Written by
Thomas Hood |
One more Unfortunate,
Weary of breath,
Rashly importunate,
Gone to her death!
Take her up tenderly,
Lift her with care;
Fashion'd so slenderly
Young, and so fair!
Look at her garments
Clinging like cerements;
Whilst the wave constantly
Drips from her clothing;
Take her up instantly,
Loving, not loathing.
Touch her not scornfully;
Think of her mournfully,
Gently and humanly;
Not of the stains of her,
All that remains of her
Now is pure womanly.
Make no deep scrutiny
Into her mutiny
Rash and undutiful:
Past all dishonour,
Death has left on her
Only the beautiful.
Still, for all slips of hers,
One of Eve's family—
Wipe those poor lips of hers
Oozing so clammily.
Loop up her tresses
Escaped from the comb,
Her fair auburn tresses;
Whilst wonderment guesses
Where was her home?
Who was her father?
Who was her mother?
Had she a sister?
Had she a brother?
Or was there a dearer one
Still, and a nearer one
Yet, than all other?
Alas! for the rarity
Of Christian charity
Under the sun!
O, it was pitiful!
Near a whole city full,
Home she had none.
Sisterly, brotherly,
Fatherly, motherly
Feelings had changed:
Love, by harsh evidence,
Thrown from its eminence;
Even God's providence
Seeming estranged.
Where the lamps quiver
So far in the river,
With many a light
From window and casement,
From garret to basement,
She stood, with amazement,
Houseless by night.
The bleak wind of March
Made her tremble and shiver;
But not the dark arch,
Or the black flowing river:
Mad from life's history,
Glad to death's mystery,
Swift to be hurl'd—
Anywhere, anywhere
Out of the world!
In she plunged boldly—
No matter how coldly
The rough river ran—
Over the brink of it,
Picture it—think of it,
Dissolute Man!
Lave in it, drink of it,
Then, if you can!
Take her up tenderly,
Lift her with care;
Fashion'd so slenderly,
Young, and so fair!
Ere her limbs frigidly
Stiffen too rigidly,
Decently, kindly,
Smooth and compose them;
And her eyes, close them,
Staring so blindly!
Dreadfully staring
Thro' muddy impurity,
As when with the daring
Last look of despairing
Fix'd on futurity.
Perishing gloomily,
Spurr'd by contumely,
Cold inhumanity,
Burning insanity,
Into her rest.
—
Cross her hands humbly
As if praying dumbly,
Over her breast!
Owning her weakness,
Her evil behaviour,
And leaving, with meekness,
Her sins to her Saviour!
|
Written by
William Shakespeare |
But, lo! from forth a copse that neighbours by,
A breeding jennet, lusty, young, and proud,
Adonis' trampling courser doth espy,
And forth she rushes, snorts and neighs aloud;
The strong-neck'd steed, being tied unto a tree,
Breaketh his rein, and to her straight goes he.
Imperiously he leaps, he neighs, he bounds,
And now his woven girths he breaks asunder;
The bearing earth with his hard hoof he wounds,
Whose hollow womb resounds like heaven's thunder;
The iron bit he crushes 'tween his teeth
Controlling what he was controlled with.
His ears up-prick'd; his braided hanging mane
Upon his compass'd crest now stand on end;
His nostrils drink the air, and forth again,
As from a furnace, vapours doth he send:
His eye, which scornfully glisters like fire,
Shows his hot courage and his high desire.
Sometime her trots, as if he told the steps,
With gentle majesty and modest pride;
Anon he rears upright, curvets and leaps,
As who should say, 'Lo! thus my strength is tried;
And this I do to captivate the eye
Of the fair breeder that is standing by.
'
What recketh he his rider's angry stir,
His flattering 'Holla,' or his 'Stand, I say?'
What cares he now for curb of pricking spur?
For rich caparisons or trapping gay?
He sees his love, and nothing else he sees,
Nor nothing else with his proud sight agrees.
Look, when a painter would surpass the life,
In limning out a well-proportion'd steed,
His art with nature's workmanship at strife,
As if the dead the living should exceed;
So did this horse excel a common one,
In shape, in courage, colour, pace and bone
Round-hoof'd, short-jointed, fetlocks shag and long,
Broad breast, full eye, small head, and nostril wide,
High crest, short ears, straight legs and passing strong,
Thin mane, thick tail, broad buttock, tender hide:
Look, what a horse should have he did not lack,
Save a proud rider on so proud a back.
Sometimes he scuds far off, and there he stares;
Anon he starts at stirring of a feather;
To bid the wind a race he now prepares,
And whe'r he run or fly they know not whether;
For through his mane and tail the high wind sings,
Fanning the hairs, who wave like feather'd wings.
He looks upon his love, and neighs unto her;
She answers him as if she knew his mind;
Being proud, as females are, to see him woo her,
She puts on outward strangeness, seems unkind,
Spurns at his love and scorns the heat he feels,
Beating his kind embracements with her heels.
Then, like a melancholy malcontent,
He vails his tail that, like a falling plume
Cool shadow to his melting buttock lent:
He stamps, and bites the poor flies in his fume.
His love, perceiving how he is enrag'd,
Grew kinder, and his fury was assuag'd.
His testy master goeth about to take him;
When lo! the unback'd breeder, full of fear,
Jealous of catching, swiftly doth forsake him,
With her the horse, and left Adonis there.
As they were mad, unto the wood they hie them,
Out-stripping crows that strive to over-fly them.
I prophesy they death, my living sorrow,
If thou encounter with the boar to-morrow.
"But if thou needs wilt hunt, be rul'd by me;
Uncouple at the timorous flying hare,
Or at the fox which lives by subtlety,
Or at the roe which no encounter dare:
Pursue these fearful creatures o'er the downs,
And on they well-breath'd horse keep with they hounds.
"And when thou hast on food the purblind hare,
Mark the poor wretch, to overshoot his troubles
How he outruns with winds, and with what care
He cranks and crosses with a thousand doubles:
The many musits through the which he goes
Are like a labyrinth to amaze his foes.
"Sometime he runs among a flock of sheep,
To make the cunning hounds mistake their smell,
And sometime where earth-delving conies keep,
To stop the loud pursuers in their yell,
And sometime sorteth with a herd of deer;
Danger deviseth shifts; wit waits on fear:
"For there his smell with other being mingled,
The hot scent-snuffing hounds are driven to doubt,
Ceasing their clamorous cry till they have singled
With much ado the cold fault cleanly out;
Then do they spend their mouths: Echo replies,
As if another chase were in the skies.
"By this, poor Wat, far off upon a hill,
Stands on his hinder legs with listening ear,
To hearken if his foes pursue him still:
Anon their loud alarums he doth hear;
And now his grief may be compared well
To one sore sick that hears the passing-bell.
"Then shalt thou see the dew-bedabbled wretch
Turn, and return, indenting with the way;
Each envious briar his weary legs doth scratch,
Each shadow makes him stop, each murmur stay:
For misery is trodden on by many,
And being low never reliev'd by any.
"Lie quietly, and hear a little more;
Nay, do not struggle, for thou shalt not rise:
To make thee hate the hunting of the boar,
Unlike myself thou hear'st me moralize,
Applying this to that, and so to so;
For love can comment upon every woe.
"
|
Written by
Elizabeth Bishop |
At six o'clock we were waiting for coffee,
waiting for coffee and the charitable crumb
that was going to be served from a certain balcony
—like kings of old, or like a miracle.
It was still dark.
One foot of the sun
steadied itself on a long ripple in the river.
The first ferry of the day had just crossed the river.
It was so cold we hoped that the coffee
would be very hot, seeing that the sun
was not going to warm us; and that the crumb
would be a loaf each, buttered, by a miracle.
At seven a man stepped out on the balcony.
He stood for a minute alone on the balcony
looking over our heads toward the river.
A servant handed him the makings of a miracle,
consisting of one lone cup of coffee
and one roll, which he proceeded to crumb,
his head, so to speak, in the clouds—along with the sun.
Was the man crazy? What under the sun
was he trying to do, up there on his balcony!
Each man received one rather hard crumb,
which some flicked scornfully into the river,
and, in a cup, one drop of the coffee.
Some of us stood around, waiting for the miracle.
I can tell what I saw next; it was not a miracle.
A beautiful villa stood in the sun
and from its doors came the smell of hot coffee.
In front, a baroque white plaster balcony
added by birds, who nest along the river,
—I saw it with one eye close to the crumb—
and galleries and marble chambers.
My crumb
my mansion, made for me by a miracle,
through ages, by insects, birds, and the river
working the stone.
Every day, in the sun,
at breakfast time I sit on my balcony
with my feet up, and drink gallons of coffee.
We licked up the crumb and swallowed the coffee.
A window across the river caught the sun
as if the miracle were working, on the wrong balcony.
|
Written by
Matthew Arnold |
The Master stood upon the mount, and taught.
He saw a fire in his disciples’ eyes;
‘The old law’, they said, ‘is wholly come to naught!
Behold the new world rise!’
‘Was it’, the Lord then said, ‘with scorn ye saw
The old law observed by Scribes and Pharisees?
I say unto you, see ye keep that law
More faithfully than these!
‘Too hasty heads for ordering worlds, alas!
Think not that I to annul the law have will’d;
No jot, no tittle from the law shall pass,
Till all hath been fulfill’d.
’
So Christ said eighteen hundred years ago.
And what then shall be said to those to-day,
Who cry aloud to lay the old world low
To clear the new world’s way?
‘Religious fervours! ardour misapplied!
Hence, hence,’ they cry, ’ye do but keep man blind!
But keep him self-immersed, preoccupied,
And lame the active mind!’
Ah! from the old world let some one answer give:
‘Scorn ye this world, their tears, their inward cares?
I say unto you, see that your souls live
A deeper life than theirs!
‘Say ye: The spirit of man has found new roads,
And we must leave the old faiths, and walk therein?—
Leave then the Cross as ye have left carved gods,
But guard the fire within!
‘Bright, else, and fast the stream of life may roll,
And no man may the other’s hurt behold;
Yet each will have one anguish—his own soul
Which perishes of cold.
’
Here let that voice make end; then let a strain,
From a far lonelier distance, like the wind
Be heard, floating through heaven, and fill again
These men’s profoundest mind:
‘Children of men! the unseen Power, whose eye
For ever doth accompany mankind,
Hath looked on no religion scornfully
That men did ever find.
‘Which has not taught weak wills how much they can?
Which has not fall’n on the dry heart like rain?
Which has not cried to sunk, self-weary man:
Thou must be born again!
‘Children of men! not that your age excel
In pride of life the ages of your sires,
But that you think clear, feel deep, bear fruit well,
The Friend of man desires.
’
|
Written by
Walt Whitman |
GIVE me your hand, old Revolutionary;
The hill-top is nigh—but a few steps, (make room, gentlemen;)
Up the path you have follow’d me well, spite of your hundred and extra years;
You can walk, old man, though your eyes are almost done;
Your faculties serve you, and presently I must have them serve me.
Rest, while I tell what the crowd around us means;
On the plain below, recruits are drilling and exercising;
There is the camp—one regiment departs to-morrow;
Do you hear the officers giving the orders?
Do you hear the clank of the muskets?
Why, what comes over you now, old man?
Why do you tremble, and clutch my hand so convulsively?
The troops are but drilling—they are yet surrounded with smiles;
Around them, at hand, the well-drest friends, and the women;
While splendid and warm the afternoon sun shines down;
Green the midsummer verdure, and fresh blows the dallying breeze,
O’er proud and peaceful cities, and arm of the sea between.
But drill and parade are over—they march back to quarters;
Only hear that approval of hands! hear what a clapping!
As wending, the crowds now part and disperse—but we, old man,
Not for nothing have I brought you hither—we must remain;
You to speak in your turn, and I to listen and tell.
THE CENTENARIAN.
When I clutch’d your hand, it was not with terror;
But suddenly, pouring about me here, on every side,
And below there where the boys were drilling, and up the slopes they ran,
And where tents are pitch’d, and wherever you see, south and south-east and
south-west,
Over hills, across lowlands, and in the skirts of woods,
And along the shores, in mire (now fill’d over), came again, and suddenly raged,
As eighty-five years agone, no mere parade receiv’d with applause of friends,
But a battle, which I took part in myself—aye, long ago as it is, I took part in it,
Walking then this hill-top, this same ground.
Aye, this is the ground;
My blind eyes, even as I speak, behold it re-peopled from graves;
The years recede, pavements and stately houses disappear;
Rude forts appear again, the old hoop’d guns are mounted;
I see the lines of rais’d earth stretching from river to bay;
I mark the vista of waters, I mark the uplands and slopes:
Here we lay encamp’d—it was this time in summer also.
As I talk, I remember all—I remember the Declaration;
It was read here—the whole army paraded—it was read to us here;
By his staff surrounded, the General stood in the middle—he held up his
unsheath’d
sword,
It glitter’d in the sun in full sight of the army.
’Twas a bold act then;
The English war-ships had just arrived—the king had sent them from over the sea;
We could watch down the lower bay where they lay at anchor,
And the transports, swarming with soldiers.
A few days more, and they landed—and then the battle.
Twenty thousand were brought against us,
A veteran force, furnish’d with good artillery.
I tell not now the whole of the battle;
But one brigade, early in the forenoon, order’d forward to engage the red-coats;
Of that brigade I tell, and how steadily it march’d,
And how long and how well it stood, confronting death.
Who do you think that was, marching steadily, sternly confronting death?
It was the brigade of the youngest men, two thousand strong,
Rais’d in Virginia and Maryland, and many of them known personally to the General.
Jauntily forward they went with quick step toward Gowanus’ waters;
Till of a sudden, unlook’d for, by defiles through the woods, gain’d at night,
The British advancing, wedging in from the east, fiercely playing their guns,
That brigade of the youngest was cut off, and at the enemy’s mercy.
The General watch’d them from this hill;
They made repeated desperate attempts to burst their environment;
Then drew close together, very compact, their flag flying in the middle;
But O from the hills how the cannon were thinning and thinning them!
It sickens me yet, that slaughter!
I saw the moisture gather in drops on the face of the General;
I saw how he wrung his hands in anguish.
Meanwhile the British maneuver’d to draw us out for a pitch’d battle;
But we dared not trust the chances of a pitch’d battle.
We fought the fight in detachments;
Sallying forth, we fought at several points—but in each the luck was against us;
Our foe advancing, steadily getting the best of it, push’d us back to the works on
this
hill;
Till we turn’d, menacing, here, and then he left us.
That was the going out of the brigade of the youngest men, two thousand strong;
Few return’d—nearly all remain in Brooklyn.
That, and here, my General’s first battle;
No women looking on, nor sunshine to bask in—it did not conclude with applause;
Nobody clapp’d hands here then.
But in darkness, in mist, on the ground, under a chill rain,
Wearied that night we lay, foil’d and sullen;
While scornfully laugh’d many an arrogant lord, off against us encamp’d,
Quite within hearing, feasting, klinking wine-glasses together over their victory.
So, dull and damp, and another day;
But the night of that, mist lifting, rain ceasing,
Silent as a ghost, while they thought they were sure of him, my General retreated.
I saw him at the river-side,
Down by the ferry, lit by torches, hastening the embarcation;
My General waited till the soldiers and wounded were all pass’d over;
And then, (it was just ere sunrise,) these eyes rested on him for the last time.
Every one else seem’d fill’d with gloom;
Many no doubt thought of capitulation.
But when my General pass’d me,
As he stood in his boat, and look’d toward the coming sun,
I saw something different from capitulation.
TERMINUS.
Enough—the Centenarian’s story ends;
The two, the past and present, have interchanged;
I myself, as connecter, as chansonnier of a great future, am now speaking.
And is this the ground Washington trod?
And these waters I listlessly daily cross, are these the waters he cross’d,
As resolute in defeat, as other generals in their proudest triumphs?
It is well—a lesson like that, always comes good;
I must copy the story, and send it eastward and westward;
I must preserve that look, as it beam’d on you, rivers of Brooklyn.
See! as the annual round returns, the phantoms return;
It is the 27th of August, and the British have landed;
The battle begins, and goes against us—behold! through the smoke, Washington’s
face;
The brigade of Virginia and Maryland have march’d forth to intercept the enemy;
They are cut off—murderous artillery from the hills plays upon them;
Rank after rank falls, while over them silently droops the flag,
Baptized that day in many a young man’s bloody wounds,
In death, defeat, and sisters’, mothers’ tears.
Ah, hills and slopes of Brooklyn! I perceive you are more valuable than your owners
supposed;
Ah, river! henceforth you will be illumin’d to me at sunrise with something besides
the
sun.
Encampments new! in the midst of you stands an encampment very old;
Stands forever the camp of the dead brigade.
|
Written by
Rudyard Kipling |
(A.
D.
1066)
I followed my Duke ere I was a lover,
To take from England fief and fee;
But now this game is the other way over--
But now England hath taken me!
I had my horse, my shield and banner,
And a boy's heart, so whole and free;
But now I sing in another manner--
But now England hath taken me!
As for my Father in his tower,
Asking news of my ship at sea,
He will remember his own hour--
Tell him England hath taken me!
As for my Mother in her bower,
That rules my Father so cunningly,
She will remember a maiden's power--
Tell her England hath taken me!
As for my Brother in Rouen City,
A nimble and naughty' page is he,
But he will come to suffer and pity--
Tell him England hath taken me!
As for my little Sister waiting
In the pleasant orchards of Normandie,
Tell her youth is the time for mating--
Tell her England hath taken me!
As for my comrades in camp and highway
That lift their eyebrows scornfully,
Tell them their way is not my way--
Tell them England hath taken me!
Kings and Princes and Barons famed,
Knights and Captains in your degree;
Hear me a little before I am blamed--
Seeing England hath taken me!
Howso great man's strength be reckoned,
There are two things he cannot flee.
Love is the first, and Death is the second-
And Love in England hath taken me!
|
Written by
Robert William Service |
First time I dared propose,
A callow lad was I;
I donned my Sunday clothes,
I wore my Old School Tie.
Awaiting me Louise
Was dolled to beat the band,
So going on my knees
I begged her hand.
Oh yes, she gave me her hand,--
A box upon the ear;
I could not understand,
I blinked away a tear.
Then scornfully she said:
'Next time you kneel before
A maid, young man don't spread
Your hankey on the floor.
'
So next time I proposed,
Thinks I, I'll treat 'em rough.
Her name was Lily Rose,
I gave her he-man stuff.
I yanked her on my knee,
And as her ear I bit,
To my amazement she
Seemed to like it.
The old cave-men knew best;
Grab girlies by the hair,
And though they may protest
Drag them into your lair.
So young men seeking mates,
Take my tip, if rejected:
A modern maid just hates
To be respected.
|
Written by
Vachel Lindsay |
SECTION ONE
"Give the engines room,
Give the engines room.
"
Louder, faster
The little band-master
Whips up the fluting,
Hurries up the tooting.
He thinks that he stands,
[*] The reins in his hands,
In the fire-chief's place
In the night alarm chase.
The cymbals whang,
The kettledrums bang: —
"Clear the street,
Clear the street,
Clear the street — Boom, boom.
In the evening gloom,
In the evening gloom,
Give the engines room,
Give the engines room.
Lest souls be trapped
In a terrible tomb.
"
The sparks and the pine-brands
Whirl on high
From the black and reeking alleys
To the wide red sky.
Hear the hot glass crashing,
Hear the stone steps hissing.
Coal black streams
Down the gutters pour.
There are cries for help
From a far fifth floor.
For a longer ladder
Hear the fire-chief call.
Listen to the music
Of the firemen's ball.
Listen to the music
Of the firemen's ball.
"'Tis the
NIGHT
Of doom,"
Say the ding-dong doom-bells.
"NIGHT
Of doom,"
Say the ding-dong doom-bells.
Faster, faster
The red flames come.
"Hum grum," say the engines,
"Hum grum grum.
"
"Buzz, buzz,"
Says the crowd.
"See, see,"
Calls the crowd.
And the high walls fall:—
Listen to the music
Of the firemen's ball
"'Tis the
NIGHT
Of doom,"
Say the ding-dong doom-bells.
NIGHT
Of doom,
Say the ding-dong doom-bells.
Whangaranga, whangaranga,
Whang, whang, whang,
Clang, clang, clangaranga,
Clang, clang, clang.
Clang—a—ranga—
Clang—a—ranga—
Clang,
Clang,
Clang.
Listen—to—the—music—
Of the firemen's ball—
SECTION TWO
"Many's the heart that's breaking
If we could read them all
After the ball is over.
"
(An old song.
)
Scornfully, gaily
The bandmaster sways,
Changing the strain
That the wild band plays.
With a red and royal intoxication,
A tangle of sounds
And a syncopation,
Sweeping and bending
From side to side,
Master of dreams,
With a peacock pride.
A lord of the delicate flowers of delight
He drives compunction
Back through the night.
Dreams he's a soldier
Plumed and spurred,
And valiant lads
Arise at his word,
Flaying the sober
Thoughts he hates,
Driving them back
From the dream-town gates.
How can the languorous
Dancers know
The red dreams come
When the good dreams go?
'"Tis the
NIGHT
Of love,"
Call the silver joy-bells,
"NIGHT
Of love,"
Call the silver joy-bells.
"Honey and wine,
Honey and wine.
Sing low, now, violins,
Sing, sing low,
Blow gently, wood-wind,
Mellow and slow.
Like midnight poppies
The sweethearts bloom.
Their eyes flash power,
Their lips are dumb.
Faster and faster
Their pulses come,
Though softer now
The drum-beats fall.
Honey and wine,
Honey and wine.
'Tis the firemen's ball,
'Tis the firemen's ball.
"I am slain,"
Cries true-love
There in the shadow.
"And I die,"
Cries true-love,
There laid low.
"When the fire-dreams come,
The wise dreams go.
"
BUT HIS CRY IS DROWNED
BY THE PROUD BAND-MASTER.
And now great gongs whang,
Sharper, faster,
And kettledrums rattle
And hide the shame
With a swish and a swirk
In dead love's name.
Red and crimson
And scarlet and rose
Magical poppies
The sweethearts bloom.
The scarlet stays
When the rose-flush goes,
And love lies low
In a marble tomb.
"'Tis the
NIGHT
Of doom,"
Call the ding-dong doom-bells.
"NIGHT
Of Doom,"
Call the ding-dong doom-bells.
Hark how the piccolos still make cheer.
'Tis a moonlight night in the spring of the year.
"
CLANGARANGA, CLANGARANGA,
CLANG .
.
.
CLANG .
.
.
CLANG.
CLANG .
.
.
A .
.
.
RANGA .
.
.
CLANG .
.
.
A .
.
.
RANGA .
.
.
CLANG .
.
.
CLANG .
.
.
CLANG .
.
.
LISTEN .
.
.
TO .
.
.
THE .
.
.
MUSIC .
.
.
OF .
.
.
THE .
.
.
FIREMEN'S BALL .
.
.
LISTEN .
.
.
TO .
.
.
THE .
.
.
MUSIC .
.
.
OF .
.
.
THE .
.
.
FIREMEN'S .
.
.
BALL .
.
.
SECTION THREE
In Which, contrary to Artistic Custom, the moral of the piece is placed before the reader.
(From the first Khandaka of the Mahavagga: "There Buddha thus addressed his disciples: 'Everything, O mendicants, is burning.
With what fire is it burning? I declare unto you it is burning with the fire of passion, with the fire of anger, with the fire of ignorance.
It is burning with the anxieties of birth, decay and death, grief, lamentation, suffering and despair.
.
.
.
A disciple, .
.
.
becoming weary of all that, divests himself of passion.
By absence of passion, he is made free.
'")
I once knew a teacher,
Who turned from desire,
Who said to the young men
"Wine is a fire.
"
Who said to the merchants:—
"Gold is a flame
That sears and tortures
If you play at the game.
"
I once knew a teacher
Who turned from desire
Who said to the soldiers,
"Hate is a fire.
"
Who said to the statesmen:—
"Power is a flame
That flays and blisters
If you play at the game.
"
I once knew a teacher
Who turned from desire,
Who said to the lordly,
"Pride is a fire.
"
Who thus warned the revellers:—
"Life is a flame.
Be cold as the dew
Would you win at the game
With hearts like the stars,
With hearts like the stars.
"
SO BEWARE,
SO BEWARE,
SO BEWARE OF THE FIRE.
Clear the streets,
BOOM, BOOM,
Clear the streets,
BOOM, BOOM,
GIVE THE ENGINES ROOM,
GIVE THE ENGINES ROOM,
LEST SOULS BE TRAPPED
IN A TERRIBLE TOMB.
SAYS THE SWIFT WHITE HORSE
TO THE SWIFT BLACK HORSE:—
"THERE GOES THE ALARM,
THERE GOES THE ALARM.
THEY ARE HITCHED, THEY ARE OFF,
THEY ARE GONE IN A FLASH,
AND THEY STRAIN AT THE DRIVER'S IRON ARM.
"
CLANG .
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Written by
Andrew Barton Paterson |
West of Dubbo the west begins
The land of leisure and hope and trust,
Where the black man stalks with his dogs and gins
And Nature visits the settlers' sins
With the Bogan shower, that is mostly dust.
When the roley-poley's roots dry out
With the fierce hot winds and the want of rain,
They come uprooted and bound about
And dance in a wild fantastic rout
Like flying haystacks across the plain.
And the horses shudder and snort and shift
As the bounding mass of weeds goes past,
But the emus never their heads uplift
As they look for roots in the sandy drift,
For the emus know it from first to last.
Now, the boss's dog that had come from town
Was strange to the wild and woolly west,
And he thought he would earn him some great renown
When he saw, on the wastes of the open down,
An emu standing beside her nest.
And he said to himself as he stalked his prey
To start on his first great emu hunt,
"I must show some speed when she runs away,
For emus kick very hard, they say;
But I can't be kicked if I keep in front.
"
The emu chickens made haste to flee
As he barked and he snarled and he darted around,
But the emu looked at him scornfully
And put an end to his warlike glee
With a kick that lifted him off the ground.
And when, with an injured rib or two,
He made for home with a chastened mind,
An old dog told him, "I thought you knew
An emu kicks like a kangaroo,
And you can't get hurt -- if you keep behind.
"
|
Written by
Victor Hugo |
("Sonnez, clairons de la pensée!")
{Bk. VII. i., March 19, 1853.}
Sound, sound for ever, Clarions of Thought!
When Joshua 'gainst the high-walled city fought,
He marched around it with his banner high,
His troops in serried order following nigh,
But not a sword was drawn, no shaft outsprang,
Only the trumpets the shrill onset rang.
At the first blast, smiled scornfully the king,
And at the second sneered, half wondering:
"Hop'st thou with noise my stronghold to break down?"
At the third round, the ark of old renown
Swept forward, still the trumpets sounding loud,
And then the troops with ensigns waving proud.
Stepped out upon the old walls children dark
With horns to mock the notes and hoot the ark.
At the fourth turn, braving the Israelites,
Women appeared upon the crenelated heights—
Those battlements embrowned with age and rust—
And hurled upon the Hebrews stones and dust,
And spun and sang when weary of the game.
At the fifth circuit came the blind and lame,
And with wild uproar clamorous and high
Railed at the clarion ringing to the sky.
At the sixth time, upon a tower's tall crest,
So high that there the eagle built his nest,
So hard that on it lightning lit in vain,
Appeared in merriment the king again:
"These Hebrew Jews musicians are, meseems!"
He scoffed, loud laughing, "but they live on dreams."
The princes laughed submissive to the king,
Laughed all the courtiers in their glittering ring,
And thence the laughter spread through all the town.
At the seventh blast—the city walls fell down.
TORU DUTT.
form in w
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