Written by
Andrew Barton Paterson |
"HALT! Who goes there?” The sentry’s call
Rose on the midnight air
Above the noises of the camp,
The roll of wheels, the horses’ tramp.
The challenge echoed over all—
“Halt! Who goes there?”
A quaint old figure clothed in white,
He bore a staff of pine,
An ivy-wreath was on his head.
“Advance, oh friend,” the sentry said,
“Advance, for this is Christmas night,
And give the countersign.
”
“No sign nor countersign have I,
Through many lands I roam
The whole world over far and wide,
To exiles all at Christmastide,
From those who love them tenderly
I bring a thought of home.
“From English brook and Scottish burn,
From cold Canadian snows,
From those far lands ye hold most dear
I bring you all a greeting here,
A frond of a New Zealand fern,
A bloom of English rose.
“From faithful wife and loving lass
I bring a wish divine,
For Christmas blessings on your head.
”
“I wish you well,” the sentry said,
“But here, alas! you may not pass
Without the countersign.
”
He vanished—and the sentry’s tramp
Re-echoed down the line.
It was not till the morning light
The soldiers knew that in the night
Old Santa Claus had come to camp
Without the countersign.
|
Written by
Louise Gluck |
Little soul, little perpetually undressed one,
Do now as I bid you, climb
The shelf-like branches of the spruce tree;
Wait at the top, attentive, like
A sentry or look-out.
He will be home soon;
It behooves you to be
Generous.
You have not been completely
Perfect either; with your troublesome body
You have done things you shouldn't
Discuss in poems.
Therefore
Call out to him over the open water, over the bright
Water
With your dark song, with your grasping,
Unnatural song--passionate,
Like Maria Callas.
Who
Wouldn't want you? Whose most demonic appetite
Could you possibly fail to answer? Soon
He will return from wherever he goes in the
Meantime,
Suntanned from his time away, wanting
His grilled chicken.
Ah, you must greet him,
You must shake the boughs of the tree
To get his attention,
But carefully, carefully, lest
His beautiful face be marred
By too many falling needles.
|
Written by
Robert William Service |
No, Bill, I'm not a-spooning out no patriotic tosh
(The cove be'ind the sandbags ain't a death-or-glory cuss).
And though I strafes 'em good and 'ard I doesn't 'ate the Boche,
I guess they're mostly decent, just the same as most of us.
I guess they loves their 'omes and kids as much as you or me;
And just the same as you or me they'd rather shake than fight;
And if we'd 'appened to be born at Berlin-on-the-Spree,
We'd be out there with 'Ans and Fritz, dead sure that we was right.
A-standin' up to the sandbags
It's funny the thoughts wot come;
Starin' into the darkness,
'Earin' the bullets 'um;
(Zing! Zip! Ping! Rip!
'ark 'ow the bullets 'um!)
A-leanin' against the sandbags
Wiv me rifle under me ear,
Oh, I've 'ad more thoughts on a sentry-go
Than I used to 'ave in a year.
I wonder, Bill, if 'Ans and Fritz is wonderin' like me
Wot's at the bottom of it all? Wot all the slaughter's for?
'E thinks 'e's right (of course 'e ain't) but this we both agree,
If them as made it 'ad to fight, there wouldn't be no war.
If them as lies in feather beds while we kips in the mud;
If them as makes their fortoons while we fights for 'em like 'ell;
If them as slings their pot of ink just 'ad to sling their blood:
By Crust! I'm thinkin' there 'ud be another tale to tell.
Shiverin' up to the sandbags,
With a hicicle 'stead of a spine,
Don't it seem funny the things you think
'Ere in the firin' line:
(Whee! Whut! Ziz! Zut!
Lord! 'ow the bullets whine!)
Hunkerin' down when a star-shell
Cracks in a sputter of light,
You can jaw to yer soul by the sandbags
Most any old time o' night.
They talks o' England's glory and a-'oldin' of our trade,
Of Empire and 'igh destiny until we're fair flim-flammed;
But if it's for the likes o' that that bloody war is made,
Then wot I say is: Empire and 'igh destiny be damned!
There's only one good cause, Bill, for poor blokes like us to fight:
That's self-defence, for 'earth and 'ome, and them that bears our name;
And that's wot I'm a-doin' by the sandbags 'ere to-night.
.
.
.
But Fritz out there will tell you 'e's a-doin' of the same.
Starin' over the sandbags,
Sick of the 'ole damn thing;
Firin' to keep meself awake,
'Earin' the bullets sing.
(Hiss! Twang! Tsing! Pang!
Saucy the bullets sing.
)
Dreamin' 'ere by the sandbags
Of a day when war will cease,
When 'Ans and Fritz and Bill and me
Will clink our mugs in fraternity,
And the Brotherhood of Labour will be
The Brotherhood of Peace.
|
Written by
Wilfred Owen |
We'd found an old Boche dug-out, and he knew,
And gave us hell, for shell on frantic shell
Hammered on top, but never quite burst through.
Rain, guttering down in waterfalls of slime
Kept slush waist high, that rising hour by hour,
Choked up the steps too thick with clay to climb.
What murk of air remained stank old, and sour
With fumes of whizz-bangs, and the smell of men
Who'd lived there years, and left their curse in the den,
If not their corpses.
.
.
.
There we herded from the blast
Of whizz-bangs, but one found our door at last.
Buffeting eyes and breath, snuffing the candles.
And thud! flump! thud! down the steep steps came thumping
And splashing in the flood, deluging muck --
The sentry's body; then his rifle, handles
Of old Boche bombs, and mud in ruck on ruck.
We dredged him up, for killed, until he whined
"O sir, my eyes -- I'm blind -- I'm blind, I'm blind!"
Coaxing, I held a flame against his lids
And said if he could see the least blurred light
He was not blind; in time he'd get all right.
"I can't," he sobbed.
Eyeballs, huge-bulged like squids
Watch my dreams still; but I forgot him there
In posting next for duty, and sending a scout
To beg a stretcher somewhere, and floundering about
To other posts under the shrieking air.
Those other wretches, how they bled and spewed,
And one who would have drowned himself for good, --
I try not to remember these things now.
Let dread hark back for one word only: how
Half-listening to that sentry's moans and jumps,
And the wild chattering of his broken teeth,
Renewed most horribly whenever crumps
Pummelled the roof and slogged the air beneath --
Through the dense din, I say, we heard him shout
"I see your lights!" But ours had long died out.
|
Written by
George Herbert |
1 My Soul, there is a country
2 Afar beyond the stars,
3 Where stands a winged sentry
4 All skillful in the wars;
5 There, above noise and danger
6 Sweet Peace sits, crown'd with smiles,
7 And One born in a manger
8 Commands the beauteous files.
9 He is thy gracious friend
10 And (O my Soul awake!)
11 Did in pure love descend,
12 To die here for thy sake.
13 If thou canst get but thither,
14 There grows the flow'r of peace,
15 The rose that cannot wither,
16 Thy fortress, and thy ease.
17 Leave then thy foolish ranges,
18 For none can thee secure,
19 But One, who never changes,
20 Thy God, thy life, thy cure.
|
Written by
Mihai Eminescu |
Two candles, tall sentry, beside an earth mound,
A dream with wings broken that trail to the ground,
Loud flung from the belfry calamitous chime.
.
.
'Tis thus that you passed o'er the bound'ries of time.
Gone by are the hours when the heavens entire
Flowed rivers of milk and grew flowers of fire,
When the thunderous clouds were but castles erect
Which the moon like a queen each in turn did inspect.
I see you a shadow bright silver transcending,
With wings high uplifted to heaven ascending,
I see you slow climbing through the sky's scaffold bars
Midst a tempest of light and a snowstorm of stars;
While the witches the sound of their spinning prolong,
Exalted in sunshine, swept up by a song,
O'er your breast like a saint you white arms crossed in prayer,
And gold on the water, and silver in the air.
I see your soul's parting, its flight I behold;
Then glaze at the clay that remains .
.
.
mute and cold,
At the winding-sheet clung to the coffin's rude sill,
At your smile sweet and candid, that seems alive still.
And i ask times unending my soul torn with doubt,
O why, pallid angel, your light has gone out,
For were you not blameless and wonderfully fair ?
Have you gone to rekindle a star in despair ?
I fancy on high there are wings without name,
Broad rivers of fire spanned by bridges of flame,
Strange castles that spires till the zenith up fling,
With stairways of incense and flowers that sing.
And you wonder among them, a worshipful queen,
With hair of bright starlight and eyes vespertine,
In a tunic of turquoise bespattered with gold,
While a wreath of green laurels does your forehead enfold.
O, death is a chaos, an ocean of stars gleaming,
While life is a quagmire of doubts and of dreaming,
Oh, death is an aeon of sun-blazoned spheres,
While life but a legend of wailing and tears.
Trough my head beats a whirlwind, a clamorous wrangle
Of thoughts and of dreams that despair does entangle;
For when suns are extinguished and meteors fail
The whole universe seems to mean nothing at all.
Maybe that one day the arched heavens will sunder,
And down through their break all the emptiness thunder,
Void's night o'er the earth its vast nothing extending,
The loot of an instant of death without ending.
If so, then forever your flame did succumb,
And forever your voice from today will be dumb.
If so, then hereafter can bring no rebirth.
If so, then this angel was nothing but earth.
And thus, lovely soil that breath has departed,
I stand by your coffin alone broken-hearted;
And yet i don't weep, rather praise for its fleeing
Your ray softly crept from this chaos of being.
For who shell declare which is ill and which well,
The is, or the isn't ? Can anyone tell ?
For he who is not, even grief can't destroy,
And oft is the grieving, and seldom the joy.
To exist! O, what nonsense, what foolish conceit;
Our eyes but deceive us, our ears but cheat,
What this age discovers, the next will deny,
For better just nothing than naught a lie.
I see dreams in men's clothing that after dreams chase,
But that tumble in tombs ere the end of the race,
And i search in may soul how this horror to fly,
To laugh like a madman ? To curse ? Or to cry ?
O, what is the meaning ? What sense does agree ?
The end of such beauty, had that what to be ?
Sweet seraph of clay where still lingers life's smile,
Just in order to die did you live for a while ?
O, tell me the meaning.
This angel or clod ?
I find on her forehead no witness of God.
English version by Corneliu M.
Popescu
Transcribed by Ana- Maria Ene
School No.
10, Focsani, Romania
|
Written by
Rudyard Kipling |
When the flush of a new-born sun fell first on Eden's green and gold,
Our father Adam sat under the Tree and scratched with a stick in the mould;
And the first rude sketch that the world had seen was joy to his mighty heart,
Till the Devil whispered behind the leaves, "It's pretty, but is it Art?"
Wherefore he called to his wife, and fled to fashion his work anew --
The first of his race who cared a fig for the first, most dread review;
And he left his lore to the use of his sons -- and that was a glorious gain
When the Devil chuckled "Is it Art?" in the ear of the branded Cain.
They fought and they talked in the North and the South, they talked and they fought in the West,
Till the waters rose on the pitiful land, and the poor Red Clay had rest --
Had rest till that dank blank-canvas dawn when the dove was preened to start,
And the Devil bubbled below the keel: "It's human, but is it Art?"
They builded a tower to shiver the sky and wrench the stars apart,
Till the Devil grunted behind the bricks: "It's striking, but is it Art?"
The stone was dropped at the quarry-side and the idle derrick swung,
While each man talked of the aims of Art, and each in an alien tongue.
The tale is as old as the Eden Tree -- and new as the new-cut tooth --
For each man knows ere his lip-thatch grows he is master of Art and Truth;
And each man hears as the twilight nears, to the beat of his dying heart,
The Devil drum on the darkened pane: "You did it, but was it Art?"
We have learned to whittle the Eden Tree to the shape of a surplice-peg,
We have learned to bottle our parents twain in the yelk of an addled egg,
We know that the tail must wag the dog, for the horse is drawn by the cart;
But the Devil whoops, as he whooped of old: "It's clever, but is it Art?"
When the flicker of London sun falls faint on the Club-room's green and gold,
The sons of Adam sit them down and scratch with their pens in the mould --
They scratch with their pens in the mould of their graves, and the ink and the anguish start,
For the Devil mutters behind the leaves: "It's pretty, but is it Art?"
Now, if we could win to the Eden Tree where the Four Great Rivers flow,
And the Wreath of Eve is red on the turf as she left it long ago,
And if we could come when the sentry slept and softly scurry through,
By the favour of God we might know as much -- as our father Adam knew!
|
Written by
Alec Derwent (A D) Hope |
What pleasures have great princes? These: to know
Themselves reputed mad with pride or power;
To speak few words -- few words and short bring low
This ancient house, that city with flame devour;
To make old men, their father's enemies,
Drunk on the vintage of the former age;
To have great painters show their mistresses
Naked to the succeeding time; engage
The cunning of able, treacherous ministers
To serve, despite themselves, the cause they hate,
And leave a prosperous kingdom to their heirs
Nursed by the caterpillars of the state;
To keep their spies in good men's hearts; to read
The malice of the wise, and act betimes;
To hear the Grand Remonstrances of greed
Led by the pure; cheat justice of her crimes;
To beget worthless sons and, being old,
By starlight climb the battlements, and while
The pacing sentry hugs himself for cold,
Keep vigil like a lover, muse and smile,
And think, to see from the grim castle steep
The midnight city below rejoice and shine:
"There my great demon grumbles in his sleep
And dreams of his destruction, and of mine.
"
|
Written by
Walt Whitman |
1
O sight of shame, and pain, and dole!
O fearful thought—a convict Soul!
RANG the refrain along the hall, the prison,
Rose to the roof, the vaults of heaven above,
Pouring in floods of melody, in tones so pensive, sweet and strong, the like whereof was
never
heard,
Reaching the far-off sentry, and the armed guards, who ceas’d their pacing,
Making the hearer’s pulses stop for extasy and awe.
2 O sight of pity, gloom, and dole!
O pardon me, a hapless Soul!
The sun was low in the west one winter day,
When down a narrow aisle, amid the thieves and outlaws of the land,
(There by the hundreds seated, sear-faced murderers, wily counterfeiters,
Gather’d to Sunday church in prison walls—the keepers round,
Plenteous, well-arm’d, watching, with vigilant eyes,)
All that dark, cankerous blotch, a nation’s criminal mass,
Calmly a Lady walk’d, holding a little innocent child by either hand,
Whom, seating on their stools beside her on the platform,
She, first preluding with the instrument, a low and musical prelude,
In voice surpassing all, sang forth a quaint old hymn.
3THE HYMN.
A Soul, confined by bars and bands,
Cries, Help! O help! and wrings her hands;
Blinded her eyes—bleeding her breast,
Nor pardon finds, nor balm of rest.
O sight of shame, and pain, and dole!
O fearful thought—a convict Soul!
Ceaseless, she paces to and fro;
O heart-sick days! O nights of wo!
Nor hand of friend, nor loving face;
Nor favor comes, nor word of grace.
O sight of pity, gloom, and dole!
O pardon me, a hapless Soul!
It was not I that sinn’d the sin,
The ruthless Body dragg’d me in;
Though long I strove courageously,
The Body was too much for me.
O Life! no life, but bitter dole!
O burning, beaten, baffled Soul!
(Dear prison’d Soul, bear up a space,
For soon or late the certain grace;
To set thee free, and bear thee home,
The Heavenly Pardoner, Death shall come.
Convict no more—nor shame, nor dole!
Depart! a God-enfranchis’d Soul!)
4The singer ceas’d;
One glance swept from her clear, calm eyes, o’er all those upturn’d faces;
Strange sea of prison faces—a thousand varied, crafty, brutal, seam’d and
beauteous
faces;
Then rising, passing back along the narrow aisle between them,
While her gown touch’d them, rustling in the silence,
She vanish’d with her children in the dusk.
5While upon all, convicts and armed keepers, ere they stirr’d,
(Convict forgetting prison, keeper his loaded pistol,)
A hush and pause fell down, a wondrous minute,
With deep, half-stifled sobs, and sound of bad men bow’d, and moved to weeping,
And youth’s convulsive breathings, memories of home,
The mother’s voice in lullaby, the sister’s care, the happy childhood,
The long-pent spirit rous’d to reminiscence;
—A wondrous minute then—But after, in the solitary night, to many, many there,
Years after—even in the hour of death—the sad refrain—the tune, the voice,
the
words,
Resumed—the large, calm Lady walks the narrow aisle,
The wailing melody again—the singer in the prison sings:
O sight of shame, and pain, and dole!
O fearful thought—a convict Soul!
|
Written by
William Topaz McGonagall |
'Twas in the United States of America some years ago
An aged father sat at his fireside with his heart full of woe,
And talking to his neighbour, Mr Allan, about his boy Bennie
That was to be shot because found asleep doing sentinel duty.
"Inside of twenty-four hours, the telegram said,
And, oh! Mr Allan, he's dead, I am afraid.
Where is my brave Bennie now to me is a mystery.
"
"We will hope with his heavenly Father," said Mr Allen, soothingly.
"Yes, let us hope God is very merciful," said Mr Allan.
"Yes, yes," said Bennie's father, "my Bennie was a good man.
He said, 'Father, I'll go and fight for my country.
Go, then, Bennie,' I said, 'and God be with ye.
' "
Little Blossom, Bennie's sister, sat listening with a blanched cheek,
Poor soul, but she didn't speak,
Until a gentle tap was heard at the kitchen door,
Then she arose quickly and tripped across the floor.
And opening the door, she received a letter from a neighbour's hand,
And as she looked upon it in amazement she did stand.
Then she cried aloud, "It is from my brother Bennie.
Yes, it is, dear father, as you can see.
"
And as his father gazed upon it he thought Bennie was dead,
Then he handed the letter to Mr Allan and by him it was read,
And the minister read as follows: "Dear father, when this you see
I shall be dead and in eternity.
"And, dear father, at first it seemed awful to me
The thought of being launched into eternity.
But, dear father, I'm resolved to die like a man,
And keep up my courage and do the best I can.
"You know I promised Jemmie Carr's mother to look after her boy,
Who was his mother's pet and only joy.
But one night while on march Jemmie turned sick,
And if I hadn't lent him my arm he'd have dropped very quick.
"And that night it was Jemmie's turn to be sentry,
And take poor Jemmie's place I did agree,
But I couldn't keep awake, father, I'm sorry to relate,
And I didn't know it, well, until it was too late.
"Good-bye, dear father, God seems near me,
But I'm not afraid now to be launched into eternity.
No, dear father, I'm going to a world free from strife,
And see my Saviour there in a better, better life.
"
That night, softly, little Blossom, Bennie's sister, stole out
And glided down the footpath without any doubt.
She was on her way to Washington, with her heart full of woe,
To try and save her brother's life, blow high, blow low.
And when Blossom appeared before President Lincoln,
Poor child, she was looking very woebegone.
Then the President said, "My child, what do you want with me?"
"Please, Bennie's life, sir," she answered timidly.
"Jemmie was sick, sir, and my brother took his place.
"
"What is this you say, child? Come here and let me see your face.
"
Then she handed him Bennie's letter, and he read if carefully,
And taking up his pen he wrote a few lines hastily.
Then he said to Blossom, "To-morrow, Bennie will go with you.
"
And two days after this interview
Bennie and Blossom took their way to their green mountain home,
And poor little Blossom was footsore, but she didn't moan.
And a crowd gathered at the mill depot to welcome them back,
And to grasp the hand of his boy, Farmer Owen wasn't slack,
And tears flowed down his cheeks as he said fervently,
"The Lord be praised for setting my dear boy free.
"
|