Written by
Robert Frost |
Her teacher's certainty it must be Mabel
Made Maple first take notice of her name.
She asked her father and he told her, "Maple—
Maple is right.
"
"But teacher told the school
There's no such name.
"
"Teachers don't know as much
As fathers about children, you tell teacher.
You tell her that it's M-A-P-L-E.
You ask her if she knows a maple tree.
Well, you were named after a maple tree.
Your mother named you.
You and she just saw
Each other in passing in the room upstairs,
One coming this way into life, and one
Going the other out of life—you know?
So you can't have much recollection of her.
She had been having a long look at you.
She put her finger in your cheek so hard
It must have made your dimple there, and said,
'Maple.
' I said it too: 'Yes, for her name.
'
She nodded.
So we're sure there's no mistake.
I don't know what she wanted it to mean,
But it seems like some word she left to bid you
Be a good girl—be like a maple tree.
How like a maple tree's for us to guess.
Or for a little girl to guess sometime.
Not now—at least I shouldn't try too hard now.
By and by I will tell you all I know
About the different trees, and something, too,
About your mother that perhaps may help.
"
Dangerous self-arousing words to sow.
Luckily all she wanted of her name then
Was to rebuke her teacher with it next day,
And give the teacher a scare as from her father.
Anything further had been wasted on her,
Or so he tried to think to avoid blame.
She would forget it.
She all but forgot it.
What he sowed with her slept so long a sleep,
And came so near death in the dark of years,
That when it woke and came to life again
The flower was different from the parent seed.
It carne back vaguely at the glass one day,
As she stood saying her name over aloud,
Striking it gently across her lowered eyes
To make it go well with the way she looked.
What was it about her name? Its strangeness lay
In having too much meaning.
Other names,
As Lesley, Carol, Irma, Marjorie,
Signified nothing.
Rose could have a meaning,
But hadn't as it went.
(She knew a Rose.
)
This difference from other names it was
Made people notice it—and notice her.
(They either noticed it, or got it wrong.
)
Her problem was to find out what it asked
In dress or manner of the girl who bore it.
If she could form some notion of her mother—
What she bad thought was lovely, and what good.
This was her mother's childhood home;
The house one story high in front, three stories
On the end it presented to the road.
(The arrangement made a pleasant sunny cellar.
)
Her mother's bedroom was her father's still,
Where she could watch her mother's picture fading.
Once she found for a bookmark in the Bible
A maple leaf she thought must have been laid
In wait for her there.
She read every word
Of the two pages it was pressed between,
As if it was her mother speaking to her.
But forgot to put the leaf back in closing
And lost the place never to read again.
She was sure, though, there had been nothing in it.
So she looked for herself, as everyone
Looks for himself, more or less outwardly.
And her self-seeking, fitful though it was,
May still have been what led her on to read,
And think a little, and get some city schooling.
She learned shorthand, whatever shorthand may
Have had to do with it--she sometimes wondered.
So, till she found herself in a strange place
For the name Maple to have brought her to,
Taking dictation on a paper pad
And, in the pauses when she raised her eyes,
Watching out of a nineteenth story window
An airship laboring with unshiplike motion
And a vague all-disturbing roar above the river
Beyond the highest city built with hands.
Someone was saying in such natural tones
She almost wrote the words down on her knee,
"Do you know you remind me of a tree--
A maple tree?"
"Because my name is Maple?"
"Isn't it Mabel? I thought it was Mabel.
"
"No doubt you've heard the office call me Mabel.
I have to let them call me what they like.
"
They were both stirred that he should have divined
Without the name her personal mystery.
It made it seem as if there must be something
She must have missed herself.
So they were married,
And took the fancy home with them to live by.
They went on pilgrimage once to her father's
(The house one story high in front, three stories
On the side it presented to the road)
To see if there was not some special tree
She might have overlooked.
They could find none,
Not so much as a single tree for shade,
Let alone grove of trees for sugar orchard.
She told him of the bookmark maple leaf
In the big Bible, and all she remembered
of the place marked with it—"Wave offering,
Something about wave offering, it said.
"
"You've never asked your father outright, have you?"
"I have, and been Put off sometime, I think.
"
(This was her faded memory of the way
Once long ago her father had put himself off.
)
"Because no telling but it may have been
Something between your father and your mother
Not meant for us at all.
"
"Not meant for me?
Where would the fairness be in giving me
A name to carry for life and never know
The secret of?"
"And then it may have been
Something a father couldn't tell a daughter
As well as could a mother.
And again
It may have been their one lapse into fancy
'Twould be too bad to make him sorry for
By bringing it up to him when be was too old.
Your father feels us round him with our questing,
And holds us off unnecessarily,
As if he didn't know what little thing
Might lead us on to a discovery.
It was as personal as be could be
About the way he saw it was with you
To say your mother, bad she lived, would be
As far again as from being born to bearing.
"
"Just one look more with what you say in mind,
And I give up"; which last look came to nothing.
But though they now gave up the search forever,
They clung to what one had seen in the other
By inspiration.
It proved there was something.
They kept their thoughts away from when the maples
Stood uniform in buckets, and the steam
Of sap and snow rolled off the sugarhouse.
When they made her related to the maples,
It was the tree the autumn fire ran through
And swept of leathern leaves, but left the bark
Unscorched, unblackened, even, by any smoke.
They always took their holidays in autumn.
Once they came on a maple in a glade,
Standing alone with smooth arms lifted up,
And every leaf of foliage she'd worn
Laid scarlet and pale pink about her feet.
But its age kept them from considering this one.
Twenty-five years ago at Maple's naming
It hardly could have been a two-leaved seedling
The next cow might have licked up out at pasture.
Could it have been another maple like it?
They hovered for a moment near discovery,
Figurative enough to see the symbol,
But lacking faith in anything to mean
The same at different times to different people.
Perhaps a filial diffidence partly kept them
From thinking it could be a thing so bridal.
And anyway it came too late for Maple.
She used her hands to cover up her eyes.
"We would not see the secret if we could now:
We are not looking for it any more.
"
Thus had a name with meaning, given in death,
Made a girl's marriage, and ruled in her life.
No matter that the meaning was not clear.
A name with meaning could bring up a child,
Taking the child out of the parents' hands.
Better a meaningless name, I should say,
As leaving more to nature and happy chance.
Name children some names and see what you do.
|
Written by
Sidney Lanier |
To-day the woods are trembling through and through
With shimmering forms, that flash before my view,
Then melt in green as dawn-stars melt in blue.
The leaves that wave against my cheek caress
Like women's hands; the embracing boughs express
A subtlety of mighty tenderness;
The copse-depths into little noises start,
That sound anon like beatings of a heart,
Anon like talk 'twixt lips not far apart.
The beech dreams balm, as a dreamer hums a song;
Through that vague wafture, expirations strong
Throb from young hickories breathing deep and long
With stress and urgence bold of prisoned spring
And ecstasy of burgeoning.
Now, since the dew-plashed road of morn is dry,
Forth venture odors of more quality
And heavenlier giving.
Like Jove's locks awry,
Long muscadines
Rich-wreathe the spacious foreheads of great pines,
And breathe ambrosial passion from their vines.
I pray with mosses, ferns and flowers shy
That hide like gentle nuns from human eye
To lift adoring perfumes to the sky.
I hear faint bridal-sighs of brown and green
Dying to silent hints of kisses keen
As far lights fringe into a pleasant sheen.
I start at fragmentary whispers, blown
From undertalks of leafy souls unknown,
Vague purports sweet, of inarticulate tone.
Dreaming of gods, men, nuns and brides, between
Old companies of oaks that inward lean
To join their radiant amplitudes of green
I slowly move, with ranging looks that pass
Up from the matted miracles of grass
Into yon veined complex of space
Where sky and leafage interlace
So close, the heaven of blue is seen
Inwoven with a heaven of green.
I wander to the zigzag-cornered fence
Where sassafras, intrenched in brambles dense,
Contests with stolid vehemence
The march of culture, setting limb and thorn
As pikes against the army of the corn.
There, while I pause, my fieldward-faring eyes
Take harvests, where the stately corn-ranks rise,
Of inward dignities
And large benignities and insights wise,
Graces and modest majesties.
Thus, without theft, I reap another's field;
Thus, without tilth, I house a wondrous yield,
And heap my heart with quintuple crops concealed.
Look, out of line one tall corn-captain stands
Advanced beyond the foremost of his bands,
And waves his blades upon the very edge
And hottest thicket of the battling hedge.
Thou lustrous stalk, that ne'er mayst walk nor talk,
Still shalt thou type the poet-soul sublime
That leads the vanward of his timid time
And sings up cowards with commanding rhyme --
Soul calm, like thee, yet fain, like thee, to grow
By double increment, above, below;
Soul homely, as thou art, yet rich in grace like thee,
Teaching the yeomen selfless chivalry
That moves in gentle curves of courtesy;
Soul filled like thy long veins with sweetness tense,
By every godlike sense
Transmuted from the four wild elements.
Drawn to high plans,
Thou lift'st more stature than a mortal man's,
Yet ever piercest downward in the mould
And keepest hold
Upon the reverend and steadfast earth
That gave thee birth;
Yea, standest smiling in thy future grave,
Serene and brave,
With unremitting breath
Inhaling life from death,
Thine epitaph writ fair in fruitage eloquent,
Thyself thy monument.
As poets should,
Thou hast built up thy hardihood
With universal food,
Drawn in select proportion fair
From honest mould and vagabond air;
From darkness of the dreadful night,
And joyful light;
From antique ashes, whose departed flame
In thee has finer life and longer fame;
From wounds and balms,
From storms and calms,
From potsherds and dry bones
And ruin-stones.
Into thy vigorous substance thou hast wrought
Whate'er the hand of Circumstance hath brought;
Yea, into cool solacing green hast spun
White radiance hot from out the sun.
So thou dost mutually leaven
Strength of earth with grace of heaven;
So thou dost marry new and old
Into a one of higher mould;
So thou dost reconcile the hot and cold,
The dark and bright,
And many a heart-perplexing opposite,
And so,
Akin by blood to high and low,
Fitly thou playest out thy poet's part,
Richly expending thy much-bruised heart
In equal care to nourish lord in hall
Or beast in stall:
Thou took'st from all that thou mightst give to all.
O steadfast dweller on the selfsame spot
Where thou wast born, that still repinest not --
Type of the home-fond heart, the happy lot! --
Deeply thy mild content rebukes the land
Whose flimsy homes, built on the shifting sand
Of trade, for ever rise and fall
With alternation whimsical,
Enduring scarce a day,
Then swept away
By swift engulfments of incalculable tides
Whereon capricious Commerce rides.
Look, thou substantial spirit of content!
Across this little vale, thy continent,
To where, beyond the mouldering mill,
Yon old deserted Georgian hill
Bares to the sun his piteous aged crest
And seamy breast,
By restless-hearted children left to lie
Untended there beneath the heedless sky,
As barbarous folk expose their old to die.
Upon that generous-rounding side,
With gullies scarified
Where keen Neglect his lash hath plied,
Dwelt one I knew of old, who played at toil,
And gave to coquette Cotton soul and soil.
Scorning the slow reward of patient grain,
He sowed his heart with hopes of swifter gain,
Then sat him down and waited for the rain.
He sailed in borrowed ships of usury --
A foolish Jason on a treacherous sea,
Seeking the Fleece and finding misery.
Lulled by smooth-rippling loans, in idle trance
He lay, content that unthrift Circumstance
Should plough for him the stony field of Chance.
Yea, gathering crops whose worth no man might tell,
He staked his life on games of Buy-and-Sell,
And turned each field into a gambler's hell.
Aye, as each year began,
My farmer to the neighboring city ran;
Passed with a mournful anxious face
Into the banker's inner place;
Parleyed, excused, pleaded for longer grace;
Railed at the drought, the worm, the rust, the grass;
Protested ne'er again 'twould come to pass;
With many an `oh' and `if' and `but alas'
Parried or swallowed searching questions rude,
And kissed the dust to soften Dives's mood.
At last, small loans by pledges great renewed,
He issues smiling from the fatal door,
And buys with lavish hand his yearly store
Till his small borrowings will yield no more.
Aye, as each year declined,
With bitter heart and ever-brooding mind
He mourned his fate unkind.
In dust, in rain, with might and main,
He nursed his cotton, cursed his grain,
Fretted for news that made him fret again,
Snatched at each telegram of Future Sale,
And thrilled with Bulls' or Bears' alternate wail --
In hope or fear alike for ever pale.
And thus from year to year, through hope and fear,
With many a curse and many a secret tear,
Striving in vain his cloud of debt to clear,
At last
He woke to find his foolish dreaming past,
And all his best-of-life the easy prey
Of squandering scamps and quacks that lined his way
With vile array,
From rascal statesman down to petty knave;
Himself, at best, for all his bragging brave,
A gamester's catspaw and a banker's slave.
Then, worn and gray, and sick with deep unrest,
He fled away into the oblivious West,
Unmourned, unblest.
Old hill! old hill! thou gashed and hairy Lear
Whom the divine Cordelia of the year,
E'en pitying Spring, will vainly strive to cheer --
King, that no subject man nor beast may own,
Discrowned, undaughtered and alone --
Yet shall the great God turn thy fate,
And bring thee back into thy monarch state
And majesty immaculate.
Lo, through hot waverings of the August morn,
Thou givest from thy vasty sides forlorn
Visions of golden treasuries of corn --
Ripe largesse lingering for some bolder heart
That manfully shall take thy part,
And tend thee,
And defend thee,
With antique sinew and with modern art.
|
Written by
Edward Estlin (E E) Cummings |
anyone lived in a pretty how town
(with up so floating many bells down)
spring summer autumn winter
he sang his didn't he danced his did
Women and men(both little and samll)
cared for anyone not at all
they sowed their isn't they reaped their
same
sun moon stars rain
children guessed(but only a few
and down they forgot as up they grew
autumn winter spring summer)
that noone loved him more by more
when by now and tree by leaf
she laughed his joy she cried his grief
bird by snow and stir by still
anyone's any was all to her
someones married their everyones
laughed their cryings and did their dance
(sleep wake hope and then)they
said their nevers they slept their dream
stars rain sun moon
(and only the snow can begin to explain
how children are apt to forget to remember
with up so floating many bells down)
one day anyone died i guess
(and noone stooped to kiss his face)
busy folk buried them side by side
little by little and was by was
all by all and deep by deep
and more by moe they dream their sleep
noone and anyone earth by april
wish by spirit and if by yes
Women and men(both dong and ding)
summer sutumn winter spring
reaped their sowing and went their came
sun moon stars rain
|
Written by
Richard Jones |
All winter the fire devoured everything --
tear-stained elegies, old letters, diaries, dead flowers.
When April finally arrived,
I opened the woodstove one last time
and shoveled the remains of those long cold nights
into a bucket, ash rising
through shafts of sunlight,
as swirling in bright, angelic eddies.
I shoveled out the charred end of an oak log,
black and pointed like a pencil;
half-burnt pages
sacrificed
in the making of poems;
old, square handmade nails
liberated from weathered planks
split for kindling.
I buried my hands in the bucket,
found the nails, lifted them,
the phoenix of my right hand
shielded with soot and tar,
my left hand shrouded in soft white ash --
nails in both fists like forged lightning.
I smeared black lines on my face,
drew crosses on my chest with the nails,
raised my arms and stomped my feet,
dancing in honor of spring
and rebirth, dancing
in honor of winter and death.
I hauled the heavy bucket to the garden,
spread ashes over the ground,
asked the earth to be good.
I gave the earth everything
that pulled me through the lonely winter --
oak trees, barns, poems.
I picked up my shovel
and turned hard, gray dirt,
the blade splitting winter
from spring.
With hoe and rake,
I cultivated soil,
tilling row after row,
the earth now loose and black.
Tearing seed packets with my teeth,
I sowed spinach with my right hand,
planted petunias with my left.
Lifting clumps of dirt,
I crumbled them in my fists,
loving each dark letter that fell from my fingers.
And when I carried my empty bucket to the lake for water,
a few last ashes rose into spring-morning air,
ash drifting over fields
dew-covered
and lightly dusted green.
|
Written by
Arna Bontemps |
I have sown beside all waters in my day.
I planted deep, within my heart the fear
that wind or fowl would take the grain away.
I planted safe against this stark, lean year.
I scattered seed enough to plant the land
in rows from Canada to Mexico
but for my reaping only what the hand
can hold at once is all that I can show.
Yet what I sowed and what the orchard yields
my brother's sons are gathering stalk and root;
small wonder then my children glean in fields
they have not sown, and feed on bitter fruit.
|
Written by
Rudyard Kipling |
There's no sense in going further -- it's the edge of cultivation,"
So they said, and I believed it -- broke my land and sowed my crop --
Built my barns and strung my fences in the little border station
Tucked away below the foothills where the trails run out and stop.
Till a voice, as bad as Conscience, rang interminable changes
On one everlasting Whisper day and night repeated -- so:
"Something hidden.
Go and find it.
Go and look behind the Ranges --
"Something lost behind the Ranges.
Lost in wating for you.
Go!"
So I went, worn out of patience; never told my nearest neighbours --
Stole away with pack and ponies -- left 'em drinking in the town;
And the faith that moveth mountains didn't seem to help my labours
As I faced the sheer main-ranges, whipping up and leading down.
March by march I puzzled through 'em, turning flanks and dodging shoulders,
Hurried on in hope of water, headed back for lack of grass;
Till I camped above the tree-line -- drifted snow and naked boulders --
Felt free air astir to windward -- knew I'd stumbled on the Pass.
'Thought to name it for the finder: but that night the Norther found me --
Froze and killed the plains-bred ponies; so I called the camp Despair
(It's the Railway Gap to-day, though).
Then my Whisper waked to hound me: --
"Something lost behind the Ranges.
Over yonder! Go you there!"
Then I knew, the while I doubted -- knew His Hand was certain o'er me.
Still -- it might be self-delusion -- scores of better men had died --
I could reach the township living, but.
.
.
He knows what terror tore me .
.
.
But I didn't .
.
.
but I didn't.
I went down the other side,
Till the snow ran out in flowers, and the flowers turned to aloes,
And the aloes sprung to thickets and a brimming stream ran by;
But the thickets dwined to thorn-scrub, and the water drained to shallows,
And I dropped again on desert -- blasterd earth, and blasting sky.
.
.
.
I remember lighting fires; I remember sitting by 'em;
I remember seeing faces, hearing voices, through the smoke;
I remember they were fancy -- for I threw a stone to try 'em.
"Something lost behind the Ranges" was the only word they spoke.
But at last the country altered -- White Man's country past disputing --
Rolling grass and open timber, with a hint of hills behind --
There I found me food and water, and I lay a week recruiting.
Got my strength and lost my nightmares.
Then I entered on my find.
Thence I ran my first rough survey -- chose my trees and blazed and ringed 'em --
Week by week I pried and smhampled -- week by week my findings grew.
Saul he went to look for donkeys, and by God he found a kingdom!
But by God, who sent His Whisper, I had struck the worth of two!
Up along the hostile mountains, where the hair-poised snowslide shivers --
Down and through the big fat marshes that the virgin ore-bed stains,
Till I heard the mile-wide mutterings of unimagined rivers,
And beyond the nameless timber saw illimitable plains!
'Plotted sites of future cities, traced the easy grades between 'em;
Watched unharnessed rapids wasting fifty thousand head an hour;
Counted leagues of water-frontage through the axe-ripe woods that screen 'em --
Saw the plant to feed a people -- up and waiting for the power!
Well, I know who'll take the credit -- all the clever chaps that followed --
Came, a dozen men together -- never knew my desert-fears;
Tracked me by the camps I'd quitted, used the water-holes I hollowed.
They'll go back and do the talking.
They'll be called the Pioneers!
They will find my sites of townships -- not the cities that I set there.
They will rediscover rivers -- not my rivers heard at night.
By my own old marks and bearings they will show me how to get there,
By the lonely cairns I builded they will guide my feet aright.
Have I named one single river? Have I claimed one single acre?
Have I kept one single nugget -- (barring samples)? No, not I!
Because my price was paid me ten times over by my Maker.
But you wouldn't understand it.
You go up and occupy.
Ores you'll find there; wood and cattle; water-transit sure and steady
(That should keep the railway rates down), coal and iron at your doors.
God took care to hide that country till He judged His people ready,
Then He chose me for His Whisper, and I've found it, and it's yours!
Yes, your "Never-never country" -- yes, your "edge of cultivation"
And "no sense in going further" -- till I crossed the range to see.
God forgive me! No, I didn't.
It's God's present to our nation.
Anybody might have found it but -- His Whisper came to Me!
|
Written by
Kahlil Gibran |
Spring
Come, my beloved; let us walk amidst the knolls,
For the snow is water, and Life is alive from its
Slumber and is roaming the hills and valleys.
Let us follow the footprints of Spring into the
Distant fields, and mount the hilltops to draw
Inspiration high above the cool green plains.
Dawn of Spring has unfolded her winter-kept garment
And placed it on the peach and citrus trees; and
They appear as brides in the ceremonial custom of
the Night of Kedre.
The sprigs of grapevine embrace each other like
Sweethearts, and the brooks burst out in dance
Between the rocks, repeating the song of joy;
And the flowers bud suddenly from the heart of
Nature, like foam from the rich heart of the sea.
Come, my beloved; let us drink the last of Winter's
Tears from the cupped lilies, and soothe our spirits
With the shower of notes from the birds, and wander
In exhilaration through the intoxicating breeze.
Let us sit by that rock, where violets hide; let us
Pursue their exchange of the sweetness of kisses.
Summer
Let us go into the fields, my beloved, for the
Time of harvest approaches, and the sun's eyes
Are ripening the grain.
Let us tend the fruit of the earth, as the
Spirit nourishes the grains of Joy from the
Seeds of Love, sowed deep in our hearts.
Let us fill our bins with the products of
Nature, as life fills so abundantly the
Domain of our hearts with her endless bounty.
Let us make the flowers our bed, and the
Sky our blanket, and rest our heads together
Upon pillows of soft hay.
Let us relax after the day's toil, and listen
To the provoking murmur of the brook.
Autumn
Let us go and gather grapes in the vineyard
For the winepress, and keep the wine in old
Vases, as the spirit keeps Knowledge of the
Ages in eternal vessels.
Let us return to our dwelling, for the wind has
Caused the yellow leaves to fall and shroud the
Withering flowers that whisper elegy to Summer.
Come home, my eternal sweetheart, for the birds
Have made pilgrimage to warmth and lest the chilled
Prairies suffering pangs of solitude.
The jasmine
And myrtle have no more tears.
Let us retreat, for the tired brook has
Ceased its song; and the bubblesome springs
Are drained of their copious weeping; and
Their cautious old hills have stored away
Their colorful garments.
Come, my beloved; Nature is justly weary
And is bidding her enthusiasm farewell
With quiet and contented melody.
Winter
Come close to me, oh companion of my full life;
Come close to me and let not Winter's touch
Enter between us.
Sit by me before the hearth,
For fire is the only fruit of Winter.
Speak to me of the glory of your heart, for
That is greater than the shrieking elements
Beyond our door.
Bind the door and seal the transoms, for the
Angry countenance of the heaven depresses my
Spirit, and the face of our snow-laden fields
Makes my soul cry.
Feed the lamp with oil and let it not dim, and
Place it by you, so I can read with tears what
Your life with me has written upon your face.
Bring Autumn's wine.
Let us drink and sing the
Song of remembrance to Spring's carefree sowing,
And Summer's watchful tending, and Autumn's
Reward in harvest.
Come close to me, oh beloved of my soul; the
Fire is cooling and fleeing under the ashes.
Embrace me, for I fear loneliness; the lamp is
Dim, and the wine which we pressed is closing
Our eyes.
Let us look upon each other before
They are shut.
Find me with your arms and embrace me; let
Slumber then embrace our souls as one.
Kiss me, my beloved, for Winter has stolen
All but our moving lips.
You are close by me, My Forever.
How deep and wide will be the ocean of Slumber,
And how recent was the dawn!
|
Written by
Rupert Brooke |
Today I have been happy.
All the day
I held the memory of you, and wove
Its laughter with the dancing light o' the spray,
And sowed the sky with tiny clouds of love,
And sent you following the white waves of sea,
And crowned your head with fancies, nothing worth,
Stray buds from that old dust of misery,
Being glad with a new foolish quiet mirth.
So lightly I played with those dark memories,
Just as a child, beneath the summer skies,
Plays hour by hour with a strange shining stone,
For which (he knows not) towns were fire of old,
And love has been betrayed, and murder done,
And great kings turned to a little bitter mould.
|
Written by
Adam Lindsay Gordon |
With short, sharp violent lights made vivid,
To the southward far as the sight can roam,
Only the swirl of the surges livid,
The seas that climb and the surfs that comb,
Only the crag and the cliff to nor'ward,
And rocks receding, and reefs flung forward,
And waifs wreck'd seaward and wasted shoreward
On shallows sheeted with flaming foam.
A grim grey coast and a seaboard ghastly,
And shores trod seldom by feet of men --
Where the batter'd hull and the broken mast lie
They have lain embedded these long years ten.
Love! when we wander'd here together,
Hand in hand through the sparkling weather,
From the heights and hollows of fern and heather,
God surely loved us a little then.
Then skies were fairer and shores were firmer --
The blue sea over the bright sand roll'd;
Babble and prattle, and ripple and murmur,
Sheen of silver and glamour of gold --
And the sunset bath'd in the gulf to lend her
A garland of pinks and of purples tender,
A tinge of the sun-god's rosy splendour,
A tithe of his glories manifold.
Man's works are craven, cunning, and skillful
On earth where his tabernacles are;
But the sea is wanton, the sea is wilful,
And who shall mend her and who shall mar?
Shall we carve success or record disaster
On her bosom of heaving alabaster?
Will her purple pulse beat fainter or faster
For fallen sparrow or fallen star?
I would that with sleepy soft embraces
The sea would fold me -- would find me rest
In luminous shades of her secret places,
In depths where her marvels are manifest,
So the earth beneath her should not discover
My hidden couch -- nor the heaven above her --
As a strong love shielding a weary lover,
I would have her shield me with shining breast.
When light in the realms of space lay hidden,
When life was yet in the womb of time,
Ere flesh was fettered to fruits forbidden,
And souls were wedded to care and crime,
Was the course foreshaped for the future spirit --
A burden of folly, a void of merit --
That would fain the wisdom of stars inherit,
And cannot fathom the seas sublime?
Under the sea or the soil (what matter?
The sea and the soil are under the sun),
As in the former days in the latter
The sleeping or waking is known of none,
Surely the sleeper shall not awaken
To griefs forgotten or joys forsaken,
For the price of all things given and taken,
The sum of all things done and undone.
Shall we count offences or coin excuses,
Or weigh with scales the soul of a man,
Whom a strong hand binds and a sure hand looses,
Whose light is a spark and his life a span?
The seed he sowed or the soil he cumber'd,
The time he served or the space he slumber'd,
Will it profit a man when his days are number'd,
Or his deeds since the days of his life began?
One, glad because of the light, saith, "Shall not
The righteous judges of all the earth do right,
For behold the sparrows on the house-tops fall not
Save as seemeth to Him good in His sight?"
And this man's joy shall have no abiding
Through lights departing and lives dividing,
He is soon as one in the darkness hiding,
One loving darkness rather than light.
A little season of love and laughter,
Of light and life, and pleasure and pain,
And a horror of outer darkness after,
And dust returneth to dust again;
Then the lesser life shall be as the greater,
And the lover of light shall join the hater,
And the one thing cometh sooner or later,
And no one knoweth the loss or gain.
Love of my life! we had lights in season --
Hard to part with, harder to keep --
We had strength to labour and souls to reason,
And seed to scatter and fruits to reap.
Though time estranges and fate disperses,
We have had our loves and loving mercies.
Though the gifts of the light in the end are curses,
Yet bides the gift of darkness -- sleep!
See! girt with tempest and wing'd with thunder,
And clad with lightning and shod with sleet,
The strong winds treading the swift waves sunder
The flying rollers with frothy feet.
One gleam like a bloodshot swordblade swims on
The skyline, staining the green gulf crimson
A death stroke fiercely dealt by a dim sun
That strikes through his stormy winding sheet.
Oh, brave white horses! you gather and gallop,
The storm sprite loosens the gusty reins;
Now the stoutest ship were the frailest shallop
In your hollow backs, or your high arch'd manes.
I would ride as never a man has ridden
In your sleepy swirling surges hidden,
To gulfs foreshadow'd, through straits forbidden,
Where no light wearies and no love wanes.
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Written by
Joyce Kilmer |
There's a brook on the side of Greylock that used
to be full of trout,
But there's nothing there now but minnows; they say it is all fished
out.
I fished there many a Summer day some twenty years ago,
And I never quit without getting a mess of a dozen or so.
There was a man, Dave Lilly, who lived on the North
Adams road,
And he spent all his time fishing, while his neighbors reaped and
sowed.
He was the luckiest fisherman in the Berkshire hills, I think.
And when he didn't go fishing he'd sit in the tavern and drink.
Well, Dave is dead and buried and nobody cares
very much;
They have no use in Greylock for drunkards and loafers and such.
But I always liked Dave Lilly, he was pleasant as you could wish;
He was shiftless and good-for-nothing, but he certainly could fish.
The other night I was walking up the hill from
Williamstown
And I came to the brook I mentioned,
and I stopped on the bridge and sat down.
I looked at the blackened water with its little flecks of white
And I heard it ripple and whisper in the still of the Summer night.
And after I'd been there a minute it seemed to
me I could feel
The presence of someone near me, and I heard the hum of a reel.
And the water was churned and broken, and something was brought
to land
By a twist and flirt of a shadowy rod in a deft and shadowy hand.
I scrambled down to the brookside and hunted all
about;
There wasn't a sign of a fisherman; there wasn't a sign of a trout.
But I heard somebody chuckle behind the hollow oak
And I got a whiff of tobacco like Lilly used to smoke.
It's fifteen years, they tell me, since anyone
fished that brook;
And there's nothing in it but minnows that nibble the bait off your
hook.
But before the sun has risen and after the moon has set
I know that it's full of ghostly trout for Lilly's ghost to get.
I guess I'll go to the tavern and get a bottle
of rye
And leave it down by the hollow oak, where Lilly's ghost went by.
I meant to go up on the hillside and try to find his grave
And put some flowers on it -- but this will be better for Dave.
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