Written by
Erica Jong |
Sometimes the poem
doesn't want to come;
it hides from the poet
like a playful cat
who has run
under the house
& lurks among slugs,
roots, spiders' eyes,
ledge so long out of the sun
that it is dank
with the breath of the Troll King.
Sometimes the poem
darts away
like a coy lover
who is afraid of being possessed,
of feeling too much,
of losing his essential
loneliness-which he calls
freedom.
Sometimes the poem
can't requite
the poet's passion.
The poem is a dance
between poet & poem,
but sometimes the poem
just won't dance
and lurks on the sidelines
tapping its feet-
iambs, trochees-
out of step with the music
of your mariachi band.
If the poem won't come,
I say: sneak up on it.
Pretend you don't care.
Sit in your chair
reading Shakespeare, Neruda,
immortal Emily
and let yourself flow
into their music.
Go to the kitchen
and start peeling onions
for homemade sugo.
Before you know it,
the poem will be crying
as your ripe tomatoes
bubble away
with inspiration.
When the whole house is filled
with the tender tomato aroma,
start kneading the pasta.
As you rock
over the damp sensuous dough,
making it bend to your will,
as you make love to this manna
of flour and water,
the poem will get hungry
and come
just like a cat
coming home
when you least
expect her.
|
Written by
David St John |
It was in the old days,
When she used to hang out at a place
Called Club Zombie,
A black cabaret that the police liked
To raid now and then. As she
Stepped through the door, the light
Would hit her platinum hair,
And believe me, heads would turn. Maestro
Loved it; he'd have her by
The arm as he led us through the packed crowd
To a private corner
Where her secluded oak table always waited.
She'd say, Jordan...
And I'd order her usual,
A champagne cocktail with a tall shot of bourbon
On the side. She'd let her eyes
Trail the length of the sleek neck
Of the old stand-up bass, as
The bass player knocked out the bottom line,
His forehead glowing, glossy
With sweat in the blue lights;
Her own face, smooth and shining, as
The liquor slowly blanketed the pills
She'd slipped beneath her tongue.
Maestro'd kick the **** out of anybody
Who tried to sneak up for an autograph;
He'd say, Jordan, just let me know if
Somebody gets too close....
Then he'd turn to her and whisper, Here's
Where you get to be Miss Nobody...
And she'd smile as she let him
Kiss her hand. For a while, there was a singer
At the club, a guy named Louis--
But Maestro'd change his name to "Michael Champion";
Well, when this guy leaned forward,
Cradling the microphone in his huge hands,
All the legs went weak
Underneath the ladies.
He'd look over at her, letting his eyelids
Droop real low, singing, Oh Baby I...
Oh Baby I Love... I Love You...
And she'd be gone, those little mermaid tears
Running down her cheeks. Maestro
Was always cool. He'd let them use his room upstairs,
Sometimes, because they couldn't go out--
Black and white couldn't mix like that then.
I mean, think about it--
This kid star and a cool beauty who made King Cole
Sound raw? No, they had to keep it
To the club; though sometimes,
Near the end, he'd come out to her place
At the beach, always taking the iced whisky
I brought to him with a sly, sweet smile.
Once, sweeping his arm out in a slow
Half-circle, the way at the club he'd
Show the audience how far his endless love
Had grown, he marked
The circumference of the glare whitening the patio
Where her friends all sat, sunglasses
Masking their eyes...
And he said to me, Jordan, why do
White people love the sun so?--
God's spotlight, my man?
Leaning back, he looked over to where she
Stood at one end of the patio, watching
The breakers flatten along the beach below,
Her body reflected and mirrored
Perfectly in the bedroom's sliding black glass
Door. He stared at her
Reflection for a while, then looked up at me
And said, Jordan, I think that I must be
Like a pool of water in a cave that sometimes
She steps into...
Later, as I drove him back into the city,
He hummed a Bessie Smith tune he'd sing
For her, but he didn't say a word until
We stopped at last back at the club. He stepped
slowly out of the back
Of the Cadillac, and reaching to shake my hand
Through the open driver's window, said,
My man, Jordan... Goodbye.
|
Written by
Henry Lawson |
The world is narrow and ways are short, and our lives are dull and slow,
For little is new where the crowds resort, and less where the wanderers go;
Greater, or smaller, the same old things we see by the dull road-side --
And tired of all is the spirit that sings
of the days when the world was wide.
When the North was hale in the march of Time,
and the South and the West were new,
And the gorgeous East was a pantomime, as it seemed in our boyhood's view;
When Spain was first on the waves of change,
and proud in the ranks of pride,
And all was wonderful, new and strange in the days when the world was wide.
Then a man could fight if his heart were bold,
and win if his faith were true --
Were it love, or honour, or power, or gold, or all that our hearts pursue;
Could live to the world for the family name, or die for the family pride,
Could fly from sorrow, and wrong, and shame
in the days when the world was wide.
They sailed away in the ships that sailed ere science controlled the main,
When the strong, brave heart of a man prevailed
as 'twill never prevail again;
They knew not whither, nor much they cared --
let Fate or the winds decide --
The worst of the Great Unknown they dared
in the days when the world was wide.
They raised new stars on the silent sea that filled their hearts with awe;
They came to many a strange countree and marvellous sights they saw.
The villagers gaped at the tales they told,
and old eyes glistened with pride --
When barbarous cities were paved with gold
in the days when the world was wide.
'Twas honest metal and honest wood, in the days of the Outward Bound,
When men were gallant and ships were good -- roaming the wide world round.
The gods could envy a leader then when `Follow me, lads!' he cried --
They faced each other and fought like men
in the days when the world was wide.
They tried to live as a freeman should -- they were happier men than we,
In the glorious days of wine and blood, when Liberty crossed the sea;
'Twas a comrade true or a foeman then, and a trusty sword well tried --
They faced each other and fought like men
in the days when the world was wide.
The good ship bound for the Southern seas when the beacon was Ballarat,
With a `Ship ahoy!' on the freshening breeze,
`Where bound?' and `What ship's that?' --
The emigrant train to New Mexico -- the rush to the Lachlan Side --
Ah! faint is the echo of Westward Ho!
from the days when the world was wide.
South, East, and West in advance of Time -- and, ay! in advance of Thought
Those brave men rose to a height sublime -- and is it for this they fought?
And is it for this damned life we praise the god-like spirit that died
At Eureka Stockade in the Roaring Days
with the days when the world was wide?
We fight like women, and feel as much; the thoughts of our hearts we guard;
Where scarcely the scorn of a god could touch,
the sneer of a sneak hits hard;
The treacherous tongue and cowardly pen, the weapons of curs, decide --
They faced each other and fought like men
in the days when the world was wide.
Think of it all -- of the life that is! Study your friends and foes!
Study the past! And answer this: `Are these times better than those?'
The life-long quarrel, the paltry spite, the sting of your poisoned pride!
No matter who fell it were better to fight
as they did when the world was wide.
Boast as you will of your mateship now -- crippled and mean and sly --
The lines of suspicion on friendship's brow
were traced since the days gone by.
There was room in the long, free lines of the van
to fight for it side by side --
There was beating-room for the heart of a man
in the days when the world was wide.
. . . . .
With its dull, brown days of a-shilling-an-hour
the dreary year drags round:
Is this the result of Old England's power?
-- the bourne of the Outward Bound?
Is this the sequel of Westward Ho! -- of the days of Whate'er Betide?
The heart of the rebel makes answer `No!
We'll fight till the world grows wide!'
The world shall yet be a wider world -- for the tokens are manifest;
East and North shall the wrongs be hurled that followed us South and West.
The march of Freedom is North by the Dawn! Follow, whate'er betide!
Sons of the Exiles, march! March on! March till the world grows wide!
|
Written by
Vachel Lindsay |
I. THEIR BASIC SAVAGERY
Fat black bucks in a wine-barrel room,
Barrel-house kings, with feet unstable,
Sagged and reeled and pounded on the table,
A deep rolling bass.
Pounded on the table,
Beat an empty barrel with the handle of a broom,
Hard as they were able,
Boom, boom, BOOM,
With a silk umbrella and the handle of a broom,
Boomlay, boomlay, boomlay, BOOM.
THEN I had religion, THEN I had a vision.
I could not turn from their revel in derision.
THEN I SAW THE CONGO, CREEPING THROUGH THE BLACK,
More deliberate. Solemnly chanted.
CUTTING THROUGH THE FOREST WITH A GOLDEN TRACK.
Then along that riverbank
A thousand miles
Tattooed cannibals danced in files;
Then I heard the boom of the blood-lust song
And a thigh-bone beating on a tin-pan gong.
A rapidly piling climax of speed & racket.
And "BLOOD" screamed the whistles and the fifes of the warriors,
"BLOOD" screamed the skull-faced, lean witch-doctors,
"Whirl ye the deadly voo-doo rattle,
Harry the uplands,
Steal all the cattle,
Rattle-rattle, rattle-rattle,
Bing.
Boomlay, boomlay, boomlay, BOOM,"
A roaring, epic, rag-time tune
With a philosophic pause.
From the mouth of the Congo
To the Mountains of the Moon.
Death is an Elephant,
Torch-eyed and horrible,
Shrilly and with a heavily accented metre.
Foam-flanked and terrible.
BOOM, steal the pygmies,
BOOM, kill the Arabs,
BOOM, kill the white men,
HOO, HOO, HOO.
Listen to the yell of Leopold's ghost
Like the wind in the chimney.
Burning in Hell for his hand-maimed host.
Hear how the demons chuckle and yell
Cutting his hands off, down in Hell.
Listen to the creepy proclamation,
Blown through the lairs of the forest-nation,
Blown past the white-ants' hill of clay,
Blown past the marsh where the butterflies play: --
"Be careful what you do,
Or Mumbo-Jumbo, God of the Congo,
All the "O" sounds very golden. Heavy accents very heavy. Light accents very light. Last line whispered.
And all of the other
Gods of the Congo,
Mumbo-Jumbo will hoo-doo you,
Mumbo-Jumbo will hoo-doo you,
Mumbo-Jumbo will hoo-doo you."
II. THEIR IRREPRESSIBLE HIGH SPIRITS
Wild crap-shooters with a whoop and a call
Rather shrill and high.
Danced the juba in their gambling-hall
And laughed fit to kill, and shook the town,
And guyed the policemen and laughed them down
With a boomlay, boomlay, boomlay, BOOM.
THEN I SAW THE CONGO, CREEPING THROUGH THE BLACK,
Read exactly as in first section.
CUTTING THROUGH THE FOREST WITH A GOLDEN TRACK.
A ***** fairyland swung into view,
Lay emphasis on the delicate ideas. Keep as light-footed as possible.
A minstrel river
Where dreams come true.
The ebony palace soared on high
Through the blossoming trees to the evening sky.
The inlaid porches and casements shone
With gold and ivory and elephant-bone.
And the black crowd laughed till their sides were sore
At the baboon butler in the agate door,
And the well-known tunes of the parrot band
That trilled on the bushes of that magic land.
A troupe of skull-faced witch-men came
With pomposity.
Through the agate doorway in suits of flame,
Yea, long-tailed coats with a gold-leaf crust
And hats that were covered with diamond-dust.
And the crowd in the court gave a whoop and a call
And danced the juba from wall to wall.
But the witch-men suddenly stilled the throng
With a great deliberation & ghostliness.
With a stern cold glare, and a stern old song: --
"Mumbo-Jumbo will hoo-doo you." ...
Just then from the doorway, as fat as shotes,
With overwhelming assurance, good cheer, and pomp.
Came the cake-walk princes in their long red coats,
Canes with a brilliant lacquer shine,
And tall silk hats that were red as wine.
And they pranced with their butterfly partners there,
With growing speed and sharply marked dance-rhythm
Coal-black maidens with pearls in their hair,
Knee-skirts trimmed with the jassamine sweet,
And bells on their ankles and little black-feet.
And the couples railed at the chant and the frown
Of the witch-men lean, and laughed them down.
(O rare was the revel, and well worth while
That made those glowering witch-men smile.)
The cake-walk royalty then began
To walk for a cake that was tall as a man
To the tune of "Boomlay, boomlay, BOOM,"
While the witch-men laughed, with a sinister air,
With a touch of ***** dialect, and as rapidly as possible toward the end.
And sang with the scalawags prancing there: --
"Walk with care, walk with care,
Or Mumbo-Jumbo, God of the Congo,
And all the other
Gods of the Congo,
Mumbo-Jumbo will hoo-doo you.
Beware, beware, walk with care,
Boomlay, boomlay, boomlay, boom.
Boomlay, boomlay, boomlay, boom.
Boomlay, boomlay, boomlay, boom.
Boomlay, boomlay, boomlay,
BOOM."
Oh rare was the revel, and well worth while
Slow philosophic calm.
That made those glowering witch-men smile.
III. THE HOPE OF THEIR RELIGION
A good old ***** in the slums of the town
Heavy bass. With a literal imitation of camp-meeting racket, and trance.
Preached at a sister for her velvet gown.
Howled at a brother for his low-down ways,
His prowling, guzzling, sneak-thief days.
Beat on the Bible till he wore it out
Starting the jubilee revival shout.
And some had visions, as they stood on chairs,
And sang of Jacob, and the golden stairs,
And they all repented, a thousand strong
From their stupor and savagery and sin and wrong
And slammed with their hymn books till they shook the room
With "glory, glory, glory,"
And "Boom, boom, BOOM."
THEN I SAW THE CONGO, CREEPING THROUGH THE BLACK,
Exactly as in the first section. Begin with terror and power, end with joy.
CUTTING THROUGH THE FOREST WITH A GOLDEN TRACK.
And the gray sky opened like a new-rent veil
And showed the Apostles with their coats of mail.
In bright white steel they were seated round
And their fire-eyes watched where the Congo wound.
And the twelve Apostles, from their thrones on high
Thrilled all the forest with their heavenly cry: --
"Mumbo-Jumbo will die in the jungle;
Sung to the tune of "Hark, ten thousand harps and voices."
Never again will he hoo-doo you,
Never again will he hoo-doo you."
Then along that river, a thousand miles
With growing deliberation and joy.
The vine-snared trees fell down in files.
Pioneer angels cleared the way
For a Congo paradise, for babes at play,
For sacred capitals, for temples clean.
Gone were the skull-faced witch-men lean.
There, where the wild ghost-gods had wailed
In a rather high key -- as delicately as possible.
A million boats of the angels sailed
With oars of silver, and prows of blue
And silken pennants that the sun shone through.
'Twas a land transfigured, 'twas a new creation.
Oh, a singing wind swept the ***** nation
And on through the backwoods clearing flew: --
"Mumbo-Jumbo is dead in the jungle.
To the tune of "Hark, ten thousand harps and voices."
Never again will he hoo-doo you.
Never again will he hoo-doo you.
Redeemed were the forests, the beasts and the men,
And only the vulture dared again
By the far, lone mountains of the moon
To cry, in the silence, the Congo tune: --
"Mumbo-Jumbo will hoo-doo you,
Dying down into a penetrating, terrified whisper.
"Mumbo-Jumbo will hoo-doo you.
Mumbo ... Jumbo ... will ... hoo-doo ... you."
|
Written by
Robert William Service |
I
Let others sing of gold and gear, the joy of being rich;
But oh, the days when I was poor, a vagrant in a ditch!
When every dawn was like a gem, so radiant and rare,
And I had but a single coat, and not a single care;
When I would feast right royally on bacon, bread and beer,
And dig into a stack of hay and doze like any peer;
When I would wash beside a brook my solitary shirt,
And though it dried upon my back I never took a hurt;
When I went romping down the road contemptuous of care,
And slapped Adventure on the back -- by Gad! we were a pair;
When, though my pockets lacked a coin, and though my coat was old,
The largess of the stars was mine, and all the sunset gold;
When time was only made for fools, and free as air was I,
And hard I hit and hard I lived beneath the open sky;
When all the roads were one to me, and each had its allure . . .
Ye Gods! these were the happy days, the days when I was poor.
II
Or else, again, old pal of mine, do you recall the times
You struggled with your storyettes, I wrestled with my rhymes;
Oh, we were happy, were we not? -- we used to live so "high"
(A little bit of broken roof between us and the sky);
Upon the forge of art we toiled with hammer and with tongs;
You told me all your rippling yarns, I sang to you my songs.
Our hats were frayed, our jackets patched, our boots were down at heel,
But oh, the happy men were we, although we lacked a meal.
And if I sold a bit of rhyme, or if you placed a tale,
What feasts we had of tenderloins and apple-tarts and ale!
And yet how often we would dine as cheerful as you please,
Beside our little friendly fire on coffee, bread and cheese.
We lived upon the ragged edge, and grub was never sure,
But oh, these were the happy days, the days when we were poor.
III
Alas! old man, we're wealthy now, it's sad beyond a doubt;
We cannot dodge prosperity, success has found us out.
Your eye is very dull and drear, my brow is creased with care,
We realize how hard it is to be a millionaire.
The burden's heavy on our backs -- you're thinking of your rents,
I'm worrying if I'll invest in five or six per cents.
We've limousines, and marble halls, and flunkeys by the score,
We play the part . . . but say, old chap, oh, isn't it a bore?
We work like slaves, we eat too much, we put on evening dress;
We've everything a man can want, I think . . . but happiness.
Come, let us sneak away, old chum; forget that we are rich,
And earn an honest appetite, and scratch an honest itch.
Let's be two jolly garreteers, up seven flights of stairs,
And wear old clothes and just pretend we aren't millionaires;
And wonder how we'll pay the rent, and scribble ream on ream,
And sup on sausages and tea, and laugh and loaf and dream.
And when we're tired of that, my friend, oh, you will come with me;
And we will seek the sunlit roads that lie beside the sea.
We'll know the joy the gipsy knows, the freedom nothing mars,
The golden treasure-gates of dawn, the mintage of the stars.
We'll smoke our pipes and watch the pot, and feed the crackling fire,
And sing like two old jolly boys, and dance to heart's desire;
We'll climb the hill and ford the brook and camp upon the moor . . .
Old chap, let's haste, I'm mad to taste the Joy of Being Poor.
|
Written by
Ellis Parker Butler |
Captain O’Hare was a mariner brave;
He refused to abandon his ship;
A hero, he sleeps in a watery grave—
And his widow is now Mrs. Bipp,
Haw! Haw!
His widow is now Mrs. Bipp!
Henri Dupont was a fearless young ace;
Five thousand feet up he was hit;
Each year on his grave pretty flowers we place—
And his widow is now Mrs. Schmitt,
Haw! Haw!
His widow is now Mrs. Schmitt!
Corporal Dunn was a volunteer bold;
He plunged in the deadliest fray;
A bayonet thrust laid him out stony cold—
And his widow is now Mrs. Gray,
Haw! Haw!
His widow is now Mrs. Gray!
But Peter McGuck was a cowardly sneak,
Like a hound he remained home in fear;
When fishing one day he fell into the creek—
And his widow is now Mrs. Greer,
Haw! Haw! Haw!
Mrs. William O’Houlihan Greer!
|
Written by
Allen Ginsberg |
Lento
You'll bare your bones you'll grow you'll pray you'll only know
When the light appears, boy, when the light appears
You'll sing & you'll love you'll praise blue heavens above
When the light appears, boy, when the light appears
You'll whimper & you'll cry you'll get yourself sick and sigh
You'll sleep & you'll dream you'll only know what you mean
When the light appears, boy, when the light appears
You'll come & you'll go, you'll wander to and fro
You'll go home in despair you'll wonder why'd you care
You'll stammer & you'll lie you'll ask everybody why
You'll cough and you'll pout you'll kick your toe with gout
You'll jump you'll shout you'll knock you're friends about
You'll bawl and you'll deny & announce your eyes are dry
You'll roll and you'll rock you'll show your big hard cock
You'll love and you'll grieve & one day you'll come believe
As you whistle & you smile the lord made you worthwhile
You'll preach and you'll glide on the pulpit in your pride
Sneak & slide across the stage like a river in high tide
You'll come fast or come on slow just the same you'll never know
When the light appears, boy, when the light appears
May 3, 1987, 2:30 AM
|
Written by
Marge Piercy |
And thus the people every year
in the valley of humid July
did sacrifice themselves
to the long green phallic god
and eat and eat and eat.
They're coming, they're on us,
the long striped gourds, the silky
babies, the hairy adolescents,
the lumpy vast adults
like the trunks of green elephants.
Recite fifty zucchini recipes!
Zucchini tempura; creamed soup;
sauté with olive oil and cumin,
tomatoes, onion; frittata;
casserole of lamb; baked
topped with cheese; marinated;
stuffed; stewed; driven
through the heart like a stake.
Get rid of old friends: they too
have gardens and full trunks.
Look for newcomers: befriend
them in the post office, unload
on them and run. Stop tourists
in the street. Take truckloads
to Boston. Give to your Red Cross.
Beg on the highway: please
take my zucchini, I have a crippled
mother at home with heartburn.
Sneak out before dawn to drop
them in other people's gardens,
in baby buggies at churchdoors.
Shot, smuggling zucchini into
mailboxes, a federal offense.
With a suave reptilian glitter
you bask among your raspy
fronds sudden and huge as
alligators. You give and give
too much, like summer days
limp with heat, thunderstorms
bursting their bags on our heads,
as we salt and freeze and pickle
for the too little to come.
|
Written by
Eugene Field |
Speakin' of dorgs, my bench-legged fyce
Hed most o' the virtues, an' nary a vice.
Some folks called him Sooner, a name that arose
From his predisposition to chronic repose;
But, rouse his ambition, he couldn't be beat -
Yer bet yer he got thar on all his four feet!
Mos' dorgs hez some forte - like huntin' an' such,
But the sports o' the field didn't bother him much;
Wuz just a plain dorg, an' contented to be
On peaceable terms with the neighbors an' me;
Used to fiddle an' squirm, and grunt "Oh, how nice!"
When I tickled the back of that bench-legged fyce!
He wuz long in the bar'l, like a fyce oughter be;
His color wuz yaller as ever you see;
His tail, curlin' upward, wuz long, loose, an' slim -
When he didn't wag it, why, the tail it wagged him!
His legs wuz so crooked, my bench-legged pup
Wuz as tall settin' down as he wuz standin' up!
He'd lie by the stove of a night an' regret
The various vittles an' things he had et;
When a stranger, most likely a tramp, come along,
He'd lift up his voice in significant song -
You wondered, by gum! how there ever wuz space
In that bosom o' his'n to hold so much bass!
Of daytimes he'd sneak to the road an' lie down,
An' tackle the country dorgs comin' to town;
By common consent he wuz boss in St. Joe,
For what he took hold of he never let go!
An' a dude that come courtin' our girl left a slice
Of his white flannel suit with our bench-legged fyce!
He wuz good to us kids - when we pulled at his fur
Or twisted his tail he would never demur;
He seemed to enjoy all our play an' our chaff,
For his tongue 'u'd hang out an' he'd laff an' he'd laff;
An' once, when the Hobart boy fell through the ice,
He wuz drug clean ashore by that bench-legged fyce!
We all hev our choice, an' you, like the rest,
Allow that the dorg which you've got is the best;
I wouldn't give much for the boy 'at grows up
With no friendship subsistin' 'tween him an' a pup!
When a fellow gits old - I tell you it's nice
To think of his youth and his bench-legged fyce!
To think of the springtime 'way back in St. Joe -
Of the peach-trees abloom an' the daisies ablow;
To think of the play in the medder an' grove,
When little legs wrassled an' little han's strove;
To think of the loyalty, valor, an' truth
Of the friendships that hallow the season of youth!
|
Written by
Katharine Tynan |
Here in the garden-bed,
Hoeing the celery,
Wonders the Lord has made
Pass ever before me.
I see the young birds build,
And swallows come and go,
And summer grow and gild,
And winter die in snow.
Many a thing I note,
And store it in my mind,
For all my ragged coat
That scarce will stop the wind.
I light my pipe and draw,
And, leaning on my spade,
I marvel with much awe
O'er all the Lord hath made.
Now, here's a curious thing:
Upon the first of March
The crow goes house-building
In the elm and in the larch.
And be it shine or snow,
Though many winds carouse,
That day the artful crow
Begins to build his house.
But thenthe wonder's big !
If Sunday fell that day,
Nor straw, nor screw, nor twig,
Till Monday would he lay.
His black wings to his side,
He'd drone upon his perch,
Subdued and holy-eyed
As though he were in church.
The crow's a gentleman
Not greatly to my mind,
He'll steal what seeds he can,
And all you hide he'll find.
Yet though he's bully and sneak,
To small birds, bird of prey,
He counts the days of the week,
And keeps the Sabbath Day.
|