Written by
Siegfried Sassoon |
ACROSS the land a faint blue veil of mist
Seems hung; the woods wear yet arrayment sober
Till frost shall make them flame; silent and whist
The drooping cherry orchards of October
Like mournful pennons hang their shrivelling leaves 5
Russet and orange: all things now decay;
Long since ye garnered in your autumn sheaves
And sad the robins pipe at set of day.
Now do ye dream of Spring when greening shaws
Confer with the shrewd breezes and of slopes 10
Flower-kirtled and of April virgin guest;
Days that ye love despite their windy flaws
Since they are woven with all joys and hopes
Whereof ye nevermore shall be possessed.
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Written by
James Tate |
Jim just loves to garden, yes he does.
He likes nothing better than to put on
his little overalls and his straw hat.
He says, "Let's go get those tools, Jim."
But then doubt begins to set in.
He says, "What is a garden, anyway?"
And thoughts about a "modernistic" garden
begin to trouble him, eat away at his resolve.
He stands in the driveway a long time.
"Horticulture is a groping in the dark
into the obscure and unfamiliar,
kneeling before a disinterested secret,
slapping it, punching it like a Chinese puzzle,
birdbrained babbling gibberish, dig and
destroy, pull out and apply salt,
hoe and spray, before it spreads, burn roots,
where not desired, with gloved hands, poisonous,
the self-sacrifice of it, the self-love,
into the interior, thunderclap, excruciating,
through the nose, the earsplitting necrology
of it, the withering, shrivelling,
the handy hose holder and Persian insect powder
and smut fungi, the enemies of the iris,
wireworms are worse than their parents,
there is no way out, flowers as big as heads,
pock-marked, disfigured, blinking insolently
at me, the me who so loves to garden
because it prevents the heaving of the ground
and the untimely death of porch furniture,
and dark, murky days in a large city
and the dream home under a permanent storm
is also a factor to keep in mind."
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Written by
Wilfred Owen |
I
Our brains ache, in the merciless iced east winds that knife us . . .
Wearied we keep awake because the night is silent . . .
Low drooping flares confuse our memory of the salient . . .
Worried by silence, sentries whisper, curious, nervous,
But nothing happens.
Watching, we hear the mad gusts tugging on the wire.
Like twitching agonies of men among its brambles.
Northward incessantly, the flickering gunnery rumbles,
Far off, like a dull rumour of some other war.
What are we doing here?
The poignant misery of dawn begins to grow . . .
We only know war lasts, rain soaks, and clouds sag stormy.
Dawn massing in the east her melancholy army
Attacks once more in ranks on shivering ranks of gray,
But nothing happens.
Sudden successive flights of bullets streak the silence.
Less deadly than the air that shudders black with snow,
With sidelong flowing flakes that flock, pause and renew,
We watch them wandering up and down the wind's nonchalance,
But nothing happens.
II
Pale flakes with lingering stealth come feeling for our faces --
We cringe in holes, back on forgotten dreams, and stare, snow-dazed,
Deep into grassier ditches. So we drowse, sun-dozed,
Littered with blossoms trickling where the blackbird fusses.
Is it that we are dying?
Slowly our ghosts drag home: glimpsing the sunk fires glozed
With crusted dark-red jewels; crickets jingle there;
For hours the innocent mice rejoice: the house is theirs;
Shutters and doors all closed: on us the doors are closed --
We turn back to our dying.
Since we believe not otherwise can kind fires burn;
Now ever suns smile true on child, or field, or fruit.
For God's invincible spring our love is made afraid;
Therefore, not loath, we lie out here; therefore were born,
For love of God seems dying.
To-night, His frost will fasten on this mud and us,
Shrivelling many hands and puckering foreheads crisp.
The burying-party, picks and shovels in their shaking grasp,
Pause over half-known faces. All their eyes are ice,
But nothing happens.
|
Written by
Edward Taylor |
Jim just loves to garden, yes he does.
He likes nothing better than to put on
his little overalls and his straw hat.
He says, "Let's go get those tools, Jim."
But then doubt begins to set in.
He says, "What is a garden, anyway?"
And thoughts about a "modernistic" garden
begin to trouble him, eat away at his resolve.
He stands in the driveway a long time.
"Horticulture is a groping in the dark
into the obscure and unfamiliar,
kneeling before a disinterested secret,
slapping it, punching it like a Chinese puzzle,
birdbrained babbling gibberish, dig and
destroy, pull out and apply salt,
hoe and spray, before it spreads, burn roots,
where not desired, with gloved hands, poisonous,
the self-sacrifice of it, the self-love,
into the interior, thunderclap, excruciating,
through the nose, the earsplitting necrology
of it, the withering, shrivelling,
the handy hose holder and Persian insect powder
and smut fungi, the enemies of the iris,
wireworms are worse than their parents,
there is no way out, flowers as big as heads,
pock-marked, disfigured, blinking insolently
at me, the me who so loves to garden
because it prevents the heaving of the ground
and the untimely death of porch furniture,
and dark, murky days in a large city
and the dream home under a permanent storm
is also a factor to keep in mind."
|
Written by
Edward Thomas |
Old Man, or Lads-Love, - in the name there’s nothing
To one that knows not Lads-Love, or Old Man,
The hoar green feathery herb, almost a tree,
Growing with rosemary and lavender.
Even to one that knows it well, the names
Half decorate, half perplex, the thing it is:
At least, what that is clings not to the names
In spite of time. And yet I like the names.
The herb itself I like not, but for certain
I love it, as someday the child will love it
Who plucks a feather from the door-side bush
Whenever she goes in or out of the house.
Often she waits there, snipping the tips and shrivelling
The shreds at last on to the path,
Thinking perhaps of nothing, till she sniffs
Her fingers and runs off. The bush is still
But half as tall as she, though it is not old;
So well she clips it. Not a word she says;
And I ca only wonder how much hereafter
She will remember, with that bitter scent,
Of garden rows, and ancient damson trees
Topping a hedge, a bent path to a door
A low thick bush beside the door, and me
Forbidding her to pick.
As for myself,
Where first I met the bitter scent is lost.
I, too, often shrivel the grey shreds,
Sniff them and think and sniff again and try
Once more to think what it is I am remembering,
Always in vain. I cannot like the scent,
Yet I would rather give up others more sweet,
With no meaning, than this bitter one.
I have mislaid the key. I sniff the spray
And think of nothing; I see and I hear nothing;
Yet seem, too, to be listening, lying in wait
For what I should, yet never can, remember;
No garden appears, no path, no hoar-green bush
Of Lad’s-love, or Old Man, no child beside,
Neither father nor mother, nor any playmate;
Only an avenue, dark, nameless, without end
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Written by
D. H. Lawrence |
Yours is the shame and sorrow,
But the disgrace is mine;
Your love was dark and thorough,
Mine was the love of the sun for a flower
He creates with his shine.
I was diligent to explore you,
Blossom you stalk by stalk,
Till my fire of creation bore you
Shrivelling down in the final dour
Anguish -- then I suffered a balk.
I knew your pain, and it broke
My fine, craftsman's nerve;
Your body quailed at my stroke,
And my courage failed to give you the last
Fine torture you did deserve.
You are shapely, you are adorned,
But opaque and dull in the flesh,
Who, had I but pierced with the thorned
Fire-threshing anguish, were fused and cast
In a lovely illumined mesh.
Like a painted window: the best
Suffering burnt through your flesh,
Undrossed it and left it blest
With a quivering sweet wisdom of grace: but now
Who shall take you afresh?
Now who will burn you free
From your body's terrors and dross,
Since the fire has failed in me?
What man will stoop in your flesh to plough
The shrieking cross?
A mute, nearly beautiful thing
Is your face, that fills me with shame
As I see it hardening,
Warping the perfect image of God,
And darkening my eternal fame.
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