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Best Famous Snorts Poems

Here is a collection of the all-time best famous Snorts poems. This is a select list of the best famous Snorts poetry. Reading, writing, and enjoying famous Snorts poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of snorts poems.

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Written by William Shakespeare | Create an image from this poem

from Venus and Adonis

 But, lo! from forth a copse that neighbours by,
A breeding jennet, lusty, young, and proud,
Adonis' trampling courser doth espy,
And forth she rushes, snorts and neighs aloud;
The strong-neck'd steed, being tied unto a tree,
Breaketh his rein, and to her straight goes he.

Imperiously he leaps, he neighs, he bounds,
And now his woven girths he breaks asunder;
The bearing earth with his hard hoof he wounds,
Whose hollow womb resounds like heaven's thunder;
The iron bit he crushes 'tween his teeth
Controlling what he was controlled with.

His ears up-prick'd; his braided hanging mane
Upon his compass'd crest now stand on end;
His nostrils drink the air, and forth again,
As from a furnace, vapours doth he send:
His eye, which scornfully glisters like fire,
Shows his hot courage and his high desire.

Sometime her trots, as if he told the steps,
With gentle majesty and modest pride;
Anon he rears upright, curvets and leaps,
As who should say, 'Lo! thus my strength is tried;
And this I do to captivate the eye
Of the fair breeder that is standing by.'

What recketh he his rider's angry stir,
His flattering 'Holla,' or his 'Stand, I say?'
What cares he now for curb of pricking spur?
For rich caparisons or trapping gay?
He sees his love, and nothing else he sees,
Nor nothing else with his proud sight agrees.

Look, when a painter would surpass the life, 
In limning out a well-proportion'd steed,
His art with nature's workmanship at strife,
As if the dead the living should exceed;
So did this horse excel a common one,
In shape, in courage, colour, pace and bone

Round-hoof'd, short-jointed, fetlocks shag and long,
Broad breast, full eye, small head, and nostril wide,
High crest, short ears, straight legs and passing strong,
Thin mane, thick tail, broad buttock, tender hide:
Look, what a horse should have he did not lack,
Save a proud rider on so proud a back.

Sometimes he scuds far off, and there he stares;
Anon he starts at stirring of a feather;
To bid the wind a race he now prepares,
And whe'r he run or fly they know not whether;
For through his mane and tail the high wind sings,
Fanning the hairs, who wave like feather'd wings.

He looks upon his love, and neighs unto her;
She answers him as if she knew his mind;
Being proud, as females are, to see him woo her,
She puts on outward strangeness, seems unkind,
Spurns at his love and scorns the heat he feels,
Beating his kind embracements with her heels.

Then, like a melancholy malcontent,
He vails his tail that, like a falling plume
Cool shadow to his melting buttock lent:
He stamps, and bites the poor flies in his fume.
His love, perceiving how he is enrag'd,
Grew kinder, and his fury was assuag'd.

His testy master goeth about to take him;
When lo! the unback'd breeder, full of fear,
Jealous of catching, swiftly doth forsake him,
With her the horse, and left Adonis there.
As they were mad, unto the wood they hie them,
Out-stripping crows that strive to over-fly them.

I prophesy they death, my living sorrow,
If thou encounter with the boar to-morrow.

"But if thou needs wilt hunt, be rul'd by me;
Uncouple at the timorous flying hare,
Or at the fox which lives by subtlety,
Or at the roe which no encounter dare:
Pursue these fearful creatures o'er the downs,
And on they well-breath'd horse keep with they hounds.

"And when thou hast on food the purblind hare,
Mark the poor wretch, to overshoot his troubles
How he outruns with winds, and with what care
He cranks and crosses with a thousand doubles:
The many musits through the which he goes
Are like a labyrinth to amaze his foes.

"Sometime he runs among a flock of sheep,
To make the cunning hounds mistake their smell,
And sometime where earth-delving conies keep,
To stop the loud pursuers in their yell,
And sometime sorteth with a herd of deer;
Danger deviseth shifts; wit waits on fear:

"For there his smell with other being mingled,
The hot scent-snuffing hounds are driven to doubt,
Ceasing their clamorous cry till they have singled 
With much ado the cold fault cleanly out;
Then do they spend their mouths: Echo replies,
As if another chase were in the skies.

"By this, poor Wat, far off upon a hill,
Stands on his hinder legs with listening ear,
To hearken if his foes pursue him still:
Anon their loud alarums he doth hear;
And now his grief may be compared well
To one sore sick that hears the passing-bell.

"Then shalt thou see the dew-bedabbled wretch
Turn, and return, indenting with the way;
Each envious briar his weary legs doth scratch,
Each shadow makes him stop, each murmur stay:
For misery is trodden on by many,
And being low never reliev'd by any.

"Lie quietly, and hear a little more;
Nay, do not struggle, for thou shalt not rise:
To make thee hate the hunting of the boar,
Unlike myself thou hear'st me moralize,
Applying this to that, and so to so;
For love can comment upon every woe."


Written by John Donne | Create an image from this poem

Elegy I: Jealousy

 Fond woman, which wouldst have thy husband die,
And yet complain'st of his great jealousy;
If swol'n with poison, he lay in his last bed,
His body with a sere-bark covered,
Drawing his breath, as thick and short, as can
The nimblest crocheting musician,
Ready with loathsome vomiting to spew
His soul out of one hell, into a new,
Made deaf with his poor kindred's howling cries,
Begging with few feigned tears, great legacies,
Thou wouldst not weep, but jolly and frolic be,
As a slave, which tomorrow should be free;
Yet weep'st thou, when thou seest him hungerly
Swallow his own death, hearts-bane jealousy.
O give him many thanks, he's courteous,
That in suspecting kindly warneth us
Wee must not, as we used, flout openly,
In scoffing riddles, his deformity;
Nor at his board together being sat,
With words, nor touch, scarce looks adulterate;
Nor when he swol'n, and pampered with great fare
Sits down, and snorts, caged in his basket chair,
Must we usurp his own bed any more,
Nor kiss and play in his house, as before.
Now I see many dangers; for that is
His realm, his castle, and his diocese.
But if, as envious men, which would revile
Their Prince, or coin his gold, themselves exile
Into another country, and do it there,
We play in another house, what should we fear?
There we will scorn his houshold policies,
His seely plots, and pensionary spies,
As the inhabitants of Thames' right side
Do London's Mayor; or Germans, the Pope's pride.
Written by Carl Sandburg | Create an image from this poem

Honky Tonk in Cleveland Ohio

 IT’S a jazz affair, drum crashes and cornet razzes
The trombone pony neighs and the tuba jackass snorts.
The banjo tickles and titters too awful.
The chippies talk about the funnies in the papers.
 The cartoonists weep in their beer.
 Ship riveters talk with their feet
 To the feet of floozies under the tables.
A quartet of white hopes mourn with interspersed snickers:
 “I got the blues.
 I got the blues.
 I got the blues.”
And … as we said earlier:
 The cartoonists weep in their beer.
Written by Ben Jonson | Create an image from this poem

Præludium

X. ? PRÆLUDIUM.     For the more countenance to my active muse?  

Hercules ?  Alas his bones are yet sore, With his old earthly labors :  t' exact more, Of his dull godhead, were sin.  I'll implore

Phoebus.  No, tend thy cart still.  Envious day Shall not give out that I have made thee stay, And founder'd thy hot team, to tune my lay. Nor will I beg of thee, Lord of the vine, To raise my spirits with thy conjuring wine, In the green circle of thy ivy twine.

Pallas, nor thee I call on, mankind maid, That at thy birth, mad'st the poor smith afraid, Who with his axe, thy father's midwife plaid.

Go,  cramp dull Mars, light Venus, when he snorts, Or, with thy tribade trine, invent new sports ; Thou nor thy looseness with my making sorts.

Let the old boy, your son, ply his old task, Turn the stale prologue to some painted mask ; His absence in my verse, is all I ask.

Hermes, the cheater, shall not mix with us, Though he would steal his sisters' Pegasus, And rifle him : or pawn his petasus.                 THE PHOENIX ANALYSED.             Now, after all, let no man                     Receive it for a fable,                     If a bird so amiable             Do turn into a woman.             Or, by our Turtle's augure,                     That nature's fairest creature                     Prove of his mistress' feature             But a bare type and figure.

Nor all the ladies of the Thespian lake, (Though they were crushed into one form) could make A beauty of that merit, that should take.

ODE. Greek: enthusiastiki.                       Splendor !  O more than mortal         For other forms come short all,         Of her illustrious brightness         As far as sin's from lightness.         Her wit as quick and sprightful         As fire, and more delightful         Than the stolen sports of lovers,         When night their meeting covers.         Judgment, adorn'd with learning,         Doth shine in her discerning,         Clear as a naked vestal         Closed in an orb of crystal.         Her breath for sweet exceeding         The phoenix' place of breeding,         But mix'd with sound, transcending         All nature of commending.         Alas then whither wade I         In thought to praise this lady,         When seeking her renowning         My self am so near drowning?         Retire, and say her graces         Are deeper than their faces,         Yet she's not nice to show them,         Nor takes she pride to know them. My muse up by commission ;  no, I bring My own true fire : now my thought takes wing, And now an EPODE to deep ears I sing.
Written by Erica Jong | Create an image from this poem

The Artist as an Old Man

 If you ask him he will talk for hours--
how at fourteen he hammered signs, fingers
raw with cold, and later painted bowers
in ladies' boudoirs; how he played checkers
for two weeks in jail, and lived on dark bread;
how he fled the border to a country
which disappeared wars ago; unfriended
crossed a continent while this century
began. He seldom speaks of painting now.
Young men have time and theories; old men work.
He has painted countless portraits. Sallow
nameless faces, made glistening in oil, smirk
above anonymous mantelpieces.
The turpentine has a familiar smell,
but his hand trembles with odd, new palsies.
Perched on the maulstick, it nears the easel.

He has come to like his resignation.
In his sketch books, ink-dark cossacks hear
the snorts of horses in the crunch of snow.
His pen alone recalls that years ago,
one horseman set his teeth and aimed his spear
which, poised, seemed pointed straight to pierce the sun.


Written by Edmund Blunden | Create an image from this poem

The Poor Man's Pig

Already fallen plum-bloom stars the green
And apple-boughs as knarred as old toads' backs
Wear their small roses ere a rose is seen;
The building thrush watches old Job who stacks
The bright-peeled osiers on the sunny fence,
The pent sow grunts to hear him stumping by,
And tries to push the bolt and scamper thence,
But her ringed snout still keeps her to the sty.

Then out he lets her run; away she snorts
In bundling gallop for the cottage door,
With hungry hubbub begging crusts and orts,
Then like the whirlwind bumping round once more;
Nuzzling the dog, making the pullets run,
And sulky as a child when her play's done.
Written by Eugene Field | Create an image from this poem

Good-Children Street

 There's a dear little home in Good-Children street -
My heart turneth fondly to-day
Where tinkle of tongues and patter of feet
Make sweetest of music at play;
Where the sunshine of love illumines each face
And warms every heart in that old-fashioned place.

For dear little children go romping about
With dollies and tin tops and drums,
And, my! how they frolic and scamper and shout
Till bedtime too speedily comes!
Oh, days they are golden and days they are fleet
With little folk living in Good-Children street.

See, here comes an army with guns painted red,
And swords, caps, and plumes of all sorts;
The captain rides gaily and proudly ahead
On a stick-horse that prances and snorts!
Oh, legions of soldiers you're certain to meet -
Nice make-believe soldiers - in Good-Children street.

And yonder Odette wheels her dolly about -
Poor dolly! I'm sure she is ill,
For one of her blue china eyes has dropped out
And her voice is asthmatic'ly shrill.
Then, too, I observe she is minus her feet,
Which causes much sorrow in Good-Children street.

'T is so the dear children go romping about
With dollies and banners and drums,
And I venture to say they are sadly put out
When an end to their jubilee comes:
Oh, days they are golden and days they are fleet
With little folk living in Good-Children street!

But when falleth night over river and town,
Those little folk vanish from sight,
And an angel all white from the sky cometh down
And guardeth the babes through the night,
And singeth her lullabies tender and sweet
To the dear little people in Good-Children Street.

Though elsewhere the world be o'erburdened with care,
Though poverty fall to my lot,
Though toil and vexation be always my share,
What care I - they trouble me not!
This thought maketh life ever joyous and Sweet:
There's a dear little home in Good-Children street.

Book: Radiant Verses: A Journey Through Inspiring Poetry