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Best Famous Signified Poems

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Written by Robert Frost | Create an image from this poem

Maple

 Her teacher's certainty it must be Mabel
Made Maple first take notice of her name.
She asked her father and he told her, "Maple—
Maple is right."
"But teacher told the school
There's no such name."
"Teachers don't know as much
As fathers about children, you tell teacher.
You tell her that it's M-A-P-L-E.
You ask her if she knows a maple tree.
Well, you were named after a maple tree.
Your mother named you. You and she just saw
Each other in passing in the room upstairs,
One coming this way into life, and one
Going the other out of life—you know?
So you can't have much recollection of her.
She had been having a long look at you.
She put her finger in your cheek so hard
It must have made your dimple there, and said,
'Maple.' I said it too: 'Yes, for her name.'
She nodded. So we're sure there's no mistake.
I don't know what she wanted it to mean,
But it seems like some word she left to bid you
Be a good girl—be like a maple tree.
How like a maple tree's for us to guess.
Or for a little girl to guess sometime.
Not now—at least I shouldn't try too hard now.
By and by I will tell you all I know
About the different trees, and something, too,
About your mother that perhaps may help."
Dangerous self-arousing words to sow.
Luckily all she wanted of her name then
Was to rebuke her teacher with it next day,
And give the teacher a scare as from her father.
Anything further had been wasted on her,
Or so he tried to think to avoid blame.
She would forget it. She all but forgot it.
What he sowed with her slept so long a sleep,
And came so near death in the dark of years,
That when it woke and came to life again
The flower was different from the parent seed.
It carne back vaguely at the glass one day,
As she stood saying her name over aloud,
Striking it gently across her lowered eyes
To make it go well with the way she looked.
What was it about her name? Its strangeness lay
In having too much meaning. Other names,
As Lesley, Carol, Irma, Marjorie,
Signified nothing. Rose could have a meaning,
But hadn't as it went. (She knew a Rose.)
This difference from other names it was
Made people notice it—and notice her.
(They either noticed it, or got it wrong.)
Her problem was to find out what it asked
In dress or manner of the girl who bore it.
If she could form some notion of her mother—
What she bad thought was lovely, and what good.
This was her mother's childhood home;
The house one story high in front, three stories
On the end it presented to the road.
(The arrangement made a pleasant sunny cellar.)
Her mother's bedroom was her father's still,
Where she could watch her mother's picture fading.
Once she found for a bookmark in the Bible
A maple leaf she thought must have been laid
In wait for her there. She read every word
Of the two pages it was pressed between,
As if it was her mother speaking to her.
But forgot to put the leaf back in closing
And lost the place never to read again.
She was sure, though, there had been nothing in it.

So she looked for herself, as everyone
Looks for himself, more or less outwardly.
And her self-seeking, fitful though it was,
May still have been what led her on to read,
And think a little, and get some city schooling.
She learned shorthand, whatever shorthand may
Have had to do with it--she sometimes wondered.
So, till she found herself in a strange place
For the name Maple to have brought her to,
Taking dictation on a paper pad
And, in the pauses when she raised her eyes,
Watching out of a nineteenth story window
An airship laboring with unshiplike motion
And a vague all-disturbing roar above the river
Beyond the highest city built with hands.
Someone was saying in such natural tones
She almost wrote the words down on her knee,
"Do you know you remind me of a tree--
A maple tree?"

 "Because my name is Maple?"
"Isn't it Mabel? I thought it was Mabel."

 "No doubt you've heard the office call me Mabel.
I have to let them call me what they like."

 They were both stirred that he should have divined
Without the name her personal mystery.
It made it seem as if there must be something
She must have missed herself. So they were married,
And took the fancy home with them to live by.

 They went on pilgrimage once to her father's
(The house one story high in front, three stories
On the side it presented to the road)
To see if there was not some special tree
She might have overlooked. They could find none,
Not so much as a single tree for shade,
Let alone grove of trees for sugar orchard.
She told him of the bookmark maple leaf
In the big Bible, and all she remembered
of the place marked with it—"Wave offering,
Something about wave offering, it said."

 "You've never asked your father outright, have you?"

 "I have, and been Put off sometime, I think."
(This was her faded memory of the way
Once long ago her father had put himself off.)
"Because no telling but it may have been
Something between your father and your mother
Not meant for us at all."
"Not meant for me?
Where would the fairness be in giving me
A name to carry for life and never know
The secret of?"
"And then it may have been
Something a father couldn't tell a daughter
As well as could a mother. And again
It may have been their one lapse into fancy
'Twould be too bad to make him sorry for
By bringing it up to him when be was too old.
Your father feels us round him with our questing,
And holds us off unnecessarily,
As if he didn't know what little thing
Might lead us on to a discovery.
It was as personal as be could be
About the way he saw it was with you
To say your mother, bad she lived, would be
As far again as from being born to bearing."

 "Just one look more with what you say in mind,
And I give up"; which last look came to nothing.
But though they now gave up the search forever,
They clung to what one had seen in the other
By inspiration. It proved there was something.
They kept their thoughts away from when the maples
Stood uniform in buckets, and the steam
Of sap and snow rolled off the sugarhouse.
When they made her related to the maples,
It was the tree the autumn fire ran through
And swept of leathern leaves, but left the bark
Unscorched, unblackened, even, by any smoke.
They always took their holidays in autumn.
Once they came on a maple in a glade,
Standing alone with smooth arms lifted up,
And every leaf of foliage she'd worn
Laid scarlet and pale pink about her feet.
But its age kept them from considering this one.
Twenty-five years ago at Maple's naming
It hardly could have been a two-leaved seedling
The next cow might have licked up out at pasture.
Could it have been another maple like it?
They hovered for a moment near discovery,
Figurative enough to see the symbol,
But lacking faith in anything to mean
The same at different times to different people.
Perhaps a filial diffidence partly kept them
From thinking it could be a thing so bridal.
And anyway it came too late for Maple.
She used her hands to cover up her eyes.

 "We would not see the secret if we could now:
We are not looking for it any more."

 Thus had a name with meaning, given in death,
Made a girl's marriage, and ruled in her life.
No matter that the meaning was not clear.
A name with meaning could bring up a child,
Taking the child out of the parents' hands.
Better a meaningless name, I should say,
As leaving more to nature and happy chance.
Name children some names and see what you do.


Written by Stanley Kunitz | Create an image from this poem

Passing Through

 Nobody in the widow's household
ever celebrated anniversaries.
In the secrecy of my room
I would not admit I cared
that my friends were given parties.
Before I left town for school
my birthday went up in smoke 
in a fire at City Hall that gutted
the Department of Vital Statistics.
If it weren't for a census report
of a five-year-old White Male
sharing my mother's address
at the Green Street tenement in Worcester
I'd have no documentary proof
that I exist. You are the first, 
my dear, to bully me
into these festive occasions.

Sometimes, you say, I wear
an abstracted look that drives you
up the wall, as though it signified
distress or disaffection.
Don't take it so to heart.
Maybe I enjoy not-being as much
as being who I am. Maybe
it's time for me to practice
growing old. The way I look 
at it, I'm passing through a phase:
gradually I'm changing to a word.
Whatever you choose to claim
of me is always yours:
nothing is truly mine
except my name. I only
borrowed this dust.
Written by Robert William Service | Create an image from this poem

The Ballad Of How Macpherson Held The Floor

 Said President MacConnachie to Treasurer MacCall:
"We ought to have a piper for our next Saint Andrew's Ball.
Yon squakin' saxophone gives me the syncopated gripes.
I'm sick of jazz, I want to hear the skirling of the pipes."
"Alas! it's true," said Tam MacCall. "The young folk of to-day
Are fox-trot mad and dinna ken a reel from Strathspey.
Now, what we want's a kiltie lad, primed up wi' mountain dew,
To strut the floor at supper time, and play a lilt or two.
In all the North there's only one; of him I've heard them speak:
His name is Jock MacPherson, and he lives on Boulder Creek;
An old-time hard-rock miner, and a wild and wastrel loon,
Who spends his nights in glory, playing pibrochs to the moon.
I'll seek him out; beyond a doubt on next Saint Andrew's night
We'll proudly hear the pipes to cheer and charm our appetite.

Oh lads were neat and lassies sweet who graced Saint Andrew's Ball;
But there was none so full of fun as Treasurer MacCall.
And as Maloney's rag-time bank struck up the newest hit,
He smiled a smile behind his hand, and chuckled: "Wait a bit."
And so with many a Celtic snort, with malice in his eye,
He watched the merry crowd cavort, till supper time drew nigh.
Then gleefully he seemed to steal, and sought the Nugget Bar,
Wherein there sat a tartaned chiel, as lonely as a star;
A huge and hairy Highlandman as hearty as a breeze,
A glass of whisky in his hand, his bag-pipes on his knees.
"Drink down your doch and doris, Jock," cried Treasurer MacCall;
"The time is ripe to up and pipe; they wait you in the hall.
Gird up your loins and grit your teeth, and here's a pint of hooch
To mind you of your native heath - jist pit it in your pooch.
Play on and on for all you're worth; you'll shame us if you stop.
Remember you're of Scottish birth - keep piping till you drop.
Aye, though a bunch of Willie boys should bluster and implore,
For the glory of the Highlands, lad, you've got to hold the floor."
The dancers were at supper, and the tables groaned with cheer,
When President MacConnachie exclaimed: "What do I hear?
Methinks it's like a chanter, and its coming from the hall."
"It's Jock MacPherson tuning up," cried Treasurer MacCall.
So up they jumped with shouts of glee, and gaily hurried forth.
Said they: "We never thought to see a piper in the North."
Aye, all the lads and lassies braw went buzzing out like bees,
And Jock MacPherson there they saw, with red and rugged knees.
Full six foot four he strode the floor, a grizzled son of Skye,
With glory in his whiskers and with whisky in his eye.
With skelping stride and Scottish pride he towered above them all:
"And is he no' a bonny sight?" said Treasurer MacCall.
While President MacConnachie was fairly daft with glee,
And there was jubilation in the Scottish Commy-tee.
But the dancers seemed uncertain, and they signified their doubt,
By dashing back to eat as fast as they had darted out.
And someone raised the question 'twixt the coffee and the cakes:
"Does the Piper walk to get away from all the noise he makes?"
Then reinforced with fancy food they slowly trickled forth,
And watching in patronizing mood the Piper of the North.

Proud, proud was Jock MacPherson, as he made his bag-pipes skirl,
And he set his sporran swinging, and he gave his kilts a whirl.
And President MacConnachie was jumping like a flea,
And there was joy and rapture in the Scottish Commy-tee.
"Jist let them have their saxophones wi' constipated squall;
We're having Heaven's music now," said Treasurer MacCall.
But the dancers waxed impatient, and they rather seemed to fret
For Maloney and the jazz of his Hibernian Quartette.
Yet little recked the Piper, as he swung with head on high,
Lamenting with MacCrimmon on the heather hills of Skye.
With Highland passion in his heart he held the centre floor;
Aye, Jock MacPherson played as he had never played before.

Maloney's Irish melodists were sitting in their place,
And as Maloney waited, there was wonder in his face.
'Twas sure the gorgeous music - Golly! wouldn't it be grand
If he could get MacPherson as a member of his band?
But the dancers moped and mumbled, as around the room they sat:
"We paid to dance," they grumbled; "But we cannot dance to that.
Of course we're not denying that it's really splendid stuff;
But it's mighty satisfying - don't you think we've had enough?"
"You've raised a pretty problem," answered Treasurer MacCall;
"For on Saint Andrew's Night, ye ken, the Piper rules the Ball."
Said President MacConnachie: "You've said a solemn thing.
Tradition holds him sacred, and he's got to have his fling.
But soon, no doubt, he'll weary out. Have patience; bide a wee."
"That's right. Respect the Piper," said the Scottish Commy-tee.

And so MacPherson stalked the floor, and fast the moments flew,
Till half an hour went past, as irritation grew and grew.
Then the dancers held a council, and with faces fiercely set,
They hailed Maloney, heading his Hibernian Quartette:
"It's long enough, we've waited. Come on, Mike, play up the Blues."
And Maloney hesitated, but he didn't dare refuse.
So banjo and piano, and guitar and saxophone
Contended with the shrilling of the chanter and the drone;
And the women's ears were muffled, so infernal was the din,
But MacPherson was unruffled, for he knew that he would win.
Then two bright boys jazzed round him, and they sought to play the clown,
But MacPherson jolted sideways, and the Sassenachs went down.
And as if it was a signal, with a wild and angry roar,
The gates of wrath were riven - yet MacPherson held the floor.

Aye, amid the rising tumult, still he strode with head on high,
With ribbands gaily streaming, yet with battle in his eye.
Amid the storm that gathered, still he stalked with Highland pride,
While President and Treasurer sprang bravely to his side.
And with ire and indignation that was glorious to see,
Around him in a body ringed the Scottish Commy-tee.
Their teeth were clenched with fury; their eyes with anger blazed:
"Ye manna touch the Piper," was the slogan that they raised.
Then blows were struck, and men went down; yet 'mid the rising fray
MacPherson towered in triumph - and he never ceased to play.

Alas! his faithful followers were but a gallant few,
And faced defeat, although they fought with all the skill they knew.
For President MacConnachie was seen to slip and fall,
And o'er his prostrate body stumbled Treasurer MacCall.
And as their foes with triumph roared, and leagured them about,
It looked as if their little band would soon be counted out.
For eyes were black and noses red, yet on that field of gore,
As resolute as Highland rock - MacPherson held the floor.

Maloney watched the battle, and his brows were bleakly set,
While with him paused and panted his Hibernian Quartette.
For sure it is an evil spite, and breaking to the heart,
For Irishman to watch a fight and not be taking part.
Then suddenly on high he soared, and tightened up his belt:
"And shall we see them crush," he roared, "a brother and a Celt?
A fellow artiste needs our aid. Come on, boys, take a hand."
Then down into the mêlée dashed Maloney and his band.

Now though it was Saint Andrew's Ball, yet men of every race,
That bow before the Great God Jazz were gathered in that place.
Yea, there were those who grunt: "Ya! Ya!" and those who squeak: "We! We!"
Likewise Dutch, Dago, Swede and Finn, Polack and Portugee.
Yet like ripe grain before the gale that national hotch-potch
Went down before the fury of the Irish and the Scotch.
Aye, though they closed their gaping ranks and rallied to the fray,
To the Shamrock and the Thistle went the glory of the day.

You should have seen the carnage in the drooling light of dawn,
Yet 'mid the scene of slaughter Jock MacPherson playing on.
Though all lay low about him, yet he held his head on high,
And piped as if he stood upon the caller crags of Skye.
His face was grim as granite, and no favour did he ask,
Though weary were his mighty lungs and empty was his flask.
And when a fallen foe wailed out: "Say! when will you have done?"
MacPherson grinned and answered: "Hoots! She's only ha'f begun."
Aye, though his hands were bloody, and his knees were gay with gore,
A Grampian of Highland pride - MacPherson held the floor.

And still in Yukon valleys where the silent peaks look down,
They tell of how the Piper was invited up to town,
And he went in kilted glory, and he piped before them all,
But wouldn't stop his piping till he busted up the Ball.
Of that Homeric scrap they speak, and how the fight went on,
With sally and with rally till the breaking of the dawn.
And how the Piper towered like a rock amid the fray,
And the battle surged about him, but he never ceased to play.
Aye, by the lonely camp-fires, still they tell the story o'er-
How the Sassenach was vanquished and - MacPherson held the floor.
Written by Elizabeth Barrett Browning | Create an image from this poem

Sonnet 02 - But only three in all Gods universe

 But only three in all God's universe
Have heard this word thou hast said,—Himself, beside
Thee speaking, and me listening! and replied
One of us . . . that was God, . . . and laid the curse
So darkly on my eyelids, as to amerce
My sight from seeing thee,—that if I had died,
The deathweights, placed there, would have signified
Less absolute exclusion. 'Nay' is worse
From God than from all others, O my friend!
Men could not part us with their worldly jars,
Nor the seas change us, nor the tempests bend;
Our hands would touch for all the mountain-bars:
And, heaven being rolled between us at the end,
We should but vow the faster for the stars.
Written by Robert William Service | Create an image from this poem

The Man From Eldorado

 He's the man from Eldorado, and he's just arrived in town,
 In moccasins and oily buckskin shirt.
He's gaunt as any Indian, and pretty nigh as brown;
 He's greasy, and he smells of sweat and dirt.
He sports a crop of whiskers that would shame a healthy hog;
 Hard work has racked his joints and stooped his back;
He slops along the sidewalk followed by his yellow dog,
 But he's got a bunch of gold-dust in his sack.

He seems a little wistful as he blinks at all the lights,
 And maybe he is thinking of his claim
And the dark and dwarfish cabin where he lay and dreamed at nights,
 (Thank God, he'll never see the place again!)
Where he lived on tinned tomatoes, beef embalmed and sourdough bread,
 On rusty beans and bacon furred with mould;
His stomach's out of kilter and his system full of lead,
 But it's over, and his poke is full of gold.

He has panted at the windlass, he has loaded in the drift,
 He has pounded at the face of oozy clay;
He has taxed himself to sickness, dark and damp and double shift,
 He has labored like a demon night and day.
And now, praise God, it's over, and he seems to breathe again
 Of new-mown hay, the warm, wet, friendly loam;
He sees a snowy orchard in a green and dimpling plain,
 And a little vine-clad cottage, and it's--Home.

II

He's the man from Eldorado, and he's had a bite and sup,
 And he's met in with a drouthy friend or two;
He's cached away his gold-dust, but he's sort of bucking up,
 So he's kept enough to-night to see him through.
His eye is bright and genial, his tongue no longer lags;
`His heart is brimming o'er with joy and mirth;
He may be far from savory, he may be clad in rags,
`But to-night he feels as if he owns the earth.

Says he: "Boys, here is where the shaggy North and I will shake;
 I thought I'd never manage to get free.
I kept on making misses; but at last I've got my stake;
 There's no more thawing frozen muck for me.
I am going to God's Country, where I'll live the simple life;
 I'll buy a bit of land and make a start;
I'll carve a little homestead, and I'll win a little wife,
 And raise ten little kids to cheer my heart."

They signified their sympathy by crowding to the bar;
 They bellied up three deep and drank his health.
He shed a radiant smile around and smoked a rank cigar;
 They wished him honor, happiness and wealth.
They drank unto his wife to be--that unsuspecting maid;
 They drank unto his children half a score;
And when they got through drinking very tenderly they laid
 The man from Eldorado on the floor.

III

He's the man from Eldorado, and he's only starting in
 To cultivate a thousand-dollar jag.
His poke is full of gold-dust and his heart is full of sin,
 And he's dancing with a girl called Muckluck Mag.
She's as light as any fairy; she's as pretty as a peach;
 She's mistress of the witchcraft to beguile;
There's sunshine in her manner, there is music in her speech,
 And there's concentrated honey in her smile.

Oh, the fever of the dance-hall and the glitter and the shine,
 The beauty, and the jewels, and the whirl,
The madness of the music, the rapture of the wine,
 The languorous allurement of a girl!
She is like a lost madonna; he is gaunt, unkempt and grim;
 But she fondles him and gazes in his eyes;
Her kisses seek his heavy lips, and soon it seems to him
 He has staked a little claim in Paradise.

"Who's for a juicy two-step?" cries the master of the floor;
 The music throbs with soft, seductive beat.
There's glitter, gilt and gladness; there are pretty girls galore;
 There's a woolly man with moccasins on feet.
They know they've got him going; he is buying wine for all;
 They crowd around as buzzards at a feast,
Then when his poke is empty they boost him from the hall,
 And spurn him in the gutter like a beast.

He's the man from Eldorado, and he's painting red the town;
 Behind he leaves a trail of yellow dust;
In a whirl of senseless riot he is ramping up and down;
 There's nothing checks his madness and his lust.
And soon the word is passed around--it travels like a flame;
 They fight to clutch his hand and call him friend,
The chevaliers of lost repute, the dames of sorry fame;
 Then comes the grim awakening--the end.

IV

He's the man from Eldorado, and he gives a grand affair;
 There's feasting, dancing, wine without restraint.
The smooth Beau Brummels of the bar, the faro men, are there;
 The tinhorns and purveyors of red paint;
The sleek and painted women, their predacious eyes aglow--
 Sure Klondike City never saw the like;
Then Muckluck Mag proposed the toast, "The giver of the show,
 The livest sport that ever hit the pike."

The "live one" rises to his feet; he stammers to reply--
 And then there comes before his muddled brain
A vision of green vastitudes beneath an April sky,
 And clover pastures drenched with silver rain.
He knows that it can never be, that he is down and out;
 Life leers at him with foul and fetid breath;
And then amid the revelry, the song and cheer and shout,
 He suddenly grows grim and cold as death.

He grips the table tensely, and he says: "Dear friends of mine,
 I've let you dip your fingers in my purse;
I've crammed you at my table, and I've drowned you in my wine,
 And I've little left to give you but--my curse.
I've failed supremely in my plans; it's rather late to whine;
 My poke is mighty weasened up and small.
I thank you each for coming here; the happiness is mine--
 And now, you thieves and harlots, take it all."

He twists the thong from off his poke; he swings it o'er his head;
 The nuggets fall around their feet like grain.
They rattle over roof and wall; they scatter, roll and spread;
 The dust is like a shower of golden rain.
The guests a moment stand aghast, then grovel on the floor;
 They fight, and snarl, and claw, like beasts of prey;
And then, as everybody grabbed and everybody swore,
 The man from Eldorado slipped away.

V

He's the man from Eldorado, and they found him stiff and dead,
 Half covered by the freezing ooze and dirt.
A clotted Colt was in his hand, a hole was in his head,
 And he wore an old and oily buckskin shirt.
His eyes were fixed and horrible, as one who hails the end;
 The frost had set him rigid as a log;
And there, half lying on his breast, his last and only friend,
 There crouched and whined a mangy yellow dog.


Written by Elizabeth Barrett Browning | Create an image from this poem

Ii

 But only three in all God's universe
Have heard this word thou hast said,--Himself, beside
Thee speaking, and me listening ! and replied
One of us . . . that was God, . . . and laid the curse
So darkly on my eyelids, as to amerce
My sight from seeing thee,--that if I had died,
The deathweights, placed there, would have signified
Less absolute exclusion. 'Nay' is worse
From God than from all others, O my friend !
Men could not part us with their worldly jars,
Nor the seas change us, nor the tempests bend;
Our hands would touch for all the mountain-bars:
And, heaven being rolled between us at the end,
We should but vow the faster for the stars.
Written by Emily Dickinson | Create an image from this poem

The mob within the heart

 The mob within the heart
Police cannot suppress
The riot given at the first
Is authorized as peace

Uncertified of scene
Or signified of sound
But growing like a hurricane
In a congenial ground.
Written by Emily Dickinson | Create an image from this poem

They put Us far apart

 They put Us far apart --
As separate as Sea
And Her unsown Peninsula --
We signified "These see" --

They took away our Eyes --
They thwarted Us with Guns --
"I see Thee" each responded straight
Through Telegraphic Signs --

With Dungeons -- They devised --
But through their thickest skill --
And their opaquest Adamant --
Our Souls saw -- just as well --

They summoned Us to die --
With sweet alacrity
We stood upon our stapled feet --
Condemned -- but just -- to see --

Permission to recant --
Permission to forget --
We turned our backs upon the Sun
For perjury of that --

Not Either -- noticed Death --
Of Paradise -- aware --
Each other's Face -- was all the Disc
Each other's setting -- saw --

Book: Radiant Verses: A Journey Through Inspiring Poetry