Written by
Walt Whitman |
ON the beach at night alone,
As the old mother sways her to and fro, singing her husky song,
As I watch the bright stars shining—I think a thought of the clef of the universes, and of
the future.
A VAST SIMILITUDE interlocks all,
All spheres, grown, ungrown, small, large, suns, moons, planets, comets, asteroids,
All the substances of the same, and all that is spiritual upon the same,
All distances of place, however wide,
All distances of time—all inanimate forms,
All Souls—all living bodies, though they be ever so different, or in different worlds,
All gaseous, watery, vegetable, mineral processes—the fishes, the brutes,
All men and women—me also;
All nations, colors, barbarisms, civilizations, languages;
All identities that have existed, or may exist, on this globe, or any globe;
All lives and deaths—all of the past, present, future;
This vast similitude spans them, and always has spann’d, and shall forever span them, and
compactly hold them, and enclose them.
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Written by
Robert Seymour Bridges |
WHEN from the craggy mountain's pathless steep,
Whose flinty brow hangs o'er the raging sea,
My wand'ring eye beholds the foamy deep,
I mark the restless surgeand think of THEE.
The curling waves, the passing breezes move,
Changing and treach'rous as the breath of LOVE;
The "sad similitude" awakes my smart,
And thy dear image twines about my heart.
When at the sober hour of sinking day,
Exhausted Nature steals to soft repose,
When the hush'd linnet slumbers on the spray,
And scarce a ZEPHYR fans the drooping ROSE;
I glance o'er scenes of bliss to friendship dear,
And at the fond remembrance drop a tear;
Nor can the balmy incense soothe my smart,
Still cureless sorrow preys upon my heart.
When the loud gambols of the village throng,
Drown the lorn murmurs of the ring-dove's throat;
I think I hear thy fascinating song,
Join the melodious minstrel's tuneful note
My list'ning ear soon tells me 'tis not THEE,
Nor THY lov'd songnor THY soft minstrelsy;
In vain I turn away to hide my smart,
Thy dulcet numbers vibrate in my heart.
When with the Sylvan train I seek the grove,
Where MAY'S soft breath diffuses incense round,
Where VENUS smiles serene, and sportive LOVE
With thornless ROSES spreads the fairy ground;
The voice of pleasure dies upon mine ear,
My conscious bosom sighsTHOU ART NOT HERE !
Soft tears of fond regret reveal its smart,
And sorrow, restless sorrow, chills my heart.
When at my matin pray'rs I prostrate kneel,
And Court RELIGION's aid to soothe my woe,
The meek-ey'd saint who pities what I feel,
Forbids the sigh to heave, the tear to flow;
For ah ! no vulgar passion fills my mind,
Calm REASON's hand illumes the flame refin'd,
ALL the pure feelings FRIENDSHIP can impart,
Live in the centre of my aching heart.
When at the still and solemn hour of night,
I press my lonely couch to find repose;
Joyless I watch the pale moon's chilling light,
Where thro' the mould'ring tow'r the north-wind blows;
My fev'rish lids no balmy slumbers own,
Still my sad bosom beats for thee alone:
Nor shall its aching fibres cease to smart,
'Till DEATH's cold SPELL is twin'd about my HEART.
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Written by
Vachel Lindsay |
I. EDWIN BOOTH
An old actor at the Player's Club told me that Edwin Booth first impersonated Hamlet when a barnstormer in California. There were few theatres, but the hotels were provided with crude assembly rooms for strolling players.
The youth played in the blear hotel.
The rafters gleamed with glories strange.
And winds of mourning Elsinore
Howling at chance and fate and change;
Voices of old Europe's dead
Disturbed the new-built cattle-shed,
The street, the high and solemn range.
The while the coyote barked afar
All shadowy was the battlement.
The ranch-boys huddled and grew pale,
Youths who had come on riot bent.
Forgot were pranks well-planned to sting.
Behold there rose a ghostly king,
And veils of smoking Hell were rent.
When Edwin Booth played Hamlet, then
The camp-drab's tears could not but flow.
Then Romance lived and breathed and burned.
She felt the frail queen-mother's woe,
Thrilled for Ophelia, fond and blind,
And Hamlet, cruel, yet so kind,
And moaned, his proud words hurt her so.
A haunted place, though new and harsh!
The Indian and the Chinaman
And Mexican were fain to learn
What had subdued the Saxon clan.
Why did they mumble, brood, and stare
When the court-players curtsied fair
And the Gonzago scene began?
And ah, the duel scene at last!
They cheered their prince with stamping feet.
A death-fight in a palace! Yea,
With velvet hangings incomplete,
A pasteboard throne, a pasteboard crown,
And yet a monarch tumbled down,
A brave lad fought in splendor meet.
Was it a palace or a barn?
Immortal as the gods he flamed.
There in his last great hour of rage
His foil avenged a mother shamed.
In duty stern, in purpose deep
He drove that king to his black sleep
And died, all godlike and untamed.
I was not born in that far day.
I hear the tale from heads grown white.
And then I walk that earlier street,
The mining camp at candle-light.
I meet him wrapped in musings fine
Upon some whispering silvery line
He yet resolves to speak aright.
II. EPITAPH FOR JOHN BUNNY, MOTION PICTURE COMEDIAN
In which he is remembered in similitude, by reference to Yorick, the king's jester, who died when Hamlet and Ophelia were children.
Yorick is dead. Boy Hamlet walks forlorn
Beneath the battlements of Elsinore.
Where are those oddities and capers now
That used to "set the table on a roar"?
And do his bauble-bells beyond the clouds
Ring out, and shake with mirth the planets bright?
No doubt he brings the blessed dead good cheer,
But silence broods on Elsinore tonight.
That little elf, Ophelia, eight years old,
Upon her battered doll's staunch bosom weeps.
("O best of men, that wove glad fairy-tales.")
With tear-burned face, at last the darling sleeps.
Hamlet himself could not give cheer or help,
Though firm and brave, with his boy-face controlled.
For every game they started out to play
Yorick invented, in the days of old.
The times are out of joint! O cursed spite!
The noble jester Yorick comes no more.
And Hamlet hides his tears in boyish pride
By some lone turret-stair of Elsinore.
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Written by
Andrew Marvell |
As one put drunk into the Packet-boat,
Tom May was hurry'd hence and did not know't.
But was amaz'd on the Elysian side,
And with an Eye uncertain, gazing wide,
Could not determine in what place he was,
For whence in Stevens ally Trees or Grass.
Nor where the Popes head, nor the Mitre lay,
Signs by which still he found and lost his way.
At last while doubtfully he all compares,
He saw near hand, as he imagin'd Ares.
Such did he seem for corpulence and port,
But 'twas a man much of another sort;
'Twas Ben that in the dusky Laurel shade
Amongst the Chorus of old Poets laid,
Sounding of ancient Heroes, such as were
The Subjects Safety, and the Rebel's Fear.
But how a double headed Vulture Eats,
Brutus and Cassius the Peoples cheats.
But seeing May he varied streight his song,
Gently to signifie that he was wrong.
Cups more then civil of Emilthian wine,
I sing (said he) and the Pharsalian Sign,
Where the Historian of the Common-wealth
In his own Bowels sheath'd the conquering health.
By this May to himself and them was come,
He found he was tranflated, and by whom.
Yet then with foot as stumbling as his tongue
Prest for his place among the Learned throng.
But Ben, who knew not neither foe nor friend,
Sworn Enemy to all that do pretend,
Rose more then ever he was seen severe,
Shook his gray locks, and his own Bayes did tear
At this intrusion. Then with Laurel wand,
The awful Sign of his supream command.
At whose dread Whisk Virgil himself does quake,
And Horace patiently its stroke does take,
As he crowds in he whipt him ore the pate
Like Pembroke at the Masque, and then did rate.
Far from these blessed shades tread back agen
Most servil' wit, and Mercenary Pen.
Polydore, Lucan, Allan, Vandale, Goth,
Malignant Poet and Historian both.
Go seek the novice Statesmen, and obtrude
On them some Romane cast similitude,
Tell them of Liberty, the Stories fine,
Until you all grow Consuls in your wine.
Or thou Dictator of the glass bestow
On him the Cato, this the Cicero.
Transferring old Rome hither in your talk,
As Bethlem's House did to Loretto walk.
Foul Architect that hadst not Eye to see
How ill the measures of these States agree.
And who by Romes example England lay,
Those but to Lucan do continue May.
But the nor Ignorance nor seeming good
Misled, but malice fixt and understood.
Because some one than thee more worthy weares
The sacred Laurel, hence are all these teares?
Must therefore all the World be set on flame,
Because a Gazet writer mist his aim?
And for a Tankard-bearing Muse must we
As for the Basket Guelphs and Gibellines be?
When the Sword glitters ore the Judges head,
And fear has Coward Churchmen silenced,
Then is the Poets time, 'tis then he drawes,
And single fights forsaken Vertues cause.
He, when the wheel of Empire, whirleth back,
And though the World disjointed Axel crack,
Sings still of ancient Rights and better Times,
Seeks wretched good, arraigns successful Crimes.
But thou base man first prostituted hast
Our spotless knowledge and the studies chast.
Apostatizing from our Arts and us,
To turn the Chronicler to Spartacus.
Yet wast thou taken hence with equal fate,
Before thou couldst great Charles his death relate.
But what will deeper wound thy little mind,
Hast left surviving Davenant still behind
Who laughs to see in this thy death renew'd,
Right Romane poverty and gratitude.
Poor Poet thou, and grateful Senate they,
Who thy last Reckoning did so largely pay.
And with the publick gravity would come,
When thou hadst drunk thy last to lead thee home.
If that can be thy home where Spencer lyes
And reverend Chaucer, but their dust does rise
Against thee, and expels thee from their side,
As th' Eagles Plumes from other birds divide.
Nor here thy shade must dwell, Return, Return,
Where Sulphrey Phlegeton does ever burn.
The Cerberus with all his Jawes shall gnash,
Megera thee with all her Serpents lash.
Thou rivited unto Ixion's wheel
Shalt break, and the perpetual Vulture feel.
'Tis just what Torments Poets ere did feign,
Thou first Historically shouldst sustain.
Thus by irrevocable Sentence cast,
May only Master of these Revels past.
And streight he vanisht in a Cloud of Pitch,
Such as unto the Sabboth bears the Witch.
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Written by
Joyce Kilmer |
The boom and blare of the big brass band is cheering
to my heart
And I like the smell of the trampled grass and elephants and hay.
I take off my hat to the acrobat with his delicate, strong art,
And the motley mirth of the chalk-faced clown drives all my care
away.
I wish I could feel as they must feel, these players
brave and fair,
Who nonchalantly juggle death before a staring throng.
It must be fine to walk a line of silver in the air
And to cleave a hundred feet of space with a gesture like a song.
Sir Henry Irving never knew a keener, sweeter thrill
Than that which stirs the breast of him who turns his painted face
To the circling crowd who laugh aloud and clap hands with a will
As a tribute to the clown who won the great wheel-barrow race.
Now, one shall work in the living rock with a mallet
and a knife,
And another shall dance on a big white horse that canters round
a ring,
By another's hand shall colours stand in similitude of life;
And the hearts of the three shall be moved by one mysterious high
thing.
For the sculptor and the acrobat and the painter
are the same.
They know one hope, one fear, one pride, one sorrow and one mirth,
And they take delight in the endless fight for the fickle world's
acclaim;
For they worship art above the clouds and serve her on the earth.
But you, who can build of the stubborn rock no
form of loveliness,
Who can never mingle the radiant hues to make a wonder live,
Who can only show your little woe to the world in a rhythmic dress
--
What kind of a counterpart of you does the three-ring circus give?
Well -- here in the little side-show tent to-day
some people stand,
One is a giant, one a dwarf, and one has a figured skin,
And each is scarred and seared and marred by Fate's relentless hand,
And each one shows his grief for pay, with a sort of pride therein.
You put your sorrow into rhyme and want the world
to look;
You sing the news of your ruined hope and want the world to hear;
Their woe is pent in a canvas tent and yours in a printed book.
O, poet of the broken heart, salute your brothers here!
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Written by
Algernon Charles Swinburne |
By the waters of Babylon we sat down and wept,
Remembering thee,
That for ages of agony hast endured, and slept,
And wouldst not see.
By the waters of Babylon we stood up and sang,
Considering thee,
That a blast of deliverance in the darkness rang,
To set thee free.
And with trumpets and thunderings and with morning song
Came up the light;
And thy spirit uplifted thee to forget thy wrong
As day doth night.
And thy sons were dejected not any more, as then
When thou wast shamed;
When thy lovers went heavily without heart, as men
Whose life was maimed.
In the desolate distances, with a great desire,
For thy love's sake,
With our hearts going back to thee, they were filled with fire,
Were nigh to break.
It was said to us: "Verily ye are great of heart,
But ye shall bend;
Ye are bondmen and bondwomen, to be scourged and smart,
To toil and tend."
And with harrows men harrowed us, and subdued with spears,
And crushed with shame;
And the summer and winter was, and the length of years,
And no change came.
By the rivers of Italy, by the sacred streams,
By town, by tower,
There was feasting with revelling, there was sleep with dreams,
Until thine hour.
And they slept and they rioted on their rose-hung beds,
With mouths on flame,
And with love-locks vine-chapleted, and with rose-crowned heads
And robes of shame.
And they knew not their forefathers, nor the hills and streams
And words of power,
Nor the gods that were good to them, but with songs and dreams
Filled up their hour.
By the rivers of Italy, by the dry streams' beds,
When thy time came,
There was casting of crowns from them, from their young men's heads,
The crowns of shame.
By the horn of Eridanus, by the Tiber mouth,
As thy day rose,
They arose up and girded them to the north and south,
By seas, by snows.
As a water in January the frost confines,
Thy kings bound thee;
As a water in April is, in the new-blown vines,
Thy sons made free.
And thy lovers that looked for thee, and that mourned from far,
For thy sake dead,
We rejoiced in the light of thee, in the signal star
Above thine head.
In thy grief had we followed thee, in thy passion loved,
Loved in thy loss;
In thy shame we stood fast to thee, with thy pangs were moved,
Clung to thy cross.
By the hillside of Calvary we beheld thy blood,
Thy bloodred tears,
As a mother's in bitterness, an unebbing flood,
Years upon years.
And the north was Gethsemane, without leaf or bloom,
A garden sealed;
And the south was Aceldama, for a sanguine fume
Hid all the field.
By the stone of the sepulchre we returned to weep,
From far, from prison;
And the guards by it keeping it we beheld asleep,
But thou wast risen.
And an angel's similitude by the unsealed grave,
And by the stone:
And the voice was angelical, to whose words God gave
Strength like his own.
"Lo, the graveclothes of Italy that are folded up
In the grave's gloom!
And the guards as men wrought upon with a charmed cup,
By the open tomb.
"And her body most beautiful, and her shining head,
These are not here;
For your mother, for Italy, is not surely dead:
Have ye no fear.
"As of old time she spake to you, and you hardly heard,
Hardly took heed,
So now also she saith to you, yet another word,
Who is risen indeed.
"By my saying she saith to you, in your ears she saith,
Who hear these things,
Put no trust in men's royalties, nor in great men's breath,
Nor words of kings.
"For the life of them vanishes and is no more seen,
Nor no more known;
Nor shall any remember him if a crown hath been,
Or where a throne.
"Unto each man his handiwork, unto each his crown,
The just Fate gives;
Whoso takes the world's life on him and his own lays down,
He, dying so, lives.
"Whoso bears the whole heaviness of the wronged world's weight
And puts it by,
It is well with him suffering, though he face man's fate;
How should he die?
"Seeing death has no part in him any more, no power
Upon his head;
He has bought his eternity with a little hour,
And is not dead.
"For an hour, if ye look for him, he is no more found,
For one hour's space;
Then ye lift up your eyes to him and behold him crowned,
A deathless face.
"On the mountains of memory, by the world's wellsprings,
In all men's eyes,
Where the light of the life of him is on all past things,
Death only dies.
"Not the light that was quenched for us, nor the deeds that were,
Nor the ancient days,
Nor the sorrows not sorrowful, nor the face most fair
Of perfect praise."
So the angel of Italy's resurrection said,
So yet he saith;
So the son of her suffering, that from breasts nigh dead
Drew life, not death.
That the pavement of Golgotha should be white as snow,
Not red, but white;
That the waters of Babylon should no longer flow,
And men see light.
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Written by
Omar Khayyam |
Many fine heads, like bowls, the Brazier made,
And thus his own similitude portrayed;
He set one upside down above our heads,
Which keeps us all continually afraid.
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