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Best Famous Scorpions Poems

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Written by Mary Darby Robinson | Create an image from this poem

Ode to Envy

 Deep in th' abyss where frantic horror bides, 
In thickest mists of vapours fell,
Where wily Serpents hissing glare
And the dark Demon of Revenge resides,
At midnight's murky hour
Thy origin began: 
Rapacious MALICE was thy sire;
Thy Dam the sullen witch, Despair;
Thy Nurse, insatiate Ire. 
The FATES conspir'd their ills to twine,
About thy heart's infected shrine;
They gave thee each disastrous spell,
Each desolating pow'r,
To blast the fairest hopes of man. 

Soon as thy fatal birth was known, 
From her unhallow'd throne
With ghastly smile pale Hecate sprung; 
Thy hideous form the Sorc'ress press'd
With kindred fondness to her breast; 
Her haggard eye
Short forth a ray of transient joy, 
Whilst thro' th' infernal shades exulting clamours rung. 

Above thy fellow fiends thy tyrant hand
Grasp'd with resistless force supreme command: 
The dread terrific crowd
Before thy iron sceptre bow'd. 
Now, seated in thy ebon cave, 
Around thy throne relentless furies rave: 
A wreath of ever-wounding thorn
Thy scowling brows encompass round, 
Thy heart by knawing Vultures torn, 
Thy meagre limbs with deathless scorpions bound. 
Thy black associates, torpid IGNORANCE, 
And pining JEALOUSY­with eye askance,
With savage rapture execute thy will, 
And strew the paths of life with every torturing ill 

Nor can the sainted dead escape thy rage; 
Thy vengeance haunts the silent grave, 
Thy taunts insult the ashes of the brave; 
While proud AMBITION weeps thy rancour to assuage. 
The laurels round the POET's bust, 
Twin'd by the liberal hand of Taste, 
By thy malignant grasp defac'd, 
Fade to their native dust: 
Thy ever-watchful eye no labour tires, 
Beneath thy venom'd touch the angel TRUTH expires. 

When in thy petrifying car
Thy scaly dragons waft thy form, 
Then, swifter, deadlier far 
Than the keen lightning's lance, 
That wings its way across the yelling storm, 
Thy barbed shafts fly whizzing round, 
While every with'ring glance
Inflicts a cureless wound. 

Thy giant arm with pond'rous blow
Hurls genius from her glorious height, 
Bends the fair front of Virtue low, 
And meanly pilfers every pure delight. 
Thy hollow voice the sense appalls, 
Thy vigilance the mind enthralls; 
Rest hast thou none,­by night, by day, 
Thy jealous ardour seeks for prey­
Nought can restrain thy swift career; 
Thy smile derides the suff'rer's wrongs; 
Thy tongue the sland'rers tale prolongs; 
Thy thirst imbibes the victim's tear; 
Thy breast recoils from friendship's flame; 
Sick'ning thou hear'st the trump of Fame; 
Worth gives to thee, the direst pang; 
The Lover's rapture wounds thy heart, 
The proudest efforts of prolific art 
Shrink from thy poisonous fang. 

In vain the Sculptor's lab'ring hand 
Calls fine proportion from the Parian stone; 
In vain the Minstrel's chords command
The soft vibrations of seraphic tone; 
For swift thy violating arm 
Tears from perfection ev'ry charm; 
Nor rosy YOUTH, nor BEAUTY's smiles
Thy unrelenting rage beguiles, 
Thy breath contaminates the fairest name, 
And binds the guiltless brow with ever-blist'ring shame.


Written by Robert William Service | Create an image from this poem

The Ballad Of Pious Pete

 "The North has got him." --Yukonism.


I tried to refine that neighbor of mine, honest to God, I did.
I grieved for his fate, and early and late I watched over him like a kid.
I gave him excuse, I bore his abuse in every way that I could;
I swore to prevail; I camped on his trail; I plotted and planned for his good.
By day and by night I strove in men's sight to gather him into the fold,
With precept and prayer, with hope and despair, in hunger and hardship and cold.
I followed him into Gehennas of sin, I sat where the sirens sit;
In the shade of the Pole, for the sake of his soul, I strove with the powers of the Pit.
I shadowed him down to the scrofulous town; I dragged him from dissolute brawls;
But I killed the galoot when he started to shoot electricity into my walls.

God knows what I did he should seek to be rid of one who would save him from shame.
God knows what I bore that night when he swore and bade me make tracks from his claim.
I started to tell of the horrors of hell, when sudden his eyes lit like coals;
And "Chuck it," says he, "don't persecute me with your cant and your saving of souls."
I'll swear I was mild as I'd be with a child, but he called me the son of a ****;
And, grabbing his gun with a leap and a run, he threatened my face with the butt.
So what could I do (I leave it to you)? With curses he harried me forth;
Then he was alone, and I was alone, and over us menaced the North.

Our cabins were near; I could see, I could hear; but between us there rippled the creek;
And all summer through, with a rancor that grew, he would pass me and never would speak.
Then a shuddery breath like the coming of Death crept down from the peaks far away;
The water was still; the twilight was chill; the sky was a tatter of gray.
Swift came the Big Cold, and opal and gold the lights of the witches arose;
The frost-tyrant clinched, and the valley was cinched by the stark and cadaverous snows.
The trees were like lace where the star-beams could chase, each leaf was a jewel agleam.
The soft white hush lapped the Northland and wrapped us round in a crystalline dream;
So still I could hear quite loud in my ear the swish of the pinions of time;
So bright I could see, as plain as could be, the wings of God's angels ashine.

As I read in the Book I would oftentimes look to that cabin just over the creek.
Ah me, it was sad and evil and bad, two neighbors who never would speak!
I knew that full well like a devil in hell he was hatching out, early and late,
A system to bear through the frost-spangled air the warm, crimson waves of his hate.
I only could peer and shudder and fear--'twas ever so ghastly and still;
But I knew over there in his lonely despair he was plotting me terrible ill.
I knew that he nursed a malice accurst, like the blast of a winnowing flame;
I pleaded aloud for a shield, for a shroud--Oh, God! then calamity came.

Mad! If I'm mad then you too are mad; but it's all in the point of view.
If you'd looked at them things gallivantin' on wings, all purple and green and blue;
If you'd noticed them twist, as they mounted and hissed like scorpions dim in the dark;
If you'd seen them rebound with a horrible sound, and spitefully spitting a spark;
If you'd watched IT with dread, as it hissed by your bed, that thing with the feelers that crawls--
You'd have settled the brute that attempted to shoot electricity into your walls.

Oh, some they were blue, and they slithered right through; they were silent and squashy and round;
And some they were green; they were wriggly and lean; they writhed with so hateful a sound.
My blood seemed to freeze; I fell on my knees; my face was a white splash of dread.
Oh, the Green and the Blue, they were gruesome to view; but the worst of them all were the Red.
They came through the door, they came through the floor, they came through the moss-creviced logs.
They were savage and dire; they were whiskered with fire; they bickered like malamute dogs.
They ravined in rings like iniquitous things; they gulped down the Green and the Blue.
I crinkled with fear whene'er they drew near, and nearer and nearer they drew.

And then came the crown of Horror's grim crown, the monster so loathsomely red.
Each eye was a pin that shot out and in, as, squidlike, it oozed to my bed;
So softly it crept with feelers that swept and quivered like fine copper wire;
Its belly was white with a sulphurous light, it jaws were a-drooling with fire.
It came and it came; I could breathe of its flame, but never a wink could I look.
I thrust in its maw the Fount of the Law; I fended it off with the Book.
I was weak--oh, so weak--but I thrilled at its shriek, as wildly it fled in the night;
And deathlike I lay till the dawn of the day. (Was ever so welcome the light?)

I loaded my gun at the rise of the sun; to his cabin so softly I slunk.
My neighbor was there in the frost-freighted air, all wrapped in a robe in his bunk.
It muffled his moans; it outlined his bones, as feebly he twisted about;
His gums were so black, and his lips seemed to crack, and his teeth all were loosening out.
'Twas a death's head that peered through the tangle of beard; 'twas a face I will never forget;
Sunk eyes full of woe, and they troubled me so with their pleadings and anguish, and yet
As I rested my gaze in a misty amaze on the scurvy-degenerate wreck,
I thought of the Things with the dragon-fly wings, then laid I my gun on his neck.
He gave out a cry that was faint as a sigh, like a perishing malamute,
And he says unto me, "I'm converted," says he; "for Christ's sake, Peter, don't shoot!"

* * * * *

They're taking me out with an escort about, and under a sergeant's care;
I am humbled indeed, for I'm 'cuffed to a Swede that thinks he's a millionaire.
But it's all Gospel true what I'm telling to you-- up there where the Shadow falls--
That I settled Sam Noot when he started to shoot electricity into my walls.
Written by Robert Hayden | Create an image from this poem

Runagate Runagate

 Runs falls rises stumbles on from darkness into darkness 
and the darkness thicketed with shapes of terror 
and the hunters pursuing and the hounds pursuing 
and the night cold and the night long and the river 
to cross and the jack-muh-lanterns beckoning beckoning 
and blackness ahead and when shall I reach that somewhere
morning and keep on going and never turn back and keep on going

 Runagate
 Runagate
 Runagate

Many thousands rise and go
many thousands crossing over
 0 mythic North
 0 star-shaped yonder Bible city

Some go weeping and some rejoicing 
some in coffins and some in carriages 
some in silks and some in shackles

 Rise and go or fare you well

No more auction block for me
no more driver's lash for me

 If you see my Pompey, 30 yrs of age, 
 new breeches, plain stockings, ***** shoes; 
 if you see my Anna, likely young mulatto 
 branded E on the right cheek, R on the left, 
 catch them if you can and notify subscriber. 
 Catch them if you can, but it won't be easy.
 They'll dart underground when you try to catch them, 
 plunge into quicksand, whirlpools, mazes, 
 torn into scorpions when you try to catch them.

And before I'll be a slave 
I'll be buried in my grave

 North star and bonanza gold
 I'm bound for the freedom, freedom-bound 
 and oh Susyanna don't you cry for me

 Runagate

 Runagate


II.
Rises from their anguish and their power,

 Harriet Tubman,

 woman of earth, whipscarred,
 a summoning, a shining

 Mean to be free

 And this was the way of it, brethren brethren, 
 way we journeyed from Can't to Can. 
 Moon so bright and no place to hide, 
 the cry up and the patterollers riding, 
 hound dogs belling in bladed air.
 And fear starts a-murbling, Never make it, 
 we'll never make it. Hush that now, 
 and she's turned upon us, levelled pistol 
 glinting in the moonlight:
 Dead folks can't jaybird-talk, she says; 
 you keep on going now or die, she says.

Wanted Harriet Tubman alias The General 
alias Moses Stealer of Slaves

In league with Garrison Alcott Emerson 
Garrett Douglass Thoreau John Brown
Armed and known to be Dangerous 

Wanted Reward Dead or Alive

 Tell me, Ezekiel, oh tell me do you see 
 mailed Jehovah coming to deliver me?

Hoot-owl calling in the ghosted air, 
five times calling to the hants in the air. 
Shadow of a face in the scary leaves, 
shadow of a voice in the talking leaves:

 Come ride-a my train

 Oh that train, ghost-story train 
 through swamp and savanna movering movering,
 over trestles of dew, through caves of the wish, 
 Midnight Special on a sabre track movering movering,
 first stop Mercy and the last Hallelujah.

 Come ride-a my train

 Mean mean mean to be free.
Written by Alan Seeger | Create an image from this poem

The Torture of Cuauhtemoc

 Their strength had fed on this when Death's white arms 
Came sleeved in vapors and miasmal dew, 
Curling across the jungle's ferny floor, 
Becking each fevered brain. On bleak divides, 
Where Sleep grew niggardly for nipping cold 
That twinged blue lips into a mouthed curse, 
Not back to Seville and its sunny plains 
Winged their brief-biding dreams, but once again, 
Lords of a palace in Tenochtitlan, 
They guarded Montezuma's treasure-hoard. 
Gold, like some finny harvest of the sea, 
Poured out knee deep around the rifted floors, 
Shiny and sparkling, -- arms and crowns and rings: 
Gold, sweet to toy with as beloved hair, -- 
To plunge the lustful, crawling fingers down, 
Arms elbow deep, and draw them out again, 
And watch the glinting metal trickle off, 
Even as at night some fisherman, home bound 
With speckled cargo in his hollow keel 
Caught off Campeche or the Isle of Pines, 
Dips in his paddle, lifts it forth again, 
And laughs to see the luminous white drops 
Fall back in flakes of fire. . . . Gold was the dream 
That cheered that desperate enterprise. And now? . . . 
Victory waited on the arms of Spain, 
Fallen was the lovely city by the lake, 
The sunny Venice of the western world; 
There many corpses, rotting in the wind, 
Poked up stiff limbs, but in the leprous rags 
No jewel caught the sun, no tawny chain 
Gleamed, as the prying halberds raked them o'er. 
Pillage that ran red-handed through the streets 
Came railing home at evening empty-palmed; 
And they, on that sad night a twelvemonth gone, 
Who, ounce by ounce, dear as their own life's blood 
Retreating, cast the cumbrous load away: 
They, when brown foemen lopped the bridges down, 
Who tipped thonged chests into the stream below 
And over wealth that might have ransomed kings 
Passed on to safety; -- cheated, guerdonless -- 
Found (through their fingers the bright booty slipped) 
A city naked, of that golden dream 
Shorn in one moment like a sunset sky. 


Deep in a chamber that no cheerful ray 
Purged of damp air, where in unbroken night 
Black scorpions nested in the sooty beams, 
Helpless and manacled they led him down -- 
Cuauhtemotzin -- and other lords beside -- 
All chieftains of the people, heroes all -- 
And stripped their feathered robes and bound them there 
On short stone settles sloping to the head, 
But where the feet projected, underneath 
Heaped the red coals. Their swarthy fronts illumed, 
The bearded Spaniards, helmed and haubergeoned, 
Paced up and down beneath the lurid vault. 
Some kneeling fanned the glowing braziers; some 
Stood at the sufferers' heads and all the while 
Hissed in their ears: "The gold . . . the gold . . . the gold. 
Where have ye hidden it -- the chested gold? 
Speak -- and the torments cease!" 


They answered not. 
Past those proud lips whose key their sovereign claimed 
No accent fell to chide or to betray, 
Only it chanced that bound beside the king 
Lay one whom Nature, more than other men 
Framing for delicate and perfumed ease, 
Not yet, along the happy ways of Youth, 
Had weaned from gentle usages so far 
To teach that fortitude that warriors feel 
And glory in the proof. He answered not, 
But writhing with intolerable pain, 
Convulsed in every limb, and all his face 
Wrought to distortion with the agony, 
Turned on his lord a look of wild appeal, 
The secret half atremble on his lips, 
Livid and quivering, that waited yet 
For leave -- for leave to utter it -- one sign -- 
One word -- one little word -- to ease his pain. 


As one reclining in the banquet hall, 
Propped on an elbow, garlanded with flowers, 
Saw lust and greed and boisterous revelry 
Surge round him on the tides of wine, but he, 
Staunch in the ethic of an antique school -- 
Stoic or Cynic or of Pyrrho's mind -- 
With steady eyes surveyed the unbridled scene, 
Himself impassive, silent, self-contained: 
So sat the Indian prince, with brow unblanched, 
Amid the tortured and the torturers. 
He who had seen his hopes made desolate, 
His realm despoiled, his early crown deprived him, 
And watched while Pestilence and Famine piled 
His stricken people in their reeking doors, 
Whence glassy eyes looked out and lean brown arms 
Stretched up to greet him in one last farewell 
As back and forth he paced along the streets 
With words of hopeless comfort -- what was this 
That one should weaken now? He weakened not. 
Whate'er was in his heart, he neither dealt 
In pity nor in scorn, but, turning round, 
Met that racked visage with his own unmoved, 
Bent on the sufferer his mild calm eyes, 
And while the pangs smote sharper, in a voice, 
As who would speak not all in gentleness 
Nor all disdain, said: "Yes! And am -I- then 
Upon a bed of roses?" 


Stung with shame -- 
Shame bitterer than his anguish -- to betray 
Such cowardice before the man he loved, 
And merit such rebuke, the boy grew calm; 
And stilled his struggling limbs and moaning cries, 
And shook away his tears, and strove to smile, 
And turned his face against the wall -- and died.
Written by Charles Baudelaire | Create an image from this poem

Au Lecteur

 La sottise, l'erreur, le péché, la lésine,
Occupent nos esprits et travaillent nos corps,
Et nous alimentons nos aimables remords,
Comme les mendiants nourrissent leur vermine. 
Nos péchés sont têtus, nos repentirs sont lâches;
Nous nous faisons payer grassement nos aveux,
Et nous rentrons gaiement dans le chemin bourbeux,
Croyant par de vils pleurs laver toutes nos taches.
Sur l'oreiller du mal c'est Satan Trismégiste
Qui berce longuement notre esprit enchanté,
Et le riche métal de notre volonté
Est tout vaporisé par ce savant chimiste.
C'est le Diable qui tient les fils qui nous remuent!
Aux objets répugnants nous trouvons des appas;
Chaque jour vers l'Enfer nous descendons d'un pas,
Sans horreur, à travers des ténèbres qui puent.
Ainsi qu'un débauché pauvre qui baise et mange
Le sein martyrisé d'une antique catin,
Nous volons au passage un plaisir clandestin
Que nous pressons bien fort comme une vieille orange.
Serré, fourmillant comme un million d'helminthes,
Dans nos cerveaux ribote un peuple de démons,
Et quand nous respirons, la Mort dans nos poumons
Descend, fleuve invisible, avec de sourdes plaintes.
Si le viol, le poison, le poignard, l'incendie,
N'ont pas encore brodé de leurs plaisants dessins
Le canevas banal de nos piteux destins,
C'est que notre âme, hélas! n'est pas assez hardie.
Mais parmi les chacals, les panthères, les lices,
Les singes, les scorpions, les vautours, les serpents,
Les monstres glapissants, hurlants, grognants, rampants,
Dans la ménagerie infâme de nos vices,
Il en est un plus laid, plus méchant, plus immonde!
Quoiqu'il ne pousse ni grands gestes, ni grands cris,
Il ferait volontiers de la terre un débris
Et dans un bâillement avalerait le monde.
C'est l'Ennui!- L'oeil chargé d'un pleur involontaire,
Il rêve d'échafauds en fumant son houka.
Tu le connais, lecteur, ce monstre délicat,
--Hypocrite lecteur, --mon semblable, --mon frère!


Written by Eugene Field | Create an image from this poem

The peter-bird

 Out of the woods by the creek cometh a calling for Peter,
And from the orchard a voice echoes and echoes it over;
Down in the pasture the sheep hear that strange crying for Peter,
Over the meadows that call is aye and forever repeated.
So let me tell you the tale, when, where, and how it all happened,
And, when the story is told, let us pay heed to the lesson.

Once on a time, long ago, lived in the State of Kentucky
One that was reckoned a witch--full of strange spells and devices;
Nightly she wandered the woods, searching for charms voodooistic--
Scorpions, lizards, and herbs, dormice, chameleons, and plantains!
Serpents and caw-caws and bats, screech-owls and crickets and adders--
These were the guides of that witch through the dank deeps of the forest.
Then, with her roots and her herbs, back to her cave in the morning
Ambled that hussy to brew spells of unspeakable evil;
And, when the people awoke, seeing that hillside and valley
Sweltered in swathes as of mist--"Look!" they would whisper in terror--
"Look! the old witch is at work brewing her spells of great evil!"
Then would they pray till the sun, darting his rays through the vapor,
Lifted the smoke from the earth and baffled the witch's intentions.

One of the boys at that time was a certain young person named Peter,
Given too little to work, given too largely to dreaming;
Fonder of books than of chores, you can imagine that Peter
Led a sad life on the farm, causing his parents much trouble.
"Peter!" his mother would call, "the cream is a'ready for churning!"
"Peter!" his father would cry, "go grub at the weeds in the garden!"
So it was "Peter!" all day--calling, reminding, and chiding--
Peter neglected his work; therefore that nagging at Peter!

Peter got hold of some books--how, I'm unable to tell you;
Some have suspected the witch--this is no place for suspicions!
It is sufficient to stick close to the thread of the legend.
Nor is it stated or guessed what was the trend of those volumes;
What thing soever it was--done with a pen and a pencil,
Wrought with a brain, not a hoe--surely 't was hostile to farming!

"Fudge on all readin'!" they quoth; or "that's what's the ruin of
Peter!"

So, when the mornings were hot, under the beech or the maple,
Cushioned in grass that was blue, breathing the breath of the blossoms,
Lulled by the hum of the bees, the coo of the ring-doves a-mating,
Peter would frivol his time at reading, or lazing, or dreaming.
"Peter!" his mother would call, "the cream is a'ready for churning!"
"Peter!" his father would cry, "go grub at the weeds in the garden!"
"Peter!" and "Peter!" all day--calling, reminding, and chiding--
Peter neglected his chores; therefore that outcry for Peter;
Therefore the neighbors allowed evil would surely befall him--
Yes, on account of these things, ruin would come upon Peter!

Surely enough, on a time, reading and lazing and dreaming
Wrought the calamitous ill all had predicted for Peter;
For, of a morning in spring when lay the mist in the valleys--
"See," quoth the folk, "how the witch breweth her evil decoctions!
See how the smoke from her fire broodeth on woodland and meadow!
Grant that the sun cometh out to smother the smudge of her caldron!
She hath been forth in the night, full of her spells and devices,
Roaming the marshes and dells for heathenish magical nostrums;
Digging in leaves and at stumps for centipedes, pismires, and spiders,
Grubbing in poisonous pools for hot salamanders and toadstools;
Charming the bats from the flues, snaring the lizards by twilight,
Sucking the scorpion's egg and milking the breast of the adder!"

Peter derided these things held in such faith by the farmer,
Scouted at magic and charms, hooted at Jonahs and hoodoos--
Thinking and reading of books must have unsettled his reason!
"There ain't no witches," he cried; "it isn't smoky, but foggy!
I will go out in the wet--you all can't hender me, nuther!"

Surely enough he went out into the damp of the morning,
Into the smudge that the witch spread over woodland and meadow,
Into the fleecy gray pall brooding on hillside and valley.
Laughing and scoffing, he strode into that hideous vapor;
Just as he said he would do, just as he bantered and threatened,
Ere they could fasten the door, Peter had done gone and done it!
Wasting his time over books, you see, had unsettled his reason--
Soddened his callow young brain with semi-pubescent paresis,
And his neglect of his chores hastened this evil condition.

Out of the woods by the creek cometh a calling for Peter
And from the orchard a voice echoes and echoes it over;
Down in the pasture the sheep hear that shrill crying for Peter,
Up from the spring house the wail stealeth anon like a whisper,
Over the meadows that call is aye and forever repeated.
Such were the voices that whooped wildly and vainly for Peter
Decades and decades ago down in the State of Kentucky--
Such are the voices that cry now from the woodland and meadow,
"Peter--O Peter!" all day, calling, reminding, and chiding--
Taking us back to the time when Peter he done gone and done it!
These are the voices of those left by the boy in the farmhouse
When, with his laughter and scorn, hatless and bootless and sockless,
Clothed in his jeans and his pride, Peter sailed out in the weather,
Broke from the warmth of his home into that fog of the devil,
Into the smoke of that witch brewing her damnable porridge!

Lo, when he vanished from sight, knowing the evil that threatened,
Forth with importunate cries hastened his father and mother.
"Peter!" they shrieked in alarm, "Peter!" and evermore "Peter!"--
Ran from the house to the barn, ran from the barn to the garden,
Ran to the corn-crib anon, then to the smoke-house proceeded;
Henhouse and woodpile they passed, calling and wailing and weeping,
Through the front gate to the road, braving the hideous vapor--
Sought him in lane and on pike, called him in orchard and meadow,
Clamoring "Peter!" in vain, vainly outcrying for Peter.
Joining the search came the rest, brothers and sisters and cousins,
Venting unspeakable fears in pitiful wailing for Peter!
And from the neighboring farms gathered the men and the women,
Who, upon hearing the news, swelled the loud chorus for Peter.

Farmers and hussifs and maids, bosses and field-hands and niggers,
Colonels and jedges galore from cornfields and mint-beds and thickets,
All that had voices to voice, all to those parts appertaining,
Came to engage in the search, gathered and bellowed for Peter.
The Taylors, the Dorseys, the Browns, the Wallers, the Mitchells, the
Logans,
The Yenowines, Crittendens, Dukes, the Hickmans, the Hobbses, the Morgans;
The Ormsbys, the Thompsons, the Hikes, the Williamsons, Murrays, and
Hardins,

The Beynroths, the Sherleys, the Hokes, the Haldermans, Harneys, and
Slaughters--
All, famed in Kentucky of old for prowess prodigious at farming,
Now surged from their prosperous homes to join in that hunt for the
truant,
To ascertain where he was at, to help out the chorus for Peter.

Still on those prosperous farms where heirs and assigns of the people
Specified hereinabove and proved by the records of probate--
Still on those farms shall you hear (and still on the turnpikes
adjacent)
That pitiful, petulant call, that pleading, expostulant wailing,
That hopeless, monotonous moan, that crooning and droning for Peter.
Some say the witch in her wrath transmogrified all those good people;
That, wakened from slumber that day by the calling and bawling for Peter,
She out of her cave in a thrice, and, waving the foot of a rabbit
(Crossed with the caul of a coon and smeared with the blood of a chicken),
She changed all those folk into birds and shrieked with demoniac venom:
"Fly away over the land, moaning your Peter forever,
Croaking of Peter, the boy who didn't believe there were hoodoos,
Crooning of Peter, the fool who scouted at stories of witches,
Crying of Peter for aye, forever outcalling for Peter!"

This is the story they tell; so in good sooth saith the legend;
As I have told it to you, so tell the folk and the legend.
That it is true I believe, for on the breezes this morning
Come the shrill voices of birds calling and calling for Peter;
Out of the maple and beech glitter the eyes of the wailers,
Peeping and peering for him who formerly lived in these places--
Peter, the heretic lad, lazy and careless and dreaming,
Sorely afflicted with books and with pubescent paresis,
Hating the things of the farm, care of the barn and the garden,
Always neglecting his chores--given to books and to reading,
Which, as all people allow, turn the young person to mischief,
Harden his heart against toil, wean his affections from tillage.

This is the legend of yore told in the state of Kentucky
When in the springtime the birds call from the beeches and maples,
Call from the petulant thorn, call from the acrid persimmon;
When from the woods by the creek and from the pastures and meadows,
When from the spring house and lane and from the mint-bed and orchard,
When from the redbud and gum and from the redolent lilac,
When from the dirt roads and pikes cometh that calling for Peter;
Cometh the dolorous cry, cometh that weird iteration
Of "Peter" and "Peter" for aye, of "Peter" and "Peter" forever!
This is the legend of old, told in the tum-titty meter
Which the great poets prefer, being less labor than rhyming
(My first attempt at the same, my last attempt, too, I reckon!);
Nor have I further to say, for the sad story is ended.
Written by Andrew Barton Paterson | Create an image from this poem

Johnson's Antidote

 Down along the Snakebite River, where the overlanders camp, 
Where the serpents are in millions, all of the most deadly stamp; 
Where the station-cook in terror, nearly every time he bakes, 
Mixes up among the doughboys half-a-dozen poison-snakes: 
Where the wily free-selector walks in armour-plated pants, 
And defies the stings of scorpions, and the bites of bull-dog ants: 
Where the adder and the viper tear each other by the throat,— 
There it was that William Johnson sought his snake-bite antidote. 
Johnson was a free-selector, and his brain went rather *****, 
For the constant sight of serpents filled him with a deadly fear; 
So he tramped his free-selection, morning, afternoon, and night, 
Seeking for some great specific that would cure the serpent’s bite. 
Till King Billy, of the Mooki, chieftain of the flour-bag head, 
Told him, “Spos’n snake bite pfeller, pfeller mostly drop down dead; 
Spos’n snake bite old goanna, then you watch a while you see, 
Old goanna cure himself with eating little pfeller tree.” 
“That’s the cure,” said William Johnson, “point me out this plant sublime,” 
But King Billy, feeling lazy, said he’d go another time. 
Thus it came to pass that Johnson, having got the tale by rote, 
Followed every stray goanna, seeking for the antidote. 


. . . . . 
Loafing once beside the river, while he thought his heart would break, 
There he saw a big goanna fighting with a tiger-snake, 
In and out they rolled and wriggled, bit each other, heart and soul, 
Till the valiant old goanna swallowed his opponent whole. 
Breathless, Johnson sat and watched him, saw him struggle up the bank, 
Saw him nibbling at the branches of some bushes, green and rank; 
Saw him, happy and contented, lick his lips, as off he crept, 
While the bulging in his stomach showed where his opponent slept. 
Then a cheer of exultation burst aloud from Johnson’s throat; 
“Luck at last,” said he, “I’ve struck it! ’tis the famous antidote. 

“Here it is, the Grand Elixir, greatest blessing ever known,— 
Twenty thousand men in India die each year of snakes alone. 
Think of all the foreign nations, *****, chow, and blackamoor, 
Saved from sudden expiration, by my wondrous snakebite cure. 
It will bring me fame and fortune! In the happy days to be, 
Men of every clime and nation will be round to gaze on me— 
Scientific men in thousands, men of mark and men of note, 
Rushing down the Mooki River, after Johnson’s antidote. 
It will cure delirium tremens, when the patient’s eyeballs stare 
At imaginary spiders, snakes which really are not there. 
When he thinks he sees them wriggle, when he thinks he sees them bloat, 
It will cure him just to think of Johnson’s Snakebite Antidote.” 

Then he rushed to the museum, found a scientific man— 
“Trot me out a deadly serpent, just the deadliest you can; 
I intend to let him bite me, all the risk I will endure, 
Just to prove the sterling value of my wondrous snakebite cure. 
Even though an adder bit me, back to life again I’d float; 
Snakes are out of date, I tell you, since I’ve found the antidote.” 
Said the scientific person, “If you really want to die, 
Go ahead—but, if you’re doubtful, let your sheep-dog have a try. 
Get a pair of dogs and try it, let the snake give both a nip; 
Give your dog the snakebite mixture, let the other fellow rip; 
If he dies and yours survives him, then it proves the thing is good. 
Will you fetch your dog and try it?” Johnson rather thought he would. 
So he went and fetched his canine, hauled him forward by the throat. 
“Stump, old man,” says he, “we’ll show them we’ve the genwine antidote.” 

Both the dogs were duly loaded with the poison-gland’s contents; 
Johnson gave his dog the mixture, then sat down to wait events. 
“Mark,” he said, “in twenty minutes Stump’ll be a-rushing round, 
While the other wretched creature lies a corpse upon the ground.” 
But, alas for William Johnson! ere they’d watched a half-hour’s spell 
Stumpy was as dead as mutton, t’other dog was live and well. 
And the scientific person hurried off with utmost speed, 
Tested Johnson’s drug and found it was a deadly poison-weed; 
Half a tumbler killed an emu, half a spoonful killed a goat, 
All the snakes on earth were harmless to that awful antidote. 


. . . . . 
Down along the Mooki River, on the overlanders’ camp, 
Where the serpents are in millions, all of the most deadly stamp, 
Wanders, daily, William Johnson, down among those poisonous hordes, 
Shooting every stray goanna, calls them “black and yaller frauds”. 
And King Billy, of the Mooki, cadging for the cast-off coat, 
Somehow seems to dodge the subject of the snake-bite antidote.
Written by Andrew Marvell | Create an image from this poem

To His Noble Friend Mr. Richard Lovelace Upon His Poems

 Sir, 
Our times are much degenerate from those 
Which your sweet muse with your fair fortune chose, 
And as complexions alter with the climes, 
Our wits have drawn the infection of our times. 
That candid age no other way could tell 
To be ingenious, but by speaking well. 
Who best could praise had then the greatest praise, 
'Twas more esteemed to give than bear the bays: 
Modest ambition studied only then 
To honour not herself but worthy men. 
These virtues now are banished out of town, 
Our Civil Wars have lost the civic crown. 
He highest builds, who with most art destroys, 
And against others' fame his own employs. 
I see the envious caterpillar sit 
On the fair blossom of each growing wit. 

The air's already tainted with the swarms 
Of insects which against you rise in arms: 
Word-peckers, paper-rats, book-scorpions, 
Of wit corrupted, the unfashioned sons. 
The barb?d censurers begin to look 
Like the grim consistory on thy book; 
And on each line cast a reforming eye, 
Severer than the young presbytery. 
Till when in vain they have thee all perused, 
You shall, for being faultless, be accused. 
Some reading your Lucasta will allege 
You wronged in her the House's privelege. 
Some that you under sequestration are, 
And one the book prohibits, because Kent 
Their first petition by the author sent. 

But when the beauteous ladies came to know 
That their dear Lovelace was endangered so: 
Lovelace that thawed the most congeal?d breast -- 
He who loved best and them defended best, 
Whose hand so rudely grasps the steely brand, 
Whose hand most gently melts the lady's hand -- 
They all in mutiny though yet undressed 
Sallied, and would in his defence contest. 
And one, the loveliest that was yet e'er seen, 
Thinking that I too of the rout had been, 
Mine eyes invaded with a female spite, 
(She knew what pain 'twould cause to lose that sight.) 
`O no, mistake not,' I replied, `for I 
In your defence, or in his cause, would die.' 
But he, secure of glory and of time, 
Above their envy, or mine aid, doth climb. 
Him valiant'st men and fairest nymphs approve; 
His book in them finds judgement, with you love.
Written by Randall Jarrell | Create an image from this poem

Jerome

 Each day brings its toad, each night its dragon.
Der heilige Hieronymus--his lion is at the zoo--
Listens, listens. All the long, soft, summer day
Dreams affright his couch, the deep boils like a pot.
As the sun sets, the last patient rises,
Says to him, Father, trembles, turns away.

Often, to the lion, the saint said, Son.
To the man the saint says--but the man is gone.
Under a plaque of Gradiva, at gloaming.
The old man boils an egg. When he has eaten
He listens a while. The patients have not stopped.
At midnight, he lies down where his patients lay.

All night the old man whispers to the night.
It listens evenly. The great armored paws
Of its forelegs put together in reflection.
It thinks: Where Ego was, there Id shall be.
The world wrestles with it and is changed into it
And after a long time changes it. The dragon

Listens as the old man says, at dawn: I see
--There is an old man, naked in a desert, by a cliff.
He has set out his books, his hat, his ink, his shears
Among scorpions, toads, the wild beasts of the desert.
I lie beside him--I am a lion.
He kneels listening. He holds in his left hand

The stone with which he beats his breat, and holds
In his right hand, the pen with which he puts
Into his book, the words of the angel:
The angel up into whose face he looks.
But the angel does not speak. He looks into the face
Of the night, and the night says--but the night is gone.

He has slept. . . . At morning, when man's flesh is young
And man's soul thankful for it knows not what,
The air is washed, and smells of boiling coffee,
And the sun lights it. The old man walks placidly
To the grocer's; walks on, under leaves, in light,
To a lynx, a leopard--he has come;

The man holds out a lump of liver to the lion,
And the lion licks the man's hand with his tongue.
Written by Robert Burns | Create an image from this poem

249. Sappho Redivivus: A Fragment

 BY all I lov’d, neglected and forgot,
No friendly face e’er lights my squalid cot;
Shunn’d, hated, wrong’d, unpitied, unredrest,
The mock’d quotation of the scorner’s jest!
Ev’n the poor súpport of my wretched life,
Snatched by the violence of legal strife.
Oft grateful for my very daily bread
To those my family’s once large bounty fed;
A welcome inmate at their homely fare,
My griefs, my woes, my sighs, my tears they share:
(Their vulgar souls unlike the souls refin’d,
The fashioned marble of the polished mind).


In vain would Prudence, with decorous sneer,
Point out a censuring world, and bid me fear;
Above the world, on wings of Love, I rise—
I know its worst, and can that worst despise;
Let Prudence’ direst bodements on me fall,
M[ontgomer]y, rich reward, o’erpays them all!


Mild zephyrs waft thee to life’s farthest shore,
Nor think of me and my distress more,—
Falsehood accurst! No! still I beg a place,
Still near thy heart some little, little trace:
For that dear trace the world I would resign:
O let me live, and die, and think it mine!


“I burn, I burn, as when thro’ ripen’d corn
By driving winds the crackling flames are borne;”
Now raving-wild, I curse that fatal night,
Then bless the hour that charm’d my guilty sight:
In vain the laws their feeble force oppose,
Chain’d at Love’s feet, they groan, his vanquish’d foes.
In vain Religion meets my shrinking eye,
I dare not combat, but I turn and fly:
Conscience in vain upbraids th’ unhallow’d fire,
Love grasps her scorpions—stifled they expire!
Reason drops headlong from his sacred throne,
Your dear idea reigns, and reigns alone;
Each thought intoxicated homage yields,
And riots wanton in forbidden fields.
By all on high adoring mortals know!
By all the conscious villain fears below!
By your dear self!—the last great oath I swear,
Not life, nor soul, were ever half so dear!

Book: Radiant Verses: A Journey Through Inspiring Poetry