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Written by Kahlil Gibran | Create an image from this poem

A Poets Voice XV

 Part One


The power of charity sows deep in my heart, and I reap and gather the wheat in bundles and give them to the hungry.
My soul gives life to the grapevine and I press its bunches and give the juice to the thirsty.
Heaven fills my lamp with oil and I place it at my window to direct the stranger through the dark.
I do all these things because I live in them; and if destiny should tie my hands and prevent me from so doing, then death would be my only desire.
For I am a poet, and if I cannot give, I shall refuse to receive.
Humanity rages like a tempest, but I sigh in silence for I know the storm must pass away while a sigh goes to God.
Human kinds cling to earthly things, but I seek ever to embrace the torch of love so it will purify me by its fire and sear inhumanity from my heart.
Substantial things deaden a man without suffering; love awakens him with enlivening pains.
Humans are divided into different clans and tribes, and belong to countries and towns.
But I find myself a stranger to all communities and belong to no settlement.
The universe is my country and the human family is my tribe.
Men are weak, and it is sad that they divide amongst themselves.
The world is narrow and it is unwise to cleave it into kingdoms, empires, and provinces.
Human kinds unite themselves one to destroy the temples of the soul, and they join hands to build edifices for earthly bodies.
I stand alone listening to the voice of hope in my deep self saying, "As love enlivens a man's heart with pain, so ignorance teaches him the way of knowledge.
" Pain and ignorance lead to great joy and knowledge because the Supreme Being has created nothing vain under the sun.
Part Two I have a yearning for my beautiful country, and I love its people because of their misery.
But if my people rose, stimulated by plunder and motivated by what they call "patriotic spirit" to murder, and invaded my neighbor's country, then upon the committing of any human atrocity I would hate my people and my country.
I sing the praise of my birthplace and long to see the home of my children; but if the people in that home refused to shelter and feed the needy wayfarer, I would convert my praise into anger and my longing to forgetfulness.
My inner voice would say, "The house that does not comfort the need is worthy of naught by destruction.
" I love my native village with some of my love for my country; and I love my country with part of my love for the earth, all of which is my country; and I love the earth will all of myself because it is the haven of humanity, the manifest spirit of God.
Humanity is the spirit of the Supreme Being on earth, and that humanity is standing amidst ruins, hiding its nakedness behind tattered rags, shedding tears upon hollow cheeks, and calling for its children with pitiful voice.
But the children are busy singing their clan's anthem; they are busy sharpening the swords and cannot hear the cry of their mothers.
Humanity appeals to its people but they listen not.
Were one to listen, and console a mother by wiping her tears, other would say, "He is weak, affected by sentiment.
" Humanity is the spirit of the Supreme Being on earth, and that Supreme Being preaches love and good-will.
But the people ridicule such teachings.
The Nazarene Jesus listened, and crucifixion was his lot; Socrates heard the voice and followed it, and he too fell victim in body.
The followers of The Nazarene and Socrates are the followers of Deity, and since people will not kill them, they deride them, saying, "Ridicule is more bitter than killing.
" Jerusalem could not kill The Nazarene, nor Athens Socrates; they are living yet and shall live eternally.
Ridicule cannot triumph over the followers of Deity.
They live and grow forever.
Part Three Thou art my brother because you are a human, and we both are sons of one Holy Spirit; we are equal and made of the same earth.
You are here as my companion along the path of life, and my aid in understanding the meaning of hidden Truth.
You are a human, and, that fact sufficing, I love you as a brother.
You may speak of me as you choose, for Tomorrow shall take you away and will use your talk as evidence for his judgment, and you shall receive justice.
You may deprive me of whatever I possess, for my greed instigated the amassing of wealth and you are entitled to my lot if it will satisfy you.
You may do unto me whatever you wish, but you shall not be able to touch my Truth.
You may shed my blood and burn my body, but you cannot kill or hurt my spirit.
You may tie my hands with chains and my feet with shackles, and put me in the dark prison, but who shall not enslave my thinking, for it is free, like the breeze in the spacious sky.
You are my brother and I love you.
I love you worshipping in your church, kneeling in your temple, and praying in your mosque.
You and I and all are children of one religion, for the varied paths of religion are but the fingers of the loving hand of the Supreme Being, extended to all, offering completeness of spirit to all, anxious to receive all.
I love you for your Truth, derived from your knowledge; that Truth which I cannot see because of my ignorance.
But I respect it as a divine thing, for it is the deed of the spirit.
Your Truth shall meet my Truth in the coming world and blend together like the fragrance of flowers and becoming one whole and eternal Truth, perpetuating and living in the eternity of Love and Beauty.
I love you because you are weak before the strong oppressor, and poor before the greedy rich.
For these reasons I shed tears and comfort you; and from behind my tears I see you embraced in the arms of Justice, smiling and forgiving your persecutors.
You are my brother and I love you.
Part Four You are my brother, but why are you quarreling with me? Why do you invade my country and try to subjugate me for the sake of pleasing those who are seeking glory and authority? Why do you leave your wife and children and follow Death to the distant land for the sake of those who buy glory with your blood, and high honor with your mother's tears? Is it an honor for a man to kill his brother man? If you deem it an honor, let it be an act of worship, and erect a temple to Cain who slew his brother Abel.
Is self-preservation the first law of Nature? Why, then, does Greed urge you to self-sacrifice in order only to achieve his aim in hurting your brothers? Beware, my brother, of the leader who says, "Love of existence obliges us to deprive the people of their rights!" I say unto you but this: protecting others' rights is the noblest and most beautiful human act; if my existence requires that I kill others, then death is more honorable to me, and if I cannot find someone to kill me for the protection of my honor, I will not hesitate to take my life by my own hands for the sake of Eternity before Eternity comes.
Selfishness, my brother, is the cause of blind superiority, and superiority creates clanship, and clanship creates authority which leads to discord and subjugation.
The soul believes in the power of knowledge and justice over dark ignorance; it denies the authority that supplies the swords to defend and strengthen ignorance and oppression - that authority which destroyed Babylon and shook the foundation of Jerusalem and left Rome in ruins.
It is that which made people call criminals great mean; made writers respect their names; made historians relate the stories of their inhumanity in manner of praise.
The only authority I obey is the knowledge of guarding and acquiescing in the Natural Law of Justice.
What justice does authority display when it kills the killer? When it imprisons the robber? When it descends on a neighborhood country and slays its people? What does justice think of the authority under which a killer punishes the one who kills, and a thief sentences the one who steals? You are my brother, and I love you; and Love is justice with its full intensity and dignity.
If justice did not support my love for you, regardless of your tribe and community, I would be a deceiver concealing the ugliness of selfishness behind the outer garment of pure love.
Conclusion My soul is my friend who consoles me in misery and distress of life.
He who does not befriend his soul is an enemy of humanity, and he who does not find human guidance within himself will perish desperately.
Life emerges from within, and derives not from environs.
I came to say a word and I shall say it now.
But if death prevents its uttering, it will be said tomorrow, for tomorrow never leaves a secret in the book of eternity.
I came to live in the glory of love and the light of beauty, which are the reflections of God.
I am here living, and the people are unable to exile me from the domain of life for they know I will live in death.
If they pluck my eyes I will hearken to the murmers of love and the songs of beauty.
If they close my ears I will enjoy the touch of the breeze mixed with the incebse of love and the fragrance of beauty.
If they place me in a vacuum, I will live together with my soul, the child of love and beauty.
I came here to be for all and with all, and what I do today in my solitude will be echoed by tomorrow to the people.
What I say now with one heart will be said tomorrow by many hearts


Written by Dejan Stojanovic | Create an image from this poem

Simplicity

The most complicated skill 
Is to be simple.
To say more while saying less Is the secret of being simple.
To not say all that can be said Is the secret of discipline and economy.
To leave out beautiful sunsets Is the secret of good taste.
To hide feelings when you are near crying Is the secret of dignity.
To cut and tighten sentences Is the secret of mastery.
To keep the air fresh among words Is the secret of verbal cleanliness.
To write good poems Is the secret of brevity.
To go against the grain Is the secret of bravery.
To risk life to save a smile on a face of a woman or a child Is the secret of chivalry.
To go where no one else has ever gone before Is the secret of heroism.
To expect to be kissed having bad breath Is the secret of a fool.
Words rich in meaning Can be cheap in sound effects.
Written by Sharon Olds | Create an image from this poem

The Space Heater

 On the then-below-zero day, it was on,
near the patients' chair, the old heater
kept by the analyst's couch, at the end,
like the infant's headstone that was added near the foot
of my father's grave.
And it was hot, with the almost laughing satire of a fire's heat, the little coils like hairs in Hell.
And it was making a group of sick noises- I wanted the doctor to turn it off but I couldn't seem to ask, so I just stared, but it did not budge.
The doctor turned his heavy, soft palm outward, toward me, inviting me to speak, I said, "If you're cold-are you cold? But if it's on for me.
.
.
" He held his palm out toward me, I tried to ask, but I only muttered, but he said, "Of course," as if I had asked, and he stood up and approached the heater, and then stood on one foot, and threw himself toward the wall with one hand, and with the other hand reached down, behind the couch, to pull the plug out.
I looked away, I had not known he would have to bend like that.
And I was so moved, that he would act undignified, to help me, that I cried, not trying to stop, but as if the moans made sentences which bore some human message.
If he would cast himself toward the outlet for me, as if bending with me in my old shame and horror, then I would rest on his art-and the heater purred, like a creature or the familiar of a creature, or the child of a familiar, the father of a child, the spirit of a father, the healing of a spirit, the vision of healing, the heat of vision, the power of heat, the pleasure of power.
Written by William Butler Yeats | Create an image from this poem

Supernatural Songs

 I.
Ribh at the Tomb of Baile and Aillinn Because you have found me in the pitch-dark night With open book you ask me what I do.
Mark and digest my tale, carry it afar To those that never saw this tonsured head Nor heard this voice that ninety years have cracked.
Of Baile and Aillinn you need not speak, All know their tale, all know what leaf and twig, What juncture of the apple and the yew, Surmount their bones; but speak what none have heard.
The miracle that gave them such a death Transfigured to pure substance what had once Been bone and sinew; when such bodies join There is no touching here, nor touching there, Nor straining joy, but whole is joined to whole; For the intercourse of angels is a light Where for its moment both seem lost, consumed.
Here in the pitch-dark atmosphere above The trembling of the apple and the yew, Here on the anniversary of their death, The anniversary of their first embrace, Those lovers, purified by tragedy, Hurry into each other's arms; these eyes, By water, herb and solitary prayer Made aquiline, are open to that light.
Though somewhat broken by the leaves, that light Lies in a circle on the grass; therein I turn the pages of my holy book.
II.
Ribh denounces Patrick An abstract Greek absurdity has crazed the man - Recall that masculine Trinity.
Man, woman, child (daughter or son), That's how all natural or supernatural stories run.
Natural and supernatural with the self-same ring are wed.
As man, as beast, as an ephemeral fly begets, Godhead begets Godhead, For things below are copies, the Great Smaragdine Tablet said.
Yet all must copy copies, all increase their kind; When the conflagration of their passion sinks, damped by the body or the mind, That juggling nature mounts, her coil in their embraces twined.
The mirror-scaled serpent is multiplicity, But all that run in couples, on earth, in flood or air, share God that is but three, And could beget or bear themselves could they but love as He.
III.
Ribh in Ecstasy What matter that you understood no word! Doubtless I spoke or sang what I had heard In broken sentences.
My soul had found All happiness in its own cause or ground.
Godhead on Godhead in sexual spasm begot Godhead.
Some shadow fell.
My soul forgot Those amorous cries that out of quiet come And must the common round of day resume.
IV.
There There all the barrel-hoops are knit, There all the serpent-tails are bit, There all the gyres converge in one, There all the planets drop in the Sun.
V.
Ribh considers Christian Love insufficient Why should I seek for love or study it? It is of God and passes human wit.
I study hatred with great diligence, For that's a passion in my own control, A sort of besom that can clear the soul Of everything that is not mind or sense.
Why do I hate man, woman or event? That is a light my jealous soul has sent.
From terror and deception freed it can Discover impurities, can show at last How soul may walk when all such things are past, How soul could walk before such things began.
Then my delivered soul herself shall learn A darker knowledge and in hatred turn From every thought of God mankind has had.
Thought is a garment and the soul's a bride That cannot in that trash and tinsel hide: Hatred of God may bring the soul to God.
At stroke of midnight soul cannot endure A bodily or mental furniture.
What can she take until her Master give! Where can she look until He make the show! What can she know until He bid her know! How can she live till in her blood He live! VI.
He and She As the moon sidles up Must she sidle up, As trips the scared moon Away must she trip: 'His light had struck me blind Dared I stop".
She sings as the moon sings: 'I am I, am I; The greater grows my light The further that I fly.
' All creation shivers With that sweet cry.
VII.
What Magic Drum? He holds him from desire, all but stops his breathing lest primordial Motherhood forsake his limbs, the child no longer rest, Drinking joy as it were milk upon his breast.
Through light-obliterating garden foliage what magic drum? Down limb and breast or down that glimmering belly move his mouth and sinewy tongue.
What from the forest came? What beast has licked its young? VIII.
Whence had they come? Eternity is passion, girl or boy Cry at the onset of their sexual joy 'For ever and for ever'; then awake Ignorant what Dramatis personae spake; A passion-driven exultant man sings out Sentences that he has never thought; The Flagellant lashes those submissive loins Ignorant what that dramatist enjoins, What master made the lash.
Whence had they come, The hand and lash that beat down frigid Rome? What sacred drama through her body heaved When world-transforming Charlemagne was conceived? IX.
The Four Ages of Man He with body waged a fight, But body won; it walks upright.
Then he struggled with the heart; Innocence and peace depart.
Then he struggled with the mind; His proud heart he left behind.
Now his wars on God begin; At stroke of midnight God shall win.
X.
Conjunctions If Jupiter and Saturn meet, What a cop of mummy wheat! The sword's a cross; thereon He died: On breast of Mars the goddess sighed.
XI.
A Needle's Eye All the stream that's roaring by Came out of a needle's eye; Things unborn, things that are gone, From needle's eye still goad it on.
XII.
Meru Civilisation is hooped together, brought Under a mle, under the semblance of peace By manifold illusion; but man's life is thought, And he, despite his terror, cannot cease Ravening through century after century, Ravening, raging, and uprooting that he may come Into the desolation of reality: Egypt and Greece, good-bye, and good-bye, Rome! Hermits upon Mount Meru or Everest, Caverned in night under the drifted snow, Or where that snow and winter's dreadful blast Beat down upon their naked bodies, know That day brings round the night, that before dawn His glory and his monuments are gone.
Written by Vernon Scannell | Create an image from this poem

Lesson In Grammar

 THE SENTENCE

Perhaps I can make it plain by analogy.
Imagine a machine, not yet assembled, Each part being quite necessary To the functioning of the whole: if the job is fumbled And a vital piece mislaid The machine is quite valueless, The workers will not be paid.
It is just the same when constructing a sentence But here we must be very careful And lay stress on the extreme importance Of defining our terms: nothing is as simple As it seems at first regard.
"Sentence" might well mean to you The amorous rope or twelve years" hard.
No, by "sentence" we mean, quite simply, words Put together like the parts of a machine.
Now remember we must have a verb: verbs Are words of action like Murder, Love, or Sin.
But these might be nouns, depending On how you use them – Already the plot is thickening.
Except when the mood is imperative; that is to say A command is given like Pray, Repent, or Forgive (Dear me, these lessons get gloomier every day) Except, as I was saying, when the mood is gloomy – I mean imperative We need nouns, or else of course Pronouns; words like Maid, Man, Wedding or Divorce.
A sentence must make sense.
Sometimes I believe Our lives are ungrammatical.
I guess that some of you Have misplaced the direct object: the longer I live The less certain I feel of anything I do.
But now I begin To digress.
Write down these simple sentences:-- I am sentenced: I love: I murder: I sin.


Written by Natasha Trethewey | Create an image from this poem

Letter Home

 --New Orleans, November 1910

Four weeks have passed since I left, and still
I must write to you of no work.
I've worn down the soles and walked through the tightness of my new shoes calling upon the merchants, their offices bustling.
All the while I kept thinking my plain English and good writing would secure for me some modest position Though I dress each day in my best, hands covered with the lace gloves you crocheted--no one needs a girl.
How flat the word sounds, and heavy.
My purse thins.
I spend foolishly to make an appearance of quiet industry, to mask the desperation that tightens my throat.
I sit watching-- though I pretend not to notice--the dark maids ambling by with their white charges.
Do I deceive anyone? Were they to see my hands, brown as your dear face, they'd know I'm not quite what I pretend to be.
I walk these streets a white woman, or so I think, until I catch the eyes of some stranger upon me, and I must lower mine, a negress again.
There are enough things here to remind me who I am.
Mules lumbering through the crowded streets send me into reverie, their footfall the sound of a pointer and chalk hitting the blackboard at school, only louder.
Then there are women, clicking their tongues in conversation, carrying their loads on their heads.
Their husky voices, the wash pots and irons of the laundresses call to me.
I thought not to do the work I once did, back bending and domestic; my schooling a gift--even those half days at picking time, listening to Miss J--.
How I'd come to know words, the recitations I practiced to sound like her, lilting, my sentences curling up or trailing off at the ends.
I read my books until I nearly broke their spines, and in the cotton field, I repeated whole sections I'd learned by heart, spelling each word in my head to make a picture I could see, as well as a weight I could feel in my mouth.
So now, even as I write this and think of you at home, Goodbye is the waving map of your palm, is a stone on my tongue.
Written by John Wilmot | Create an image from this poem

Tunbridge Wells

 At five this morn, when Phoebus raised his head
From Thetis' lap, I raised myself from bed,
And mounting steed, I trotted to the waters
The rendesvous of fools, buffoons, and praters,
Cuckolds, whores, citizens, their wives and daughters.
My squeamish stomach I with wine had bribed To undertake the dose that was prescribed; But turning head, a sudden curséd view That innocent provision overthrew, And without drinking, made me purge and spew.
From coach and six a thing unweildy rolled, Whose lumber, card more decently would hold.
As wise as calf it looked, as big as bully, But handled, proves a mere Sir Nicholas Cully; A bawling fop, a natural Nokes, and yet He dares to censure as if he had wit.
To make him more ridiculous, in spite Nature contrived the fool should be a knight.
Though he alone were dismal signet enough, His train contributed to set him off, All of his shape, all of the selfsame stuff.
No spleen or malice need on them be thrown: Nature has done the business of lampoon, And in their looks their characters has shown.
Endeavoring this irksome sight to balk, And a more irksome noise, their silly talk, I silently slunk down t' th' Lower Walk, But often when one would Charybdis shun, Down upon Scilla 'tis one's fate to run, For here it was my curséd luck to find As great a fop, though of another kind, A tall stiff fool that walked in Spanish guise: The buckram puppet never stirred its eyes, But grave as owl it looked, as woodcock wise.
He scorns the empty talking of this mad age, And speaks all proverbs, sentences, and adage; Can with as much solemnity buy eggs As a cabal can talk of their intrigues; Master o' th' Ceremonies, yet can dispense With the formality of talking sense.
From hence unto the upper walk I ran, Where a new scene of foppery began.
A tribe of curates, priests, canonical elves, Fit company for none besides themselves, Were got together.
Each his distemper told, Scurvy, stone, strangury; some were so bold To charge the spleen to be their misery, And on that wise disease brought infamy.
But none had modesty enough t' complain Their want of learning, honesty, and brain, The general diseases of that train.
These call themselves ambassadors of heaven, And saucily pretend commissions given; But should an Indian king, whose small command Seldom extends beyond ten miles of land, Send forth such wretched tools in an ambassage, He'd find but small effects of such a message.
Listening, I found the cob of all this rabble Pert Bays, with his importance comfortable.
He, being raised to an archdeaconry By trampling on religion, liberty, Was grown to great, and looked too fat and jolly, To be disturbed with care and melancholy, Though Marvell has enough exposed his folly.
He drank to carry off some old remains His lazy dull distemper left in 's veins.
Let him drink on, but 'tis not a whole flood Can give sufficient sweetness to his blood To make his nature of his manners good.
Next after these, a fulsome Irish crew Of silly Macs were offered to my view.
The things did talk, but th' hearing what they said I did myself the kindness to evade.
Nature has placed these wretches beneath scorn: They can't be called so vile as they are born.
Amidst the crowd next I myself conveyed, For now were come, whitewash and paint being laid, Mother and daughter, mistress and the maid, And squire with wig and pantaloon displayed.
But ne'er could conventicle, play, or fair For a true medley, with this herd compare.
Here lords, knights, squires, ladies and countesses, Chandlers, mum-bacon women, sempstresses Were mixed together, nor did they agree More in their humors than their quality.
Here waiting for gallant, young damsel stood, Leaning on cane, and muffled up in hood.
The would-be wit, whose business was to woo, With hat removed and solemn scrape of shoe Advanceth bowing, then genteelly shrugs, And ruffled foretop into order tugs, And thus accosts her: "Madam, methinks the weather Is grown much more serene since you came hither.
You influence the heavens; but should the sun Withdraw himself to see his rays outdone By your bright eyes, they would supply the morn, And make a day before the day be born.
" With mouth screwed up, conceited winking eyes, And breasts thrust forward, "Lord, sir!" she replies.
"It is your goodness, and not my deserts, Which makes you show this learning, wit, and parts.
" He, puzzled, butes his nail, both to display The sparkling ring, and think what next to say, And thus breaks forth afresh: "Madam, egad! Your luck at cards last night was very bad: At cribbage fifty-nine, and the next show To make the game, and yet to want those two.
God damn me, madam, I'm the son of a whore If in my life I saw the like before!" To peddler's stall he drags her, and her breast With hearts and such-like foolish toys he dressed; And then, more smartly to expound the riddle Of all his prattle, gives her a Scotch fiddle.
Tired with this dismal stuff, away I ran Where were two wives, with girl just fit for man - Short-breathed, with pallid lips and visage wan.
Some curtsies past, and the old compliment Of being glad to see each other, spent, With hand in hand they lovingly did walk, And one began thus to renew the talk: "I pray, good madam, if it may be thought No rudeness, what cause was it hither brought Your ladyship?" She soon replying, smiled, "We have a good estate, but have no child, And I'm informed these wells will make a barren Woman as fruitful as a cony warren.
" The first returned, "For this cause I am come, For I can have no quietness at home.
My husband grumbles though we have got one, This poor young girl, and mutters for a son.
And this is grieved with headache, pangs, and throes; Is full sixteen, and never yet had those.
" She soon replied, "Get her a husband, madam: I married at that age, and ne'er had 'em; Was just like her.
Steel waters let alone: A back of steel will bring 'em better down.
" And ten to one but they themselves will try The same means to increase their family.
Poor foolish fribble, who by subtlety Of midwife, truest friend to lechery, Persuaded art to be at pains and charge To give thy wife occasion to enlarge Thy silly head! For here walk Cuff and Kick, With brawny back and legs and potent prick, Who more substantially will cure thy wife, And on her half-dead womb bestow new life.
From these the waters got the reputation Of good assistants unto generation.
Some warlike men were now got into th' throng, With hair tied back, singing a bawdy song.
Not much afraid, I got a nearer view, And 'twas my chance to know the dreadful crew.
They were cadets, that seldom can appear: Damned to the stint of thirty pounds a year.
With hawk on fist, or greyhound led in hand, The dogs and footboys sometimes they command.
But now, having trimmed a cast-off spavined horse, With three hard-pinched-for guineas in their purse, Two rusty pistols, scarf about the ****, Coat lined with red, they here presume to swell: This goes for captain, that for colonel.
So the Bear Garden ape, on his steed mounted, No longer is a jackanapes accounted, But is, by virtue of his trumpery, then Called by the name of "the young gentleman.
" Bless me! thought I, what thing is man, that thus In all his shapes, he is ridiculous? Ourselves with noise of reason we do please In vain: humanity's our worst disease.
Thrice happy beasts are, who, because they be Of reason void, and so of foppery.
Faith, I was so ashamed that with remorse I used the insolence to mount my horse; For he, doing only things fit for his nature, Did seem to me by much the wiser creature.
Written by Elizabeth Jennings | Create an image from this poem

A Performance Of Henry V At Stratford-Upon-Avon

 Nature teaches us our tongue again
And the swift sentences came pat.
I came Into cool night rescued from rainy dawn.
And I seethed with language - Henry at Harfleur and Agincourt came apt for war In Ireland and the Middle East.
Here was The riddling and right tongue, the feeling words Solid and dutiful.
Aspiring hope Met purpose in "advantages" and "He That fights with me today shall be my brother.
" Say this is patriotic, out of date.
But you are wrong.
It never is too late For nights of stars and feet that move to an Iambic measure; all who clapped were linked, The theatre is our treasury and too, Our study, school-room, house where mercy is Dispensed with justice.
Shakespeare has the mood And draws the music from the dullest heart.
This is our birthright, speeches for the dumb And unaccomplished.
Henry has the words For grief and we learn how to tell of death With dignity.
"All was as cold" she said "As any stone" and so, we who lacked scope For big or little deaths, increase, grow up To purposes and means to face events Of cruelty, stupidity.
I walked Fast under stars.
The Avon wandered on "Tomorrow and tomorrow".
Words aren't worn Out in this place but can renew our tongue, Flesh out our feeling, make us apt for life.
Written by Hart Crane | Create an image from this poem

Voyages II

 --And yet this great wink of eternity,
Of rimless floods, unfettered leewardings,
Samite sheeted and processioned where
Her undinal vast belly moonward bends,
Laughing the wrapt inflections of our love;

Take this Sea, whose diapason knells
On scrolls of silver snowy sentences,
The sceptred terror of whose sessions rends
As her demeanors motion well or ill,
All but the pieties of lovers' hands.
And onward, as bells off San Salvador Salute the crocus lustres of the stars, In these poinsettia meadows of her tides,-- Adagios of islands, O my Prodigal, Complete the dark confessions her veins spell.
Mark how her turning shoulders wind the hours, And hasten while her penniless rich palms Pass superscription of bent foam and wave,-- Hasten, while they are true,--sleep, death, desire, Close round one instant in one floating flower.
Bind us in time, O Seasons clear, and awe.
O minstrel galleons of Carib fire, Bequeath us to no earthly shore until Is answered in the vortex of our grave The seal's wide spindrift gaze toward paradise.
Written by Marilyn Hacker | Create an image from this poem

Invocation

 This is for Elsa, also known as Liz,
an ample-bosomed gospel singer: five
discrete malignancies in one full breast.
This is for auburn Jacqueline, who is celebrating fifty years alive, one since she finished chemotherapy.
with fireworks on the fifteenth of July.
This is for June, whose words are lean and mean as she is, elucidating our protest.
This is for Lucille, who shines a wide beam for us with her dark cadences.
This is for long-limbed Maxine, astride a horse like conscience.
This is for Aline who taught her lover how to caress the scar.
This is for Eve, who thought of AZT while hopeful poisons pumped into a vein.
This is for Nanette in the Midwest.
This is for Alicia, shaking back dark hair, dancing one-breasted with the Sabbath bride.
This is for Judy on a mountainside, plunging her gloved hands in a glistening hive.
Hilda, Patricia, Gaylord, Emilienne, Tania, Eunice: this is for everyone who marks the distance on a calendar from what's less likely each year to "recur.
" Our saved-for-now lives are life sentences -- which we prefer to the alternative.

Book: Reflection on the Important Things