Written by
Edna St Vincent Millay |
Aye, but she?
Your other sister and my other soul
Grave Silence, lovelier
Than the three loveliest maidens, what of her?
Clio, not you,
Not you, Calliope,
Nor all your wanton line,
Not Beauty's perfect self shall comfort me
For Silence once departed,
For her the cool-tongued, her the tranquil-hearted,
Whom evermore I follow wistfully,
Wandering Heaven and Earth and Hell and the four seasons through;
Thalia, not you,
Not you, Melpomene,
Not your incomparable feet, O thin Terpsichore, I seek in this great hall,
But one more pale, more pensive, most beloved of you all.
I seek her from afar,
I come from temples where her altars are,
From groves that bear her name,
Noisy with stricken victims now and sacrificial flame,
And cymbals struck on high and strident faces
Obstreperous in her praise
They neither love nor know,
A goddess of gone days,
Departed long ago,
Abandoning the invaded shrines and fanes
Of her old sanctuary,
A deity obscure and legendary,
Of whom there now remains,
For sages to decipher and priests to garble,
Only and for a little while her letters wedged in marble,
Which even now, behold, the friendly mumbling rain erases,
And the inarticulate snow,
Leaving at last of her least signs and traces
None whatsoever, nor whither she is vanished from these places.
"She will love well," I said,
"If love be of that heart inhabiter,
The flowers of the dead;
The red anemone that with no sound
Moves in the wind, and from another wound
That sprang, the heavily-sweet blue hyacinth,
That blossoms underground,
And sallow poppies, will be dear to her.
And will not Silence know
In the black shade of what obsidian steep
Stiffens the white narcissus numb with sleep?
(Seed which Demeter's daughter bore from home,
Uptorn by desperate fingers long ago,
Reluctant even as she,
Undone Persephone,
And even as she set out again to grow
In twilight, in perdition's lean and inauspicious loam).
She will love well," I said,
"The flowers of the dead;
Where dark Persephone the winter round,
Uncomforted for home, uncomforted,
Lacking a sunny southern slope in northern Sicily,
With sullen pupils focussed on a dream,
Stares on the stagnant stream
That moats the unequivocable battlements of Hell,
There, there will she be found,
She that is Beauty veiled from men and Music in a swound.
"
"I long for Silence as they long for breath
Whose helpless nostrils drink the bitter sea;
What thing can be
So stout, what so redoubtable, in Death
What fury, what considerable rage, if only she,
Upon whose icy breast,
Unquestioned, uncaressed,
One time I lay,
And whom always I lack,
Even to this day,
Being by no means from that frigid bosom weaned away,
If only she therewith be given me back?"
I sought her down that dolorous labyrinth,
Wherein no shaft of sunlight ever fell,
And in among the bloodless everywhere
I sought her, but the air,
Breathed many times and spent,
Was fretful with a whispering discontent,
And questioning me, importuning me to tell
Some slightest tidings of the light of day they know no more,
Plucking my sleeve, the eager shades were with me where I went.
I paused at every grievous door,
And harked a moment, holding up my hand,—and for a space
A hush was on them, while they watched my face;
And then they fell a-whispering as before;
So that I smiled at them and left them, seeing she was not there.
I sought her, too,
Among the upper gods, although I knew
She was not like to be where feasting is,
Nor near to Heaven's lord,
Being a thing abhorred
And shunned of him, although a child of his,
(Not yours, not yours; to you she owes not breath,
Mother of Song, being sown of Zeus upon a dream of Death).
Fearing to pass unvisited some place
And later learn, too late, how all the while,
With her still face,
She had been standing there and seen me pass, without a smile,
I sought her even to the sagging board whereat
The stout immortals sat;
But such a laughter shook the mighty hall
No one could hear me say:
Had she been seen upon the Hill that day?
And no one knew at all
How long I stood, or when at last I sighed and went away.
There is a garden lying in a lull
Between the mountains and the mountainous sea,
I know not where, but which a dream diurnal
Paints on my lids a moment till the hull
Be lifted from the kernel
And Slumber fed to me.
Your foot-print is not there, Mnemosene,
Though it would seem a ruined place and after
Your lichenous heart, being full
Of broken columns, caryatides
Thrown to the earth and fallen forward on their jointless knees,
And urns funereal altered into dust
Minuter than the ashes of the dead,
And Psyche's lamp out of the earth up-thrust,
Dripping itself in marble wax on what was once the bed
Of Love, and his young body asleep, but now is dust instead.
There twists the bitter-sweet, the white wisteria Fastens its fingers in the strangling wall,
And the wide crannies quicken with bright weeds;
There dumbly like a worm all day the still white orchid feeds;
But never an echo of your daughters' laughter
Is there, nor any sign of you at all
Swells fungous from the rotten bough, grey mother of Pieria!
Only her shadow once upon a stone
I saw,—and, lo, the shadow and the garden, too, were gone.
I tell you you have done her body an ill,
You chatterers, you noisy crew!
She is not anywhere!
I sought her in deep Hell;
And through the world as well;
I thought of Heaven and I sought her there;
Above nor under ground
Is Silence to be found,
That was the very warp and woof of you,
Lovely before your songs began and after they were through!
Oh, say if on this hill
Somewhere your sister's body lies in death,
So I may follow there, and make a wreath
Of my locked hands, that on her quiet breast
Shall lie till age has withered them!
(Ah, sweetly from the rest
I see
Turn and consider me
Compassionate Euterpe!)
"There is a gate beyond the gate of Death,
Beyond the gate of everlasting Life,
Beyond the gates of Heaven and Hell," she saith,
"Whereon but to believe is horror!
Whereon to meditate engendereth
Even in deathless spirits such as I
A tumult in the breath,
A chilling of the inexhaustible blood
Even in my veins that never will be dry,
And in the austere, divine monotony
That is my being, the madness of an unaccustomed mood.
This is her province whom you lack and seek;
And seek her not elsewhere.
Hell is a thoroughfare
For pilgrims,—Herakles,
And he that loved Euridice too well,
Have walked therein; and many more than these;
And witnessed the desire and the despair
Of souls that passed reluctantly and sicken for the air;
You, too, have entered Hell,
And issued thence; but thence whereof I speak
None has returned;—for thither fury brings
Only the driven ghosts of them that flee before all things.
Oblivion is the name of this abode: and she is there.
"
Oh, radiant Song! Oh, gracious Memory!
Be long upon this height
I shall not climb again!
I know the way you mean,—the little night,
And the long empty day,—never to see
Again the angry light,
Or hear the hungry noises cry my brain!
Ah, but she,
Your other sister and my other soul,
She shall again be mine;
And I shall drink her from a silver bowl,
A chilly thin green wine,
Not bitter to the taste,
Not sweet,
Not of your press, oh, restless, clamorous nine,—
To foam beneath the frantic hoofs of mirth—
But savoring faintly of the acid earth,
And trod by pensive feet
From perfect clusters ripened without haste
Out of the urgent heat
In some clear glimmering vaulted twilight under the odorous vine
.
Lift up your lyres! Sing on!
But as for me, I seek your sister whither she is gone.
|
Written by
Sylvia Plath |
Touch it: it won't shrink like an eyeball,
This egg-shaped bailiwick, clear as a tear.
Here's yesterday, last year ---
Palm-spear and lily distinct as flora in the vast
Windless threadwork of a tapestry.
Flick the glass with your fingernail:
It will ping like a Chinese chime in the slightest air stir
Though nobody in there looks up or bothers to answer.
The inhabitants are light as cork,
Every one of them permanently busy.
At their feet, the sea waves bow in single file.
Never trespassing in bad temper:
Stalling in midair,
Short-reined, pawing like paradeground horses.
Overhead, the clouds sit tasseled and fancy
As Victorian cushions.
This family
Of valentine faces might please a collector:
They ring true, like good china.
Elsewhere the landscape is more frank.
The light falls without letup, blindingly.
A woman is dragging her shadow in a circle
About a bald hospital saucer.
It resembles the moon, or a sheet of blank paper
And appears to have suffered a sort of private blitzkrieg.
She lives quietly
With no attachments, like a foetus in a bottle,
The obsolete house, the sea, flattened to a picture
She has one too many dimensions to enter.
Grief and anger, exorcised,
Leave her alone now.
The future is a grey seagull
Tattling in its cat-voice of departure.
Age and terror, like nurses, attend her,
And a drowned man, complaining of the great cold,
Crawls up out of the sea.
|
Written by
Vladimir Mayakovsky |
Thoughts, go your way home.
Embrace,
depths of the soul and the sea.
In my view,
it is
stupid
to be
always serene.
My cabin is the worst
of all cabins -
All night above me
Thuds a smithy of feet.
All night,
stirring the ceiling’s calm,
dancers stampede
to a moaning motif:
“Marquita,
Marquita,
Marquita my darling,
why won’t you,
Marquita,
why won’t you love me …”
But why
Should marquita love me?!
I have
no francs to spare.
And Marquita
(at the slightest wink!)
for a hundred francs
she’d be brought to your room.
The sum’s not large -
just live for show -
No,
you highbrow,
ruffling your matted hair,
you would thrust upon her
a sewing machine,
in stitches
scribbling
the silk of verse.
Proletarians
arrive at communism
from below -
by the low way of mines,
sickles,
and pitchforks -
But I,
from poetry’s skies,
plunge into communism,
because
without it
I feel no love.
Whether
I’m self-exiled
or sent to mamma -
the steel of words corrodes,
the brass of the brass tarnishes.
Why,
beneath foreign rains,
must I soak,
rot,
and rust?
Here I recline,
having gone oversea,
in my idleness
barely moving
my machine parts.
I myself
feel like a Soviet
factory,
manufacturing happiness.
I object
to being torn up,
like a flower of the fields,
after a long day’s work.
I want
the Gosplan to sweat
in debate,
assignning me
goals a year ahead.
I want
a commissar
with a decree
to lean over the thought of the age.
I want
the heart to earn
its love wage
at a specialist’s rate.
I want
the factory committee
to lock
My lips
when the work is done.
I want
the pen to be on a par
with the bayonet;
and Stalin
to deliver his Politbureau
reports
about verse in the making
as he would about pig iron
and the smelting of steel.
“That’s how it is,
the way it goes …
We’ve attained
the topmost level,
climbing from the workers’ bunks:
in the Union
of Republics
the understanding of verse
now tops
the prewar norm …”
Transcribed: by Mitch Abidor.
|
Written by
Robert William Service |
You've heard of "Casey at The Bat,"
And "Casey's Tabble Dote";
But now it's time
To write a rhyme
Of "Casey's Billy-goat.
"
Pat Casey had a billy-goat he gave the name of Shamus,
Because it was (the neighbours said) a national disgrace.
And sure enough that animal was eminently famous
For masticating every rag of laundry round the place.
For shirts to skirts prodigiously it proved its powers of chewing;
The question of digestion seemed to matter not at all;
But you'll agree, I think with me, its limit of misdoing
Was reached the day it swallowed Missis Rooney's ould red shawl.
Now Missis Annie Rooney was a winsome widow women,
And many a bouncing boy had sought to make her change her name;
And living just across the way 'twas surely only human
A lonesome man like Casey should be wishfully the same.
So every Sunday, shaved and shined, he'd make the fine occasion
To call upon the lady, and she'd take his and coat;
And supping tea it seemed that she might yield to his persuasion,
But alas! he hadn't counted on that devastating goat.
For Shamus loved his master with a deep and dumb devotion,
And everywhere that Casey went that goat would want to go;
And though I cannot analyze a quadruped's emotion,
They said the baste was jealous, and I reckon it was so.
For every time that Casey went to call on Missis Rooney,
Beside the gate the goat would wait with woefulness intense;
Until one day it chanced that they were fast becoming spooney,
When Shamus spied that ould red shawl a-flutter on the fence.
Now Missis Rooney loved that shawl beyond all rhyme or reason,
And maybe 'twas an heirloom or a cherished souvenir;
For judging by the way she wore it season after season,
I might have been as precious as a product of Cashmere.
So Shamus strolled towards it, and no doubt the colour pleased him,
For he biffed it and he sniffed it, as most any goat might do;
Then his melancholy vanished as a sense of hunger seized him,
And he wagged his tail with rapture as he started in to chew.
"Begorrah! you're a daisy," said the doting Mister Casey
to the blushing Widow Rooney as they parted at the door.
"Wid yer tinderness an' tazin' sure ye've set me heart a-blazin',
And I dread the day I'll nivver see me Anniw anny more.
"
"Go on now wid yer blarney," said the widow softly sighing;
And she went to pull his whiskers, when dismay her bosom smote.
.
.
.
Her ould red shawl! 'Twas missin' where she'd left it bravely drying -
Then she saw it disappearing - down the neck of Casey's goat.
Fiercely flamed her Irish temper, "Look!" says she, "The thavin' divvle!
Sure he's made me shawl his supper.
Well, I hope it's to his taste;
But excuse me, Mister Casey, if I seem to be oncivil,
For I'll nivver wed a man wid such a misbegotten baste.
"
So she slammed the door and left him in a state of consternation,
And he couldn't understand it, till he saw that grinning goat:
Then with eloquence he cussed it, and his final fulmination
Was a poem of profanity impossible to quote.
So blasting goats and petticoats and feeling downright sinful,
Despairfully he wandered in to Shinnigan's shebeen;
And straightway he proceeded to absorb a might skinful
Of the deadliest variety of Shinnigan's potheen.
And when he started homeward it was in the early morning,
But Shamus followed faithfully, a yard behind his back;
Then Casey slipped and stumbled, and without the slightest warning
like a lump of lead he tumbled - right across the railroad track.
And there he lay, serenely, and defied the powers to budge him,
Reposing like a baby, with his head upon the rail;
But Shamus seemed unhappy, and from time to time would nudge him,
Though his prods to protestation were without the least avail.
Then to that goatish mind, maybe, a sense of fell disaster
Came stealing like a spectre in the dim and dreary dawn;
For his bleat of warning blended with the snoring of his master
In a chorus of calamity - but Casey slumbered on.
Yet oh, that goat was troubled, for his efforts were redoubled;
Now he tugged at Casey's whisker, now he nibbled at his ear;
Now he shook him by the shoulder, and with fear become bolder,
He bellowed like a fog-horn, but the sleeper did not hear.
Then up and down the railway line he scampered for assistance;
But anxiously he hurried back and sought with tug and strain
To pull his master off the track .
.
.
when sudden! in the distance
He heard the roar and rumble of the fast approaching train.
Did Shamus faint and falter? No, he stood there stark and splendid.
True, his tummy was distended, but he gave his horns a toss.
By them his goathood's honour would be gallantly defended,
And if their valour failed him - he would perish with his boss
So dauntlessly he lowered his head, and ever clearer, clearer,
He heard the throb and thunder of the Continental Mail.
He would face the mighty monster.
It was coming nearer, nearer;
He would fight it, he would smite it, but he'd never show his tail.
Can you see that hirsute hero, standing there in tragic glory?
Can you hear the Pullman porters shrieking horror to the sky?
No, you can't; because my story has no end so grim and gory,
For Shamus did not perish and his master did not die.
At this very present moment Casey swaggers hale and hearty,
And Shamus strolls beside him with a bright bell at his throat;
While recent Missis Rooney is the gayest of the party,
For now she's Missis Casey and she's crazy for that goat.
You're wondering what happened? Well, you know that truth is stranger
Than the wildest brand of fiction, so Ill tell you without shame.
.
.
.
There was Shamus and his master in the face of awful danger,
And the giant locomotive dashing down in smoke and flame.
.
.
.
What power on earth could save them? Yet a golden inspiration
To gods and goats alike may come, so in that brutish brain
A thought was born - the ould red shawl.
.
.
.
Then rearing with elation,
Like lightning Shamus threw it up - AND FLAGGED AND STOPPED THE TRAIN.
|
Written by
Robert Burns |
May—, 1786.
I LANG hae thought, my youthfu’ friend,
A something to have sent you,
Tho’ it should serve nae ither end
Than just a kind memento:
But how the subject-theme may gang,
Let time and chance determine;
Perhaps it may turn out a sang:
Perhaps turn out a sermon.
Ye’ll try the world soon, my lad;
And, Andrew dear, believe me,
Ye’ll find mankind an unco squad,
And muckle they may grieve ye:
For care and trouble set your thought,
Ev’n when your end’s attained;
And a’ your views may come to nought,
Where ev’ry nerve is strained.
I’ll no say, men are villains a’;
The real, harden’d wicked,
Wha hae nae check but human law,
Are to a few restricked;
But, Och! mankind are unco weak,
An’ little to be trusted;
If self the wavering balance shake,
It’s rarely right adjusted!
Yet they wha fa’ in fortune’s strife,
Their fate we shouldna censure;
For still, th’ important end of life
They equally may answer;
A man may hae an honest heart,
Tho’ poortith hourly stare him;
A man may tak a neibor’s part,
Yet hae nae cash to spare him.
Aye free, aff-han’, your story tell,
When wi’ a bosom crony;
But still keep something to yoursel’,
Ye scarcely tell to ony:
Conceal yoursel’ as weel’s ye can
Frae critical dissection;
But keek thro’ ev’ry other man,
Wi’ sharpen’d, sly inspection.
The sacred lowe o’ weel-plac’d love,
Luxuriantly indulge it;
But never tempt th’ illicit rove,
Tho’ naething should divulge it:
I waive the quantum o’ the sin,
The hazard of concealing;
But, Och! it hardens a’ within,
And petrifies the feeling!
To catch dame Fortune’s golden smile,
Assiduous wait upon her;
And gather gear by ev’ry wile
That’s justified by honour;
Not for to hide it in a hedge,
Nor for a train attendant;
But for the glorious privilege
Of being independent.
The fear o’ hell’s a hangman’s whip,
To haud the wretch in order;
But where ye feel your honour grip,
Let that aye be your border;
Its slightest touches, instant pause—
Debar a’ side-pretences;
And resolutely keep its laws,
Uncaring consequences.
The great Creator to revere,
Must sure become the creature;
But still the preaching cant forbear,
And ev’n the rigid feature:
Yet ne’er with wits profane to range,
Be complaisance extended;
An atheist-laugh’s a poor exchange
For Deity offended!
When ranting round in pleasure’s ring,
Religion may be blinded;
Or if she gie a random sting,
It may be little minded;
But when on life we’re tempest driv’n—
A conscience but a canker—
A correspondence fix’d wi’ Heav’n,
Is sure a noble anchor!
Adieu, dear, amiable youth!
Your heart can ne’er be wanting!
May prudence, fortitude, and truth,
Erect your brow undaunting!
In ploughman phrase, “God send you speed,”
Still daily to grow wiser;
And may ye better reck the rede,
Then ever did th’ adviser!
|
Written by
Edward Estlin (E E) Cummings |
somewhere i have never traveled,gladly beyond
any experience,your eyes have their silence:
in your most frail gesture are things which enclose me,
or which i cannot touch because they are too near
your slightest look easily will unclose me
though i have closed myself as fingers,
you open always petal by petal myself as Spring opens
(touching skilfully,mysteriously)her first rose
or if your wish be to close me,i and
my life will shut very beautifully,suddenly,
as when the heart of this flower imagines
the snow carefully everywhere descending;
nothing which we are to perceive in this world equals
the power of your intense fragility: whose texture
compels me with the colour of its countries,
rendering death and forever with each breathing
(i do not know what it is about you that closes
and opens;only something in me understands
the voice of your eyes is deeper than all roses)
nobody,not even the rain, has such small hands
|
Written by
Vladimir Mayakovsky |
I'd tear
like a wolf
at bureaucracy.
For mandates
my respect's but the slightest.
To the devil himself
I'd chuck without mercy
every red-taped paper.
But this .
.
.
Down the long front
of coupés and cabins
File the officials
politely.
They gather up passports
and I give in
My own vermilion booklet.
For one kind of passport -
smiling lips part
For others -
an attitude scornful.
They take
with respect, for instance,
the passport
From a sleeping-car
English Lionel.
The good fellows eyes
almost slip like pips
when,
bowing as low as men can,
they take,
as if they were taking a tip,
the passport
from an American.
At the Polish,
they dolefully blink and wheeze
in dumb
police elephantism -
where are they from,
and what are these
geographical novelties?
And without a turn
of their cabbage heads,
their feelings
hidden in lower regions,
they take without blinking,
the passports from Swedes
and various
old Norwegians.
Then sudden
as if their mouths were
aquake
those gentlemen almost
whine
Those very official gentlemen
take
that red-skinned passport
of mine.
Take-
like a bomb
take - like a hedgehog,
like a razor
double-edge stropped,
take -
like a rattlesnake huge and long
with at least
20 fangs
poison-tipped.
The porter's eyes
give a significant flick
(I'll carry your baggage
for nix,
mon ami.
.
.
)
The gendarmes enquiringly
look at the tec,
the tec, -
at the gendarmerie.
With what delight
that gendarme caste
would have me
strung-up and whipped raw
because I hold
in my hands
hammered-fast
sickle-clasped
my red Soviet passport.
I'd tear
like a wolf
at bureaucracy.
For mandates
my respect's but the slightest.
To the devil himself
I'd chuck
without mercy
every red-taped paper,
But this .
.
.
I pull out
of my wide trouser-pockets
duplicate
of a priceless cargo.
You now:
read this
and envy,
I'm a citizen
of the Soviet Socialist Union!
Transcribed: by Liviu Iacob.
|
Written by
Andrew Barton Paterson |
'Twas in scientific circles
That the great Professor Brown
Had a world-wide reputation
As a writer of renown.
He had striven finer feelings
In our natures to implant
By his Treatise on the Morals
Of the Red-eyed Bulldog Ant.
He had hoisted an opponent
Who had trodden unawares
On his "Reasons for Bare Patches
On the Female Native Bears".
So they gave him an appointment
As instructor to a band
Of the most attractive females
To be gathered in the land.
'Twas a "Ladies' Science Circle" --
Just the latest social fad
For the Nicest People only,
And to make their rivals mad.
They were fond of "science rambles"
To the country from the town --
A parade of female beauty
In the leadership of Brown.
They would pick a place for luncheon
And catch beetles on their rugs;
The Professor called 'em "optera" --
They calld 'em "nasty bugs".
Well, the thing was bound to perish
For no lovely woman can
Feel the slightest interest
In a club without a Man --
The Professor hardly counted
He was crazy as a loon,
With a countenance suggestive
Of an elderly baboon.
But the breath of Fate blew on it
With a sharp and sudden blast,
And the "Ladies' Science Circle"
Is a memory of the past.
There were two-and-twenty members,
Mostly young and mostly fair,
Who had made a great excursion
To a place called Dontknowwhere,
At the crossing of Lost River,
On the road to No Man's Land.
There they met an old selector,
With a stockwhip in his hand,
And the sight of so much beauty
Sent him slightly "off his nut";
So he asked them, smiling blandly,
"Would they come down to the hut?"
"I am come," said the Professor,
In his thin and reedy voice,
"To investigate your flora,
Which I feel is very choice.
"
The selector stared dumbfounded,
Till at last he found his tongue:
"To investigate my Flora!
Oh, you howlin' Brigham Young!
Why, you've two-and-twenty wimmen --
Reg'lar slap-up wimmen, too!
And you're after little Flora!
And a crawlin' thing like you!
Oh, you Mormonite gorilla!
Well, I've heard it from the first
That you wizened little fellers
Is a hundred times the worst!
But a dried-up ape like you are,
To be marchin' through the land
With a pack of lovely wimmen --
Well, I cannot understand!"
"You mistake," said the Professor,
In a most indignant tone --
While the ladies shrieked and jabbered
In a fashion of their own --
"You mistake about these ladies,
I'm a lecturer of theirs;
I am Brown, who wrote the Treatise
On the Female Native Bears!
When I said we wanted flora,
What I meant was native flowers.
"
"Well, you said you wanted Flora,
And I'll swear you don't get ours!
But here's Flora's self a-comin',
And it's time for you to skip,
Or I'll write a treatise on you,
And I'll write it with the whip!
Now I want no explanations;
Just you hook it out of sight,
Or you'll charm the poor girl some'ow!"
The Professor looked in fright:
She was six feet high and freckled,
And her hair was turkey-red.
The Professor gave a whimper,
And threw down his bag and fled,
And the Ladies' Science Circle,
With a simultaneous rush,
Travelled after its Professor,
And went screaming through the bush!
At the crossing of Lost River,
On the road to No Man's Land,
Where the grim and ghostly gumtrees
Block the view on every hand,
There they weep and wail and wander,
Always seeking for the track,
For the hapless old Professor
Hasn't sense to guide 'em back;
And they clutch at one another,
And they yell and scream in fright
As they see the gruesome creatures
Of the grim Australian night;
And they hear the mopoke's hooting,
And the dingo's howl so dread,
And the flying foxes jabber
From the gum trees overhead;
While the weird and wary wombats,
In their subterranean caves,
Are a-digging, always digging,
At those wretched people's graves;
And the pike-horned Queensland bullock,
From his shelter in the scrub,
Has his eye on the proceedings
Of the Ladies' Science Club.
|
Written by
Mary Darby Robinson |
UPON a garden's perfum'd bed
With various gaudy colours spread,
Beneath the shelter of a ROSE
A BUTTERFLY had sought repose;
Faint, with the sultry beams of day,
Supine the beauteous insect lay.
A BEE, impatient to devour
The nectar sweets of ev'ry flow'r,
Returning to her golden store,
A weight of fragrant treasure bore;
With envious eye, she mark'd the shade,
Where the poor BUTTERFLY was laid,
And resting on the bending spray,
Thus murmur'd forth her drony lay:
"Thou empty thing, whose merit lies
In the vain boast of orient dies;
Whose glittering form the slightest breath
Robs of its gloss, and fades to death;
Who idly rov'st the summer day,
Flutt'ring a transient life away,
Unmindful of the chilling hour,
The nipping frost, the drenching show'r;
Who heedless of "to-morrow's fare,"
Mak'st present bliss thy only care;
Is it for THEE, the damask ROSE
With such transcendent lustre glows?
Is it for such a giddy thing
Nature unveils the blushing spring?
Hence, from thy lurking place, and know,
'Tis not for THEE her beauties glow.
"
The BUTTERFLY, with decent pride,
In gentle accents, thus reply'd:
"'Tis true, I flutter life away
In pastime, innocent and gay;
The SUN that decks the blushing spring
Gives lustre to my painted wing;
'Tis NATURE bids each colour vie,
With rainbow tints of varying die;
I boast no skill, no subtle pow'r
To steal the balm from ev'ry flow'r;
The ROSE, that only shelter'd ME,
Has pour'd a load of sweets on THEE;
Of merit we have both our share,
Heav'n gave thee ART, and made me FAIR;
And tho' thy cunning can despise
The humble worth of harmless flies;
Remember, envious, busy thing,
Thy honey'd form conceals a sting;
Enjoy thy garden, while I rove
The sunny hill, the woodbine grove,
And far remov'd from care and THEE,
Embrace my humble destiny;
While in some lone sequester'd bow'r,
I'll live content beyond thy pow'r;
For where ILL-NATURE holds her reign
TASTE, WORTH, and BEAUTY, plead in vain;
E'en GENIUS must to PRIDE submit
When ENVY wings the shaft of WIT.
|
Written by
Lewis Carroll |
PREFACE
If---and the thing is wildly possible---the charge of writing
nonsense were ever brought against the author of this brief but
instructive poem, it would be based, I feel convinced, on the line
``Then the bowsprit got mixed with the rudder sometimes''
In view of this painful possibility, I will not (as I might) appeal
indignantly to my other writings as a proof that I am incapable of
such a deed: I will not (as I might) point to the strong moral
purpose of this poem itself, to the arithmetical principles so
cautiously inculcated in it, or to its noble teachings in Natural
History---I will take the more prosaic course of simply explaining
how it happened.
The Bellman, who was almost morbidly sensitive about appearances,
used to have the bowsprit unshipped once or twice a week to be
revarnished, and it more than once happened, when the time came for
replacing it, that no one on board could remember which end of the
ship it belonged to.
They knew it was not of the slightest use to
appeal to the Bellman about it---he would only refer to his Naval
Code, and read out in pathetic tones Admiralty Instructions which
none of them had ever been able to understand---so it generally ended
in its being fastened on, anyhow, across the rudder.
The helmsman
used to stand by with tears in his eyes: he knew it was all wrong,
but alas! Rule 42 of the Code, ``No one shall speak to the Man at the
Helm'', had been completed by the Bellman himself with the words
``and the Man at the Helm shall speak to no one''.
So remonstrance
was impossible, and no steering could be done till the next
varnishing day.
During these bewildering intervals the ship usually
sailed backwards.
This office was usually undertaken by the Boots, who found in it
a refuge from the Baker's constant complaints about the insufficient
blacking of his three pairs of boots.
As this poem is to some extent connected with the lay of the
Jabberwock, let me take this opportunity of answering a question that
has often been asked me, how to pronounce ``slithy toves''.
The
``i'' in ``slithy'' is long, as in ``writhe''; and ``toves'' is
pronounced so as to rhyme with ``groves''.
Again, the first ``o'' in
``borogoves'' is pronounced like the ``o'' in ``borrow''.
I have
heard people try to give it the sound of the ``o'' in ``worry''.
Such is Human Perversity.
This also seems a fitting occasion to notice the other hard words in
that poem.
Humpty-Dumpty's theory, of two meanings packed into one
word like a portmanteau, seems to me the right explanation for all.
For instance, take the two words ``fuming'' and ``furious''.
Make up
your mind that you will say both words, but leave it unsettled which
you will say first.
Now open your mouth and speak.
If your thoughts
incline ever so little towards ``fuming'', you will say
``fuming-furious''; if they turn, by even a hair's breadth, towards
``furious'', you will say ``furious-fuming''; but if you have that
rarest of gifts, a perfectly balanced mind, you will say
``frumious''.
Supposing that, when Pistol uttered the well-known words---
``Under which king, Bezonian? Speak or die!''
Justice Shallow had felt certain that it was either William or
Richard, but had not been able to settle which, so that he could not
possibly say either name before the other, can it be doubted that,
rather than die, he would have gasped out ``Rilchiam!''.
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