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Best Famous Shard Poems

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Written by Rudyard Kipling | Create an image from this poem

Recessional

1897


God of our fathers, known of old,
   Lord of our far-flung battle-line,
Beneath whose awful Hand we hold
   Dominion over palm and pine—
Lord God of Hosts, be with us yet,
Lest we forget—lest we forget!

The tumult and the shouting dies;
   The Captains and the Kings depart:
Still stands Thine ancient sacrifice,
   An humble and a contrite heart.
Lord God of Hosts, be with us yet,
Lest we forget—lest we forget!

Far-called, our navies melt away;
   On dune and headland sinks the fire:
Lo, all our pomp of yesterday
   Is one with Nineveh and Tyre!
Judge of the Nations, spare us yet,
Lest we forget—lest we forget!

If, drunk with sight of power, we loose
   Wild tongues that have not Thee in awe,
Such boastings as the Gentiles use,
   Or lesser breeds without the Law—
Lord God of Hosts, be with us yet,
Lest we forget—lest we forget!

For heathen heart that puts her trust
   In reeking tube and iron shard,
All valiant dust that builds on dust,
   And guarding, calls not Thee to guard,
For frantic boast and foolish word—
Thy mercy on Thy People, Lord!


Written by William Vaughn Moody | Create an image from this poem

An Ode in Time of Hesitation

 After seeing at Boston the statue of Robert Gould Shaw, killed while storming Fort Wagner, July 18, 1863, at the head of the first enlisted ***** regiment, the Fifty-fourth Massachusetts.


I 

Before the solemn bronze Saint Gaudens made 
To thrill the heedless passer's heart with awe, 
And set here in the city's talk and trade 
To the good memory of Robert Shaw, 
This bright March morn I stand, 
And hear the distant spring come up the land; 
Knowing that what I hear is not unheard 
Of this boy soldier and his ***** band, 
For all their gaze is fixed so stern ahead, 
For all the fatal rhythm of their tread. 
The land they died to save from death and shame 
Trembles and waits, hearing the spring's great name, 
And by her pangs these resolute ghosts are stirred. 


II 

Through street and mall the tides of people go 
Heedless; the trees upon the Common show 
No hint of green; but to my listening heart 
The still earth doth impart 
Assurance of her jubilant emprise, 
And it is clear to my long-searching eyes 
That love at last has might upon the skies. 
The ice is runneled on the little pond; 
A telltale patter drips from off the trees; 
The air is touched with southland spiceries, 
As if but yesterday it tossed the frond 
Of pendant mosses where the live-oaks grow 
Beyond Virginia and the Carolines, 
Or had its will among the fruits and vines 
Of aromatic isles asleep beyond 
Florida and the Gulf of Mexico. 


III 

Soon shall the Cape Ann children shout in glee, 
Spying the arbutus, spring's dear recluse; 
Hill lads at dawn shall hearken the wild goose 
Go honking northward over Tennessee; 
West from Oswego to Sault Sainte-Marie, 
And on to where the Pictured Rocks are hung, 
And yonder where, gigantic, wilful, young, 
Chicago sitteth at the northwest gates, 
With restless violent hands and casual tongue 
Moulding her mighty fates, 
The Lakes shall robe them in ethereal sheen; 
And like a larger sea, the vital green 
Of springing wheat shall vastly be outflung 
Over Dakota and the prairie states. 
By desert people immemorial 
On Arizonan mesas shall be done 
Dim rites unto the thunder and the sun; 
Nor shall the primal gods lack sacrifice 
More splendid, when the white Sierras call 
Unto the Rockies straightway to arise 
And dance before the unveiled ark of the year, 
Sounding their windy cedars as for shawms, 
Unrolling rivers clear 
For flutter of broad phylacteries; 
While Shasta signals to Alaskan seas 
That watch old sluggish glaciers downward creep 
To fling their icebergs thundering from the steep, 
And Mariposa through the purple calms 
Gazes at far Hawaii crowned with palms 
Where East and West are met, -- 
A rich seal on the ocean's bosom set 
To say that East and West are twain, 
With different loss and gain: 
The Lord hath sundered them; let them be sundered yet. 


IV 

Alas! what sounds are these that come 
Sullenly over the Pacific seas, -- 
Sounds of ignoble battle, striking dumb 
The season's half-awakened ecstasies? 
Must I be humble, then, 
Now when my heart hath need of pride? 
Wild love falls on me from these sculptured men; 
By loving much the land for which they died 
I would be justified. 
My spirit was away on pinions wide 
To soothe in praise of her its passionate mood 
And ease it of its ache of gratitude. 
Too sorely heavy is the debt they lay 
On me and the companions of my day. 
I would remember now 
My country's goodliness, make sweet her name. 
Alas! what shade art thou 
Of sorrow or of blame 
Liftest the lyric leafage from her brow, 
And pointest a slow finger at her shame? 


V 

Lies! lies! It cannot be! The wars we wage 
Are noble, and our battles still are won 
By justice for us, ere we lift the gage. 
We have not sold our loftiest heritage. 
The proud republic hath not stooped to cheat 
And scramble in the market-place of war; 
Her forehead weareth yet its solemn star. 
Here is her witness: this, her perfect son, 
This delicate and proud New England soul 
Who leads despisèd men, with just-unshackled feet, 
Up the large ways where death and glory meet, 
To show all peoples that our shame is done, 
That once more we are clean and spirit-whole. 


VI 

Crouched in the sea fog on the moaning sand 
All night he lay, speaking some simple word 
From hour to hour to the slow minds that heard, 
Holding each poor life gently in his hand 
And breathing on the base rejected clay 
Till each dark face shone mystical and grand 
Against the breaking day; 
And lo, the shard the potter cast away 
Was grown a fiery chalice crystal-fine 
Fulfilled of the divine 
Great wine of battle wrath by God's ring-finger stirred. 
Then upward, where the shadowy bastion loomed 
Huge on the mountain in the wet sea light, 
Whence now, and now, infernal flowerage bloomed, 
Bloomed, burst, and scattered down its deadly seed, -- 
They swept, and died like freemen on the height, 
Like freemen, and like men of noble breed; 
And when the battle fell away at night 
By hasty and contemptuous hands were thrust 
Obscurely in a common grave with him 
The fair-haired keeper of their love and trust. 
Now limb doth mingle with dissolvèd limb 
In nature's busy old democracy 
To flush the mountain laurel when she blows 
Sweet by the southern sea, 
And heart with crumbled heart climbs in the rose: -- 
The untaught hearts with the high heart that knew 
This mountain fortress for no earthly hold 
Of temporal quarrel, but the bastion old 
Of spiritual wrong, 
Built by an unjust nation sheer and strong, 
Expugnable but by a nation's rue 
And bowing down before that equal shrine 
By all men held divine, 
Whereof his band and he were the most holy sign. 


VII 

O bitter, bitter shade! 
Wilt thou not put the scorn 
And instant tragic question from thine eye? 
Do thy dark brows yet crave 
That swift and angry stave -- 
Unmeet for this desirous morn -- 
That I have striven, striven to evade? 
Gazing on him, must I not deem they err 
Whose careless lips in street and shop aver 
As common tidings, deeds to make his cheek 
Flush from the bronze, and his dead throat to speak? 
Surely some elder singer would arise, 
Whose harp hath leave to threaten and to mourn 
Above this people when they go astray. 
Is Whitman, the strong spirit, overworn? 
Has Whittier put his yearning wrath away? 
I will not and I dare not yet believe! 
Though furtively the sunlight seems to grieve, 
And the spring-laden breeze 
Out of the gladdening west is sinister 
With sounds of nameless battle overseas; 
Though when we turn and question in suspense 
If these things be indeed after these ways, 
And what things are to follow after these, 
Our fluent men of place and consequence 
Fumble and fill their mouths with hollow phrase, 
Or for the end-all of deep arguments 
Intone their dull commercial liturgies -- 
I dare not yet believe! My ears are shut! 
I will not hear the thin satiric praise 
And muffled laughter of our enemies, 
Bidding us never sheathe our valiant sword 
Till we have changed our birthright for a gourd 
Of wild pulse stolen from a barbarian's hut; 
Showing how wise it is to cast away 
The symbols of our spiritual sway, 
That so our hands with better ease 
May wield the driver's whip and grasp the jailer's keys. 


VIII 

Was it for this our fathers kept the law? 
This crown shall crown their struggle and their ruth? 
Are we the eagle nation Milton saw 
Mewing its mighty youth, 
Soon to possess the mountain winds of truth, 
And be a swift familiar of the sun 
Where aye before God's face his trumpets run? 
Or have we but the talons and the maw, 
And for the abject likeness of our heart 
Shall some less lordly bird be set apart? -- 
Some gross-billed wader where the swamps are fat? 
Some gorger in the sun? Some prowler with the bat? 


IX 

Ah no! 
We have not fallen so. 
We are our fathers' sons: let those who lead us know! 
'T was only yesterday sick Cuba's cry 
Came up the tropic wind, "Now help us, for we die!" 
Then Alabama heard, 
And rising, pale, to Maine and Idaho 
Shouted a burning word. 
Proud state with proud impassioned state conferred, 
And at the lifting of a hand sprang forth, 
East, west, and south, and north, 
Beautiful armies. Oh, by the sweet blood and young 
Shed on the awful hill slope at San Juan, 
By the unforgotten names of eager boys 
Who might have tasted girls' love and been stung 
With the old mystic joys 
And starry griefs, now the spring nights come on, 
But that the heart of youth is generous, -- 
We charge you, ye who lead us, 
Breathe on their chivalry no hint of stain! 
Turn not their new-world victories to gain! 
One least leaf plucked for chaffer from the bays 
Of their dear praise, 
One jot of their pure conquest put to hire, 
The implacable republic will require; 
With clamor, in the glare and gaze of noon, 
Or subtly, coming as a thief at night, 
But surely, very surely, slow or soon 
That insult deep we deeply will requite. 
Tempt not our weakness, our cupidity! 
For save we let the island men go free, 
Those baffled and dislaureled ghosts 
Will curse us from the lamentable coasts 
Where walk the frustrate dead. 
The cup of trembling shall be drainèd quite, 
Eaten the sour bread of astonishment, 
With ashes of the hearth shall be made white 
Our hair, and wailing shall be in the tent; 
Then on your guiltier head 
Shall our intolerable self-disdain 
Wreak suddenly its anger and its pain; 
For manifest in that disastrous light 
We shall discern the right 
And do it, tardily. -- O ye who lead, 
Take heed! 
Blindness we may forgive, but baseness we will smite.
Written by Derek Walcott | Create an image from this poem

The Star-Apple Kingdom

 There were still shards of an ancient pastoral 
in those shires of the island where the cattle drank 
their pools of shadow from an older sky, 
surviving from when the landscape copied such objects as 
"Herefords at Sunset in the valley of the Wye." 
The mountain water that fell white from the mill wheel 
sprinkling like petals from the star-apple trees, 
and all of the windmills and sugar mills moved by mules 
on the treadmill of Monday to Monday, would repeat 
in tongues of water and wind and fire, in tongues 
of Mission School pickaninnies, like rivers remembering 
their source, Parish Trelawny, Parish St David, Parish 
St Andrew, the names afflicting the pastures, 
the lime groves and fences of marl stone and the cattle 
with a docile longing, an epochal content. 
And there were, like old wedding lace in an attic, 
among the boas and parasols and the tea-colored 
daguerreotypes, hints of an epochal happiness 
as ordered and infinite to the child 
as the great house road to the Great House 
down a perspective of casuarinas plunging green manes 
in time to the horses, an orderly life 
reduced by lorgnettes day and night, one disc the sun, 
the other the moon, reduced into a pier glass: 
nannies diminished to dolls, mahogany stairways 
no larger than those of an album in which 
the flash of cutlery yellows, as gamboge as 
the piled cakes of teatime on that latticed 
bougainvillea verandah that looked down toward 
a prospect of Cuyp-like Herefords under a sky 
lurid as a porcelain souvenir with these words: 
"Herefords at Sunset in the Valley of the Wye." 

Strange, that the rancor of hatred hid in that dream 
of slow rivers and lily-like parasols, in snaps 
of fine old colonial families, curled at the edge 
not from age of from fire or the chemicals, no, not at all, 
but because, off at its edges, innocently excluded 
stood the groom, the cattle boy, the housemaid, the gardeners, 
the tenants, the good ******* down in the village, 
their mouth in the locked jaw of a silent scream. 
A scream which would open the doors to swing wildly 
all night, that was bringing in heavier clouds, 
more black smoke than cloud, frightening the cattle 
in whose bulging eyes the Great House diminished; 
a scorching wind of a scream 
that began to extinguish the fireflies, 
that dried the water mill creaking to a stop 
as it was about to pronounce Parish Trelawny 
all over, in the ancient pastoral voice, 
a wind that blew all without bending anything, 
neither the leaves of the album nor the lime groves; 
blew Nanny floating back in white from a feather 
to a chimerical, chemical pin speck that shrank 
the drinking Herefords to brown porcelain cows 
on a mantelpiece, Trelawny trembling with dusk, 
the scorched pastures of the old benign Custos; blew 
far the decent servants and the lifelong cook, 
and shriveled to a shard that ancient pastoral 
of dusk in a gilt-edged frame now catching the evening sun 
in Jamaica, making both epochs one. 

He looked out from the Great House windows on 
clouds that still held the fragrance of fire, 
he saw the Botanical Gardens officially drown 
in a formal dusk, where governors had strolled 
and black gardeners had smiled over glinting shears 
at the lilies of parasols on the floating lawns, 
the flame trees obeyed his will and lowered their wicks, 
the flowers tightened their fists in the name of thrift, 
the porcelain lamps of ripe cocoa, the magnolia's jet 
dimmed on the one circuit with the ginger lilies 
and left a lonely bulb on the verandah, 
and, had his mandate extended to that ceiling 
of star-apple candelabra, he would have ordered 
the sky to sleep, saying, I'm tired, 
save the starlight for victories, we can't afford it, 
leave the moon on for one more hour,and that's it. 
But though his power, the given mandate, extended 
from tangerine daybreaks to star-apple dusks, 
his hand could not dam that ceaseless torrent of dust 
that carried the shacks of the poor, to their root-rock music, 
down the gullies of Yallahs and August Town, 
to lodge them on thorns of maca, with their rags 
crucified by cactus, tins, old tires, cartons; 
from the black Warieka Hills the sky glowed fierce as 
the dials of a million radios, 
a throbbing sunset that glowed like a grid 
where the dread beat rose from the jukebox of Kingston. 
He saw the fountains dried of quadrilles, the water-music 
of the country dancers, the fiddlers like fifes 
put aside. He had to heal 
this malarial island in its bath of bay leaves, 
its forests tossing with fever, the dry cattle 
groaning like winches, the grass that kept shaking 
its head to remember its name. No vowels left 
in the mill wheel, the river. Rock stone. Rock stone. 

The mountains rolled like whales through phosphorous stars, 
as he swayed like a stone down fathoms into sleep, 
drawn by that magnet which pulls down half the world 
between a star and a star, by that black power 
that has the assassin dreaming of snow, 
that poleaxes the tyrant to a sleeping child. 
The house is rocking at anchor, but as he falls 
his mind is a mill wheel in moonlight, 
and he hears, in the sleep of his moonlight, the drowned 
bell of Port Royal's cathedral, sees the copper pennies 
of bubbles rising from the empty eye-pockets 
of green buccaneers, the parrot fish floating 
from the frayed shoulders of pirates, sea horses 
drawing gowned ladies in their liquid promenade 
across the moss-green meadows of the sea; 
he heard the drowned choirs under Palisadoes, 
a hymn ascending to earth from a heaven inverted 
by water, a crab climbing the steeple, 
and he climbed from that submarine kingdom 
as the evening lights came on in the institute, 
the scholars lamplit in their own aquarium, 
he saw them mouthing like parrot fish, as he passed 
upward from that baptism, their history lessons, 
the bubbles like ideas which he could not break: 
Jamaica was captured by Penn and Venables, 
Port Royal perished in a cataclysmic earthquake. 

Before the coruscating façades of cathedrals 
from Santiago to Caracas, where penitential archbishops 
washed the feet of paupers (a parenthetical moment 
that made the Caribbean a baptismal font, 
turned butterflies to stone, and whitened like doves 
the buzzards circling municipal garbage), 
the Caribbean was borne like an elliptical basin 
in the hands of acolytes, and a people were absolved 
of a history which they did not commit; 
the slave pardoned his whip, and the dispossessed 
said the rosary of islands for three hundred years, 
a hymn that resounded like the hum of the sea 
inside a sea cave, as their knees turned to stone, 
while the bodies of patriots were melting down walls 
still crusted with mute outcries of La Revolucion! 
"San Salvador, pray for us,St. Thomas, San Domingo, 
ora pro nobis, intercede for us, Sancta Lucia 
of no eyes," and when the circular chaplet 
reached the last black bead of Sancta Trinidad 
they began again, their knees drilled into stone, 
where Colon had begun, with San Salvador's bead, 
beads of black colonies round the necks of Indians. 
And while they prayed for an economic miracle, 
ulcers formed on the municipal portraits, 
the hotels went up, and the casinos and brothels, 
and the empires of tobacco, sugar, and bananas, 
until a black woman, shawled like a buzzard, 
climbed up the stairs and knocked at the door 
of his dream, whispering in the ear of the keyhole: 
"Let me in, I'm finished with praying, I'm the Revolution. 
I am the darker, the older America." 

She was as beautiful as a stone in the sunrise, 
her voice had the gutturals of machine guns 
across khaki deserts where the cactus flower 
detonates like grenades, her sex was the slit throat 
of an Indian, her hair had the blue-black sheen of the crow. 
She was a black umbrella blown inside out 
by the wind of revolution, La Madre Dolorosa, 
a black rose of sorrow, a black mine of silence, 
raped wife, empty mother, Aztec virgin 
transfixed by arrows from a thousand guitars, 
a stone full of silence, which, if it gave tongue 
to the tortures done in the name of the Father, 
would curdle the blood of the marauding wolf, 
the fountain of generals, poets, and cripples 
who danced without moving over their graves 
with each revolution; her Caesarean was stitched 
by the teeth of machine guns,and every sunset 
she carried the Caribbean's elliptical basin 
as she had once carried the penitential napkins 
to be the footbath of dictators, Trujillo, Machado, 
and those whose faces had yellowed like posters 
on municipal walls. Now she stroked his hair 
until it turned white, but she would not understand 
that he wanted no other power but peace, 
that he wanted a revolution without any bloodshed, 
he wanted a history without any memory, 
streets without statues, 
and a geography without myth. He wanted no armies 
but those regiments of bananas, thick lances of cane, 
and he sobbed,"I am powerless, except for love." 
She faded from him, because he could not kill; 
she shrunk to a bat that hung day and night 
in the back of his brain. He rose in his dream. 
(to be continued)
Written by Francis Thompson | Create an image from this poem

The Hound of Heaven

 I fled Him down the nights and down the days
I fled Him down the arches of the years
I fled Him down the labyrinthine ways
Of my own mind, and in the midst of tears
I hid from him, and under running laughter.
Up vistaed hopes I sped and shot precipitated
Adown titanic glooms of chasme d hears
From those strong feet that followed, followed after
But with unhurrying chase and unperturbe d pace,
Deliberate speed, majestic instancy,
They beat, and a Voice beat,
More instant than the feet:
All things betray thee who betrayest me.

I pleaded, outlaw--wise by many a hearted casement,
curtained red, trellised with inter-twining charities,
For though I knew His love who followe d,
Yet was I sore adread, lest having Him,
I should have nought beside.
But if one little casement parted wide,
The gust of his approach would clash it to.
Fear wist not to evade as Love wist to pursue.
Across the margent of the world I fled,
And troubled the gold gateways of the stars,
Smiting for shelter on their clange d bars,
Fretted to dulcet jars and silvern chatter
The pale ports of the moon.

I said to Dawn --- be sudden, to Eve --- be soon,
With thy young skiey blossoms heap me over
From this tremendous Lover.
Float thy vague veil about me lest He see.
I tempted all His servitors but to find
My own betrayal in their constancy,
In faith to Him, their fickleness to me,
Their traitorous trueness and their loyal deceit.
To all swift things for swiftness did I sue,
Clung to the whistling mane of every wind,
But whether they swept, smoothly fleet,
The long savannahs of the blue,
Or whether, thunder-driven,
They clanged His chariot thwart a heaven,
Plashy with flying lightnings round the spurn of their feet,
Fear wist not to evade as Love wist to pursue.
Still with unhurrying chase and unperturbed pace
Deliberate speed, majestic instancy,
Came on the following feet, and a Voice above their beat:
Nought shelters thee who wilt not shelter Me.

I sought no more that after which I strayed
In face of Man or Maid.
But still within the little childrens' eyes
Seems something, something that replies,
They at least are for me, surely for me.
But just as their young eyes grew sudden fair,
With dawning answers there,
Their angel plucked them from me by the hair.
Come then, ye other children, Nature's
Share with me, said I, your delicate fellowship.
Let me greet you lip to lip,
Let me twine with you caresses,
Wantoning with our Lady Mother's vagrant tresses,
Banqueting with her in her wind walled palace,
Underneath her azured dai:s,
Quaffing, as your taintless way is,
From a chalice, lucent weeping out of the dayspring.

So it was done.
I in their delicate fellowship was one.
Drew the bolt of Nature's secrecies,
I knew all the swift importings on the wilful face of skies,
I knew how the clouds arise,
Spume d of the wild sea-snortings.
All that's born or dies,
Rose and drooped with,
Made them shapers of mine own moods, or wailful, or Divine.
With them joyed and was bereaven.
I was heavy with the Even,
when she lit her glimmering tapers round the day's dead sanctities.
I laughed in the morning's eyes.
I triumphed and I saddened with all weather,
Heaven and I wept together,
and its sweet tears were salt with mortal mine.
Against the red throb of its sunset heart,
I laid my own to beat
And share commingling heat.

But not by that, by that was eased my human smart.
In vain my tears were wet on Heaven's grey cheek.
For ah! we know what each other says,
these things and I; In sound I speak,
Their sound is but their stir, they speak by silences.
Nature, poor step-dame, cannot slake my drouth.
Let her, if she would owe me
Drop yon blue-bosomed veil of sky
And show me the breasts o' her tenderness.
Never did any milk of hers once bless my thirsting mouth.
Nigh and nigh draws the chase, with unperturbe d pace
Deliberate speed, majestic instancy,
And past those noise d feet, a Voice comes yet more fleet:
Lo, nought contentst thee who content'st nought Me.

Naked, I wait thy Love's uplifted stroke. My harness, piece by piece,
thou'st hewn from me
And smitten me to my knee,
I am defenceless, utterly.
I slept methinks, and awoke.
And slowly gazing, find me stripped in sleep.
In the rash lustihead of my young powers,
I shook the pillaring hours,
and pulled my life upon me.
Grimed with smears,
I stand amidst the dust o' the mounded years--
My mangled youth lies dead beneath the heap.
My days have crackled and gone up in smoke,
Have puffed and burst like sunstarts on a stream.
Yeah, faileth now even dream the dreamer
and the lute, the lutanist.
Even the linked fantasies in whose blossomy twist,
I swung the Earth, a trinket at my wrist,
Have yielded, cords of all too weak account,
For Earth, with heavy grief so overplussed.
Ah! is thy Love indeed a weed,
albeit an Amaranthine weed,
Suffering no flowers except its own to mount?
Ah! must, Designer Infinite,
Ah! must thou char the wood 'ere thou canst limn with it ?
My freshness spent its wavering shower i' the dust.
And now my heart is as a broken fount,
Wherein tear-drippings stagnate, spilt down ever
From the dank thoughts that shiver upon the sighful branches of my
mind.

Such is. What is to be ?
The pulp so bitter, how shall taste the rind ?
I dimly guess what Time in mists confounds,
Yet ever and anon, a trumpet sounds
From the hid battlements of Eternity.
Those shaken mists a space unsettle,
Then round the half-glimpse d turrets, slowly wash again.
But not 'ere Him who summoneth
I first have seen, enwound
With glooming robes purpureal; Cypress crowned.
His name I know, and what his trumpet saith.
Whether Man's Heart or Life it be that yield thee harvest,
Must thy harvest fields be dunged with rotten death ?

Now of that long pursuit,
Comes at hand the bruit.
That Voice is round me like a bursting Sea:
And is thy Earth so marred,
Shattered in shard on shard?
Lo, all things fly thee, for thou fliest me.
Strange, piteous, futile thing;
Wherefore should any set thee love apart?
Seeing none but I makes much of Naught (He said).
And human love needs human meriting ---
How hast thou merited,
Of all Man's clotted clay, the dingiest clot.
Alack! Thou knowest not
How little worthy of any love thou art.
Whom wilt thou find to love ignoble thee,
Save me, save only me?
All which I took from thee, I did'st but take,
Not for thy harms,
But just that thou might'st seek it in my arms.
All which thy childs mistake fancies as lost,
I have stored for thee at Home.
Rise, clasp my hand, and come.
Halts by me that Footfall.
Is my gloom, after all,
Shade of His hand, outstretched caressingly?
Ah, Fondest, Blindest, Weakest,
I am He whom thou seekest.
Thou dravest Love from thee who dravest Me.
Written by Rg Gregory | Create an image from this poem

eight roundels

 (roundel: variation of the rondeau
consisting of three stanzas of three
lines each, linked together with but
two rhymes and a refrain at the end
of the first and third group)



1.
the blind rose

today's fullness is tomorrow's gone
(the next day after no one knows)
last year's dream now feeds upon
 what blindly grows

imagine if you like a rose
on which no likely sun has shone
a darkness chokes it (just suppose)

the die though's cast - a marathon
of hopes endeavours then bestows
dawn's right to spill its colours on
 what blindly grows


2. 
squeaking

there are so few words left now to grow
green on - my vocabulary's stumped
for a hard-edged phrase to let you know
 my truth's not been gazumped

love itself of course is blandly thumped
each time it suits you to imagine no
fruits are guilty for their being scrumped

if you can't be honest with me - better go
if dumped is what you wish then i'll be dumped
excuse me if i go on squeaking though
 my truth's not been gazumped


3. 
ease of mind

the world spins - today i have migraine
the peace i seek is never less than ill
striving's no answer to the bumptious pain
 that is love's overspill

wanting warmth encourages the chill
relaxation breeds its bitter strain
the worst of all crimes is - i love you still

hope itself by nature is inane
i squat in a box dismembered from such will
to let me find the ease of mind again
 that is love's overspill


4. 
a roundel for ptolemy

the earth is not the system's centre- so ok
heliocentric - well our sun's a midget
spawning galaxies blow our minds away
 space then equal to a digit

the mightiest telescope's a widget
science at best hard guessing gone astray
no genius stretch beyond a second's fidget

ptolemy discarded yet may have his say
infinity takes a hologram to bridge it
each shard of us contains the cosmos - 
 space then equal to a digit


5. 
reflection

everything you do is my reflection
the hurts you cause are my pain inside out
blame's no matter for a close inspection
 your guilt turns mine about

love itself is many hands of doubt
it cannot be without it breeds rejection
its silences result in one big shout

i am left with nothing but dejection
what's gold in me has nowhere to get out
love's pride is fatal to correction
 my guilt turns yours about


6. 
the round

the round understands the fluidity of order
how the thing lit up and the shadow can't compete
how the centre is that version of the border
 the moment makes complete

notice each face around a space at times replete
with insights given to no one else as warder
but not condemned when those insights retreat

impermanence is eternity's recorder -
with an intricate sense of pattern power can't delete
the round honours those cracks in the divine disorder
 the moment makes complete 


7. 
the actor

acting is not the true self's dissipation
but not its preening either - outside the role
it honours it best fights shy of reputation -
 being what prometheus stole
it is a distant spark of that first live coal
a conscious glimpse of human desperation
rekindled as a longing to console

the waning spirit or the shattered dedication
actors are allies of the delphic hole
for good or ill they echo human expectation
 being what prometheus stole


8. 
roundels in honour of the round

(i)
when energy was born it asked this question
which way dear parents do i go from here
mum fluttered indifferently (i blame exhaustion)
 dad pointed with his sexual gear

so energy thrust straight ahead and fostered fear
at once its dreaded source became a bastion
too holy to be doubted - mum flipped a gear

she sought revenge on dad for his lewd suggestion
taking too long of course - things went nuclear
the scale of the damage was too much to ingest when
 dad pointed with his sexual gear

(ii)
she sat with her flowing skirt spread out on the earth
and tore the garment into strips from toe to waist
laying them to point around the wide world's girth
 my way the truth flows best

dad laughed his head off at the pointless waste
and energy itself was seized by powerful mirth
perhaps mum's petalled skirt was not well placed

in time mishandled plenty breeds its dearth
dad's roisterous one-way-ism was disgraced
energy began to sense what mum was worth
her way the truth flows best


Written by Robert William Service | Create an image from this poem

The Ballad Of Touch-The-Button Nell

 Beyond the Rocking Bridge it lies, the burg of evil fame,
The huts where hive and swarm and thrive the sisterhood of shame.
Through all the night each cabin light goes out and then goes in,
A blood-red heliograph of lust, a semaphore of sin.
From Dawson Town, soft skulking down, each lewdster seeks his mate;
And glad and bad, kimono clad, the wanton women wait.
The Klondike gossips to the moon, and sinners o'er its bars;
Each silent hill is dark and chill, and chill the patient stars.
Yet hark! upon the Rocking Bridge a bacchanalian step;
A whispered: "Come," the skirl of some hell-raking demirep...

 * * * * * * * * * * *

They gave a dance in Lousetown, and the Tenderloin was there,
The girls were fresh and frolicsome, and nearly all were fair.
They flaunted on their back the spoil of half-a-dozen towns;
And some they blazed in gems of price, and some wore Paris gowns.
The voting was divided as to who might be the belle;
But all opined, the winsomest was Touch-the-Button Nell.

Among the merry mob of men was one who did not dance,
But watched the "light fantastic" with a sour sullen glance.
They saw his white teeth gleam, they saw his thick lips twitch;
They knew him for the giant Slav, one Riley Dooleyvitch.

"Oh Riley Dooleyvitch, come forth," quoth Touch-the-Button Nell,
"And dance a step or two with me - the music's simply swell,"
He crushed her in his mighty arms, a meek, beguiling witch,
"With you, oh Nell, I'd dance to hell," said Riley Dooleyvitch.

He waltzed her up, he waltzed her down, he waltzed her round the hall;
His heart was putty in her hands, his very soul was thrall.
As Antony of old succumbed to Cleopatra's spell,
So Riley Dooleyvitch bowed down to Touch-the-Button Nell.

"And do you love me true?" she cried. "I love you as my life."
"How can you prove your love?" she sighed. "I beg you be my wife.
I stake big pay up Hunker way; some day I be so rich;
I make you shine in satins fine," said Riley Dooleyvitch.

"Some day you'll be so rich," she mocked; "that old pipe-dream don't go.
Who gets an option on this kid must have some coin to show.
You work your ground. When Spring comes round, our wedding bells will ring.
I'm on the square, and I'll take care of all the gold you bring."

So Riley Dooleyvitch went back and worked upon his claim;
He ditched and drifted, sunk and stoped, with one unswerving aim;
And when his poke of raw moose-hide with dust began to swell,
He bought and laid it at the feet of Touch-the-Button Nell.

 * * * * * * * * * * *

Now like all others of her ilk, the lady had a friend,
And what she made my way of trade, she gave to him to spend;
To stake him in a poker game, or pay his bar-room score;
He was a pimp from Paris. and his name was Lew Lamore.

And so as Dooleyvitch went forth and worked as he was bid,
And wrested from the frozen muck the yellow stuff it hid,
And brought it to his Lady Nell, she gave him love galore -
But handed over all her gains to festive Lew Lamore.

 * * * * * * * * * * *

A year had gone, a weary year of strain and bloody sweat;
Of pain and hurt in dark and dirt, of fear that she forget.
He sought once more her cabin door: "I've laboured like a beast;
But now, dear one, the time has come to go before the priest.

"I've brought you gold - a hundred fold I'll bring you bye and bye;
But oh I want you, want you bad; I want you till I die.
Come, quit this life with evil rife - we'll joy while yet we can..."
"I may not wed with you," she said; "I love another man.

"I love him and I hate him so. He holds me in a spell.
He beats me - see my bruisèd brest; he makes my life a hell.
He bleeds me, as by sin and shame I earn my daily bread:
Oh cruel Fate, I cannot mate till Lew Lamore is dead!"

 * * * * * * * * * * *

The long lean flume streaked down the hill, five hundred feet of fall;
The waters in the dam above chafed at their prison wall;
They surged and swept, they churned and leapt, with savage glee and strife;
With spray and spume the dizzy flume thrilled like a thing of life.

"We must be free," the waters cried, and scurried down the slope;
"No power can hold us back," they roared, and hurried in their hope.
Into a mighty pipe they plunged, like maddened steers they ran,
And crashed out through a shard of steel - to serve the will of Man.

And there, by hydraulicking his ground beside a bedrock ditch,
With eye aflame and savage aim was Riley Dooleyvitch.
In long hip-boots and overalls, and dingy denim shirt,
Behind a giant monitor he pounded at the dirt.

A steely shaft of water shot, and smote the face of clay;
It burrowed in the frozen muck, and scooped the dirt away;
It gored the gravel from its bed, it bellowed like a bull;
It hurled the heavy rock aloft like heaps of fleecy wool.

Strength of a hundred men was there, resistess might and skill,
And only Riley Dooleyvitch to swing it at his will.
He played it up, he played it down, nigh deafened by its roar,
'Til suddenly he raised his eyes, and there stood Lew Lamore.

Pig-eyed and heavy jowled he stood and puffed a big cigar;
As cool as though he ruled the roost in some Montmartre bar.
He seemed to say, "I've got a cinch, a double diamond hitch:
I'll skin this Muscovitish oaf, this Riley Dooleyvitch.

He shouted: "Stop ze water gun; it stun me... Sacré damn!
I like to make one beezness deal; you know ze man I am.
Zat leetle girl, she loves me so - I tell you what I do:
You geeve to me zees claim... Jeecrize! I geeve zat girl to you."

"I'll see you damned," says Dooleyvitch; but e'er he checked his tongue,
(It may have been an accident) the little Giant swung;
Swift as a lightning flash it swung, until it plumply bore
And met with an obstruction in the shape of Lew lamore.

It caught him up, and spun him round, and tossed him like a ball;
It played and pawed him in the air, before it let him fall.
Then just to show what it could do, with savage rend and thud,
It ripped the entrails from his spine, and dropped him in the mud.

They gathered up the broken bones, and sadly in a sack,
They bore to town the last remains of Lew Lamore, the macque.
And would you hear the full details of how it all befell,
Ask Missis Riley Dooleyvitch (late Touch-the-Button Nell).
Written by Archibald MacLeish | Create an image from this poem

Baccalaureate

 A year or two, and grey Euripides, 
And Horace and a Lydia or so, 
And Euclid and the brush of Angelo, 
Darwin on man, Vergilius on bees, 
The nose and Dialogues of Socrates, 
Don Quixote, Hudibras and Trinculo, 
How worlds are spawned and where the dead gods go,-- 
All shall be shard of broken memories.

And there shall linger other, magic things,-- 
The fog that creeps in wanly from the sea, 
The rotton harbor smell, the mystery 
Of moonlit elms, the flash of pigeon wings, 
The sunny Green, the old-world peace that clings 
About the college yard, where endlessly 
The dead go up and down. These things shall be 
Enchantment of our heart's rememberings.

And these are more than memories of youth 
Which earth's four winds of pain shall blow away; 
These are earth's symbols of eternal truth, 
Symbols of dream and imagery and flame, 
Symbols of those same verities that play 
Bright through the crumbling gold of a great name.
Written by Rg Gregory | Create an image from this poem

the buddha's tooth

 (for matt – 15)

in the first seven years you choose your howdah
having by then bare inklings of a journey
but where or why - confusion there to cloud a
judgement no more ready than a sore knee
to enter the lists of a whole life’s tourney -
but after this howdah-do (this introduction)
what’s to carry you where - from muddy fluxion

and glimpsing that a howdah does for two
(from seven years on the stirrings can be frantic)
you start to map the high ride (define the view)
and long for gilt and pomp (a touch of tantric)
relationships at best quite sycophantic
you dream of elephants clad in rich brocades
ideas to match your own fanfaronades

at fifteen then you’re really setting out
the sun’s dressed up to let you think life’s bright
your flag’s up front to give you extra clout
the chores are borne below (and out of sight)
you’ve made a noon of every slinking midnight
the continent is yours (let no one mock it)
yours the wheel to which all else a sprocket

in sri lanka in the kandy perahera 
every august in a festival procession
an elephant richly dressed (the stately bearer)
carries on its back in howdah-fashion
a casket (such the grandeur of its mission))
in which the buddha’s sacred tooth’s enshrined
an image that your journey brings to mind

that tooth’s the root of all deep human struggle
and life for each proceeds by that shrined truth
which (clearly seen) yet causes thought to boggle
in what dimension lies the total proof
that that enamelled shard is all-wise tooth
and not a figment of the brain’s rash wish
to puff dull want as in a cloud of hashish

old tooth (your truth) life’s slow (but rushing) voyage
that lonely cavalcade that buzzing dreams spell out
towards elusive man but keep you in your boy-age
a noble sense of self impugned by doubt
and yet (inside you caged) a regal shout
pomp should be there to honour your advancement
and you are right to sip from that entrancement

then be that casket the buddha’s tooth ennobles
have that howdah’s view of how dah world grows
choose your elephant well to ride your troubles
(let flag and rich brocade shine through such woes)
what others think can’t hurt what your heart knows
it’s a bumpy business this festive spirit’s trek
a well-sprung joy best cushion for your neck
Written by Ralph Waldo Emerson | Create an image from this poem

Two Rivers

 Thy summer voice, Musketaquit, 
Repeats the music of the rain; 
But sweeter rivers pulsing flit 
Through thee, as thou through the Concord Plain. 
Thou in thy narrow banks art pent: 
The stream I love unbounded goes 
Through flood and sea and firmament; 
Through light, through life, it forward flows. 

I see the inundation sweet, 
I hear the spending of the steam 
Through years, through men, through Nature fleet, 
Through love and thought, through power and dream. 

Musketaquit, a goblin strong, 
Of shard and flint makes jewels gay; 
They lose their grief who hear his song, 
And where he winds is the day of day. 

So forth and brighter fares my stream,-- 
Who drink it shall not thirst again; 
No darkness taints its equal gleam, 
And ages drop in it like rain.
Written by William Vaughn Moody | Create an image from this poem

The Daguerreotype

 This, then, is she, 
My mother as she looked at seventeen, 
When she first met my father. Young incredibly, 
Younger than spring, without the faintest trace 
Of disappointment, weariness, or tean 
Upon the childlike earnestness and grace 
Of the waiting face. 
Those close-wound ropes of pearl 
(Or common beads made precious by their use) 
Seem heavy for so slight a throat to wear; 
But the low bodice leaves the shoulders bare 
And half the glad swell of the breast, for news 
That now the woman stirs within the girl. 
And yet, 
Even so, the loops and globes 
Of beaten gold 
And jet 
Hung, in the stately way of old, 
From the ears' drooping lobes 
On festivals and Lord's-day of the week, 
Show all too matron-sober for the cheek, -- 
Which, now I look again, is perfect child, 
Or no -- or no -- 't is girlhood's very self, 
Moulded by some deep, mischief-ridden elf 
So meek, so maiden mild, 
But startling the close gazer with the sense 
Of passions forest-shy and forest-wild, 
And delicate delirious merriments. 

As a moth beats sidewise 
And up and over, and tries 
To skirt the irresistible lure 
Of the flame that has him sure, 
My spirit, that is none too strong to-day, 
Flutters and makes delay, -- 
Pausing to wonder on the perfect lips, 
Lifting to muse upon the low-drawn hair 
And each hid radiance there, 
But powerless to stem the tide-race bright, 
The vehement peace which drifts it toward the light 
Where soon -- ah, now, with cries 
Of grief and giving-up unto its gain 
It shrinks no longer nor denies, 
But dips 
Hurriedly home to the exquisite heart of pain, -- 
And all is well, for I have seen them plain, 
The unforgettable, the unforgotten eyes! 
Across the blinding gush of these good tears 
They shine as in the sweet and heavy years 
When by her bed and chair 
We children gathered jealously to share 
The sunlit aura breathing myrrh and thyme, 
Where the sore-stricken body made a clime 
Gentler than May and pleasanter than rhyme, 
Holier and more mystical than prayer. 

God, how thy ways are strange! 
That this should be, even this, 
The patient head 
Which suffered years ago the dreary change! 
That these so dewy lips should be the same 
As those I stooped to kiss 
And heard my harrowing half-spoken name, 
A little ere the one who bowed above her, 
Our father and her very constant lover, 
Rose stoical, and we knew that she was dead. 
Then I, who could not understand or share 
His antique nobleness, 
Being unapt to bear 
The insults which time flings us for our proof, 
Fled from the horrible roof 
Into the alien sunshine merciless, 
The shrill satiric fields ghastly with day, 
Raging to front God in his pride of sway 
And hurl across the lifted swords of fate 
That ringed Him where He sat 
My puny gage of scorn and desolate hate 
Which somehow should undo Him, after all! 
That this girl face, expectant, virginal, 
Which gazes out at me 
Boon as a sweetheart, as if nothing loth 
(Save for the eyes, with other presage stored) 
To pledge me troth, 
And in the kingdom where the heart is lord 
Take sail on the terrible gladness of the deep 
Whose winds the gray Norns keep, -- 
That this should be indeed 
The flesh which caught my soul, a flying seed, 
Out of the to and fro 
Of scattering hands where the seedsman Mage, 
Stooping from star to star and age to age 
Sings as he sows! 
That underneath this breast 
Nine moons I fed 
Deep of divine unrest, 
While over and over in the dark she said, 
"Blessed! but not as happier children blessed" -- 
That this should be 
Even she . . . 
God, how with time and change 
Thou makest thy footsteps strange! 
Ah, now I know 
They play upon me, and it is not so. 
Why, 't is a girl I never saw before, 
A little thing to flatter and make weep, 
To tease until her heart is sore, 
Then kiss and clear the score; 
A gypsy run-the-fields, 
A little liberal daughter of the earth, 
Good for what hour of truancy and mirth 
The careless season yields 
Hither-side the flood of the year and yonder of the neap; 
Then thank you, thanks again, and twenty light good-byes. -- 
O shrined above the skies, 
Frown not, clear brow, 
Darken not, holy eyes! 
Thou knowest well I know that it is thou 
Only to save me from such memories 
As would unman me quite, 
Here in this web of strangeness caught 
And prey to troubled thought 
Do I devise 
These foolish shifts and slight; 
Only to shield me from the afflicting sense 
Of some waste influence 
Which from this morning face and lustrous hair 
Breathes on me sudden ruin and despair. 
In any other guise, 
With any but this girlish depth of gaze, 
Your coming had not so unsealed and poured 
The dusty amphoras where I had stored 
The drippings of the winepress of my days. 
I think these eyes foresee, 
Now in their unawakened virgin time, 
Their mother's pride in me, 
And dream even now, unconsciously, 
Upon each soaring peak and sky-hung lea 
You pictured I should climb. 
Broken premonitions come, 
Shapes, gestures visionary, 
Not as once to maiden Mary 
The manifest angel with fresh lilies came 
Intelligibly calling her by name; 
But vanishingly, dumb, 
Thwarted and bright and wild, 
As heralding a sin-defiled, 
Earth-encumbered, blood-begotten, passionate man-child, 
Who yet should be a trump of mighty call 
Blown in the gates of evil kings 
To make them fall; 
Who yet should be a sword of flame before 
The soul's inviolate door 
To beat away the clang of hellish wings; 
Who yet should be a lyre 
Of high unquenchable desire 
In the day of little things. -- 
Look, where the amphoras, 
The yield of many days, 
Trod by my hot soul from the pulp of self, 
And set upon the shelf 
In sullen pride 
The Vineyard-master's tasting to abide -- 
O mother mine! 
Are these the bringings-in, the doings fine, 
Of him you used to praise? 
Emptied and overthrown 
The jars lie strown. 
These, for their flavor duly nursed, 
Drip from the stopples vinegar accursed; 
These, I thought honied to the very seal, 
Dry, dry, -- a little acid meal, 
A pinch of mouldy dust, 
Sole leavings of the amber-mantling must; 
These, rude to look upon, 
But flasking up the liquor dearest won, 
Through sacred hours and hard, 
With watching and with wrestlings and with grief, 
Even of these, of these in chief, 
The stale breath sickens reeking from the shard. 
Nothing is left. Aye, how much less than naught! 
What shall be said or thought 
Of the slack hours and waste imaginings, 
The cynic rending of the wings, 
Known to that froward, that unreckoning heart 
Whereof this brewage was the precious part, 
Treasured and set away with furtive boast? 
O dear and cruel ghost, 
Be merciful, be just! 
See, I was yours and I am in the dust. 
Then look not so, as if all things were well! 
Take your eyes from me, leave me to my shame, 
Or else, if gaze they must, 
Steel them with judgment, darken them with blame; 
But by the ways of light ineffable 
You bade me go and I have faltered from, 
By the low waters moaning out of hell 
Whereto my feet have come, 
Lay not on me these intolerable 
Looks of rejoicing love, of pride, of happy trust! 

Nothing dismayed? 
By all I say and all I hint not made 
Afraid? 
O then, stay by me! Let 
These eyes afflict me, cleanse me, keep me yet, 
Brave eyes and true! 
See how the shrivelled heart, that long has lain 
Dead to delight and pain, 
Stirs, and begins again 
To utter pleasant life, as if it knew 
The wintry days were through; 
As if in its awakening boughs it heard 
The quick, sweet-spoken bird. 
Strong eyes and brave, 
Inexorable to save!

Book: Reflection on the Important Things