Written by
Nazim Hikmet |
1
I carved your name on my watchband
with my fingernail.
Where I am, you know,
I don't have a pearl-handled jackknife
(they won't give me anything sharp)
or a plane tree with its head in the clouds.
Trees may grow in the yard,
but I'm not allowed
to see the sky overhead...
How many others are in this place?
I don't know.
I'm alone far from them,
they're all together far from me.
To talk anyone besides myself
is forbidden.
So I talk to myself.
But I find my conversation so boring,
my dear wife, that I sing songs.
And what do you know,
that awful, always off-key voice of mine
touches me so
that my heart breaks.
And just like the barefoot orphan
lost in the snow
in those old sad stories, my heart
-- with moist blue eyes
and a little red runny rose --
wants to snuggle up in your arms.
It doesn't make me blush
that right now
I'm this weak,
this selfish,
this human simply.
No doubt my state can be explained
physiologically, psychologically, etc.
Or maybe it's
this barred window,
this earthen jug,
these four walls,
which for months have kept me from hearing
another human voice.
It's five o'clock, my dear.
Outside,
with its dryness,
eerie whispers,
mud roof,
and lame, skinny horse
standing motionless in infinity
-- I mean, it's enough to drive the man inside crazy with grief --
outside, with all its machinery and all its art,
a plains night comes down red on treeless space.
Again today, night will fall in no time.
A light will circle the lame, skinny horse.
And the treeless space, in this hopeless landscape
stretched out before me like the body of a hard man,
will suddenly be filled with stars.
We'll reach the inevitable end once more,
which is to say the stage is set
again today for an elaborate nostalgia.
Me,
the man inside,
once more I'll exhibit my customary talent,
and singing an old-fashioned lament
in the reedy voice of my childhood,
once more, by God, it will crush my unhappy heart
to hear you inside my head,
so far
away, as if I were watching you
in a smoky, broken mirror...
2
It's spring outside, my dear wife, spring.
Outside on the plain, suddenly the smell
of fresh earth, birds singing, etc.
It's spring, my dear wife,
the plain outside sparkles...
And inside the bed comes alive with bugs,
the water jug no longer freezes,
and in the morning sun floods the concrete...
The sun--
every day till noon now
it comes and goes
from me, flashing off
and on...
And as the day turns to afternoon, shadows climb the walls,
the glass of the barred window catches fire,
and it's night outside,
a cloudless spring night...
And inside this is spring's darkest hour.
In short, the demon called freedom,
with its glittering scales and fiery eyes,
possesses the man inside
especially in spring...
I know this from experience, my dear wife,
from experience...
3
Sunday today.
Today they took me out in the sun for the first time.
And I just stood there, struck for the first time in my life
by how far away the sky is,
how blue
and how wide.
Then I respectfully sat down on the earth.
I leaned back against the wall.
For a moment no trap to fall into,
no struggle, no freedom, no wife.
Only earth, sun, and me...
I am happy.
|
Written by
James Wright |
Nightfall, that saw the morning-glories float
Tendril and string against the crumbling wall,
Nurses him now, his skeleton for grief,
His locks for comfort curled among the leaf.
Shuttles of moonlight weave his shadow tall,
Milkweed and dew flow upward to his throat.
Now catbird feathers plume the apple mound,
And starlings drowse to winter up the ground.
thickened away from speech by fear, I move
Around the body. Over his forepaws, steep
Declivities darken down the moonlight now,
And the long throat that bayed a year ago
Declines from summer. Flies would love to leap
Between his eyes and hum away the space
Between the ears, the hollow where a hare
Could hide; another jealous dog would tumble
The bones apart, angry, the shining crumble
Of a great body gleaming in the air;
Quivering pigeons foul his broken face.
I can imagine men who search the earth
For handy resurrections, overturn
The body of a beetle in its grave;
Whispering men digging for gods might delve
A pocket for these bones, then slowly burn
Twigs in the leaves, pray for another birth.
But I will turn my face away from this
Ruin of summer, collapse of fur and bone.
For once a white hare huddled up the grass,
The sparrows flocked away to see the race.
I stood on darkness, clinging to a stone,
I saw the two leaping alive on ice,
On earth, on leaf, humus and withered vine:
The rabbit splendid in a shroud of shade,
The dog carved on the sunlight, on the air,
Fierce and magnificent his rippled hair,
The cockleburs shaking around his head.
Then, suddenly, the hare leaped beyond pain
Out of the open meadow, and the hound
Followed the voiceless dancer to the moon,
To dark, to death, to other meadows where
Singing young women dance around a fire,
Where love reveres the living.
I alone
Scatter this hulk about the dampened ground;
And while the moon rises beyond me, throw
The ribs and spine out of their perfect shape.
For a last charm to the dead, I lift the skull
And toss it over the maples like a ball.
Strewn to the woods, now may that spirit sleep
That flamed over the ground a year ago.
I know the mole will heave a shinbone over,
The earthworm snuggle for a nap on paws,
The honest bees build honey in the head;
The earth knows how to handle the great dead
Who lived the body out, and broke its laws,
Knocked down a fence, tore up a field of clover.
|
Written by
Robert William Service |
"Gather around me, children dear;
The wind is high and the night is cold;
Closer, little ones, snuggle near;
Let's seek a story of ages old;
A magic tale of a bygone day,
Of lovely ladies and dragons dread;
Come, for you're all so tired of play,
We'll read till it's time to go to bed."
So they all are glad, and they nestle in,
And squat on the rough old nursery rug,
And they nudge and hush as I begin,
And the fire leaps up and all's so snug;
And there I sit in the big arm-chair,
And how they are eager and sweet and wise,
And they cup their chins in their hands and stare
At the heart of the flame with thoughtful eyes.
And then, as I read by the ruddy glow
And the little ones sit entranced and still . . .
He's drawing near, ah! I know, I know
He's listening too, as he always will.
He's there -- he's standing beside my knee;
I see him so well, my wee, wee son. . . .
Oh, children dear, don't look at me --
I'm reading now for -- the Other One.
For the firelight glints in his golden hair,
And his wondering eyes are fixed on my face,
And he rests on the arm of my easy-chair,
And the book's a blur and I lose my place:
And I touch my lips to his shining head,
And my voice breaks down and -- the story's done. . . .
Oh, children, kiss me and go to bed:
Leave me to think of the Other One.
Of the One who will never grow up at all,
Who will always be just a child at play,
Tender and trusting and sweet and small,
Who will never leave me and go away;
Who will never hurt me and give me pain;
Who will comfort me when I'm all alone;
A heart of love that's without a stain,
Always and always my own, my own.
Yet a thought shines out from the dark of pain,
And it gives me hope to be reconciled:
That each of us must be born again,
And live and die as a little child;
So that with souls all shining white,
White as snow and without one sin,
We may come to the Gates of Eternal Light,
Where only children may enter in.
So, gentle mothers, don't ever grieve
Because you have lost, but kiss the rod;
From the depths of your woe be glad, believe
You've given an angel unto God.
Rejoice! You've a child whose youth endures,
Who comes to you when the day is done,
Wistful for love, oh, yours, just yours,
Dearest of all, the Other One.
|
Written by
Carl Sandburg |
I AM making a Cartoon of a Woman. She is the People.
She is the Great Dirty Mother.
And Many Children hang on her Apron, crawl at her
Feet, snuggle at her Breasts.
|
Written by
Paul Laurence Dunbar |
When I come in f'om de co'n-fiel' aftah wo'kin' ha'd all day,
It 's amazin' nice to fin' my suppah all erpon de way;
An' it 's nice to smell de coffee bubblin' ovah in de pot,
An' it 's fine to see de meat a-sizzlin' teasin'-lak an' hot.
But when suppah-time is ovah, an' de t'ings is cleahed away;
Den de happy hours dat foller are de sweetes' of de day.
When my co'ncob pipe is sta'ted, an' de smoke is drawin' prime,
My ole 'ooman says, "I reckon, Ike, it 's candle-lightin' time."
Den de chillun snuggle up to me, an' all commence to call,
"Oh, say, daddy, now it 's time to mek de shadders on de wall."
So I puts my han's togethah—evah daddy knows de way,—
An' de chillun snuggle closer roun' ez I begin to say:—
"Fus' thing, hyeah come Mistah Rabbit; don' you see him wo'k his eahs?[Pg 156]
Huh, uh! dis mus' be a donkey,—look, how innercent he 'pears!
Dah 's de ole black swan a-swimmin'—ain't she got a' awful neck?
Who 's dis feller dat 's a-comin'? Why, dat 's ole dog Tray, I 'spec'!"
Dat 's de way I run on, tryin' fu' to please 'em all I can;
Den I hollahs, "Now be keerful—dis hyeah las' 's de buga-man!"
An' dey runs an' hides dey faces; dey ain't skeered—dey 's lettin' on:
But de play ain't raaly ovah twell dat buga-man is gone.
So I jes' teks up my banjo, an' I plays a little chune,
An' you see dem haids come peepin' out to listen mighty soon.
Den my wife says, "Sich a pappy fu' to give you sich a fright!
Jes, you go to baid, an' leave him: say yo' prayers an' say good-night."
|
Written by
Paul Laurence Dunbar |
W'en de evenin' shadders
Come a-glidin' down,
Fallin' black an' heavy
Ovah hill an' town,
Ef you listen keerful,
Keerful ez you kin,
So 's you boun' to notice
Des a drappin' pin;
Den you 'll hyeah a funny
Soun' ercross de lan';
Lay low; dat's de callin'
Of de Boogah Man!
Woo-oo woo-oo!
Hyeah him ez he go erlong de way;
Woo-oo, woo-oo!
Don' you wish de night 'ud t'un to day?
Woo-oo, woo-oo!
Hide yo' little peepers 'hind yo' han;
Woo-oo, woo-oo!
Callin' of de Boogah Man.
W'en de win 's a-shiverin'
Thoo de gloomy lane,
An' dey comes de patterin'
Of de evenin' rain,
W'en de owl's a-hootin',
Out daih in de wood,
Don' you wish, my honey,
Dat you had been good?
'T ain't no use to try to
Snuggle up to Dan;
Bless you, dat's de callin'
[Pg 186]Of de Boogah Man!
Ef you loves yo' mammy,
An' you min's yo' pap,
Ef you nevah wriggles
Outen Sukey's lap;
Ef you says yo' "Lay me"
Evah single night
'Fo' dey tucks de kivers
An' puts out de light,
Den de rain kin pattah
Win' blow lak a fan,
But you need n' bothah
'Bout de Boogah Man!
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