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Best Famous Schemed Poems

Here is a collection of the all-time best famous Schemed poems. This is a select list of the best famous Schemed poetry. Reading, writing, and enjoying famous Schemed poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of schemed poems.

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Written by Robert Browning | Create an image from this poem

Aix In Provence

 Christ God who savest man, save most
Of men Count Gismond who saved me!
Count Gauthier, when he chose his post,
Chose time and place and company
To suit it; when he struck at length
My honour, 'twas with all his strength.
II.
And doubtlessly ere he could draw All points to one, he must have schemed! That miserable morning saw Few half so happy as I seemed, While being dressed in queen's array To give our tourney prize away.
III.
I thought they loved me, did me grace To please themselves; 'twas all their deed; God makes, or fair or foul, our face; If showing mine so caused to bleed My cousins' hearts, they should have dropped A word, and straight the play had stopped.
IV.
They, too, so beauteous! Each a queen By virtue of her brow and breast; Not needing to be crowned, I mean, As I do.
E'en when I was dressed, Had either of them spoke, instead Of glancing sideways with still head! V.
But no: they let me laugh, and sing My birthday song quite through, adjust The last rose in my garland, fling A last look on the mirror, trust My arms to each an arm of theirs, And so descend the castle-stairs--- VI.
And come out on the morning-troop Of merry friends who kissed my cheek, And called me queen, and made me stoop Under the canopy---(a streak That pierced it, of the outside sun, Powdered with gold its gloom's soft dun)--- VII.
And they could let me take my state And foolish throne amid applause Of all come there to celebrate My queen's-day---Oh I think the cause Of much was, they forgot no crowd Makes up for parents in their shroud! VIII.
However that be, all eyes were bent Upon me, when my cousins cast Theirs down; 'twas time I should present The victor's crown, but .
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there, 'twill last No long time .
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the old mist again Blinds me as then it did.
How vain! IX, See! Gismond's at the gate, in talk With his two boys: I can proceed.
Well, at that moment, who should stalk Forth boldly---to my face, indeed--- But Gauthier, and he thundered ``Stay!'' And all stayed.
``Bring no crowns, I say! X.
``Bring torches! Wind the penance-sheet ``About her! Let her shun the chaste, ``Or lay herself before their feet! ``Shall she whose body I embraced ``A night long, queen it in the day? ``For honour's sake no crowns, I say!'' XI.
I? What I answered? As I live, I never fancied such a thing As answer possible to give.
What says the body when they spring Some monstrous torture-engine's whole Strength on it? No more says the soul.
XII.
Till out strode Gismond; then I knew That I was saved.
I never met His face before, but, at first view, I felt quite sure that God had set Himself to Satan; who would spend A minute's mistrust on the end? XIII.
He strode to Gauthier, in his throat Gave him the lie, then struck his mouth With one back-handed blow that wrote In blood men's verdict there.
North, South, East, West, I looked.
The lie was dead, And damned, and truth stood up instead.
XIV.
This glads me most, that I enjoyed The heart of the joy, with my content In watching Gismond unalloyed By any doubt of the event: God took that on him---I was bid Watch Gismond for my part: I did.
XV.
Did I not watch him while he let His armourer just brace his greaves, Rivet his hauberk, on the fret The while! His foot .
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my memory leaves No least stamp out, nor how anon He pulled his ringing gauntlets on.
XVI.
And e'en before the trumpet's sound Was finished, prone lay the false knight, Prone as his lie, upon the ground: Gismond flew at him, used no sleight O' the sword, but open-breasted drove, Cleaving till out the truth he clove.
XVII.
Which done, he dragged him to my feet And said ``Here die, but end thy breath ``In full confession, lest thou fleet ``From my first, to God's second death! ``Say, hast thou lied?'' And, ``I have lied ``To God and her,'' he said, and died.
XVIII.
Then Gismond, kneeling to me, asked ---What safe my heart holds, though no word Could I repeat now, if I tasked My powers forever, to a third Dear even as you are.
Pass the rest Until I sank upon his breast.
XIX.
Over my head his arm he flung Against the world; and scarce I felt His sword (that dripped by me and swung) A little shifted in its belt: For he began to say the while How South our home lay many a mile.
XX.
So 'mid the shouting multitude We two walked forth to never more Return.
My cousins have pursued Their life, untroubled as before I vexed them.
Gauthier's dwelling-place God lighten! May his soul find grace! XXI.
Our elder boy has got the clear Great brow; tho' when his brother's black Full eye slows scorn, it .
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Gismond here? And have you brought my tercel*1 back? I just was telling Adela How many birds it struck since May.
*1 A male of the peregrine falcon.


Written by Robert Browning | Create an image from this poem

Pan and Luna

 Si credere dignum est.
--Virgil, Georgics, III, 390 Oh, worthy of belief I hold it was, Virgil, your legend in those strange three lines! No question, that adventure came to pass One black night in Arcadia: yes, the pines, Mountains and valleys mingling made one mass Of black with void black heaven: the earth's confines, The sky's embrace,--below, above, around, All hardened into black without a bound.
Fill up a swart stone chalice to the brim With fresh-squeezed yet fast-thickening poppy-juice: See how the sluggish jelly, late a-swim, Turns marble to the touch of who would loose The solid smooth, grown jet from rim to rim, By turning round the bowl! So night can fuse Earth with her all-comprising sky.
No less, Light, the least spark, shows air and emptiness.
And thus it proved when--diving into space, Stript of all vapor, from each web of mist, Utterly film-free--entered on her race The naked Moon, full-orbed antagonist Of night and dark, night's dowry: peak to base, Upstarted mountains, and each valley, kissed To sudden life, lay silver-bright: in air Flew she revealed, Maid-Moon with limbs all bare.
Still as she fled, each depth,--where refuge seemed-- Opening a lone pale chamber, left distinct Those limbs: mid still-retreating blue, she teemed Herself with whiteness,--virginal, uncinct By any halo save what finely gleamed To outline not disguise her: heavenwas linked In one accord with earth to quaff the joy, Drain beauty to the dregs without alloy.
Whereof she grew aware.
What help? When, lo, A succorable cloud with sleep lay dense: Some pinetree-top had caught it sailing slow, And tethered for a prize: in evidence Captive lay fleece on fleece of piled-up snow Drowsily patient: flake-heaped how or whence, The structure of that succorable cloud, What matter? Shamed she plunged into its shroud.
Orbed--so the woman-figure poets call Because of rounds on rounds--that apple-shaped Head which its hair binds close into a ball Each side the curving ears--that pure undraped Pout of the sister paps--that .
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once for all, Say--her consummate circle thus escaped With its innumerous circlets, sank absorbed, Safe in the cloud--O naked Moon full-orbed! But what means this? The downy swathes combine, Conglobe, the smothery coy-caressing stuff Curdles about her! Vain each twist and twine Those lithe limbs try, encroached on by a fluff Fitting as close as fits the dented spine Its flexible ivory outside-flesh: enough! The plumy drifts contract, condense, constringe, Till she is swallowed by the feathery springe.
As when a pearl slips lost in the thin foam Churned on a sea-shore, and, o'er-frothed, conceits Herself safe-housed in Amphitrite's dome,-- If, through the bladdery wave-worked yeast, she meets What most she loathes and leaps from,--elf from gnome No gladlier,--finds that safest of retreats Bubble about a treacherous hand wide ope To grasp her--(divers who pick pearls so grope)-- So lay this Maid-Moon clasped around and caught By rough red Pan, the god of all that tract: He it was schemed the snare thus subtly wrought With simulated earth-breath,--wool-tufts packed Into a billowy wrappage.
Sheep far-sought For spotless shearings yield such: take the fact As learned Virgil gives it,--how the breed Whitens itself forever: yes, indeed! If one forefather ram, though pure as chalk From tinge on fleece, should still display a tongue Black 'neath the beast's moist palate, prompt men balk The propagating plague: he gets no young: They rather slay him,--sell his hide to calk Ships with, first steeped with pitch,--nor hands are wrung In sorrow for his fate: protected thus, The purity we loved is gained for us.
So did girl-Moon, by just her attribute Of unmatched modesty betrayed, lie trapped, Bruised to the breast of Pan, half god half brute, Raked by his bristly boar-sward while he lapped --Never say, kissed her! that were to pollute Love's language--which moreover proves unapt To tell how she recoiled--as who finds thorns Where she sought flowers--when, feeling, she touched--horns! Then--does the legend say?--first moon-eclipse Happened, first swooning-fit which puzzled sore The early sages? Is that why she dips Into the dark, a minute and no more, Only so long as serves her while she rips The cloud's womb through and, faultless as before, Pursues her way? No lesson for a maid Left she, a maid herself thus trapped, betrayed? Ha, Virgil? Tell the rest, you! "To the deep Of his domain the wildwood, Pan forthwith Called her, and so she followed"--in her sleep, Surely?--"by no means spurning him.
" The myth Explain who may! Let all else go, I keep --As of a ruin just a monolith-- Thus much, one verse of five words, each a boon: Arcadia, night, a cloud, Pan, and the moon.
Written by Thomas Hardy | Create an image from this poem

Doom and She

 I 

 There dwells a mighty pair - 
 Slow, statuesque, intense - 
 Amid the vague Immense: 
None can their chronicle declare, 
 Nor why they be, nor whence.
,h II Mother of all things made, Matchless in artistry, Unlit with sight is she.
- And though her ever well-obeyed Vacant of feeling he.
III The Matron mildly asks - A throb in every word - "Our clay-made creatures, lord, How fare they in their mortal tasks Upon Earth's bounded bord? IV "The fate of those I bear, Dear lord, pray turn and view, And notify me true; Shapings that eyelessly I dare Maybe I would undo.
V "Sometimes from lairs of life Methinks I catch a groan, Or multitudinous moan, As though I had schemed a world of strife, Working by touch alone.
" VI "World-weaver!" he replies, "I scan all thy domain; But since nor joy nor pain Doth my clear substance recognize, I read thy realms in vain.
VII "World-weaver! what IS Grief? And what are Right, and Wrong, And Feeling, that belong To creatures all who owe thee fief? What worse is Weak than Strong?" .
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VIII --Unlightened, curious, meek, She broods in sad surmise .
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--Some say they have heard her sighs On Alpine height or Polar peak When the night tempests rise.
Written by Robert William Service | Create an image from this poem

The Auction Sale

 Her little head just topped the window-sill;
She even mounted on a stool, maybe;
She pressed against the pane, as children will,
And watched us playing, oh so wistfully!
And then I missed her for a month or more,
And idly thought: "She's gone away, no doubt,"
Until a hearse drew up beside the door .
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I saw a tiny coffin carried out.
And after that, towards dusk I'd often see Behind the blind another face that looked: Eyes of a young wife watching anxiously, Then rushing back to where her dinner cooked.
She often gulped it down alone, I fear, Within her heart the sadness of despair, For near to midnight I would vaguely hear A lurching step, a stumbling on the stair.
These little dramas of the common day! A man weak-willed and fore-ordained to fail .
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The window's empty now, they've gone away, And yonder, see, their furniture's for sale.
To all the world their door is open wide, And round and round the bargain-hunters roam, And peer and gloat, like vultures avid-eyed, Above the corpse of what was once a home.
So reverent I go from room to room, And see the patient care, the tender touch, The love that sought to brighten up the gloom, The woman-courage tested overmuch.
Amid those things so intimate and dear, Where now the mob invades with brutal tread, I think: "What happiness is buried here, What dreams are withered and what hopes are dead!" Oh, woman dear, and were you sweet and glad Over the lining of your little nest! What ponderings and proud ideas you had! What visions of a shrine of peace and rest! For there's his easy-chair upon the rug, His reading-lamp, his pipe-rack on the wall, All that you could devise to make him snug -- And yet you could not hold him with it all.
Ah, patient heart, what homelike joys you planned To stay him by the dull domestic flame! Those silken cushions that you worked by hand When you had time, before the baby came.
Oh, how you wove around him cozy spells, And schemed so hard to keep him home of nights! Aye, every touch and turn some story tells Of sweet conspiracies and dead delights.
And here upon the scratched piano stool, Tied in a bundle, are the songs you sung; That cozy that you worked in colored wool, The Spanish lace you made when you were young, And lots of modern novels, cheap reprints, And little dainty knick-knacks everywhere; And silken bows and curtains of gay chintz .
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And oh, her tiny crib, her folding chair! Sweet woman dear, and did your heart not break, To leave this precious home you made in vain? Poor shabby things! so prized for old times' sake, With all their memories of love and pain.
Alas! while shouts the raucous auctioneer, And rat-faced dames are prying everywhere, The echo of old joy is all I hear, All, all I see just heartbreak and despair.

Book: Reflection on the Important Things