Written by
John Greenleaf Whittier |
GIFT from the cold and silent Past!
A relic to the present cast,
Left on the ever-changing strand
Of shifting and unstable sand,
Which wastes beneath the steady chime
And beating of the waves of Time!
Who from its bed of primal rock
First wrenched thy dark, unshapely block?
Whose hand, of curious skill untaught,
Thy rude and savage outline wrought?
The waters of my native stream
Are glancing in the sun's warm beam;
From sail-urged keel and flashing oar
The circles widen to its shore;
And cultured field and peopled town
Slope to its willowed margin down.
Yet, while this morning breeze is bringing
The home-life sound of school-bells ringing,
And rolling wheel, and rapid jar
Of the fire-winged and steedless car,
And voices from the wayside near
Come quick and blended on my ear,--
A spell is in this old gray stone,
My thoughts are with the Past alone!
A change! -- The steepled town no more
Stretches along the sail-thronged shore;
Like palace-domes in sunset's cloud,
Fade sun-gilt spire and mansion proud:
Spectrally rising where they stood,
I see the old, primeval wood;
Dark, shadow-like, on either hand
I see its solemn waste expand;
It climbs the green and cultured hill,
It arches o'er the valley's rill,
And leans from cliff and crag to throw
Its wild arms o'er the stream below.
Unchanged, alone, the same bright river
Flows on, as it will flow forever!
I listen, and I hear the low
Soft ripple where its water go;
I hear behind the panther's cry,
The wild-bird's scream goes thrilling by,
And shyly on the river's brink
The deer is stooping down to drink.
But hard! -- from wood and rock flung back,
What sound come up the Merrimac?
What sea-worn barks are those which throw
The light spray from each rushing prow?
Have they not in the North Sea's blast
Bowed to the waves the straining mast?
Their frozen sails the low, pale sun
Of Thulë's night has shone upon;
Flapped by the sea-wind's gusty sweep
Round icy drift, and headland steep.
Wild Jutland's wives and Lochlin's daughters
Have watched them fading o'er the waters,
Lessening through driving mist and spray,
Like white-winged sea-birds on their way!
Onward they glide, -- and now I view
Their iron-armed and stalwart crew;
Joy glistens in each wild blue eye,
Turned to green earth and summer sky.
Each broad, seamed breast has cast aside
Its cumbering vest of shaggy hide;
Bared to the sun and soft warm air,
Streams back the Northmen's yellow hair.
I see the gleam of axe and spear,
A sound of smitten shields I hear,
Keeping a harsh and fitting time
To Saga's chant, and Runic rhyme;
Such lays as Zetland's Scald has sung,
His gray and naked isles among;
Or mutter low at midnight hour
Round Odin's mossy stone of power.
The wolf beneath the Arctic moon
Has answered to that startling rune;
The Gael has heard its stormy swell,
The light Frank knows its summons well;
Iona's sable-stoled Culdee
Has heard it sounding o'er the sea,
And swept, with hoary beard and hair,
His altar's foot in trembling prayer!
'T is past, -- the 'wildering vision dies
In darkness on my dreaming eyes!
The forest vanishes in air,
Hill-slope and vale lie starkly bare;
I hear the common tread of men,
And hum of work-day life again;
The mystic relic seems alone
A broken mass of common stone;
And if it be the chiselled limb
Of Berserker or idol grim,
A fragment of Valhalla's Thor,
The stormy Viking's god of War,
Or Praga of the Runic lay,
Or love-awakening Siona,
I know not, -- for no graven line,
Nor Druid mark, nor Runic sign,
Is left me here, by which to trace
Its name, or origin, or place.
Yet, for this vision of the Past,
This glance upon its darkness cast,
My spirit bows in gratitude
Before the Giver of all good,
Who fashioned so the human mind,
That, from the waste of Time behind,
A simple stone, or mound of earth,
Can summon the departed forth;
Quicken the Past to life again,
The Present lose in what hath been,
And in their primal freshness show
The buried forms of long ago.
As if a portion of that Thought
By which the Eternal will is wrought,
Whose impulse fills anew with breath
The frozen solitude of Death,
To mortal mind were sometimes lent,
To mortal musing sometimes sent,
To whisper -- even when it seems
But Memory's fantasy of dreams --
Through the mind's waste of woe and sin,
Of an immortal origin!
|
Written by
Rainer Maria Rilke |
O trees of life, oh, what when winter comes?
We are not of one mind. Are not like birds
in unison migrating. And overtaken,
overdue, we thrust ourselves into the wind
and fall to earth into indifferent ponds.
Blossoming and withering we comprehend as one.
And somewhere lions roam, quite unaware,
in their magnificence, of any weaknesss.
But we, while wholly concentrating on one thing,
already feel the pressure of another.
Hatred is our first response. And lovers,
are they not forever invading one another's
boundaries? -although they promised space,
hunting and homeland. Then, for a sketch
drawn at a moment's impulse, a ground of contrast
is prepared, painfully, so that we may see.
For they are most exact with us. We do not know
the contours of our feelings. We only know
what shapes them from the outside.
Who has not sat, afraid, before his own heart's
curtain? It lifted and displayed the scenery
of departure. Easy to understand. The well-known
garden swaying just a little. Then came the dancer.
Not he! Enough! However lightly he pretends to move:
he is just disguised, costumed, an ordinary man
who enters through the kitchen when coming home.
I will not have these half-filled human masks;
better the puppet. It at least is full.
I will endure this well-stuffed doll, the wire,
the face that is nothing but appearance. Here out front
I wait. Even if the lights go down and I am told:
"There's nothing more to come," -even if
the grayish drafts of emptiness come drifting down
from the deserted stage -even if not one
of my now silent forebears sist beside me
any longer, not a woman, not even a boy-
he with the brown and squinting eyes-:
I'll still remain. For one can always watch.
Am I not right? You, to whom life would taste
so bitter, Father, after you - for my sake -
slipped of mine, that first muddy infusion
of my necessity. You kept on tasting, Father,
as I kept on growing, troubled by the aftertaste
of my so strange a future as you kept searching
my unfocused gaze -you who, so often since
you died, have been afraid for my well-being,
within my deepest hope, relinquishing that calmness,
the realms of equanimity such as the dead possess
for my so small fate -Am I not right?
And you, my parents, am I not right? You who loved me
for that small beginning of my love for you
from which I always shyly turned away, because
the distance in your features grew, changed,
even while I loved it, into cosmic space
where you no longer were...: and when I feel
inclined to wait before the puppet stage, no,
rather to stare at is so intensely that in the end
to counter-balance my searching gaze, an angel
has to come as an actor, and begin manipulating
the lifeless bodies of the puppets to perform.
Angel and puppet! Now at last there is a play!
Then what we seperate can come together by our
very presence. And only then the entire cycle
of our own life-seasons is revealed and set in motion.
Above, beyond us, the angel plays. Look:
must not the dying notice how unreal, how full
of pretense is all that we accomplish here, where
nothing is to be itself. O hours of childhood,
when behind each shape more that the past lay hidden,
when that which lay before us was not the future.
We grew, of course, and sometimes were impatient
in growing up, half for the sake of pleasing those
with nothing left but their own grown-upness.
Yet, when alone, we entertained ourselves
with what alone endures, we would stand there
in the infinite space that spans the world and toys,
upon a place, which from the first beginnniing
had been prepared to serve a pure event.
Who shows a child just as it stands? Who places him
within his constellation, with the measuring-rod
of distance in his hand. Who makes his death
from gray bread that grows hard, -or leaves
it there inside his rounded mouth, jagged as the core
of a sweet apple?.......The minds of murderers
are easily comprehended. But this: to contain death,
the whole of death, even before life has begun,
to hold it all so gently within oneself,
and not be angry: that is indescribable.
|
Written by
Emily Brontë |
How still, how happy! Those are words
That once would scarce agree together;
I loved the plashing of the surge -
The changing heaven the breezy weather,
More than smooth seas and cloudless skies
And solemn, soothing, softened airs
That in the forest woke no sighs
And from the green spray shook no tears.
How still, how happy! now I feel
Where silence dwells is sweeter far
Than laughing mirth's most joyous swell
However pure its raptures are.
Come, sit down on this sunny stone:
'Tis wintry light o'er flowerless moors -
But sit - for we are all alone
And clear expand heaven's breathless shores.
I could think in the withered grass
Spring's budding wreaths we might discern;
The violet's eye might shyly flash
And young leaves shoot among the fern.
It is but thought - full many a night
The snow shall clothe those hills afar
And storms shall add a drearier blight
And winds shall wage a wilder war,
Before the lark may herald in
Fresh foliage twined with blossoms fair
And summer days again begin
Their glory - haloed crown to wear.
Yet my heart loves December's smile
As much as July's golden beam;
Then let us sit and watch the while
The blue ice curdling on the stream -
|
Written by
Conrad Aiken |
I
The girl in the room beneath
Before going to bed
Strums on a mandolin
The three simple tunes she knows.
How inadequate they are to tell how her heart feels!
When she has finished them several times
She thrums the strings aimlessly with her finger-nails
And smiles, and thinks happily of many things.
II
I stood for a long while before the shop window
Looking at the blue butterflies embroidered on tawny silk.
The building was a tower before me,
Time was loud behind me,
Sun went over the housetops and dusty trees;
And there they were, glistening, brilliant, motionless,
Stitched in a golden sky
By yellow patient fingers long since turned to dust.
III
The first bell is silver,
And breathing darkness I think only of the long scythe of time.
The second bell is crimson,
And I think of a holiday night, with rockets
Furrowing the sky with red, and a soft shatter of stars.
The third bell is saffron and slow,
And I behold a long sunset over the sea
With wall on wall of castled cloud and glittering balustrades.
The fourth bell is color of bronze,
I walk by a frozen lake in the dun light of dusk:
Muffled crackings run in the ice,
Trees creak, birds fly.
The fifth bell is cold clear azure,
Delicately tinged with green:
One golden star hangs melting in it,
And towards this, sleepily, I go.
The sixth bell is as if a pebble
Had been dropped into a deep sea far above me . . .
Rings of sound ebb slowly into the silence.
IV
On the day when my uncle and I drove to the cemetery,
Rain rattled on the roof of the carriage;
And talkng constrainedly of this and that
We refrained from looking at the child's coffin on the seat before us.
When we reached the cemetery
We found that the thin snow on the grass
Was already transparent with rain;
And boards had been laid upon it
That we might walk without wetting our feet.
V
When I was a boy, and saw bright rows of icicles
In many lengths along a wall
I was dissappointed to find
That I could not play music upon them:
I ran my hand lightly across them
And they fell, tinkling.
I tell you this, young man, so that your expectations of life
Will not be too great.
VI
It is now two hours since I left you,
And the perfume of your hands is still on my hands.
And though since then
I have looked at the stars, walked in the cold blue streets,
And heard the dead leaves blowing over the ground
Under the trees,
I still remember the sound of your laughter.
How will it be, lady, when there is none left to remember you
Even as long as this?
Will the dust braid your hair?
VII
The day opens with the brown light of snowfall
And past the window snowflakes fall and fall.
I sit in my chair all day and work and work
Measuring words against each other.
I open the piano and play a tune
But find it does not say what I feel,
I grow tired of measuring words against each other,
I grow tired of these four walls,
And I think of you, who write me that you have just had a daughter
And named her after your first sweetheart,
And you, who break your heart, far away,
In the confusion and savagery of a long war,
And you who, worn by the bitterness of winter,
Will soon go south.
The snowflakes fall almost straight in the brown light
Past my window,
And a sparrow finds refuge on my window-ledge.
This alone comes to me out of the world outside
As I measure word with word.
VIII
Many things perplex me and leave me troubled,
Many things are locked away in the white book of stars
Never to be opened by me.
The starr'd leaves are silently turned,
And the mooned leaves;
And as they are turned, fall the shadows of life and death.
Perplexed and troubled,
I light a small light in a small room,
The lighted walls come closer to me,
The familiar pictures are clear.
I sit in my favourite chair and turn in my mind
The tiny pages of my own life, whereon so little is written,
And hear at the eastern window the pressure of a long wind, coming
From I know not where.
How many times have I sat here,
How many times will I sit here again,
Thinking these same things over and over in solitude
As a child says over and over
The first word he has learned to say.
IX
This girl gave her heart to me,
And this, and this.
This one looked at me as if she loved me,
And silently walked away.
This one I saw once and loved, and never saw her again.
Shall I count them for you upon my fingers?
Or like a priest solemnly sliding beads?
Or pretend they are roses, pale pink, yellow, and white,
And arrange them for you in a wide bowl
To be set in sunlight?
See how nicely it sounds as I count them for you—
'This girl gave her heart to me
And this, and this, . . . !
And nevertheless, my heart breaks when I think of them,
When I think their names,
And how, like leaves, they have changed and blown
And will lie, at last, forgotten,
Under the snow.
X
It is night time, and cold, and snow is falling,
And no wind grieves the walls.
In the small world of light around the arc-lamp
A swarm of snowflakes falls and falls.
The street grows silent. The last stranger passes.
The sound of his feet, in the snow, is indistinct.
What forgotten sadness is it, on a night like this,
Takes possession of my heart?
Why do I think of a camellia tree in a southern garden,
With pink blossoms among dark leaves,
Standing, surprised, in the snow?
Why do I think of spring?
The snowflakes, helplessly veering,,
Fall silently past my window;
They come from darkness and enter darkness.
What is it in my heart is surprised and bewildered
Like that camellia tree,
Beautiful still in its glittering anguish?
And spring so far away!
XI
As I walked through the lamplit gardens,
On the thin white crust of snow,
So intensely was I thinking of my misfortune,
So clearly were my eyes fixed
On the face of this grief which has come to me,
That I did not notice the beautiful pale colouring
Of lamplight on the snow;
Nor the interlaced long blue shadows of trees;
And yet these things were there,
And the white lamps, and the orange lamps, and the lamps of lilac were there,
As I have seen them so often before;
As they will be so often again
Long after my grief is forgotten.
And still, though I know this, and say this, it cannot console me.
XII
How many times have we been interrupted
Just as I was about to make up a story for you!
One time it was because we suddenly saw a firefly
Lighting his green lantern among the boughs of a fir-tree.
Marvellous! Marvellous! He is making for himself
A little tent of light in the darkness!
And one time it was because we saw a lilac lightning flash
Run wrinkling into the blue top of the mountain,—
We heard boulders of thunder rolling down upon us
And the plat-plat of drops on the window,
And we ran to watch the rain
Charging in wavering clouds across the long grass of the field!
Or at other times it was because we saw a star
Slipping easily out of the sky and falling, far off,
Among pine-dark hills;
Or because we found a crimson eft
Darting in the cold grass!
These things interrupted us and left us wondering;
And the stories, whatever they might have been,
Were never told.
A fairy, binding a daisy down and laughing?
A golden-haired princess caught in a cobweb?
A love-story of long ago?
Some day, just as we are beginning again,
Just as we blow the first sweet note,
Death itself will interrupt us.
XIII
My heart is an old house, and in that forlorn old house,
In the very centre, dark and forgotten,
Is a locked room where an enchanted princess
Lies sleeping.
But sometimes, in that dark house,
As if almost from the stars, far away,
Sounds whisper in that secret room—
Faint voices, music, a dying trill of laughter?
And suddenly, from her long sleep,
The beautiful princess awakes and dances.
Who is she? I do not know.
Why does she dance? Do not ask me!—
Yet to-day, when I saw you,
When I saw your eyes troubled with the trouble of happiness,
And your mouth trembling into a smile,
And your fingers pull shyly forward,—
Softly, in that room,
The little princess arose
And danced;
And as she danced the old house gravely trembled
With its vague and delicious secret.
XIV
Like an old tree uprooted by the wind
And flung down cruelly
With roots bared to the sun and stars
And limp leaves brought to earth—
Torn from its house—
So do I seem to myself
When you have left me.
XV
The music of the morning is red and warm;
Snow lies against the walls;
And on the sloping roof in the yellow sunlight
Pigeons huddle against the wind.
The music of evening is attenuated and thin—
The moon seen through a wave by a mermaid;
The crying of a violin.
Far down there, far down where the river turns to the west,
The delicate lights begin to twinkle
On the dusky arches of the bridge:
In the green sky a long cloud,
A smouldering wave of smoky crimson,
Breaks in the freezing wind: and above it, unabashed,
Remote, untouched, fierly palpitant,
Sings the first star.
|
Written by
Sharon Olds |
A week later, I said to a friend: I don't
think I could ever write about it.
Maybe in a year I could write something.
There is something in me maybe someday
to be written; now it is folded, and folded,
and folded, like a note in school. And in my dream
someone was playing jacks, and in the air there was a
huge, thrown, tilted jack
on fire. And when I woke up, I found myself
counting the days since I had last seen
my husband-only two years, and some weeks,
and hours. We had signed the papers and come down to the
ground floor of the Chrysler Building,
the intact beauty of its lobby around us
like a king's tomb, on the ceiling the little
painted plane, in the mural, flying. And it
entered my strictured heart, this morning,
slightly, shyly as if warily,
untamed, a greater sense of the sweetness
and plenty of his ongoing life,
unknown to me, unseen by me,
unheard, untouched-but known, seen,
heard, touched. And it came to me,
for moments at a time, moment after moment,
to be glad for him that he is with the one
he feels was meant for him. And I thought of my
mother, minutes from her death, eighty-five
years from her birth, the almost warbler
bones of her shoulder under my hand, the
eggshell skull, as she lay in some peace
in the clean sheets, and I could tell her the best
of my poor, partial love, I could sing her
out with it, I saw the luck
and luxury of that hour.
|
Written by
James Wright |
Just off the Highway to Rochester, Minnesota
Twilight bounds softly forth on the grass.
And the eyes of those two Indian ponies
Darken with kindness.
They have come gladly out of the willows
To welcome my friend and me.
We step over the barbed wire into the pasture
Where they have been grazing all day, alone.
They ripple tensely, they can hardly contain their happiness
That we have come.
They bow shyly as wet swans. They love each other.
There is no loneliness like theirs.
At home once more,
They begin munching the young tufts of spring in the darkness.
I would like to hold the slenderer one in my arms,
For she has walked over to me
And nuzzled my left hand.
She is black and white,
Her mane falls wild on her forehead,
And the light breeze moves me to caress her long ear
That is delicate as the skin over a girl's wrist.
Suddenly I realize
That if I stepped out of my body I would break
Into blossom.
|
Written by
Emily Brontë |
It was a little budding rose,
Round like a fairy globe,
And shyly did its leaves unclose
Hid in their mossy robe,
But sweet was the slight and spicy smell
It breathed from its heart invisible.
The rose is blasted, withered, blighted,
Its root has felt a worm,
And like a heart beloved and slighted,
Failed, faded, shrunk its form.
Bud of beauty, bonnie flower,
I stole thee from thy natal bower.
I was the worm that withered thee,
Thy tears of dew all fell for me;
Leaf and stalk and rose are gone,
Exile earth they died upon.
Yes, that last breath of balmy scent
With alien breezes sadly blent!
|
Written by
Robert William Service |
Aye, Montecelli, that's the name.
You may have heard of him perhaps.
Yet though he never savoured fame,
Of those impressionistic chaps,
Monet and Manet and Renoir
He was the avatar.
He festered in a Marseilles slum,
A starving genius, god-inspired.
You'd take him for a lousy bum,
Tho' poetry of paint he lyred,
In dreamy pastels each a gem: . . .
How people laughed at them!
He peddled paint from bar to bar;
From sordid rags a jewel shone,
A glow of joy and colour far
From filth of fortune woe-begone.
'Just twenty francs,' he shyly said,
'To take me drunk to bed.'
Of Van Gogh and Cezanne a peer;
In dreams of ecstasy enskied,
A genius and a pioneer,
Poor, paralysed and mad he died:
Yet by all who hold Beauty dear
May he be glorified!
|
Written by
Austin Clarke |
When night stirred at sea,
An the fire brought a crowd in
They say that her beauty
Was music in mouth
And few in the candlelight
Thought her too proud,
For the house of the planter
Is known by the trees.
Men that had seen her
Drank deep and were silent,
The women were speaking
Wherever she went --
As a bell that is rung
Or a wonder told shyly
And O she was the Sunday
In every week.
|
Written by
Sidney Lanier |
"So pulse, and pulse, thou rhythmic-hearted Noon
That liest, large-limbed, curved along the hills,
In languid palpitation, half a-swoon
With ardors and sun-loves and subtle thrills;
"Throb, Beautiful! while the fervent hours exhale
As kisses faint-blown from thy finger-tips
Up to the sun, that turn him passion-pale
And then as red as any virgin's lips.
"O tender Darkness, when June-day hath ceased,
-- Faint Odor from the day-flower's crushing born,
-- Dim, visible Sigh out of the mournful East
That cannot see her lord again till morn:
"And many leaves, broad-palmed towards the sky
To catch the sacred raining of star-light:
And pallid petals, fain, all fain to die,
Soul-stung by too keen passion of the night:
"And short-breath'd winds, under yon gracious moon
Doing mild errands for mild violets,
Or carrying sighs from the red lips of June
What aimless way the odor-current sets:
"And stars, ringed glittering in whorls and bells,
Or bent along the sky in looped star-sprays,
Or vine-wound, with bright grapes in panicles,
Or bramble-tangled in a sweetest maze,
"Or lying like young lilies in a lake
About the great white Lotus of the moon,
Or blown and drifted, as if winds should shake
Star blossoms down from silver stems too soon,
"Or budding thick about full open stars,
Or clambering shyly up cloud-lattices,
Or trampled pale in the red path of Mars,
Or trim-set in quaint gardener's fantasies:
"And long June night-sounds crooned among the leaves,
And whispered confidence of dark and green,
And murmurs in old moss about old eaves,
And tinklings floating over water-sheen!"
Then he that wrote laid down his pen and sighed;
And straightway came old Scorn and Bitterness,
Like Hunnish kings out of the barbarous land,
And camped upon the transient Italy
That he had dreamed to blossom in his soul.
"I'll date this dream," he said; "so: `Given, these,
On this, the coldest night in all the year,
From this, the meanest garret in the world,
In this, the greatest city in the land,
To you, the richest folk this side of death,
By one, the hungriest poet under heaven,
-- Writ while his candle sputtered in the gust,
And while his last, last ember died of cold,
And while the mortal ice i' the air made free
Of all his bones and bit and shrunk his heart,
And while soft Luxury made show to strike
Her gloved hands together and to smile
What time her weary feet unconsciously
Trode wheels that lifted Avarice to power,
-- And while, moreover, -- O thou God, thou God --
His worshipful sweet wife sat still, afar,
Within the village whence she sent him forth
Into the town to make his name and fame,
Waiting, all confident and proud and calm,
Till he should make for her his name and fame,
Waiting -- O Christ, how keen this cuts! -- large-eyed,
With Baby Charley till her husband make
For her and him a poet's name and fame.'
-- Read me," he cried, and rose, and stamped his foot
Impatiently at Heaven, "read me this,"
(Putting th' inquiry full in the face of God)
"Why can we poets dream us beauty, so,
But cannot dream us bread? Why, now, can I
Make, aye, create this fervid throbbing June
Out of the chill, chill matter of my soul,
Yet cannot make a poorest penny-loaf
Out of this same chill matter, no, not one
For Mary though she starved upon my breast?"
And then he fell upon his couch, and sobbed,
And, late, just when his heart leaned o'er
The very edge of breaking, fain to fall,
God sent him sleep.
There came his room-fellow,
Stout Dick, the painter, saw the written dream,
Read, scratched his curly pate, smiled, winked, fell on
The poem in big-hearted comic rage,
Quick folded, thrust in envelope, addressed
To him, the critic-god, that sitteth grim
And giant-grisly on the stone causeway
That leadeth to his magazine and fame.
Him, by due mail, the little Dream of June
Encountered growling, and at unawares
Stole in upon his poem-battered soul
So that he smiled, -- then shook his head upon 't
-- Then growled, then smiled again, till at the last,
As one that deadly sinned against his will,
He writ upon the margin of the Dream
A wondrous, wondrous word that in a day
Did turn the fleeting song to very bread,
-- Whereat Dick Painter leapt, the poet wept,
And Mary slept with happy drops a-gleam
Upon long lashes of her serene eyes
From twentieth reading of her poet's news
Quick-sent, "O sweet my Sweet, to dream is power,
And I can dream thee bread and dream thee wine,
And I will dream thee robes and gems, dear Love,
To clothe thy holy loveliness withal,
And I will dream thee here to live by me,
Thee and my little man thou hold'st at breast,
-- Come, Name, come, Fame, and kiss my Sweetheart's feet!"
|