Written by
Rudyard Kipling |
Eyes aloft, over dangerous places,
The children follow the butterflies,
And, in the sweat of their upturned faces,
Slash with a net at the empty skies.
So it goes they fall amid brambles,
And sting their toes on the nettle-tops,
Till, after a thousand scratches and scrambles,
They wipe their brows and the hunting stops.
Then to quiet them comes their father
And stills the riot of pain and grief,
Saying, "Little ones, go and gather
Out of my garden a cabbage-leaf.
"You will find on it whorls and clots of
Dull grey eggs that, properly fed,
Turn, by way of the worm, to lots of
Glorious butterflies raised from the dead." . . .
"Heaven is beautiful, Earth is ugly,"
The three-dimensioned preacher saith;
So we must not look where the snail and the slug lie
For Psyche's birth. . . . And that is our death!
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Written by
Michael Drayton |
But let us leave Queen Mab a while,
Through many a gate, o'er many a stile,
That now had gotten by this wile,
Her dear Pigwiggen kissing;
And tell how Oberon doth fare,
Who grew as mad as any hare,
When he had sought each place with care,
And found his queen was missing.
By grisly Pluto he doth swear,
He rent his clothes, and tore his hair,
And as he runneth here and there,
An acorn-cup he greeteth;
Which soon he taketh by the stalk,
About his head he lets it walk,
Nor doth he any creature balk,
But lays on all he meeteth.
The Tuscan poet doth advance
The frantic Paladine of France,
And those more ancient do enhance
Alcides in his fury,
And others Ajax Telamon:
But to this time there hath been none
So bedlam as our Oberon,
Of which I dare assure you.
And first encount'ring with a wasp,
He in his arms the fly doth clasp,
As tho' his breath he forth would grasp,
Him for Pigwiggen taking:
'Where is my wife, thou rogue?" quoth he,
"Pigwiggen, she is come to thee,
Restore her, or thou di'st by me."
Whereat the poor wasp quaking,
Cries, "Oberon, great Fairy King,
Content thee, I am no such thing;
I am a wasp, behold my sting!"
At which the fairy started;
When soon away the wasp doth go,
Poor wretch was never frighted so,
He thought his wings were much too slow,
O'erjoy'd they so were parted.
He next upon a glow-worm light,
(You must suppose it now was night)
Which, for her hinder part was bright,
He took to be a devil,
And furiously doth her assail
For carrying fire in her tail;
He thrash'd her rough coat with his flail,
The mad king fear'd no evil.
"Oh!" quoth the glow-worm "hold thy hand,
Thou puissant King of Fairy-land,
Thy mighty strokes who may withstand?
Hold, or of life despair I."
Together then herself doth roll,
And tumbling down into a hole,
She seem'd as black as any coal,
Which vext away the fairy.
From thence he ran into a hive,
Amongst the bees he letteth drive,
And down their combs begins to rive,
All likely to have spoiled:
Which with their wax his face besmear'd,
And with their honey daub'd his beard;
It would have made a man afear'd,
To see how he was moiled.
A new adventure him betides:
He met an ant, which he bestrides,
And post thereon away he rides,
Which with his haste doth stumble,
And came full over on her snout,
Her heels so threw the dirt about,
For she by no means could get out,
But over him doth tumble.
And being in this piteous case,
And all beslurried head and face,
On runs he in this wildgoose chase;
As here and there he rambles,
Half-blind, against a mole-hill hit,
And for a mountain taking it,
For all he was out of his wit,
Yet to the top he scrambles.
And being gotten to the top,
Yet there himself he could not stop,
But down on th' other side doth chop,
And to the foot came rumbling:
So that the grubs therein that bred,
Hearing such turmoil overhead,
Thought surely they had all been dead,
So fearful was the jumbling.
And falling down into a lake,
Which him up to the neck doth take,
His fury it doth somewhat slake,
He calleth for a ferry:
Where you may some recovery note,
What was his club he made his boat,
And in his oaken cup doth float,
As safe as in a wherry.
Men talk of the adventures strange
Of Don Quishott, and of their change,
Through which he armed oft did range,
Of Sancha Pancha's travel:
But should a man tell every thing,
Done by this frantic fairy king,
And them in lofty numbers sing,
It well his wits might gravel.
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Written by
Ruth Padel |
We're talking different kinds of vulnerability here.
These icicles aren't going to last for ever
Suspended in the ultra violet rays of a Dumfries sun.
But here they hang, a frozen whirligig of lightning,
And the famous American sculptor
Who scrambles the world with his tripod
For strangeness au naturel, got sunset to fill them.
It's not comfortable, a double helix of opalescent fire
*
Wrapping round you, swishing your bark
Down cotton you can't see,
On which a sculptor planned his icicles,
Working all day for that Mesopotamian magic
Of last light before the dark
In a suspended helter-skelter, lit
By almost horizontal rays
Making a mist-carousel from the House of Diamond,
*
A spiral of Pepsodent darkening to the shadowfrost
Of cedars at the Great Gate of Kiev.
Why it makes me think of opening the door to you
I can't imagine. No one could be less
Of an icicle. But there it is -
Having put me down in felt-tip
In the mystical appointment book,
You shoot that quick
*
Inquiry-glance, head tilted, when I open up,
Like coming in's another country,
A country you want but have to get used to, hot
From your bal masqu?, making sure
That what you found before's
Still here: a spiral of touch and go,
Lightning licking a tree
Imagining itself Aretha Franklin
*
Singing "You make me feel like a natural woman"
In basso profondo,
Firing the bark with its otherworld ice
The way you fire, lifting me
Off my own floor, legs furled
Round your trunk as that tree goes up
At an angle inside the lightning, roots in
The orange and silver of Dumfries.
*
Now I'm the lightning now you, you are,
As you pour yourself round me
Entirely. No who's doing what and to who,
Just a tangle of spiral and tree.
You might wonder about sculptors who come all this way
To make a mad thing that won't last.
You know how it is: you spend a day, a whole life.
Then the light's gone, you walk away
*
To the Galloway Paradise Hotel. Pine-logs,
Cutlery, champagne - OK,
But the important thing was making it.
Hours, and you don't know how it'll be.
Then something like light
Arrives last moment, at speed reckoned
Only by horizons: completing, surprising
With its three hundred thousand
*
Kilometres per second. Still, even lightning has its moments of panic.
You don't get icicles catching the midwinter sun
In a perfect double helix in Dumfriesshire every day.
And can they be good for each other,
Lightning and tree? It'd make anyone,
Wouldn't it, afraid? That rowan would adore
To sleep and wake up in your arms
*
But's scared of getting burnt. And the lightning might ask, touching wood,
"What do you want of me, now we're in the same
Atomic chain?" What can the tree say?
"Being the centre of all that you are to yourself -
That'd be OK. Being my own body's fine
But it needs yours to stay that way."
No one could live for ever in
*
A suspended gleam-on-the-edge,
As if sky might tear any minute. Or not for ever for long. Those icicles
Won't be surprise any more. The little snapped threads
Blew away. Glamour left that hill in Dumfries.
The sculptor went off with his black equipment.
Adzes, twine, leather gloves.
*
What's left is a photo of
A completely solitary sight
In a book anyone might open.
But whether our touch at the door gets forgotten
Or turned into other sights, light, form,
I hope you'll be truthful
To me. At least as truthful as lightning,
Skinning a tree.
THIS POEM WON THE 1996 National Poetry Prize
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