Written by
Margaret Atwood |
In the secular night you wander around
alone in your house. It's two-thirty.
Everyone has deserted you,
or this is your story;
you remember it from being sixteen,
when the others were out somewhere, having a good time,
or so you suspected,
and you had to baby-sit.
You took a large scoop of vanilla ice-cream
and filled up the glass with grapejuice
and ginger ale, and put on Glenn Miller
with his big-band sound,
and lit a cigarette and blew the smoke up the chimney,
and cried for a while because you were not dancing,
and then danced, by yourself, your mouth circled with purple.
Now, forty years later, things have changed,
and it's baby lima beans.
It's necessary to reserve a secret vice.
This is what comes from forgetting to eat
at the stated mealtimes. You simmer them carefully,
drain, add cream and pepper,
and amble up and down the stairs,
scooping them up with your fingers right out of the bowl,
talking to yourself out loud.
You'd be surprised if you got an answer,
but that part will come later.
There is so much silence between the words,
you say. You say, The sensed absence
of God and the sensed presence
amount to much the same thing,
only in reverse.
You say, I have too much white clothing.
You start to hum.
Several hundred years ago
this could have been mysticism
or heresy. It isn't now.
Outside there are sirens.
Someone's been run over.
The century grinds on.
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Written by
Belinda Subraman |
I remember India:
palm trees, monkey families,
fresh lime juice in the streets,
the sensual inundation
of sights and smells
and excess in everything.
I was exotic and believable there.
I was walking through dirt
in my sari,
to temples of the deities
following the lead
of my Indian in-laws.
I was scooping up fire with my hands,
glancing at idols that held no meaning for me,
being marked by the ash.
They smiled at the Western woman,
acting religious, knowing
it was my way of showing respect.
It was an adventure for me
but an arm around their culture for them.
To me it was living a dream
I knew I could wake up from.
To them it was the willingness
to be Indian that pleased.
We were holding hands
across a cultural cosmos,
knowing there were no differences
hearts could not soothe.
They accepted me
as I accepted them,
baffled but in love
with our wedded mystery.
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Written by
Karl Shapiro |
Save for a lusterless honing-stone of moon
The sky stretches its flawless canopy
Blue as the blue silk of the Jewish flag
Over the valley and out to sea.
It is bluest just above the olive tree.
You cannot find in twisted Italy
So straight a one; it stands not on a crag,
Is not humpbacked with bearing in scored stone,
But perfectly erect in my front yard,
Oblivious of its fame. The fruit is hard,
Multitudinous, acid, tight on the stem;
The leaves ride boat-like in the brimming sun,
Going nowhere and scooping up the light.
It is the silver tree, the holy tree,
Tree of all attributes.
Now on the lawn
The olives fall by thousands, and I delight
To shed my tennis shoes and walk on them,
Pressing them coldly into the deep grass,
In love and reverence for the total loss.
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Written by
Conrad Aiken |
She looks out in the blue morning
and sees a whole wonderful world
she looks out in the morning
and sees a whole world
she leans out of the window
and this is what she sees
a wet rose singing to the sun
with a chorus of red bees
she leans out of the window
and laughs for the window is high
she is in it like a bird on a perch
and they scoop the blue sky
she and the window scooping
the morning as if it were air
scooping a green wave of leaves
above a stone stair
and an urn hung with leaden garlands
and girls holding hands in a ring
and raindrops on an iron railing
shining like a harp string
an old man draws with his ferrule
in wet sand a map of Spain
the marble soldier on his pedestal
draws a stiff diagram of pain
but the walls around her tremble
with the speed of the earth the floor
curves to the terrestrial center
and behind her the door
opens darkly down to the beginning
far down to the first simple cry
and the animal waking in water
and the opening of the eye
she looks out in the blue morning
and sees a whole wonderful world
she looks out in the morning
and sees a whole world.
|
Written by
Emily Dickinson |
While it is alive
Until Death touches it
While it and I lap one Air
Dwell in one Blood
Under one Sacrament
Show me Division can split or pare --
Love is like Life -- merely longer
Love is like Death, during the Grave
Love is the Fellow of the Resurrection
Scooping up the Dust and chanting "Live"!
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Written by
Andrew Barton Paterson |
So, the bank has bust it's boiler! And in six or seven year
It will pay me all my money back -- of course!
But the horse will perish waiting while the grass is germinating,
And I reckon I'll be something like the horse.
There's the ploughing to be finished and the ploughmen want their pay,
And I'd like to wire the fence and sink a tank;
But I own I'm fairly beat how I'm going to make ends meet
With my money in a reconstructed bank.
"It's a safe and sure investment!" But it's one I can't afford,
For I've got to meet my bills and bay the rent,
And the cash I had provided (so these meetings have decided)
Shall be collared by the bank at three per cent.
I can draw out half my money, so they tell me, from the Crown;
But -- it's just enough to drive a fellow daft --
My landlord's quite distressed, by this very bank he's pressed,
And he'll sell me up, to pay his overdraft.
There's my nearest neighbour, Johnson, owed this self-same bank a debt,
Every feather off his poor old back they pluck't,
For they set to work to shove him, and they sold his house above him,
Lord! They never gave him time to reconstruct.
And their profits from the business have been twenty-five per cent,
Which, I reckon, is a pretty tidy whack,
And I think it's only proper, now the thing has come a cropper,
That they ought to pay a little of it back.
I have read about "reserve funds", "banking freeholds", and the like,
Till I thought the bank had thousands of assets,
And it strikes me very funny that they take a fellow's money
When they haven't got enough to pay their debts.
And they say they've lent my money, and they can't get paid it back.
I know their rates per cent were tens and twelves;
And if they've made a blunder after scooping all this plunder,
Why, they ought to fork the money out themselves.
So all you bank shareholders, if you won't pay what you owe,
You will find that on your bank will fall a blight;
And the reason is because it's simply certain that deposits
Will be stopped, the bank will bust, and serve you right!
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Written by
Chris Jones |
I caught rumours of some internal hearing
then you appeared with tears squeezing your eyes,
hands scrunched up like a child's, rice paper skin.
That work mates complained was a big surprise
as you were office sunshine, shafted no-one,
and turned your quick mind to the broadest cause.
But there you were, a whisper finished…gone,
scooping reams of data from cabinet drawers,
your kiddie snaps stacked face-down on the desk
and none of us sat safe enough to speak.
That night I helped a cleaner bin the mess.
Our chief would hire a temp inside the week
so I kept back your tissues as a wee bequest.
Sometimes I think I should have wiped your cheek.
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Written by
Emile Verhaeren |
Yon, in the depths of the evening's track,
Like a herd of blind bullocks that seek their fellows,
Wild, as in terror, the tempest bellows.
And suddenly, there, o'er the gables black
That the church, in the twilight, around it raises
All scored with lightnings the steeple blazes.
See the old bell-ringer, frenzied with fear.
Mouth gaping, yet speechless, draw hastening near.
And the knell of alarm that with strokes of lead
He rings, heaves forth in a tempest of dread
The frantic despair that throbs in his head.
With the cross at the height
Of its summit brandished, the lofty steeple
Spreads the crimson mane
Of the fire o'er the plain
Toward the dream-like horizons that bound the night;
The city nocturnal is filled with light;
The face of the swift-gathered crowds doth people
With fears and with clamours both street and lane;
On walls turned suddenly dazzling bright
The dusky panes drink the crimson flood
Like draughts of blood.
Yet, knell upon knell, the old ringer doth cast
His frenzy and fear o'er the country vast.
The steeple, it seems to be growing higher
Against the horizon that shifts and quivers,
And to be flying in gleams of fire
Far o'er the lakes and the swampy rivers.
Its slates, like wings
Of sparks and spangles, afar it flings.
They fly toward the forests across the night:
And in their passage the fires exhume
The hovels and huts from their folds of gloom,
Setting them suddenly all alight.
In the crashing fall of the steeple's crown
The cross to the brazier's depth drops down,
Where, twisted and torn in the fiery fray,
Its Christian arms are crushed like prey.
With might and main
The bell-ringer sounds his knell abroad.
As though the flames would burn his God.
The fire
Funnel-like hollows its way yet higher,
'Twixt walls of stone, up the steeple's height;
Gaining the archway and lofty stage
Where, swinging in light, the bell bounds with rage.
The daws and the owls, with wild, long cry
Pass screeching by;
On the fast-closed casements their heads they smite,
Burn in the smoke-drifts their pinions light,
Then, broken with terror and bruised with flight.
Suddenly, 'mid the surging crowd.
Fall dead outright.
The old man sees toward his brandished bells
The climbing fire
With hands of boiling gold stretch nigher.
The steeple
Looks like a thicket of crimson bushes,
With here a branch of flame that rushes
Darting the belfry boards between;
Convulsed and savage flames, they cling,
With curves that plant-like curl and lean.
Round every joist, round every pulley,
And monumental beams, whence ring
The bells, that voice forth frenzied folly.
His fear and anguish spent, the ringer
Sounds his own knell
On his ruined bell.
A final crash,
All dust and plaster in one grey flash,
Cleaves the whole steeple's height in pieces;
And like some great cry slain, it ceases
All on a sudden, the knell's dull rage.
The ancient tower
Seems sudden to lean and darkly lower;
While with heavy thuds, as from stage to stage
They headlong bound.
The bells are heard
Plunging and crashing towards the ground.
But yet the old ringer has never stirred.
And, scooping the moist earth out, the bell
Was thus his coffin, and grave as well.
|
Written by
Carl Sandburg |
GUNS,
Long, steel guns,
Pointed from the war ships
In the name of the war god.
Straight, shining, polished guns,
Clambered over with jackies in white blouses,
Glory of tan faces, tousled hair, white teeth,
Laughing lithe jackies in white blouses,
Sitting on the guns singing war songs, war chanties.
Shovels,
Broad, iron shovels,
Scooping out oblong vaults,
Loosening turf and leveling sod.
I ask you
To witness--
The shovel is brother to the gun.
|
Written by
Carl Sandburg |
THE HIGH horses of the sea broke their white riders
On the walls that held and counted the hours
The wind lasted.
Two landbirds looked on and the north and the east
Looked on and the wind poured cups of foam
And the evening began.
The old men in the shanties looked on and lit their
Pipes and the young men spoke of the girls
For a wild night like this.
The south and the west looked on and the moon came
When the wind went down and the sea was sorry
And the singing slow.
Ask how the sunset looked between the wind going
Down and the moon coming up and I would struggle
To tell the how of it.
I give you fire here, I give you water, I give you
The wind that blew them across and across,
The scooping, mixing wind.
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