sunlit walls,
Deep bells beating, with aeons of blue between them,
Grass blades leagues apart with worlds between them,
Walls rushing up to heaven with stars upon them.
.
.
I lay in my bed and through the tall night window
Saw the green lightning plunging among the clouds,
And heard the harsh rain storm at the panes and roof.
.
.
.
How should I know—how should I now remember—
What half-dreamed great wings curved and sang above me?
What wings like swords? What eyes with the dread night in them?
This I shall say.
—I lay by the hot white sand-dunes.
.
Small yellow flowers, sapless and squat and spiny,
Stared at the sky.
And silently there above us
Day after day, beyond our dreams and knowledge,
Presences swept, and over us streamed their shadows,
Swift and blue, or dark.
.
.
.
What did they mean?
What sinister threat of power? What hint of beauty?
Prelude to what gigantic music, or subtle?
Only I know these things leaned over me,
Brooded upon me, paused, went flowing softly,
Glided and passed.
I loved, I desired, I hated,
I struggled, I yielded and loved, was warmed to blossom .
.
.
You, when your eyes have evening sunlight in them,
Set these dunes before me, these salt bright flowers,
These presences.
.
.
.
I drowse, they stream above me,
I struggle, I yield and love, I am warmed to dream.
You are the window (if I could tell I'd tell you)
Through which I see a clear far world of sunlight.
You are the silence (if you could hear you'd hear me)
In which I remember a thin still whisper of singing.
It is not you I laugh for, you I touch!
My hands, that touch you, suddenly touch white cobwebs,
Coldly silvered, heavily silvered with dewdrops;
And clover, heavy with rain; and cold green grass.
.
.
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