Written by
Judith Viorst |
I'm learning to say thank you.
And I'm learning to say please.
And I'm learning to use Kleenex,
Not my sweater, when I sneeze.
And I'm learning not to dribble.
And I'm learning not to slurp.
And I'm learning (though it sometimes really hurts me)
Not to burp.
And I'm learning to chew softer
When I eat corn on the cob.
And I'm learning that it's much
Much easier to be a slob.
|
Written by
Denise Duhamel |
is what we called her.
The story was
that her father had thrown Drano at her
which was probably true, given the way she slouched
through fifth grade, afraid of the world, recess
especially.
She had acne scars
before she had acne—poxs and dips
and bright red patches.
I don't remember
any report in the papers.
I don't remember
my father telling me her father had gone to jail.
I never looked close to see the particulars
of Crater Face's scars.
She was a blur, a cartoon
melting.
Then, when she healed—her face,
a million pebbles set in cement.
Even Comet Boy,
who got his name by being so abrasive,
who made fun of everyone, didn't make fun
of her.
She walked over the bridge
with the one other white girl who lived
in her neighborhood.
Smoke curled
like Slinkies from the factory stacks
above them.
I liked to imagine that Crater Face
went straight home, like I did, to watch Shirley Temple
on channel 56.
I liked to imagine that she slipped
into the screen, bumping Shirley with her hip
so that child actress slid out of frame, into the tubes
and wires that made the TV sputter when I turned it on.
Sometimes when I watched, I'd see Crater Face
tap-dancing with tall black men whose eyes
looked shiny, like the whites of hard-boiled eggs.
I'd try to imagine that her block was full
of friendly folk, with a lighthouse or goats
running in the street.
It was my way of praying,
my way of un-imagining the Drano pellets
that must have smacked against her
like a round of mini-bullets,
her whole face as vulnerable as a tongue
wrapped in sizzling pizza cheese.
How she'd come home with homework,
the weight of her books bending her into a wilting plant.
How her father called her ****, *****, big baby, slob.
The hospital where she was forced to say it was an accident.
Her face palpable as something glowing in a Petri dish.
The bandages over her eyes.
In black and white,
with all that make-up, Crater Face almost looked pretty
sure her MGM father was coming back soon from the war,
seeing whole zoos in her thin orphanage soup.
She looked happiest when she was filmed
from the back, sprinting into the future,
fading into tiny gray dots on UHF.
|
Written by
Wilfred Owen |
Who are these? Why sit they here in twilight?
Wherefore rock they, purgatorial shadows,
Drooping tongues from jaws that slob their relish,
Baring teeth that leer like skulls' tongues wicked?
Stroke on stroke of pain, -- but what slow panic,
Gouged these chasms round their fretted sockets?
Ever from their hair and through their hand palms
Misery swelters.
Surely we have perished
Sleeping, and walk hell; but who these hellish?
-- These are men whose minds the Dead have ravished.
Memory fingers in their hair of murders,
Multitudinous murders they once witnessed.
Wading sloughs of flesh these helpless wander,
Treading blood from lungs that had loved laughter.
Always they must see these things and hear them,
Batter of guns and shatter of flying muscles,
Carnage incomparable and human squander
Rucked too thick for these men's extrication.
Therefore still their eyeballs shrink tormented
Back into their brains, because on their sense
Sunlight seems a bloodsmear; night comes blood-black;
Dawn breaks open like a wound that bleeds afresh
-- Thus their heads wear this hilarious, hideous,
Awful falseness of set-smiling corpses.
-- Thus their hands are plucking at each other;
Picking at the rope-knouts of their scourging;
Snatching after us who smote them, brother,
Pawing us who dealt them war and madness.
|
Written by
John Berryman |
Filling her compact & delicious body
with chicken páprika, she glanced at me
twice.
Fainting with interest, I hungered back
and only the fact of her husband & four other people
kept me from springing on her
or falling at her little feet and crying
'You are the hottest one for years of night
Henry's dazed eyes
have enjoyed, Brilliance.
' I advanced upon
(despairing) my spumoni.
—Sir Bones: is stuffed,
de world, wif feeding girls.
—Black hair, complexion Latin, jewelled eyes
downcast .
.
.
The slob beside her feasts .
.
.
What wonders is
she sitting on, over there?
The restaurant buzzes.
She might as well be on Mars.
Where did it all go wrong? There ought to be a law against Henry.
—Mr.
Bones: there is.
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