Written by
Billy Collins |
They say you can jinx a poem
if you talk about it before it is done.
If you let it out too early, they warn,
your poem will fly away,
and this time they are absolutely right.
Take the night I mentioned to you
I wanted to write about the madmen,
as the newspapers so blithely call them,
who attack art, not in reviews,
but with breadknives and hammers
in the quiet museums of Prague and Amsterdam.
Actually, they are the real artists,
you said, spinning the ice in your glass.
The screwdriver is their brush.
The real vandals are the restorers,
you went on, slowly turning me upside-down,
the ones in the white doctor's smocks
who close the wound in the landscape,
and thus ruin the true art of the mad.
I watched my poem fly down to the front
of the bar and hover there
until the next customer walked in--
then I watched it fly out the open door into the night
and sail away, I could only imagine,
over the dark tenements of the city.
All I had wished to say
was that art was also short,
as a razor can teach with a slash or two,
that it only seems long compared to life,
but that night, I drove home alone
with nothing swinging in the cage of my heart
except the faint hope that I might
catch a glimpse of the thing
in the fan of my headlights,
maybe perched on a road sign or a street lamp,
poor unwritten bird, its wings folded,
staring down at me with tiny illuminated eyes.
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Written by
Jonathan Swift |
As, when a lofty pile is raised,
We never hear the workmen praised,
Who bring the lime, or place the stones;
But all admire Inigo Jones:
So, if this pile of scattered rhymes
Should be approved in aftertimes;
If it both pleases and endures,
The merit and the praise are yours.
Thou, Stella, wert no longer young,
When first for thee my harp was strung,
Without one word of Cupid's darts,
Of killing eyes, or bleeding hearts;
With friendship and esteem possest,
I ne'er admitted Love a guest.
In all the habitudes of life,
The friend, the mistress, and the wife,
Variety we still pursue,
In pleasure seek for something new;
Or else, comparing with the rest,
Take comfort that our own is best;
The best we value by the worst,
As tradesmen show their trash at first;
But his pursuits are at an end,
Whom Stella chooses for a friend.
A poet starving in a garret,
Invokes his mistress and his Muse,
And stays at home for want of shoes:
Should but his Muse descending drop
A slice of bread and mutton-chop;
Or kindly, when his credit's out,
Surprise him with a pint of stout;
Or patch his broken stocking soles;
Or send him in a peck of coals;
Exalted in his mighty mind,
He flies and leaves the stars behind;
Counts all his labours amply paid,
Adores her for the timely aid.
Or, should a porter make inquiries
For Chloe, Sylvia, Phillis, Iris;
Be told the lodging, lane, and sign,
The bowers that hold those nymphs divine;
Fair Chloe would perhaps be found
With footmen tippling under ground;
The charming Sylvia beating flax,
Her shoulders marked with bloody tracks;
Bright Phyllis mending ragged smocks:
And radiant Iris in the pox.
These are the goddesses enrolled
In Curll's collection, new and old,
Whose scoundrel fathers would not know 'em,
If they should meet them in a poem.
True poets can depress and raise,
Are lords of infamy and praise;
They are not scurrilous in satire,
Nor will in panegyric flatter.
Unjustly poets we asperse;
Truth shines the brighter clad in verse,
And all the fictions they pursue
Do but insinuate what is true.
Now, should my praises owe their truth
To beauty, dress, or paint, or youth,
What stoics call without our power,
They could not be ensured an hour;
'Twere grafting on an annual stock,
That must our expectation mock,
And, making one luxuriant shoot,
Die the next year for want of root:
Before I could my verses bring,
Perhaps you're quite another thing.
So Maevius, when he drained his skull
To celebrate some suburb trull,
His similes in order set,
And every crambo he could get;
Had gone through all the common-places
Worn out by wits, who rhyme on faces;
Before he could his poem close,
The lovely nymph had lost her nose.
Your virtues safely I commend;
They on no accidents depend:
Let malice look with all her eyes,
She dare not say the poet lies.
Stella, when you these lines transcribe,
Lest you should take them for a bribe,
Resolved to mortify your pride,
I'll here expose your weaker side.
Your spirits kindle to a flame,
Moved by the lightest touch of blame;
And when a friend in kindness tries
To show you where your error lies,
Conviction does but more incense;
Perverseness is your whole defence;
Truth, judgment, wit, give place to spite,
Regardless both of wrong and right;
Your virtues all suspended wait,
Till time has opened reason's gate;
And, what is worse, your passion bends
Its force against your nearest friends,
Which manners, decency, and pride,
Have taught from you the world to hide;
In vain; for see, your friend has brought
To public light your only fault;
And yet a fault we often find
Mixed in a noble, generous mind:
And may compare to Etna's fire,
Which, though with trembling, all admire;
The heat that makes the summit glow,
Enriching all the vales below.
Those who, in warmer climes, complain
From Phoebus' rays they suffer pain,
Must own that pain is largely paid
By generous wines beneath a shade.
Yet, when I find your passions rise,
And anger sparkling in your eyes,
I grieve those spirits should be spent,
For nobler ends by nature meant.
One passion, with a different turn,
Makes wit inflame, or anger burn:
So the sun's heat, with different powers,
Ripens the grape, the liquor sours:
Thus Ajax, when with rage possest,
By Pallas breathed into his breast,
His valour would no more employ,
Which might alone have conquered Troy;
But, blinded be resentment, seeks
For vengeance on his friends the Greeks.
You think this turbulence of blood
From stagnating preserves the flood,
Which, thus fermenting by degrees,
Exalts the spirits, sinks the lees.
Stella, for once your reason wrong;
For, should this ferment last too long,
By time subsiding, you may find
Nothing but acid left behind;
From passion you may then be freed,
When peevishness and spleen succeed.
Say, Stella, when you copy next,
Will you keep strictly to the text?
Dare you let these reproaches stand,
And to your failing set your hand?
Or, if these lines your anger fire,
Shall they in baser flames expire?
Whene'er they burn, if burn they must,
They'll prove my accusation just.
|
Written by
A E Housman |
In my own shire, if I was sad,
Homely comforters I had:
The earth, because my heart was sore,
Sorrowed for the son she bore;
And standing hills, long to remain,
Shared their short-lived comrade's pain.
And bound for the same bourn as I,
On every road I wandered by,
Trod beside me, close and dear,
The beautiful and death-struck year:
Whether in the woodland brown
I heard the beechnut rustle down,
And saw the purple crocus pale
Flower about the autumn dale;
Or littering far the fields of May
Lady-smocks a-bleaching lay,
And like a skylit water stood
The bluebells in the azured wood.
Yonder, lightening other loads,
The seasons range the country roads,
But here in London streets I ken
No such helpmates, only men;
And these are not in plight to bear,
If they would, another's care.
They have enough as 'tis: I see
In many an eye that measures me
The mortal sickness of a mind
Too unhappy to be kind.
Undone with misery, all they can
Is to hate their fellow man;
And till they drop they needs must still
Look at you and wish you ill.
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Written by
Thomas Hardy |
O epic-famed, god-haunted Central Sea,
Heave careless of the deep wrong done to thee
When from Torino's track I saw thy face first flash on me.
And multimarbled Genova the Proud,
Gleam all unconscious how, wide-lipped, up-browed,
I first beheld thee clad--not as the Beauty but the Dowd.
Out from a deep-delved way my vision lit
On housebacks pink, green, ochreous--where a slit
Shoreward 'twixt row and row revealed the classic blue through it.
And thereacross waved fishwives' high-hung smocks,
Chrome kerchiefs, scarlet hose, darned underfrocks;
Since when too oft my dreams of thee, O Queen, that frippery mocks:
Whereat I grieve, Superba! . . . Afterhours
Within Palazzo Doria's orange bowers
Went far to mend these marrings of thy soul-subliming powers.
But, Queen, such squalid undress none should see,
Those dream-endangering eyewounds no more be
Where lovers first behold thy form in pilgrimage to thee.
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Written by
John Clare |
Who hath not felt the influence that so calms
The weary mind in summers sultry hours
When wandering thickest woods beneath the arms
Of ancient oaks and brushing nameless flowers
That verge the little ride who hath not made
A minutes waste of time and sat him down
Upon a pleasant swell to gaze awhile
On crowding ferns bluebells and hazel leaves
And showers of lady smocks so called by toil
When boys sprote gathering sit on stulps and weave
Garlands while barkmen pill the fallen tree
—Then mid the green variety to start
Who hath (not) met that mood from turmoil free
And felt a placid joy refreshed at heart
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Written by
Ruth Padel |
Flamingo silk. New ruff,
the ivory ghost
of a halter. Chestnut curls,
*
commas behind the ear.
"Taller, by half a head,
than my Lord Walsingham."
*
His Devon-cream brogue,
malt eyes. New cloak
mussed in her mud.
*
The Queen leans forward,
a rosy envelope of civet.
A cleavage
*
whispering seed pearls.
Her own sleeve
rubs that speck of dirt
*
on his cheek. Three thousand
ornamental fruit baskets
swing in the smoke.
*
"It is our pleasure
to have our servant trained
some longer time
*
in Ireland." Stamp out
marks of the Irish.
Their saffron smocks.
*
All curroughs, bards
and rhymers. Desmonds
and Fitzgeralds
*
stuck on low spikes,
an avenue of heads to
the war tent.
*
Kerry timber
sold to the Canaries.
Pregnant girls
*
hung in their own hair
on city walls. Plague
crumpling gargoyles
*
through Munster. "They spoke
like ghosts crying
out of their graves."
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Written by
Richard Wilbur |
The eyes open to a cry of pulleys,
And spirited from sleep, the astounded
soul
Hangs for a moment bodiless and
simple
As false dawn.
Outside the open window
The morning air is all awash with
angels.
Some are in bed-sheets, some are
in blouses,
Some are in smocks: but truly there
they are.
Now they are rising together in calm
swells
Of halcyon feeling, filling whatever they
wear
With the deep joy of their impersonal
breathing;
Now they are flying in place,
conveying
The terrible speed of their
omnipresence, moving
And staying like white water; and now
of a sudden
They swoon down in so rapt a quiet
That nobody seems to be there.
The soul shrinks
From all that it is about to remember,
From the punctual rape of every
blessed day,
And cries,
"Oh, let there be nothing on
earth but laundry,
Nothing but rosy hands in the rising
steam
And clear dances done in the sight of
heaven."
Yet, as the sun acknowledges
With a warm look the world's hunks
and colors,
The soul descends once more in bitter
love
To accept the waking body, saying now
In a changed voice as the man yawns
and rises,
"Bring them down from their ruddy
gallows;
Let there be clean linen for the backs
of thieves;
Let lovers go fresh and sweet to be
undone,
And the heaviest nuns walk in a pure
floating
Of dark habits,
keeping their difficult
balance."
|
Written by
D. H. Lawrence |
A faint, sickening scent of irises
Persists all morning. Here in a jar on the table
A fine proud spike of purple irises
Rising above the class-room litter, makes me unable
To see the class’s lifted and bended faces
Save in a broken pattern, amid purple and gold and sable.
I can smell the gorgeous bog-end, in its breathless
Dazzle of may-blobs, when the marigold glare overcast you
With fire on your cheeks and your brow and your chin as you dipped
Your face in the marigold bunch, to touch and contrast you,
Your own dark mouth with the bridal faint lady-smocks,
Dissolved on the golden sorcery you should not outlast.
You amid the bog-end’s yellow incantation,
You sitting in the cowslips of the meadow above,
Me, your shadow on the bog-flame, flowery may-blobs,
Me full length in the cowslips, muttering you love;
You, your soul like a lady-smock, lost, evanescent,
You with your face all rich, like the sheen of a dove.
You are always asking, do I remember, remember
The butter-cup bog-end where the flowers rose up
And kindled you over deep with a cast of gold?
You ask again, do the healing days close up
The open darkness which then drew us in,
The dark which then drank up our brimming cup.
You upon the dry, dead beech-leaves, in the fire of night
Burnt like a sacrifice; you invisible;
Only the fire of darkness, and the scent of you!
—And yes, thank God, it still is possible
The healing days shall close the darkness up
Wherein we fainted like a smoke or dew.
Like vapour, dew, or poison. Now, thank God,
The fire of night is gone, and your face is ash
Indistinguishable on the grey, chill day;
The night had burst us out, at last the good
Dark fire burns on untroubled, without clash
Of you upon the dead leaves saying me Yea.
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Written by
Vachel Lindsay |
(Being a Chant of the American Soap-Box and the Russian Revolution.)
O market square, O slattern place,
Is glory in your slack disgrace?
Plump quack doctors sell their pills,
Gentle grafters sell brass watches,
Silly anarchists yell their ills.
Shall we be as weird as these?
In the breezes nod and wheeze?
Heaven's mass is sung,
Tomorrow's mass is sung
In a spirit tongue
By wind and dust and birds,
The high mass of liberty,
While wave the banners red:
Sung round the soap-box,
A mass for soldiers dead.
When you leave your faction in the once-loved hall,
Like a true American tongue-lash them all,
Stand then on the corner under starry skies
And get you a gang of the worn and the wise.
The soldiers of the Lord may be squeaky when they rally,
The soldiers of the Lord are a ***** little army,
But the soldiers of the Lord, before the year is through,
Will gather the whole nation, recruit all creation,
To smite the hosts abhorred, and all the heavens renew —
Enforcing with the bayonet the thing the ages teach —
Free speech!
Free speech!
Down with the Prussians, and all their works.
Down with the Turks.
Down with every army that fights against the soap-box,
The Pericles, Socrates, Diogenes soap-box,
The old Elijah, Jeremiah, John-the-Baptist soap-box,
The Rousseau, Mirabeau, Danton soap-box,
The Karl Marx, Henry George, Woodrow Wilson soap-box.
We will make the wide earth safe for the soap-box,
The everlasting foe of beastliness and tyranny,
Platform of liberty: — Magna Charta liberty,
Andrew Jackson liberty, bleeding Kansas liberty,
New-born Russian liberty: —
Battleship of thought,
The round world over,
Loved by the red-hearted,
Loved by the broken-hearted,
Fair young Amazon or proud tough rover,
Loved by the lion,
Loved by the lion,
Loved by the lion,
Feared by the fox.
The Russian Revolution is the world revolution.
Death at the bedstead of every Kaiser knocks.
The Hohenzollern army shall be felled like the ox.
The fatal hour is striking in all the doomsday clocks.
The while, by freedom's alchemy
Beauty is born.
Ring every sleigh-bell, ring every church bell,
Blow the clear trumpet, and listen for the answer: —
The blast from the sky of the Gabriel horn.
Hail the Russian picture around the little box: —
Exiles,
Troops in files,
Generals in uniform,
Mujiks in their smocks,
And holy maiden soldiers who have cut away their locks.
All the peoples and the nations in processions mad and great,
Are rolling through the Russian Soul as through a city gate: —
As though it were a street of stars that paves the shadowy deep.
And mighty Tolstoi leads the van along the stairway steep.
But now the people shout:
"Hail to Kerensky,
He hurled the tyrants out."
And this my song is made for Kerensky,
Prophet of the world-wide intolerable hope,
There on the soap-box, seasoned, dauntless,
There amid the Russian celestial kaleidoscope,
Flags of liberty, rags and battlesmoke.
Moscow and Chicago!
Come let us praise battling Kerensky,
Bravo! Bravo!
Comrade Kerensky the thunderstorm and rainbow!
Comrade Kerensky, Bravo, Bravo!
|
Written by
John Gould Fletcher |
When daisies pied, and violets blue,
And lady-smocks all silver-white,
And cuckoo-buds of yellow hue
Do paint the meadows with delight,
The cuckoo then, on every tree,
Mocks married men, for thus sings he:
'Cuckoo!
Cuckoo, cuckoo!' O word of fear,
Unpleasing to a married ear.
When shepherds pipe on oaten straws,
And merry larks are ploughmen's clocks,
When turtles tread, and rooks, and daws,
And maidens bleach their summer smocks,
The cuckoo then, on every tree,
Mocks married men, for thus sings he:
'Cuckoo!
Cuckoo, cuckoo!' O word of fear,
Unpleasing to a married ear.
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