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Best Famous Scorpion Poems

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Written by T S (Thomas Stearns) Eliot | Create an image from this poem

Four Quartets 2: East Coker


In my beginning is my end.
In succession Houses rise and fall, crumble, are extended, Are removed, destroyed, restored, or in their place Is an open field, or a factory, or a by-pass.
Old stone to new building, old timber to new fires, Old fires to ashes, and ashes to the earth Which is already flesh, fur and faeces, Bone of man and beast, cornstalk and leaf.
Houses live and die: there is a time for building And a time for living and for generation And a time for the wind to break the loosened pane And to shake the wainscot where the field-mouse trots And to shake the tattered arras woven with a silent motto.
In my beginning is my end.
Now the light falls Across the open field, leaving the deep lane Shuttered with branches, dark in the afternoon, Where you lean against a bank while a van passes, And the deep lane insists on the direction Into the village, in the electric heat Hypnotised.
In a warm haze the sultry light Is absorbed, not refracted, by grey stone.
The dahlias sleep in the empty silence.
Wait for the early owl.
In that open field If you do not come too close, if you do not come too close, On a summer midnight, you can hear the music Of the weak pipe and the little drum And see them dancing around the bonfire The association of man and woman In daunsinge, signifying matrimonie— A dignified and commodiois sacrament.
Two and two, necessarye coniunction, Holding eche other by the hand or the arm Whiche betokeneth concorde.
Round and round the fire Leaping through the flames, or joined in circles, Rustically solemn or in rustic laughter Lifting heavy feet in clumsy shoes, Earth feet, loam feet, lifted in country mirth Mirth of those long since under earth Nourishing the corn.
Keeping time, Keeping the rhythm in their dancing As in their living in the living seasons The time of the seasons and the constellations The time of milking and the time of harvest The time of the coupling of man and woman And that of beasts.
Feet rising and falling.
Eating and drinking.
Dung and death.
Dawn points, and another day Prepares for heat and silence.
Out at sea the dawn wind Wrinkles and slides.
I am here Or there, or elsewhere.
In my beginning.
II What is the late November doing With the disturbance of the spring And creatures of the summer heat, And snowdrops writhing under feet And hollyhocks that aim too high Red into grey and tumble down Late roses filled with early snow? Thunder rolled by the rolling stars Simulates triumphal cars Deployed in constellated wars Scorpion fights against the Sun Until the Sun and Moon go down Comets weep and Leonids fly Hunt the heavens and the plains Whirled in a vortex that shall bring The world to that destructive fire Which burns before the ice-cap reigns.
That was a way of putting it—not very satisfactory: A periphrastic study in a worn-out poetical fashion, Leaving one still with the intolerable wrestle With words and meanings.
The poetry does not matter.
It was not (to start again) what one had expected.
What was to be the value of the long looked forward to, Long hoped for calm, the autumnal serenity And the wisdom of age? Had they deceived us Or deceived themselves, the quiet-voiced elders, Bequeathing us merely a receipt for deceit? The serenity only a deliberate hebetude, The wisdom only the knowledge of dead secrets Useless in the darkness into which they peered Or from which they turned their eyes.
There is, it seems to us, At best, only a limited value In the knowledge derived from experience.
The knowledge imposes a pattern, and falsifies, For the pattern is new in every moment And every moment is a new and shocking Valuation of all we have been.
We are only undeceived Of that which, deceiving, could no longer harm.
In the middle, not only in the middle of the way But all the way, in a dark wood, in a bramble, On the edge of a grimpen, where is no secure foothold, And menaced by monsters, fancy lights, Risking enchantment.
Do not let me hear Of the wisdom of old men, but rather of their folly, Their fear of fear and frenzy, their fear of possession, Of belonging to another, or to others, or to God.
The only wisdom we can hope to acquire Is the wisdom of humility: humility is endless.
The houses are all gone under the sea.
The dancers are all gone under the hill.
III O dark dark dark.
They all go into the dark, The vacant interstellar spaces, the vacant into the vacant, The captains, merchant bankers, eminent men of letters, The generous patrons of art, the statesmen and the rulers, Distinguished civil servants, chairmen of many committees, Industrial lords and petty contractors, all go into the dark, And dark the Sun and Moon, and the Almanach de Gotha And the Stock Exchange Gazette, the Directory of Directors, And cold the sense and lost the motive of action.
And we all go with them, into the silent funeral, Nobody's funeral, for there is no one to bury.
I said to my soul, be still, and let the dark come upon you Which shall be the darkness of God.
As, in a theatre, The lights are extinguished, for the scene to be changed With a hollow rumble of wings, with a movement of darkness on darkness, And we know that the hills and the trees, the distant panorama And the bold imposing façade are all being rolled away— Or as, when an underground train, in the tube, stops too long between stations And the conversation rises and slowly fades into silence And you see behind every face the mental emptiness deepen Leaving only the growing terror of nothing to think about; Or when, under ether, the mind is conscious but conscious of nothing— I said to my soul, be still, and wait without hope For hope would be hope for the wrong thing; wait without love, For love would be love of the wrong thing; there is yet faith But the faith and the love and the hope are all in the waiting.
Wait without thought, for you are not ready for thought: So the darkness shall be the light, and the stillness the dancing.
Whisper of running streams, and winter lightning.
The wild thyme unseen and the wild strawberry, The laughter in the garden, echoed ecstasy Not lost, but requiring, pointing to the agony Of death and birth.
You say I am repeating Something I have said before.
I shall say it again.
Shall I say it again? In order to arrive there, To arrive where you are, to get from where you are not, You must go by a way wherein there is no ecstasy.
In order to arrive at what you do not know You must go by a way which is the way of ignorance.
In order to possess what you do not possess You must go by the way of dispossession.
In order to arrive at what you are not You must go through the way in which you are not.
And what you do not know is the only thing you know And what you own is what you do not own And where you are is where you are not.
IV The wounded surgeon plies the steel That questions the distempered part; Beneath the bleeding hands we feel The sharp compassion of the healer's art Resolving the enigma of the fever chart.
Our only health is the disease If we obey the dying nurse Whose constant care is not to please But to remind of our, and Adam's curse, And that, to be restored, our sickness must grow worse.
The whole earth is our hospital Endowed by the ruined millionaire, Wherein, if we do well, we shall Die of the absolute paternal care That will not leave us, but prevents us everywhere.
The chill ascends from feet to knees, The fever sings in mental wires.
If to be warmed, then I must freeze And quake in frigid purgatorial fires Of which the flame is roses, and the smoke is briars.
The dripping blood our only drink, The bloody flesh our only food: In spite of which we like to think That we are sound, substantial flesh and blood— Again, in spite of that, we call this Friday good.
V So here I am, in the middle way, having had twenty years— Twenty years largely wasted, the years of l'entre deux guerres Trying to use words, and every attempt Is a wholly new start, and a different kind of failure Because one has only learnt to get the better of words For the thing one no longer has to say, or the way in which One is no longer disposed to say it.
And so each venture Is a new beginning, a raid on the inarticulate With shabby equipment always deteriorating In the general mess of imprecision of feeling, Undisciplined squads of emotion.
And what there is to conquer By strength and submission, has already been discovered Once or twice, or several times, by men whom one cannot hope To emulate—but there is no competition— There is only the fight to recover what has been lost And found and lost again and again: and now, under conditions That seem unpropitious.
But perhaps neither gain nor loss.
For us, there is only the trying.
The rest is not our business.
Home is where one starts from.
As we grow older The world becomes stranger, the pattern more complicated Of dead and living.
Not the intense moment Isolated, with no before and after, But a lifetime burning in every moment And not the lifetime of one man only But of old stones that cannot be deciphered.
There is a time for the evening under starlight, A time for the evening under lamplight (The evening with the photograph album).
Love is most nearly itself When here and now cease to matter.
Old men ought to be explorers Here or there does not matter We must be still and still moving Into another intensity For a further union, a deeper communion Through the dark cold and the empty desolation, The wave cry, the wind cry, the vast waters Of the petrel and the porpoise.
In my end is my beginning.

Written by Wole Soyinka | Create an image from this poem



for Moremi, 1963

Earth will not share the rafter's envy; dung floors
Break, not the gecko's slight skin, but its fall
Taste this soil for death and plumb her deep for life

As this yam, wholly earthed, yet a living tuber
To the warmth of waters, earthed as springs
As roots of baobab, as the hearth.
The air will not deny you.
Like a top Spin you on the navel of the storm, for the hoe That roots the forests plows a path for squirrels.
Be ageless as dark peat, but only that rain's Fingers, not the feet of men, may wash you over.
Long wear the sun's shadow; run naked to the night.
Peppers green and red—child—your tongue arch To scorpion tail, spit straight return to danger's threats Yet coo with the brown pigeon, tendril dew between your lips.
Shield you like the flesh of palms, skyward held Cuspids in thorn nesting, insealed as the heart of kernel— A woman's flesh is oil—child, palm oil on your tongue Is suppleness to life, and wine of this gourd From self-same timeless run of runnels as refill Your podlings, child, weaned from yours we embrace Earth's honeyed milk, wine of the only rib.
Now roll your tongue in honey till your cheeks are Swarming honeycombs—your world needs sweetening, child.
Camwood round the heart, chalk for flight Of blemish—see? it dawns!—antimony beneath Armpits like a goddess, and leave this taste Long on your lips, of salt, that you may seek None from tears.
This, rain-water, is the gift Of gods—drink of its purity, bear fruits in season.
Fruits then to your lips: haste to repay The debt of birth.
Yield man-tides like the sea And ebbing, leave a meaning of the fossilled sands.
Written by Henry Wadsworth Longfellow | Create an image from this poem

The Poets Calendar


Janus am I; oldest of potentates; 
Forward I look, and backward, and below 
I count, as god of avenues and gates, 
The years that through my portals come and go.
I block the roads, and drift the fields with snow; I chase the wild-fowl from the frozen fen; My frosts congeal the rivers in their flow, My fires light up the hearths and hearts of men.
February I am lustration, and the sea is mine! I wash the sands and headlands with my tide; My brow is crowned with branches of the pine; Before my chariot-wheels the fishes glide.
By me all things unclean are purified, By me the souls of men washed white again; E'en the unlovely tombs of those who died Without a dirge, I cleanse from every stain.
March I Martius am! Once first, and now the third! To lead the Year was my appointed place; A mortal dispossessed me by a word, And set there Janus with the double face.
Hence I make war on all the human race; I shake the cities with my hurricanes; I flood the rivers and their banks efface, And drown the farms and hamlets with my rains.
April I open wide the portals of the Spring To welcome the procession of the flowers, With their gay banners, and the birds that sing Their song of songs from their aerial towers.
I soften with my sunshine and my showers The heart of earth; with thoughts of love I glide Into the hearts of men; and with the Hours Upon the Bull with wreathed horns I ride.
May Hark! The sea-faring wild-fowl loud proclaim My coming, and the swarming of the bees.
These are my heralds, and behold! my name Is written in blossoms on the hawthorn-trees.
I tell the mariner when to sail the seas; I waft o'er all the land from far away The breath and bloom of the Hesperides, My birthplace.
I am Maia.
I am May.
June Mine is the Month of Roses; yes, and mine The Month of Marriages! All pleasant sights And scents, the fragrance of the blossoming vine, The foliage of the valleys and the heights.
Mine are the longest days, the loveliest nights; The mower's scythe makes music to my ear; I am the mother of all dear delights; I am the fairest daughter of the year.
July My emblem is the Lion, and I breathe The breath of Libyan deserts o'er the land; My sickle as a sabre I unsheathe, And bent before me the pale harvests stand.
The lakes and rivers shrink at my command, And there is thirst and fever in the air; The sky is changed to brass, the earth to sand; I am the Emperor whose name I bear.
August The Emperor Octavian, called the August, I being his favorite, bestowed his name Upon me, and I hold it still in trust, In memory of him and of his fame.
I am the Virgin, and my vestal flame Burns less intensely than the Lion's rage; Sheaves are my only garlands, and I claim The golden Harvests as my heritage.
September I bear the Scales, where hang in equipoise The night and day; and whenunto my lips I put my trumpet, with its stress and noise Fly the white clouds like tattered sails of ships; The tree-tops lash the air with sounding whips; Southward the clamorous sea-fowl wing their flight; The hedges are all red with haws and hips, The Hunter's Moon reigns empress of the night.
October My ornaments are fruits; my garments leaves, Woven like cloth of gold, and crimson dyed; I do no boast the harvesting of sheaves, O'er orchards and o'er vineyards I preside.
Though on the frigid Scorpion I ride, The dreamy air is full, and overflows With tender memories of the summer-tide, And mingled voices of the doves and crows.
November The Centaur, Sagittarius, am I, Born of Ixion's and the cloud's embrace; With sounding hoofs across the earth I fly, A steed Thessalian with a human face.
Sharp winds the arrows are with which I chase The leaves, half dead already with affright; I shroud myself in gloom; and to the race Of mortals bring nor comfort nor delight.
December Riding upon the Goat, with snow-white hair, I come, the last of all.
This crown of mine Is of the holly; in my hand I bear The thyrsus, tipped with fragrant cones of pine.
I celebrate the birth of the Divine, And the return of the Saturnian reign;-- My songs are carols sung at every shrine, Proclaiming "Peace on earth, good will to men.
Written by Sylvia Plath | Create an image from this poem

Electra On Azalea Path

 The day you died I went into the dirt,
Into the lightless hibernaculum
Where bees, striped black and gold, sleep out the blizzard
Like hieratic stones, and the ground is hard.
It was good for twenty years, that wintering -- As if you never existed, as if I came God-fathered into the world from my mother's belly: Her wide bed wore the stain of divinity.
I had nothing to do with guilt or anything When I wormed back under my mother's heart.
Small as a doll in my dress of innocence I lay dreaming your epic, image by image.
Nobody died or withered on that stage.
Everything took place in a durable whiteness.
The day I woke, I woke on Churchyard Hill.
I found your name, I found your bones and all Enlisted in a cramped necropolis your speckled stone skewed by an iron fence.
In this charity ward, this poorhouse, where the dead Crowd foot to foot, head to head, no flower Breaks the soil.
This is Azalea path.
A field of burdock opens to the south.
Six feet of yellow gravel cover you.
The artificial red sage does not stir In the basket of plastic evergreens they put At the headstone next to yours, nor does it rot, Although the rains dissolve a bloody dye: The ersatz petals drip, and they drip red.
Another kind of redness bothers me: The day your slack sail drank my sister's breath The flat sea purpled like that evil cloth My mother unrolled at your last homecoming.
I borrow the silts of an old tragedy.
The truth is, one late October, at my birth-cry A scorpion stung its head, an ill-starred thing; My mother dreamed you face down in the sea.
The stony actors poise and pause for breath.
I brought my love to bear, and then you died.
It was the gangrene ate you to the bone My mother said: you died like any man.
How shall I age into that state of mind? I am the ghost of an infamous suicide, My own blue razor rusting at my throat.
O pardon the one who knocks for pardon at Your gate, father -- your hound-*****, daughter, friend.
It was my love that did us both to death.
Written by Nazim Hikmet | Create an image from this poem

The Strangest Creature On Earth

 You're like a scorpion, my brother,
you live in cowardly darkness
 like a scorpion.
You're like a sparrow, my brother, always in a sparrow's flutter.
You're like a clam, my brother, closed like a clam, content, And you're frightening, my brother, like the mouth of an extinct volcano.
Not one, not five-- unfortunately, you number millions.
You're like a sheep, my brother: when the cloaked drover raises his stick, you quickly join the flock and run, almost proudly, to the slaughterhouse.
I mean you're strangest creature on earth-- even stranger than the fish that couldn't see the ocean for the water.
And the oppression in this world is thanks to you.
And if we're hungry, tired, covered with blood, and still being crushed like grapes for our wine, the fault is yours-- I can hardly bring myself to say it, but most of the fault, my dear brother, is yours.
Written by A R Ammons | Create an image from this poem

Shit List; Or Omnium-gatherum Of Diversity Into Unity

 You'll rejoice at how many kinds of **** there are:
gosling **** (which J.
Williams said something was as green as), fish **** (the generality), trout ****, rainbow trout **** (for the nice), mullet ****, sand dab ****, casual sloth ****, elephant **** (awesome as process or payload), wildebeest ****, horse **** (a favorite), caterpillar **** (so many dark kinds, neatly pelleted as mint seed), baby rhinoceros ****, splashy jaybird ****, mockingbird **** (dive-bombed with the aim of song), robin **** that oozes white down lawnchairs or down roots under roosts, chicken **** and chicken mite ****, pelican ****, gannet **** (wholesome guano), fly **** (periodic), cockatoo ****, dog **** (past catalog or assimilation), cricket ****, elk (high plains) ****, and tiny scribbled little shrew ****, whale **** (what a sight, deep assumption), mandril **** (blazing blast off), weasel **** (wiles' waste), gazelle ****, magpie **** (total protein), tiger **** (too acid to contemplate), moral eel and manta ray ****, eerie shark ****, earthworm **** (a soilure), crab ****, wolf **** upon the germicidal ice, snake ****, giraffe **** that accelerates, secretary bird ****, turtle **** suspension invites, remora **** slightly in advance of the shark ****, hornet **** (difficult to assess), camel **** that slaps the ghastly dry siliceous, frog ****, beetle ****, bat **** (the marmoreal), contemptible cat ****, penguin ****, hermit crab ****, prairie hen ****, cougar ****, eagle **** (high totem stuff), buffalo **** (hardly less lofty), otter ****, beaver **** (from the animal of alluvial dreams)—a vast ordure is a broken down cloaca—macaw ****, alligator **** (that floats the Nile along), louse ****, macaque, koala, and coati ****, antelope ****, chuck-will's-widow ****, alpaca **** (very high stuff), gooney bird ****, chigger ****, bull **** (the classic), caribou ****, rasbora, python, and razorbill ****, scorpion ****, man ****, laswing fly larva ****, chipmunk ****, other-worldly wallaby ****, gopher **** (or broke), platypus ****, aardvark ****, spider ****, kangaroo and peccary ****, guanaco ****, dolphin ****, aphid ****, baboon **** (that leopards induce), albatross ****, red-headed woodpecker (nine inches long) ****, tern ****, hedgehog ****, panda ****, seahorse ****, and the **** of the wasteful gallinule.
Written by Alfred Lord Tennyson | Create an image from this poem

Demeter And Persephone

 Faint as a climate-changing bird that flies
All night across the darkness, and at dawn
Falls on the threshold of her native land,
And can no more, thou camest, O my child,
Led upward by the God of ghosts and dreams,
Who laid thee at Eleusis, dazed and dumb,
With passing thro' at once from state to state,
Until I brought thee hither, that the day,
When here thy hands let fall the gather'd flower,
Might break thro' clouded memories once again
On thy lost self.
A sudden nightingale Saw thee, and flash'd into a frolic of song And welcome; and a gleam as of the moon, When first she peers along the tremulous deep, Fled wavering o'er thy face, and chased away That shadow of a likeness to the king Of shadows, thy dark mate.
Persephone! Queen of the dead no more -- my child! Thine eyes Again were human-godlike, and the Sun Burst from a swimming fleece of winter gray, And robed thee in his day from head to feet -- "Mother!" and I was folded in thine arms.
Child, those imperial, disimpassion'd eyes Awed even me at first, thy mother -- eyes That oft had seen the serpent-wanded power Draw downward into Hades with his drift Of fickering spectres, lighted from below By the red race of fiery Phlegethon; But when before have Gods or men beheld The Life that had descended re-arise, And lighted from above him by the Sun? So mighty was the mother's childless cry, A cry that ran thro' Hades, Earth, and Heaven! So in this pleasant vale we stand again, The field of Enna, now once more ablaze With flowers that brighten as thy footstep falls, All flowers -- but for one black blur of earth Left by that closing chasm, thro' which the car Of dark Aidoneus rising rapt thee hence.
And here, my child, tho' folded in thine arms, I feel the deathless heart of motherhood Within me shudder, lest the naked glebe Should yawn once more into the gulf, and thence The shrilly whinnyings of the team of Hell, Ascending, pierce the glad and songful air, And all at once their arch'd necks, midnight-maned, Jet upward thro' the mid-day blossom.
No! For, see, thy foot has touch'd it; all the space Of blank earth-baldness clothes itself afresh, And breaks into the crocus-purple hour That saw thee vanish.
Child, when thou wert gone, I envied human wives, and nested birds, Yea, the cubb'd lioness; went in search of thee Thro' many a palace, many a cot, and gave Thy breast to ailing infants in the night, And set the mother waking in amaze To find her sick one whole; and forth again Among the wail of midnight winds, and cried, "Where is my loved one? Wherefore do ye wail?" And out from all the night an answer shrill'd, "We know not, and we know not why we wail.
" I climb'd on all the cliffs of all the seas, And ask'd the waves that moan about the world "Where? do ye make your moaning for my child?" And round from all the world the voices came "We know not, and we know not why we moan.
" "Where?" and I stared from every eagle-peak, I thridded the black heart of all the woods, I peer'd thro' tomb and cave, and in the storms Of Autumn swept across the city, and heard The murmur of their temples chanting me, Me, me, the desolate Mother! "Where"? -- and turn'd, And fled by many a waste, forlorn of man, And grieved for man thro' all my grief for thee, -- The jungle rooted in his shatter'd hearth, The serpent coil'd about his broken shaft, The scorpion crawling over naked skulls; -- I saw the tiger in the ruin'd fane Spring from his fallen God, but trace of thee I saw not; and far on, and, following out A league of labyrinthine darkness, came On three gray heads beneath a gleaming rift.
"Where"? and I heard one voice from all the three "We know not, for we spin the lives of men, And not of Gods, and know not why we spin! There is a Fate beyond us.
" Nothing knew.
Last as the likeness of a dying man, Without his knowledge, from him flits to warn A far-off friendship that he comes no more, So he, the God of dreams, who heard my cry, Drew from thyself the likeness of thyself Without thy knowledge, and thy shadow past Before me, crying "The Bright one in the highest Is brother of the Dark one in the lowest, And Bright and Dark have sworn that I, the child Of thee, the great Earth-Mother, thee, the Power That lifts her buried life from loom to bloom, Should be for ever and for evermore The Bride of Darkness.
" So the Shadow wail'd.
Then I, Earth-Goddess, cursed the Gods of Heaven.
I would not mingle with their feasts; to me Their nectar smack'd of hemlock on the lips, Their rich ambrosia tasted aconite.
The man, that only lives and loves an hour, Seem'd nobler than their hard Eternities.
My quick tears kill'd the flower, my ravings hush'd The bird, and lost in utter grief I fail'd To send my life thro' olive-yard and vine And golden grain, my gift to helpless man.
Rain-rotten died the wheat, the barley-spears Were hollow-husk'd, the leaf fell, and the sun, Pale at my grief, drew down before his time Sickening, and Aetna kept her winter snow.
Then He, the brother of this Darkness, He Who still is highest, glancing from his height On earth a fruitless fallow, when he miss'd The wonted steam of sacrifice, the praise And prayer of men, decreed that thou should'st dwell For nine white moons of each whole year with me, Three dark ones in the shadow with thy King.
Once more the reaper in the gleam of dawn Will see me by the landmark far away, Blessing his field, or seated in the dusk Of even, by the lonely threshing-floor, Rejoicing in the harvest and the grange.
Yet I, Earth-Goddess, am but ill-content With them, who still are highest.
Those gray heads, What meant they by their "Fate beyond the Fates" But younger kindlier Gods to bear us down, As we bore down the Gods before us? Gods, To quench, not hurl the thunderbolt, to stay, Not spread the plague, the famine; Gods indeed, To send the noon into the night and break The sunless halls of Hades into Heaven? Till thy dark lord accept and love the Sun, And all the Shadow die into the Light, When thou shalt dwell the whole bright year with me, And souls of men, who grew beyond their race, And made themselves as Gods against the fear Of Death and Hell; and thou that hast from men, As Queen of Death, that worship which is Fear, Henceforth, as having risen from out the dead, Shalt ever send thy life along with mine From buried grain thro' springing blade, and bless Their garner'd Autumn also, reap with me, Earth-mother, in the harvest hymns of Earth The worship which is Love, and see no more The Stone, the Wheel, the dimly-glimmering lawns Of that Elysium, all the hateful fires Of torment, and the shadowy warrior glide Along the silent field of Asphodel.

Written by Robert Browning | Create an image from this poem

The Englishman In Italy

) Fortu, Frotu, my beloved one, Sit here by my side, On my knees put up both little feet! I was sure, if I tried, I could make you laugh spite of Scirocco; Now, open your eyes— Let me keep you amused till he vanish In black from the skies, With telling my memories over As you tell your beads; All the memories plucked at Sorrento —The flowers, or the weeds, Time for rain! for your long hot dry Autumn Had net-worked with brown The white skin of each grape on the bunches, Marked like a quail's crown, Those creatures you make such account of, Whose heads,—specked with white Over brown like a great spider's back, As I told you last night,— Your mother bites off for her supper; Red-ripe as could be.
Pomegranates were chapping and splitting In halves on the tree: And betwixt the loose walls of great flintstone, Or in the thick dust On the path, or straight out of the rock side, Wherever could thrust Some burnt sprig of bold hardy rock-flower Its yellow face up, For the prize were great butterflies fighting, Some five for one cup.
So, I guessed, ere I got up this morning, What change was in store, By the quick rustle-down of the quail-nets Which woke me before I could open my shutter, made fast With a bough and a stone, And look through the twisted dead vine-twigs, Sole lattice that's known! Quick and sharp rang the rings down the net-poles, While, busy beneath, Your priest and his brother tugged at them, The rain in their teeth: And out upon all the flat house-roofs Where split figs lay drying, The girls took the frails under cover: Nor use seemed in trying To get out the boats and go fishing, For, under the cliff, Fierce the black water frothed o'er the blind-rock No seeing our skiff Arrive about noon from Amalfi, —Our fisher arrive, And pitch down his basket before us, All trembling alive With pink and grey jellies, your sea-fruit, —You touch the strange lumps, And mouths gape there, eyes open, all manner Of horns and of humps.
Which only the fisher looks grave at, While round him like imps Cling screaming the children as naked And brown as his shrimps; Himself too as bare to the middle— —You see round his neck The string and its brass coin suspended, That saves him from wreck.
But today not a boat reached Salerno, So back to a man Came our friends, with whose help in the vineyards Grape-harvest began: In the vat, half-way up in our house-side, Like blood the juice spins, While your brother all bare-legged is dancing Till breathless he grins Dead-beaten, in effort on effort To keep the grapes under, Since still when he seems all but master, In pours the fresh plunder From girls who keep coming and going With basket on shoulder, And eyes shut against the rain's driving, Your girls that are older,— For under the hedges of aloe, And where, on its bed Of the orchard's black mould, the love-apple Lies pulpy and red, All the young ones are kneeling and filling Their laps with the snails Tempted out by this first rainy weather,— Your best of regales, As tonight will be proved to my sorrow, When, supping in state, We shall feast our grape-gleaners (two dozen, Three over one plate) With lasagne so tempting to swallow In slippery ropes, And gourds fried in great purple slices, That colour of popes.
Meantime, see the grape-bunch they've brought you,— The rain-water slips O'er the heavy blue bloom on each globe Which the wasp to your lips Still follows with fretful persistence— Nay, taste, while awake, This half of a curd-white smooth cheese-ball, That peels, flake by flake, Like an onion's, each smoother and whiter; Next, sip this weak wine From the thin green glass flask, with its stopper, A leaf of the vine,— And end with the prickly-pear's red flesh That leaves through its juice The stony black seeds on your pearl-teeth .
Scirocco is loose! Hark! the quick, whistling pelt of the olives Which, thick in one's track, Tempt the stranger to pick up and bite them, Though not yet half black! How the old twisted olive trunks shudder! The medlars let fall Their hard fruit, and the brittle great fig-trees Snap off, figs and all,— For here comes the whole of the tempest No refuge, but creep Back again to my side and my shoulder, And listen or sleep.
O how will your country show next week When all the vine-boughs Have been stripped of their foliage to pasture The mules and the cows? Last eve, I rode over the mountains; Your brother, my guide, Soon left me, to feast on the myrtles That offered, each side, Their fruit-balls, black, glossy and luscious,— Or strip from the sorbs A treasure, so rosy and wondrous, Of hairy gold orbs! But my mule picked his sure, sober path out, Just stopping to neigh When he recognized down in the valley His mates on their way With the faggots, and barrels of water; And soon we emerged From the plain, where the woods could scarce follow And still as we urged Our way, the woods wondered, and left us, As up still we trudged Though the wild path grew wilder each instant, And place was e'en grudged 'Mid the rock-chasms, and piles of loose stones (Like the loose broken teeth Of some monster, which climbed there to die From the ocean beneath) Place was grudged to the silver-grey fume-weed That clung to the path, And dark rosemary, ever a-dying, That, 'spite the wind's wrath, So loves the salt rock's face to seaward,— And lentisks as staunch To the stone where they root and bear berries,— And.
what shows a branch Coral-coloured, transparent, with circlets Of pale seagreen leaves— Over all trod my mule with the caution Of gleaners o'er sheaves, Still, foot after foot like a lady— So, round after round, He climbed to the top of Calvano, And God's own profound Was above me, and round me the mountains, And under, the sea, And within me, my heart to bear witness What was and shall be! Oh Heaven, and the terrible crystal! No rampart excludes Your eye from the life to be lived In the blue solitudes! Oh, those mountains, their infinite movement! Still moving with you— For, ever some new head and breast of them Thrusts into view To observe the intruder—you see it If quickly you turn And, before they escape you, surprise them— They grudge you should learn How the soft plains they look on, lean over, And love (they pretend) -Cower beneath them; the flat sea-pine crouches The wild fruit-trees bend, E'en the myrtle-leaves curl, shrink and shut— All is silent and grave— 'Tis a sensual and timorous beauty— How fair, but a slave! So, I turned to the sea,—and there slumbered As greenly as ever Those isles of the siren, your Galli; No ages can sever The Three, nor enable their sister To join them,—half-way On the voyage, she looked at Ulysses— No farther today; Though the small one, just launched in the wave, Watches breast-high and steady From under the rock, her bold sister Swum half-way already.
Fortu, shall we sail there together And see from the sides Quite new rocks show their faces—new haunts Where the siren abides? Shall we sail round and round them, close over The rocks, though unseen, That ruffle the grey glassy water To glorious green? Then scramble from splinter to splinter, Reach land and explore, On the largest, the strange square black turret With never a door, Just a loop to admit the quick lizards; Then, stand there and hear The birds' quiet singing, that tells us What life is, so clear! The secret they sang to Ulysses, When, ages ago, He heard and he knew this life's secret, I hear and I know! Ah, see! The sun breaks o'er Calvano— He strikes the great gloom And flutters it o'er the mount's summit In airy gold fume! All is over! Look out, see the gipsy, Our tinker and smith, Has arrived, set up bellows and forge, And down-squatted forthwith To his hammering, under the wall there; One eye keeps aloof The urchins that itch to be putting His jews'-harps to proof, While the other, through locks of curled wire, Is watching how sleek Shines the hog, come to share in the windfalls —An abbot's own cheek! All is over! Wake up and come out now, And down let us go, And see the fine things got in order At Church for the show Of the Sacrament, set forth this evening; Tomorrow's the Feast Of the Rosary's Virgin, by no means Of Virgins the least— As you'll hear in the off-hand discourse Which (all nature, no art) The Dominican brother, these three weeks, Was getting by heart.
Not a post nor a pillar but's dizened With red and blue papers; All the roof waves with ribbons, each altar A-blaze with long tapers; But the great masterpiece is the scaffold Rigged glorious to hold All the fiddlers and fifers and drummers And trumpeters bold, Not afraid of Bellini nor Auber, Who, when the priest's hoarse, Will strike us up something that's brisk For the feast's second course.
And then will the flaxen-wigged Image Be carried in pomp Through the plain, while in gallant procession The priests mean to stomp.
And all round the glad church lie old bottles With gunpowder stopped, Which will be, when the Image re-enters, Religiously popped.
And at night from the crest of Calvano Great bonfires will hang, On the plain will the trumpets join chorus, And more poppers bang! At all events, come—to the garden, As far as the wall, See me tap with a hoe on the plaster Till out there shall fall A scorpion with wide angry nippers! .
"Such trifles"—you say? Fortu, in my England at home, Men meet gravely today And debate, if abolishing Corn-laws Is righteous and wise —If 'tis proper, Scirocco should vanish In black from the skies!
Written by Robert Browning | Create an image from this poem

De Gustibus---

Your ghost will walk, you lover of trees, (If our loves remain) In an English lane, By a cornfield-side a-flutter with poppies.
Hark, those two in the hazel coppice--- A boy and a girl, if the good fates please, Making love, say,--- The happier they! Draw yourself up from the light of the moon, And let them pass, as they will too soon, With the bean-flowers' boon, And the blackbird's tune, And May, and June! II.
What I love best in all the world Is a castle, precipice-encurled, In a gash of the wind-grieved Apennine Or look for me, old fellow of mine, (If I get my head from out the mouth O' the grave, and loose my spirit's bands, And come again to the land of lands)--- In a sea-side house to the farther South, Where the baked cicala dies of drouth, And one sharp tree---'tis a cypress---stands, By the many hundred years red-rusted, Rough iron-spiked, ripe fruit-o'ercrusted, My sentinel to guard the sands To the water's edge.
For, what expands Before the house, but the great opaque Blue breadth of sea without a break? While, in the house, for ever crumbles Some fragment of the frescoed walls, From blisters where a scorpion sprawls.
A girl bare-footed brings, and tumbles Down on the pavement, green-flesh melons, And says there's news to-day---the king Was shot at, touched in the liver-wing, Goes with his Bourbon arm in a sling: ---She hopes they have not caught the felons.
Italy, my Italy! Queen Mary's saying serves for me--- (When fortune's malice Lost her---Calais)--- Open my heart and you will see Graved inside of it, ``Italy.
'' Such lovers old are I and she: So it always was, so shall ever be!
Written by Robert Southey | Create an image from this poem

The Paupers Funeral

 What! and not one to heave the pious sigh!
Not one whose sorrow-swoln and aching eye
For social scenes, for life's endearments fled,
Shall drop a tear and dwell upon the dead!
Poor wretched Outcast! I will weep for thee,
And sorrow for forlorn humanity.
Yes I will weep, but not that thou art come To the stern Sabbath of the silent tomb: For squalid Want, and the black scorpion Care, Heart-withering fiends! shall never enter there.
I sorrow for the ills thy life has known As thro' the world's long pilgrimage, alone, Haunted by Poverty and woe-begone, Unloved, unfriended, thou didst journey on: Thy youth in ignorance and labour past, And thine old age all barrenness and blast! Hard was thy Fate, which, while it doom'd to woe, Denied thee wisdom to support the blow; And robb'd of all its energy thy mind, Ere yet it cast thee on thy fellow-kind, Abject of thought, the victim of distress, To wander in the world's wide wilderness.
Poor Outcast sleep in peace! the wintry storm Blows bleak no more on thine unshelter'd form; Thy woes are past; thou restest in the tomb;-- I pause--and ponder on the days to come.