Written by
Robert Frost |
SHE stood against the kitchen sink, and looked
Over the sink out through a dusty window
At weeds the water from the sink made tall.
She wore her cape; her hat was in her hand.
Behind her was confusion in the room,
Of chairs turned upside down to sit like people
In other chairs, and something, come to look,
For every room a house has—parlor, bed-room,
And dining-room—thrown pell-mell in the kitchen.
And now and then a smudged, infernal face
Looked in a door behind her and addressed
Her back.
She always answered without turning.
“Where will I put this walnut bureau, lady?”
“Put it on top of something that’s on top
Of something else,” she laughed.
“Oh, put it where
You can to-night, and go.
It’s almost dark;
You must be getting started back to town.
”
Another blackened face thrust in and looked
And smiled, and when she did not turn, spoke gently,
“What are you seeing out the window, lady?”
“Never was I beladied so before.
Would evidence of having been called lady
More than so many times make me a lady
In common law, I wonder.
”
“But I ask,
What are you seeing out the window, lady?”
“What I’ll be seeing more of in the years
To come as here I stand and go the round
Of many plates with towels many times.
”
“And what is that? You only put me off.
”
“Rank weeds that love the water from the dish-pan
More than some women like the dish-pan, Joe;
A little stretch of mowing-field for you;
Not much of that until I come to woods
That end all.
And it’s scarce enough to call
A view.
”
“And yet you think you like it, dear?”
“That’s what you’re so concerned to know! You hope
I like it.
Bang goes something big away
Off there upstairs.
The very tread of men
As great as those is shattering to the frame
Of such a little house.
Once left alone,
You and I, dear, will go with softer steps
Up and down stairs and through the rooms, and none
But sudden winds that snatch them from our hands
Will ever slam the doors.
”
“I think you see
More than you like to own to out that window.
”
“No; for besides the things I tell you of,
I only see the years.
They come and go
In alternation with the weeds, the field,
The wood.
”
“What kind of years?”
“Why, latter years—
Different from early years.
”
“I see them, too.
You didn’t count them?”
“No, the further off
So ran together that I didn’t try to.
It can scarce be that they would be in number
We’d care to know, for we are not young now.
And bang goes something else away off there.
It sounds as if it were the men went down,
And every crash meant one less to return
To lighted city streets we, too, have known,
But now are giving up for country darkness.
”
“Come from that window where you see too much for me,
And take a livelier view of things from here.
They’re going.
Watch this husky swarming up
Over the wheel into the sky-high seat,
Lighting his pipe now, squinting down his nose
At the flame burning downward as he sucks it.
”
“See how it makes his nose-side bright, a proof
How dark it’s getting.
Can you tell what time
It is by that? Or by the moon? The new moon!
What shoulder did I see her over? Neither.
A wire she is of silver, as new as we
To everything.
Her light won’t last us long.
It’s something, though, to know we’re going to have her
Night after night and stronger every night
To see us through our first two weeks.
But, Joe,
The stove! Before they go! Knock on the window;
Ask them to help you get it on its feet.
We stand here dreaming.
Hurry! Call them back!”
“They’re not gone yet.
”
“We’ve got to have the stove,
Whatever else we want for.
And a light.
Have we a piece of candle if the lamp
And oil are buried out of reach?”
Again
The house was full of tramping, and the dark,
Door-filling men burst in and seized the stove.
A cannon-mouth-like hole was in the wall,
To which they set it true by eye; and then
Came up the jointed stovepipe in their hands,
So much too light and airy for their strength
It almost seemed to come ballooning up,
Slipping from clumsy clutches toward the ceiling.
“A fit!” said one, and banged a stovepipe shoulder.
“It’s good luck when you move in to begin
With good luck with your stovepipe.
Never mind,
It’s not so bad in the country, settled down,
When people ’re getting on in life, You’ll like it.
”
Joe said: “You big boys ought to find a farm,
And make good farmers, and leave other fellows
The city work to do.
There’s not enough
For everybody as it is in there.
”
“God!” one said wildly, and, when no one spoke:
“Say that to Jimmy here.
He needs a farm.
”
But Jimmy only made his jaw recede
Fool-like, and rolled his eyes as if to say
He saw himself a farmer.
Then there was a French boy
Who said with seriousness that made them laugh,
“Ma friend, you ain’t know what it is you’re ask.
”
He doffed his cap and held it with both hands
Across his chest to make as ’twere a bow:
“We’re giving you our chances on de farm.
”
And then they all turned to with deafening boots
And put each other bodily out of the house.
“Goodby to them! We puzzle them.
They think—
I don’t know what they think we see in what
They leave us to: that pasture slope that seems
The back some farm presents us; and your woods
To northward from your window at the sink,
Waiting to steal a step on us whenever
We drop our eyes or turn to other things,
As in the game ‘Ten-step’ the children play.
”
“Good boys they seemed, and let them love the city.
All they could say was ‘God!’ when you proposed
Their coming out and making useful farmers.
”
“Did they make something lonesome go through you?
It would take more than them to sicken you—
Us of our bargain.
But they left us so
As to our fate, like fools past reasoning with.
They almost shook me.
”
“It’s all so much
What we have always wanted, I confess
It’s seeming bad for a moment makes it seem
Even worse still, and so on down, down, down.
It’s nothing; it’s their leaving us at dusk.
I never bore it well when people went.
The first night after guests have gone, the house
Seems haunted or exposed.
I always take
A personal interest in the locking up
At bedtime; but the strangeness soon wears off.
”
He fetched a dingy lantern from behind
A door.
“There’s that we didn’t lose! And these!”—
Some matches he unpocketed.
“For food—
The meals we’ve had no one can take from us.
I wish that everything on earth were just
As certain as the meals we’ve had.
I wish
The meals we haven’t had were, anyway.
What have you you know where to lay your hands on?”
“The bread we bought in passing at the store.
There’s butter somewhere, too.
”
“Let’s rend the bread.
I’ll light the fire for company for you;
You’ll not have any other company
Till Ed begins to get out on a Sunday
To look us over and give us his idea
Of what wants pruning, shingling, breaking up.
He’ll know what he would do if he were we,
And all at once.
He’ll plan for us and plan
To help us, but he’ll take it out in planning.
Well, you can set the table with the loaf.
Let’s see you find your loaf.
I’ll light the fire.
I like chairs occupying other chairs
Not offering a lady—”
“There again, Joe!
You’re tired.
”
“I’m drunk-nonsensical tired out;
Don’t mind a word I say.
It’s a day’s work
To empty one house of all household goods
And fill another with ’em fifteen miles away,
Although you do no more than dump them down.
”
“Dumped down in paradise we are and happy.
”
“It’s all so much what I have always wanted,
I can’t believe it’s what you wanted, too.
”
“Shouldn’t you like to know?”
“I’d like to know
If it is what you wanted, then how much
You wanted it for me.
”
“A troubled conscience!
You don’t want me to tell if I don’t know.
”
“I don’t want to find out what can’t be known.
But who first said the word to come?”
“My dear,
It’s who first thought the thought.
You’re searching, Joe,
For things that don’t exist; I mean beginnings.
Ends and beginnings—there are no such things.
There are only middles.
”
“What is this?”
“This life?
Our sitting here by lantern-light together
Amid the wreckage of a former home?
You won’t deny the lantern isn’t new.
The stove is not, and you are not to me,
Nor I to you.
”
“Perhaps you never were?”
“It would take me forever to recite
All that’s not new in where we find ourselves.
New is a word for fools in towns who think
Style upon style in dress and thought at last
Must get somewhere.
I’ve heard you say as much.
No, this is no beginning.
”
“Then an end?”
“End is a gloomy word.
”
“Is it too late
To drag you out for just a good-night call
On the old peach trees on the knoll to grope
By starlight in the grass for a last peach
The neighbors may not have taken as their right
When the house wasn’t lived in? I’ve been looking:
I doubt if they have left us many grapes.
Before we set ourselves to right the house,
The first thing in the morning, out we go
To go the round of apple, cherry, peach,
Pine, alder, pasture, mowing, well, and brook.
All of a farm it is.
”
“I know this much:
I’m going to put you in your bed, if first
I have to make you build it.
Come, the light.
”
When there was no more lantern in the kitchen,
The fire got out through crannies in the stove
And danced in yellow wrigglers on the ceiling,
As much at home as if they’d always danced there.
|
Written by
Emily Dickinson |
Heart, not so heavy as mine
Wending late home --
As it passed my window
Whistled itself a tune --
A careless snatch -- a ballad -- A ditty of the street --
Yet to my irritated Ear
An Anodyne so sweet --
It was as if a Bobolink
Sauntering this way
Carolled, and paused, and carolled --
Then bubbled slow away!
It was as if a chirping brook
Upon a dusty way --
Set bleeding feet to minuets
Without the knowing why!
Tomorrow, night will come again --
Perhaps, weary and sore --
Ah Bugle! By my window
I pray you pass once more.
|
Written by
William Strode |
Like to the rowling of an eye,
Or like a starre shott from the skye,
Or like a hand upon a clock,
Or like a wave upon a rock,
Or like a winde, or like a flame,
Or like false newes which people frame,
Even such is man, of equall stay,
Whose very growth leades to decay.
The eye is turn'd, the starre down bendeth
The hand doth steale, the wave descendeth,
The winde is spent, the flame unfir'd,
The newes disprov'd, man's life expir'd.
Like to an eye which sleepe doth chayne,
Or like a starre whose fall we fayne,
Or like the shade on Ahaz watch,
Or like a wave which gulfes doe snatch
Or like a winde or flame that's past,
Or smother'd newes confirm'd at last;
Even so man's life, pawn'd in the grave,
Wayts for a riseing it must have.
The eye still sees, the starre still blazeth,
The shade goes back, the wave escapeth,
The winde is turn'd, the flame reviv'd,
The newes renew'd, and man new liv'd.
|
Written by
Matthew Arnold |
Coldly, sadly descends
The autumn-evening.
The field
Strewn with its dank yellow drifts
Of wither'd leaves, and the elms,
Fade into dimness apace,
Silent;--hardly a shout
From a few boys late at their play!
The lights come out in the street,
In the school-room windows;--but cold,
Solemn, unlighted, austere,
Through the gathering darkness, arise
The chapel-walls, in whose bound
Thou, my father! art laid.
There thou dost lie, in the gloom
Of the autumn evening.
But ah!
That word, gloom, to my mind
Brings thee back, in the light
Of thy radiant vigour, again;
In the gloom of November we pass'd
Days not dark at thy side;
Seasons impair'd not the ray
Of thy buoyant cheerfulness clear.
Such thou wast! and I stand
In the autumn evening, and think
Of bygone autumns with thee.
Fifteen years have gone round
Since thou arosest to tread,
In the summer-morning, the road
Of death, at a call unforeseen,
Sudden.
For fifteen years,
We who till then in thy shade
Rested as under the boughs
Of a mighty oak, have endured
Sunshine and rain as we might,
Bare, unshaded, alone,
Lacking the shelter of thee.
O strong soul, by what shore
Tarriest thou now? For that force,
Surely, has not been left vain!
Somewhere, surely afar,
In the sounding labour-house vast
Of being, is practised that strength,
Zealous, beneficent, firm!
Yes, in some far-shining sphere,
Conscious or not of the past,
Still thou performest the word
Of the Spirit in whom thou dost live--
Prompt, unwearied, as here!
Still thou upraisest with zeal
The humble good from the ground,
Sternly repressest the bad!
Still, like a trumpet, dost rouse
Those who with half-open eyes
Tread the border-land dim
'Twixt vice and virtue; reviv'st,
Succourest!--this was thy work,
This was thy life upon earth.
What is the course of the life
Of mortal men on the earth?--
Most men eddy about
Here and there--eat and drink,
Chatter and love and hate,
Gather and squander, are raised
Aloft, are hurl'd in the dust,
Striving blindly, achieving
Nothing; and then they die--
Perish;--and no one asks
Who or what they have been,
More than he asks what waves,
In the moonlit solitudes mild
Of the midmost Ocean, have swell'd,
Foam'd for a moment, and gone.
And there are some, whom a thirst
Ardent, unquenchable, fires,
Not with the crowd to be spent,
Not without aim to go round
In an eddy of purposeless dust,
Effort unmeaning and vain.
Ah yes! some of us strive
Not without action to die
Fruitless, but something to snatch
From dull oblivion, nor all
Glut the devouring grave!
We, we have chosen our path--
Path to a clear-purposed goal,
Path of advance!--but it leads
A long, steep journey, through sunk
Gorges, o'er mountains in snow.
Cheerful, with friends, we set forth--
Then on the height, comes the storm.
Thunder crashes from rock
To rock, the cataracts reply,
Lightnings dazzle our eyes.
Roaring torrents have breach'd
The track, the stream-bed descends
In the place where the wayfarer once
Planted his footstep--the spray
Boils o'er its borders! aloft
The unseen snow-beds dislodge
Their hanging ruin; alas,
Havoc is made in our train!
Friends, who set forth at our side,
Falter, are lost in the storm.
We, we only are left!
With frowning foreheads, with lips
Sternly compress'd, we strain on,
On--and at nightfall at last
Come to the end of our way,
To the lonely inn 'mid the rocks;
Where the gaunt and taciturn host
Stands on the threshold, the wind
Shaking his thin white hairs--
Holds his lantern to scan
Our storm-beat figures, and asks:
Whom in our party we bring?
Whom we have left in the snow?
Sadly we answer: We bring
Only ourselves! we lost
Sight of the rest in the storm.
Hardly ourselves we fought through,
Stripp'd, without friends, as we are.
Friends, companions, and train,
The avalanche swept from our side.
But thou woulds't not alone
Be saved, my father! alone
Conquer and come to thy goal,
Leaving the rest in the wild.
We were weary, and we
Fearful, and we in our march
Fain to drop down and to die.
Still thou turnedst, and still
Beckonedst the trembler, and still
Gavest the weary thy hand.
If, in the paths of the world,
Stones might have wounded thy feet,
Toil or dejection have tried
Thy spirit, of that we saw
Nothing--to us thou wage still
Cheerful, and helpful, and firm!
Therefore to thee it was given
Many to save with thyself;
And, at the end of thy day,
O faithful shepherd! to come,
Bringing thy sheep in thy hand.
And through thee I believe
In the noble and great who are gone;
Pure souls honour'd and blest
By former ages, who else--
Such, so soulless, so poor,
Is the race of men whom I see--
Seem'd but a dream of the heart,
Seem'd but a cry of desire.
Yes! I believe that there lived
Others like thee in the past,
Not like the men of the crowd
Who all round me to-day
Bluster or cringe, and make life
Hideous, and arid, and vile;
But souls temper'd with fire,
Fervent, heroic, and good,
Helpers and friends of mankind.
Servants of God!--or sons
Shall I not call you? Because
Not as servants ye knew
Your Father's innermost mind,
His, who unwillingly sees
One of his little ones lost--
Yours is the praise, if mankind
Hath not as yet in its march
Fainted, and fallen, and died!
See! In the rocks of the world
Marches the host of mankind,
A feeble, wavering line.
Where are they tending?--A God
Marshall'd them, gave them their goal.
Ah, but the way is so long!
Years they have been in the wild!
Sore thirst plagues them, the rocks
Rising all round, overawe;
Factions divide them, their host
Threatens to break, to dissolve.
--Ah, keep, keep them combined!
Else, of the myriads who fill
That army, not one shall arrive;
Sole they shall stray; in the rocks
Stagger for ever in vain,
Die one by one in the waste.
Then, in such hour of need
Of your fainting, dispirited race,
Ye, like angels, appear,
Radiant with ardour divine!
Beacons of hope, ye appear!
Languor is not in your heart,
Weakness is not in your word,
Weariness not on your brow.
Ye alight in our van! at your voice,
Panic, despair, flee away.
Ye move through the ranks, recall
The stragglers, refresh the outworn,
Praise, re-inspire the brave!
Order, courage, return.
Eyes rekindling, and prayers,
Follow your steps as ye go.
Ye fill up the gaps in our files,
Strengthen the wavering line,
Stablish, continue our march,
On, to the bound of the waste,
On, to the City of God.
|
Written by
Anne Bradstreet |
In secret place where once I stood
Close by the Banks of Lacrim flood,
I heard two sisters reason on
Things that are past and things to come.
One Flesh was call'd, who had her eye
On worldly wealth and vanity;
The other Spirit, who did rear
Her thoughts unto a higher sphere.
'Sister,' quoth Flesh, 'what liv'st thou on
Nothing but Meditation?
Doth Contemplation feed thee so
Regardlessly to let earth go?
Can Speculation satisfy
Notion without Reality?
Dost dream of things beyond the Moon
And dost thou hope to dwell there soon?
Hast treasures there laid up in store
That all in th' world thou count'st but poor?
Art fancy-sick or turn'd a Sot
To catch at shadows which are not?
Come, come.
I'll show unto thy sense,
Industry hath its recompence.
What canst desire, but thou maist see
True substance in variety?
Dost honour like? Acquire the same,
As some to their immortal fame;
And trophies to thy name erect
Which wearing time shall ne'er deject.
For riches dost thou long full sore?
Behold enough of precious store.
Earth hath more silver, pearls, and gold
Than eyes can see or hands can hold.
Affects thou pleasure? Take thy fill.
Earth hath enough of what you will.
Then let not go what thou maist find
For things unknown only in mind.
'
pirit.
'Be still, thou unregenerate part,
Disturb no more my settled heart,
For I have vow'd (and so will do)
Thee as a foe still to pursue,
And combat with thee will and must
Until I see thee laid in th' dust.
Sister we are, yea twins we be,
Yet deadly feud 'twixt thee and me,
For from one father are we not.
Thou by old Adam wast begot,
But my arise is from above,
Whence my dear father I do love.
Thou speak'st me fair but hat'st me sore.
Thy flatt'ring shews I'll trust no more.
How oft thy slave hast thou me made
When I believ'd what thou hast said
And never had more cause of woe
Than when I did what thou bad'st do.
I'll stop mine ears at these thy charms
And count them for my deadly harms.
Thy sinful pleasures I do hate,
Thy riches are to me no bait.
Thine honours do, nor will I love,
For my ambition lies above.
My greatest honour it shall be
When I am victor over thee,
And Triumph shall, with laurel head,
When thou my Captive shalt be led.
How I do live, thou need'st not scoff,
For I have meat thou know'st not of.
The hidden Manna I do eat;
The word of life, it is my meat.
My thoughts do yield me more content
Than can thy hours in pleasure spent.
Nor are they shadows which I catch,
Nor fancies vain at which I snatch
But reach at things that are so high,
Beyond thy dull Capacity.
Eternal substance I do see
With which inriched I would be.
Mine eye doth pierce the heav'ns and see
What is Invisible to thee.
My garments are not silk nor gold,
Nor such like trash which Earth doth hold,
But Royal Robes I shall have on,
More glorious than the glist'ring Sun.
My Crown not Diamonds, Pearls, and gold,
But such as Angels' heads infold.
The City where I hope to dwell,
There's none on Earth can parallel.
The stately Walls both high and trong
Are made of precious Jasper stone,
The Gates of Pearl, both rich and clear,
And Angels are for Porters there.
The Streets thereof transparent gold
Such as no Eye did e're behold.
A Crystal River there doth run
Which doth proceed from the Lamb's Throne.
Of Life, there are the waters sure
Which shall remain forever pure.
Nor Sun nor Moon they have no need
For glory doth from God proceed.
No Candle there, nor yet Torch light,
For there shall be no darksome night.
From sickness and infirmity
Forevermore they shall be free.
Nor withering age shall e're come there,
But beauty shall be bright and clear.
This City pure is not for thee,
For things unclean there shall not be.
If I of Heav'n may have my fill,
Take thou the world, and all that will.
'
|
Written by
Robert Frost |
When I see birches bend to left and right
Across the lines of straighter darker trees,
I like to think some boy's been swinging them.
But swinging doesn't bend them down to stay.
Ice-storms do that.
Often you must have seen them
Loaded with ice a sunny winter morning
After a rain.
They click upon themselves
As the breeze rises, and turn many-coloured
As the stir cracks and crazes their enamel.
Soon the sun's warmth makes them shed crystal shells
Shattering and avalanching on the snow-crust
Such heaps of broken glass to sweep away
You'd think the inner dome of heaven had fallen.
They are dragged to the withered bracken by the load,
And they seem not to break; though once they are bowed
So low for long, they never right themselves:
You may see their trunks arching in the woods
Years afterwards, trailing their leaves on the ground,
Like girls on hands and knees that throw their hair
Before them over their heads to dry in the sun.
But I was going to say when Truth broke in
With all her matter-of-fact about the ice-storm,
I should prefer to have some boy bend them
As he went out and in to fetch the cows--
Some boy too far from town to learn baseball,
Whose only play was what he found himself,
Summer or winter, and could play alone.
One by one he subdued his father's trees
By riding them down over and over again
Until he took the stiffness out of them,
And not one but hung limp, not one was left
For him to conquer.
He learned all there was
To learn about not launching out too soon
And so not carrying the tree away
Clear to the ground.
He always kept his poise
To the top branches, climbing carefully
With the same pains you use to fill a cup
Up to the brim, and even above the brim.
Then he flung outward, feet first, with a swish,
Kicking his way down through the air to the ground.
So was I once myself a swinger of birches.
And so I dream of going back to be.
It's when I'm weary of considerations,
And life is too much like a pathless wood
Where your face burns and tickles with the cobwebs
Broken across it, and one eye is weeping
From a twig's having lashed across it open.
I'd like to get away from earth awhile
And then come back to it and begin over.
May no fate wilfully misunderstand me
And half grant what I wish and snatch me away
Not to return.
Earth's the right place for love:
I don't know where it's likely to go better.
I'd like to go by climbing a birch tree~
And climb black branches up a snow-white trunk
Toward heaven, till the tree could bear no more,
But dipped its top and set me down again.
That would be good both going and coming back.
One could do worse than be a swinger of birches.
|
Written by
Mary Darby Robinson |
A farmer's wife, both young and gay,
And fresh as op'ning buds of May;
Had taken to herself, a Spouse,
And plighted many solemn vows,
That she a faithful mate would prove,
In meekness, duty, and in love!
That she, despising joy and wealth,
Would be, in sickness and in health,
His only comfort and his Friend--
But, mark the sequel,--and attend!
This Farmer, as the tale is told--
Was somewhat cross, and somewhat old!
His, was the wintry hour of life,
While summer smiled before his wife;
A contrast, rather form'd to cloy
The zest of matrimonial joy!
'Twas Christmas time, the peasant throng
Assembled gay, with dance and Song:
The Farmer's Kitchen long had been
Of annual sports the busy scene;
The wood-fire blaz'd, the chimney wide
Presented seats, on either side;
Long rows of wooden Trenchers, clean,
Bedeck'd with holly-boughs, were seen;
The shining Tankard's foamy ale
Gave spirits to the Goblin tale,
And many a rosy cheek--grew pale.
It happen'd, that some sport to shew
The ceiling held a MISTLETOE.
A magic bough, and well design'd
To prove the coyest Maiden, kind.
A magic bough, which DRUIDS old
Its sacred mysteries enroll'd;
And which, or gossip Fame's a liar,
Still warms the soul with vivid fire;
Still promises a store of bliss
While bigots snatch their Idol's kiss.
This MISTLETOE was doom'd to be
The talisman of Destiny;
Beneath its ample boughs we're told
Full many a timid Swain grew bold;
Full many a roguish eye askance
Beheld it with impatient glance,
And many a ruddy cheek confest,
The triumphs of the beating breast;
And many a rustic rover sigh'd
Who ask'd the kiss, and was denied.
First MARG'RY smil'd and gave her Lover
A Kiss; then thank'd her stars, 'twas over!
Next, KATE, with a reluctant pace,
Was tempted to the mystic place;
Then SUE, a merry laughing jade
A dimpled yielding blush betray'd;
While JOAN her chastity to shew
Wish'd "the bold knaves would serve her so,"
She'd "teach the rogues such wanton play!"
And well she could, she knew the way.
The FARMER, mute with jealous care,
Sat sullen, in his wicker chair;
Hating the noisy gamesome host
Yet, fearful to resign his post;
He envied all their sportive strife
But most he watch'd his blooming wife,
And trembled, lest her steps should go,
Incautious, near the MISTLETOE.
Now HODGE, a youth of rustic grace
With form athletic; manly face;
On MISTRESS HOMESPUN turn'd his eye
And breath'd a soul-declaring sigh!
Old HOMESPUN, mark'd his list'ning Fair
And nestled in his wicker chair;
HODGE swore, she might his heart command--
The pipe was dropp'd from HOMESPUN'S hand!
HODGE prest her slender waist around;
The FARMER check'd his draught, and frown'd!
And now beneath the MISTLETOE
'Twas MISTRESS HOMESPUN'S turn to go;
Old Surly shook his wicker chair,
And sternly utter'd--"Let her dare!"
HODGE, to the FARMER'S wife declar'd
Such husbands never should be spar'd;
Swore, they deserv'd the worst disgrace,
That lights upon the wedded race;
And vow'd--that night he would not go
Unblest, beneath the MISTLETOE.
The merry group all recommend
An harmless Kiss, the strife to end:
"Why not ?" says MARG'RY, "who would fear,
"A dang'rous moment, once a year?"
SUSAN observ'd, that "ancient folks
"Were seldom pleas'd with youthful jokes;"
But KATE, who, till that fatal hour,
Had held, o'er HODGE, unrivall'd pow'r,
With curving lip and head aside
Look'd down and smil'd in conscious pride,
Then, anxious to conceal her care,
She humm'd--"what fools some women are!"
Now, MISTRESS HOMESPUN, sorely vex'd,
By pride and jealous rage perplex'd,
And angry, that her peevish spouse
Should doubt her matrimonial vows,
But, most of all, resolved to make
An envious rival's bosom ache;
Commanded Hodge to let her go,
Nor lead her to the Mistletoe;
"Why should you ask it o'er and o'er?"
Cried she, "we've been there twice before!"
'Tis thus, to check a rival's sway,
That Women oft themselves betray;
While VANITY, alone, pursuing,
They rashly prove, their own undoing.
|
Written by
Rudyard Kipling |
Heh! Walk her round.
Heave, ah heave her short again!
Over, snatch her over, there, and hold her on the pawl.
Loose all sail, and brace your yards back and full --
Ready jib to pay her off and heave short all!
Well, ah fare you well; we can stay no more with you, my love --
Down, set down your liquor and your girl from off your knee;
For the wind has come to say:
"You must take me while you may,
If you'd go to Mother Carey
(Walk her down to Mother Carey!),
Oh, we're bound to Mother Carey where she feeds her chicks at sea!"
Heh! Walk her round.
Break, ah break it out o' that!
Break our starboard-bower out, apeak, awash, and clear.
Port -- port she casts, with the harbour-mud beneath her foot,
And that's the last o' bottom we shall see this year!
Well, ah fare you well, for we've got to take her out again --
Take her out in ballast, riding light and cargo-free.
And it's time to clear and quit
When the hawser grips the bitt,
So we'll pay you with the foresheet and a promise from the sea!
Heh! Tally on.
Aft and walk away with her!
Handsome to the cathead, now; O tally on the fall!
Stop, seize and fish, and easy on the davit-guy.
Up, well up the fluke of her, and inboard haul!
Well, ah fare you well, for the Channel wind's took hold of us,
Choking down our voices as we snatch the gaskets free.
And it's blowing up for night,
And she's dropping Light on Light,
And she's snorting under bonnets for a breath of open sea,
Wheel, full and by; but she'll smell her road alone to-night.
Sick she is and harbour-sick -- O sick to clear the land!
Roll down to Brest with the old Red Ensign over us --
Carry on and thrash her out with all she'll stand!
Well, ah fare you well, and it's Ushant slams the door on us,
Whirling like a windmill through the dirty scud to lee:
Till the last, last flicker goes
From the tumbling water-rows,
And we're off to Mother Carey
(Walk her down to Mother Carey!),
Oh, we're bound for Mother Carey where she feeds her chicks at sea!
|
Written by
Amy Clampitt |
The West Village by then was changing; before long
the rundown brownstones at its farthest edge
would have slipped into trendier hands.
She lived,
impervious to trends, behind a potted hedge of
rubber trees, with three cats, a canary—refuse
from whose cage kept sifting down and then
germinating, a yearning seedling choir, around
the saucers on the windowsill—and an inexorable
cohort of roaches she was too nearsighted to deal
with, though she knew they were there, and would
speak of them, ruefully, as of an affliction that
might once, long ago, have been prevented.
Unclassifiable castoffs, misfits, marginal cases:
when you're one yourself, or close to it, there's
a reassurance in proving you haven't quite gone
under by taking up with somebody odder than you are.
Or trying to.
"They're my friends," she'd say of
her cats—Mollie, Mitzi and Caroline, their names were,
and she was forever taking one or another in a cab
to the vet—as though she had no others.
The roommate
who'd become a nun, the one who was Jewish, the couple
she'd met on a foliage tour, one fall, were all people
she no longer saw.
She worked for a law firm, said all
the judges were alcoholic, had never voted.
But would sometimes have me to dinner—breaded veal,
white wine, strawberry Bavarian—and sometimes, from
what she didn't know she was saying, I'd snatch a shred
or two of her threadbare history.
Baltic cold.
Being
sent home in a troika when her feet went numb.
In
summer, carriage rides.
A swarm of gypsy children
driven off with whips.
An octogenarian father, bishop
of a dying schismatic sect.
A very young mother
who didn't want her.
A half-brother she met just once.
Cousins in Wisconsin, one of whom phoned her from a candy
store, out of the blue, while she was living in Chicago.
What had brought her there, or when, remained unclear.
As did much else.
We'd met in church.
I noticed first
a big, soaring soprano with a wobble in it, then
the thickly wreathed and braided crimp in the mouse-
gold coiffure.
Old? Young? She was of no age.
Through rimless lenses she looked out of a child's,
or a doll's, globular blue.
Wore Keds the year round,
tended otherwise to overdress.
Owned a mandolin.
Once
I got her to take it down from the mantel and plink out,
through a warm fuddle of sauterne, a lot of giddy Italian
airs from a songbook whose pages had started to crumble.
The canary fluffed and quivered, and the cats, amazed,
came out from under the couch and stared.
What could the offspring of the schismatic age and a
reluctant child bride expect from life? Not much.
Less and less.
A dream she'd had kept coming back,
years after.
She'd taken a job in Washington with
some right-wing lobby, and lived in one of those
bow-windowed mansions that turn into roominghouses,
and her room there had a full-length mirror: oval,
with a molding, is the way I picture it.
In her dream
something woke her, she got up to look, and there
in the glass she'd had was covered over—she gave it
a wondering emphasis—with gray veils.
The West Village was changing.
I was changing.
The last
time I asked her to dinner, she didn't show.
Hours—
or was it days?—later, she phoned to explain: she hadn't
been able to find my block; a patrolman had steered her home.
I spent my evenings canvassing for Gene McCarthy.
Passing,
I'd see her shades drawn, no light behind the rubber trees.
She wasn't out, she didn't own a TV.
She was in there,
getting gently blotto.
What came next, I wasn't brave
enough to know.
Only one day, passing, I saw
new shades, quick-chic matchstick bamboo, going up where
the waterstained old ones had been, and where the seedlings—
O gray veils, gray veils—had risen and gone down.
|
Written by
Julia Ward Howe |
The shell of objects inwardly consumed
Will stand, till some convulsive wind awakes;
Such sense hath Fire to waste the heart of things,
Nature, such love to hold the form she makes.
Thus, wasted joys will show their early bloom,
Yet crumble at the breath of a caress;
The golden fruitage hides the scathèd bough,
Snatch it, thou scatterest wide its emptiness.
For pleasure bidden, I went forth last night
To where, thick hung, the festal torches gleamed;
Here were the flowers, the music, as of old,
Almost the very olden time it seemed.
For one with cheek unfaded, (though he brings
My buried brothers to me, in his look,)
Said, `Will you dance?' At the accustomed words
I gave my hand, the old position took.
Sound, gladsome measure! at whose bidding once
I felt the flush of pleasure to my brow,
While my soul shook the burthen of the flesh,
And in its young pride said, `Lie lightly thou!'
Then, like a gallant swimmer, flinging high
My breast against the golden waves of sound,
I rode the madd'ning tumult of the dance,
Mocking fatigue, that never could be found.
Chide not,--it was not vanity, nor sense,
(The brutish scorn such vaporous delight,)
But Nature, cadencing her joy of strength
To the harmonious limits of her right.
She gave her impulse to the dancing Hours,
To winds that sweep, to stars that noiseless turn;
She marked the measure rapid hearts must keep
Devised each pace that glancing feet should learn.
And sure, that prodigal o'erflow of life,
Unvow'd as yet to family or state,
Sweet sounds, white garments, flowery coronals
Make holy, in the pageant of our fate.
Sound, measure! but to stir my heart no more--
For, as I moved to join the dizzy race,
My youth fell from me; all its blooms were gone,
And others showed them, smiling, in my face.
Faintly I met the shock of circling forms
Linked each to other, Fashion's galley-slaves,
Dream-wondering, like an unaccustomed ghost
That starts, surprised, to stumble over graves.
For graves were 'neath my feet, whose placid masks
Smiled out upon my folly mournfully,
While all the host of the departed said,
`Tread lightly--thou art ashes, even as we.
'
|