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Best Famous Skylark Poems

Here is a collection of the all-time best famous Skylark poems. This is a select list of the best famous Skylark poetry. Reading, writing, and enjoying famous Skylark poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of skylark poems.

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Written by William Blake | Create an image from this poem

Auguries Of Innocence

 To see a world in a grain of sand
And a heaven in a wild flower,
Hold infinity in the palm of your hand
And eternity in an hour.
A robin redbreast in a cage Puts all heaven in a rage.
A dove-house filled with doves and pigeons Shudders hell through all its regions.
A dog starved at his master's gate Predicts the ruin of the state.
A horse misused upon the road Calls to heaven for human blood.
Each outcry of the hunted hare A fibre from the brain does tear.
A skylark wounded in the wing, A cherubim does cease to sing.
The game-cock clipped and armed for fight Does the rising sun affright.
Every wolf's and lion's howl Raises from hell a human soul.
The wild deer wandering here and there Keeps the human soul from care.
The lamb misused breeds public strife, And yet forgives the butcher's knife.
The bat that flits at close of eve Has left the brain that won't believe.
The owl that calls upon the night Speaks the unbeliever's fright.
He who shall hurt the little wren Shall never be beloved by men.
He who the ox to wrath has moved Shall never be by woman loved.
The wanton boy that kills the fly Shall feel the spider's enmity.
He who torments the chafer's sprite Weaves a bower in endless night.
The caterpillar on the leaf Repeats to thee thy mother's grief.
Kill not the moth nor butterfly, For the Last Judgment draweth nigh.
He who shall train the horse to war Shall never pass the polar bar.
The beggar's dog and widow's cat, Feed them, and thou wilt grow fat.
The gnat that sings his summer's song Poison gets from Slander's tongue.
The poison of the snake and newt Is the sweat of Envy's foot.
The poison of the honey-bee Is the artist's jealousy.
The prince's robes and beggar's rags Are toadstools on the miser's bags.
A truth that's told with bad intent Beats all the lies you can invent.
It is right it should be so: Man was made for joy and woe; And when this we rightly know Through the world we safely go.
Joy and woe are woven fine, A clothing for the soul divine.
Under every grief and pine Runs a joy with silken twine.
The babe is more than swaddling bands, Throughout all these human lands; Tools were made and born were hands, Every farmer understands.
Every tear from every eye Becomes a babe in eternity; This is caught by females bright And returned to its own delight.
The bleat, the bark, bellow, and roar Are waves that beat on heaven's shore.
The babe that weeps the rod beneath Writes Revenge! in realms of death.
The beggar's rags fluttering in air Does to rags the heavens tear.
The soldier armed with sword and gun Palsied strikes the summer's sun.
The poor man's farthing is worth more Than all the gold on Afric's shore.
One mite wrung from the labourer's hands Shall buy and sell the miser's lands, Or if protected from on high Does that whole nation sell and buy.
He who mocks the infant's faith Shall be mocked in age and death.
He who shall teach the child to doubt The rotting grave shall ne'er get out.
He who respects the infant's faith Triumphs over hell and death.
The child's toys and the old man's reasons Are the fruits of the two seasons.
The questioner who sits so sly Shall never know how to reply.
He who replies to words of doubt Doth put the light of knowledge out.
The strongest poison ever known Came from Caesar's laurel crown.
Nought can deform the human race Like to the armour's iron brace.
When gold and gems adorn the plough To peaceful arts shall Envy bow.
A riddle or the cricket's cry Is to doubt a fit reply.
The emmet's inch and eagle's mile Make lame philosophy to smile.
He who doubts from what he sees Will ne'er believe, do what you please.
If the sun and moon should doubt, They'd immediately go out.
To be in a passion you good may do, But no good if a passion is in you.
The whore and gambler, by the state Licensed, build that nation's fate.
The harlot's cry from street to street Shall weave old England's winding sheet.
The winner's shout, the loser's curse, Dance before dead England's hearse.
Every night and every morn Some to misery are born.
Every morn and every night Some are born to sweet delight.
Some are born to sweet delight, Some are born to endless night.
We are led to believe a lie When we see not through the eye Which was born in a night to perish in a night, When the soul slept in beams of light.
God appears, and God is light To those poor souls who dwell in night, But does a human form display To those who dwell in realms of day.


Written by Percy Bysshe Shelley | Create an image from this poem

To a Skylark

HAIL to thee, blithe spirit! 
Bird thou never wert, 
That from heaven, or near it, 
Pourest thy full heart 
In profuse strains of unpremeditated art.

Higher still and higher 
From the earth thou springest, 
Like a cloud of fire 
The blue deep thou wingest, 
And singing still dost soar, and soaring ever singest.

In the golden lightning 
Of the sunken sun, 
O'er which clouds are bright'ning, 
Thou dost float and run, 
Like an unbodied joy whose race is just begun.

The pale purple even 
Melts around thy flight; 
Like a star of heaven 
In the broad daylight, 
Thou art unseen, but yet I hear thy shrill delight

Keen as are the arrows 
Of that silver sphere, 
Whose intense lamp narrows 
In the white dawn clear 
Until we hardly see, we feel that it is there.

All the earth and air 
With thy voice is loud¡ª 
As, when night is bare, 
From one lonely cloud 
The moon rains out her beams, and heaven is overflow'd. 

What thou art we know not; 
What is most like thee?¡ª 
From rainbow clouds there flow not 
Drops so bright to see 
As from thy presence showers a rain of melody: 

Like a poet hidden 
In the light of thought, 
Singing hymns unbidden, 
Till the world is wrought 
To sympathy with hopes and fears it heeded not: 

Like a high-born maiden 
In a palace tower, 
Soothing her love-laden 
Soul in secret hour 
With music sweet as love, which overflows her bower: 

Like a glow-worm golden 
In a dell of dew, 
Scattering unbeholden 
Its aerial hue 
Among the flowers and grass, which screen it from the view: 

Like a rose embower'd 
In its own green leaves, 
By warm winds deflower'd, 
Till the scent it gives 
Makes faint with too much sweet these heavy-wing¨¨d thieves.

Sound of vernal showers 
On the twinkling grass, 
Rain-awaken'd flowers¡ª 
All that ever was 
Joyous, and clear, and fresh, thy music doth surpass. 

Teach us, sprite or bird, 
What sweet thoughts are thine: 
I have never heard 
Praise of love or wine 
That panted forth a flood of rapture so divine.

Chorus hymeneal, 
Or triumphal chaunt, 
Match'd with thine, would be all 
But an empty vaunt¡ª 
A thing wherein we feel there is some hidden want.

What objects are the fountains 
Of thy happy strain? 
What fields, or waves, or mountains? 
What shapes of sky or plain? 
What love of thine own kind? what ignorance of pain? 

With thy clear keen joyance 
Languor cannot be; 
Shadow of annoyance 
Never came near thee: 
Thou lovest; but ne'er knew love's sad satiety.

Waking or asleep, 
Thou of death must deem 
Things more true and deep 
Than we mortals dream, 
Or how could thy notes flow in such a crystal stream? 

We look before and after, 
And pine for what is not: 
Our sincerest laughter 
With some pain is fraught; 
Our sweetest songs are those that tell of saddest thought. 

Yet if we could scorn 
Hate, and pride, and fear; 
If we were things born 
Not to shed a tear, 
I know not how thy joy we ever should come near.

Better than all measures 
Of delightful sound, 
Better than all treasures 
That in books are found, 
Thy skill to poet were, thou scorner of the ground! 

Teach me half the gladness 
That thy brain must know
Such harmonious madness 
From my lips would flow, 
The world should listen then, as I am listening now! 
Written by Andrew Barton Paterson | Create an image from this poem

Song of the Wheat

 We have sung the song of the droving days, 
Of the march of the travelling sheep; 
By silent stages and lonely ways 
Thin, white battalions creep.
But the man who now by the land would thrive Must his spurs to a plough-share beat.
Is there ever a man in the world alive To sing the song of the Wheat! It's west by south of the Great Divide The grim grey plains run out, Where the old flock-masters lived and died In a ceaseless fight with drought.
Weary with waiting and hope deferred They were ready to own defeat, Till at last they heard the master-word— And the master-word was Wheat.
Yarran and Myall and Box and Pine— ’Twas axe and fire for all; They scarce could tarry to blaze the line Or wait for the trees to fall, Ere the team was yoked, and the gates flung wide, And the dust of the horses’ feet Rose up like a pillar of smoke to guide The wonderful march of Wheat.
Furrow by furrow, and fold by fold, The soil is turned on the plain; Better than silver and better than gold Is the surface-mine of the grain; Better than cattle and better than sheep In the fight with drought and heat; For a streak of stubbornness, wide and deep, Lies hid in a grain of Wheat.
When the stock is swept by the hand of fate, Deep down in his bed of clay The brave brown Wheat will lie and wait For the resurrection day: Lie hid while the whole world thinks him dead; But the Spring-rain, soft and sweet, Will over the steaming paddocks spread The first green flush of the Wheat.
Green and amber and gold it grows When the sun sinks late in the West; And the breeze sweeps over the rippling rows Where the quail and the skylark nest.
Mountain or river or shining star, There’s never a sight can beat— Away to the sky-line stretching far— A sea of the ripening Wheat.
When the burning harvest sun sinks low, And the shadows stretch on the plain, The roaring strippers come and go Like ships on a sea of grain; Till the lurching, groaning waggons bear Their tale of the load complete.
Of the world’s great work he has done his share Who has gathered a crop of wheat.
Princes and Potentates and Czars, They travel in regal state, But old King Wheat has a thousand cars For his trip to the water-gate; And his thousand steamships breast the tide And plough thro’ the wind and sleet To the lands where the teeming millions bide That say: “Thank God for Wheat!”
Written by Austin Clarke | Create an image from this poem

The Lost Heifer

 When the black herds of the rain were grazing,
In the gap of the pure cold wind
And the watery hazes of the hazel
Brought her into my mind,
I thought of the last honey by the water
That no hive can find.
Brightness was drenching through the branches When she wandered again, Turning sliver out of dark grasses Where the skylark had lain, And her voice coming softly over the meadow Was the mist becoming rain.
Written by William Blake | Create an image from this poem

Three Things to Remember

 A Robin Redbreast in a cage,
Puts all Heaven in a rage.
A skylark wounded on the wing Doth make a cherub cease to sing.
He who shall hurt the little wren Shall never be beloved by men.


Written by Rudyard Kipling | Create an image from this poem

The Native-Born

 We've drunk to the Queen -- God bless her! --
 We've drunk to our mothers' land;
We've drunk to our English brother,
 (But he does not understand);
We've drunk to the wide creation,
 And the Cross swings low for the mom,
Last toast, and of Obligation,
 A health to the Native-born!

They change their skies above them,
 But not their hearts that roam!
We learned from our wistful mothers
 To call old England "home";
We read of the English skylark,
 Of the spring in the English lanes,
But we screamed with the painted lories
 As we rode on the dusty plains!

They passed with their old-world legends --
 Their tales of wrong and dearth --
Our fathers held by purchase,
 But we by the right of birth;
Our heart's where they rocked our cradle,
 Our love where we spent our toil,
And our faith and our hope and our honour
 We pledge to our native soil!

I charge you charge your glasses --
 I charge you drink with me
To the men of the Four New Nations,
 And the Islands of the Sea --
To the last least lump of coral
 That none may stand outside,
And our own good pride shall teach us
 To praise our comrade's pride,

To the hush of the breathless morning
 On the thin, tin, crackling roofs,
To the haze of the burned back-ranges
 And the dust of the shoeless hoofs --
To the risk of a death by drowning,
 To the risk of a death by drouth --
To the men ef a million acres,
 To the Sons of the Golden South!

To the Sons of the Golden South (Stand up!),
 And the life we live and know,
Let a felow sing o' the little things he cares about,
If a fellow fights for the little things he cares about
 With the weight o a single blow!

To the smoke of a hundred coasters,
 To the sheep on a thousand hills,
To the sun that never blisters,
 To the rain that never chills --
To the land of the waiting springtime,
 To our five-meal, meat-fed men,
To the tall, deep-bosomed women,
 And the children nine and ten!

And the children nine and ten (Stand up!),
 And the life we live and know,
Let a fellow sing o' the little things he cares about,
If a fellow fights for the little things he cares about
 With the weight of a two-fold blow!

To the far-flung, fenceless prairie
 Where the quick cloud-shadows trail,
To our neighbours' barn in the offing
 And the line of the new-cut rail;
To the plough in her league-long furrow
 With the grey Lake' gulls behind --
To the weight of a half-year's winter
 And the warm wet western wind!

To the home of the floods and thunder,
 To her pale dry healing blue --
To the lift of the great Cape combers,
 And the smell of the baked Karroo.
To the growl of the sluicing stamp-head -- To the reef and the water-gold, To the last and the largest Empire, To the map that is half unrolled! To our dear dark foster-mothers, To the heathen songs they sung -- To the heathen speech we babbled Ere we came to the white man's tongue.
To the cool of our deep verandah -- To the blaze of our jewelled main, To the night, to the palms in the moonlight, And the fire-fly in the cane! To the hearth of Our People's People -- To her well-ploughed windy sea, To the hush of our dread high-altar Where The Abbey makes us We.
To the grist of the slow-ground ages, To the gain that is yours and mine -- To the Bank of the Open Credit, To the Power-house of the Line! We've drunk to the Queen -- God bless her! We've drunk to our mothers'land; We've drunk to our English brother (And we hope he'll understand).
We've drunk as much as we're able, And the Cross swings low for the morn; Last toast-and your foot on the table! -- A health to the Native-born! A health to the Nativeborn (Stand up!), We're six white men arow, All bound to sing o' the Little things we care about, All bound to fight for the Little things we care about With the weight of a six-fold blow! By the might of our Cable-tow (Take hands!), From the Orkneys to the Horn All round the world (and a Little loop to pull it by), All round the world (and a Little strap to buckle it).
A health to the Native-born!
Written by Kahlil Gibran | Create an image from this poem

Laws XIII

 Then a lawyer said, "But what of our Laws, master?" 

And he answered: 

You delight in laying down laws, 

Yet you delight more in breaking them.
Like children playing by the ocean who build sand-towers with constancy and then destroy them with laughter.
But while you build your sand-towers the ocean brings more sand to the shore, And when you destroy them, the ocean laughs with you.
Verily the ocean laughs always with the innocent.
But what of those to whom life is not an ocean, and man-made laws are not sand-towers, But to whom life is a rock, and the law a chisel with which they would carve it in their own likeness? What of the cripple who hates dancers? What of the ox who loves his yoke and deems the elk and deer of the forest stray and vagrant things? What of the old serpent who cannot shed his skin, and calls all others naked and shameless? And of him who comes early to the wedding-feast, and when over-fed and tired goes his way saying that all feasts are violation and all feasters law-breakers? What shall I say of these save that they too stand in the sunlight, but with their backs to the sun? They see only their shadows, and their shadows are their laws.
And what is the sun to them but a caster of shadows? And what is it to acknowledge the laws but to stoop down and trace their shadows upon the earth? But you who walk facing the sun, what images drawn on the earth can hold you? You who travel with the wind, what weathervane shall direct your course? What man's law shall bind you if you break your yoke but upon no man's prison door? What laws shall you fear if you dance but stumble against no man's iron chains? And who is he that shall bring you to judgment if you tear off your garment yet leave it in no man's path? People of Orphalese, you can muffle the drum, and you can loosen the strings of the lyre, but who shall command the skylark not to sing?
Written by Matsuo Basho | Create an image from this poem

Midfield

 Midfield,
attached to nothing,
 the skylark singing.
Written by Thomas Hardy | Create an image from this poem

Shelleys Skylark (The neighbourhood of Leghorn: March)

 Somewhere afield here something lies 
In Earth's oblivious eyeless trust 
That moved a poet to prophecies - 
A pinch of unseen, unguarded dust 

The dust of the lark that Shelley heard, 
And made immortal through times to be; - 
Though it only lived like another bird, 
And knew not its immortality.
Lived its meek life; then, one day, fell - A little ball of feather and bone; And how it perished, when piped farewell, And where it wastes, are alike unknown.
Maybe it rests in the loam I view, Maybe it throbs in a myrtle's green, Maybe it sleeps in the coming hue Of a grape on the slopes of yon inland scene.
Go find it, faeries, go and find That tiny pinch of priceless dust, And bring a casket silver-lined, And framed of gold that gems encrust; And we will lay it safe therein, And consecrate it to endless time; For it inspired a bard to win Ecstatic heights in thought and rhyme.
Written by Robert Duncan | Create an image from this poem

My Mother Would Be a Falconress

 My mother would be a falconress,
And I, her gay falcon treading her wrist,
would fly to bring back
from the blue of the sky to her, bleeding, a prize, 
where I dream in my little hood with many bells 
jangling when I'd turn my head.
My mother would be a falconress, and she sends me as far as her will goes.
She lets me ride to the end of her curb where I fall back in anguish.
I dread that she will cast me away, for I fall, I mis-take, I fail in her mission.
She would bring down the little birds.
And I would bring down the little birds.
When will she let me bring down the little birds, pierced from their flight with their necks broken, their heads like flowers limp from the stem? I tread my mother's wrist and would draw blood.
Behind the little hood my eyes are hooded.
I have gone back into my hooded silence, talking to myself and dropping off to sleep.
For she has muffled my dreams in the hood she has made me, sewn round with bells, jangling when I move.
She rides with her little falcon upon her wrist.
She uses a barb that brings me to cower.
She sends me abroad to try my wings and I come back to her.
I would bring down the little birds to her I may not tear into, I must bring back perfectly.
I tear at her wrist with my beak to draw blood, and her eye holds me, anguisht, terrifying.
She draws a limit to my flight.
Never beyond my sight, she says.
She trains me to fetch and to limit myself in fetching.
She rewards me with meat for my dinner.
But I must never eat what she sends me to bring her.
Yet it would have been beautiful, if she would have carried me, always, in a little hood with the bells ringing, at her wrist, and her riding to the great falcon hunt, and me flying up to the curb of my heart from her heart to bring down the skylark from the blue to her feet, straining, and then released for the flight.
My mother would be a falconress, and I her gerfalcon raised at her will, from her wrist sent flying, as if I were her own pride, as if her pride knew no limits, as if her mind sought in me flight beyond the horizon.
Ah, but high, high in the air I flew.
And far, far beyond the curb of her will, were the blue hills where the falcons nest.
And then I saw west to the dying sun-- it seemd my human soul went down in flames.
I tore at her wrist, at the hold she had for me, until the blood ran hot and I heard her cry out, far, far beyond the curb of her will to horizons of stars beyond the ringing hills of the world where the falcons nest I saw, and I tore at her wrist with my savage beak.
I flew, as if sight flew from the anguish in her eye beyond her sight, sent from my striking loose, from the cruel strike at her wrist, striking out from the blood to be free of her.
My mother would be a falconress, and even now, years after this, when the wounds I left her had surely heald, and the woman is dead, her fierce eyes closed, and if her heart were broken, it is stilld I would be a falcon and go free.
I tread her wrist and wear the hood, talking to myself, and would draw blood.

Book: Shattered Sighs