Written by
Sylvia Plath |
'Perspective betrays with its dichotomy:
train tracks always meet, not here, but only
in the impossible mind's eye;
horizons beat a retreat as we embark
on sophist seas to overtake that mark
where wave pretends to drench real sky.'
'Well then, if we agree, it is not odd
that one man's devil is another's god
or that the solar spectrum is
a multitude of shaded grays; suspense
on the quicksands of ambivalence
is our life's whole nemesis.
So we could rave on, darling, you and I,
until the stars tick out a lullaby
about each cosmic pro and con;
nothing changes, for all the blazing of
our drastic jargon, but clock hands that move
implacably from twelve to one.
We raise our arguments like sitting ducks
to knock them down with logic or with luck
and contradict ourselves for fun;
the waitress holds our coats and we put on
the raw wind like a scarf; love is a faun
who insists his playmates run.
Now you, my intellectual leprechaun,
would have me swallow the entire sun
like an enormous oyster, down
the ocean in one gulp: you say a mark
of comet hara-kiri through the dark
should inflame the sleeping town.
So kiss: the drunks upon the curb and dames
in dubious doorways forget their monday names,
caper with candles in their heads;
the leaves applaud, and santa claus flies in
scattering candy from a zeppelin,
playing his prodigal charades.
The moon leans down to took; the tilting fish
in the rare river wink and laugh; we lavish
blessings right and left and cry
hello, and then hello again in deaf
churchyard ears until the starlit stiff
graves all carol in reply.
Now kiss again: till our strict father leans
to call for curtain on our thousand scenes;
brazen actors mock at him,
multiply pink harlequins and sing
in gay ventriloquy from wing to wing
while footlights flare and houselights dim.
Tell now, we taunq where black or white begins
and separate the flutes from violins:
the algebra of absolutes
explodes in a kaleidoscope of shapes
that jar, while each polemic jackanapes
joins his enemies' recruits.
The paradox is that 'the play's the thing':
though prima donna pouts and critic stings,
there burns throughout the line of words,
the cultivated act, a fierce brief fusion
which dreamers call real, and realists, illusion:
an insight like the flight of birds:
Arrows that lacerate the sky, while knowing
the secret of their ecstasy's in going;
some day, moving, one will drop,
and, dropping, die, to trace a wound that heals
only to reopen as flesh congeals:
cycling phoenix never stops.
So we shall walk barefoot on walnut shells
of withered worlds, and stamp out puny hells
and heavens till the spirits squeak
surrender: to build our bed as high as jack's
bold beanstalk; lie and love till sharp scythe hacks
away our rationed days and weeks.
Then jet the blue tent topple, stars rain down,
and god or void appall us till we drown
in our own tears: today we start
to pay the piper with each breath, yet love
knows not of death nor calculus above
the simple sum of heart plus heart.
|
Written by
Shel Silverstein |
Whosever room this is should be ashamed!
His underwear is hanging on the lamp.
His raincoat is there in the overstuffed chair,
And the chair is becoming quite mucky and damp.
His workbook is wedged in the window,
His sweater's been thrown on the floor.
His scarf and one ski are beneath the TV,
And his pants have been carelessly hung on the door.
His books are all jammed in the closet,
His vest has been left in the hall.
A lizard named Ed is asleep in his bed,
And his smelly old sock has been stuck to the wall.
Whosever room this is should be ashamed!
Donald or Robert or Willie or--
Huh? You say it's mine? Oh, dear,
I knew it looked familiar!
|
Written by
Carl Sandburg |
SMOKE of the fields in spring is one,
Smoke of the leaves in autumn another.
Smoke of a steel-mill roof or a battleship funnel,
They all go up in a line with a smokestack,
Or they twist … in the slow twist … of the wind.
If the north wind comes they run to the south.
If the west wind comes they run to the east.
By this sign
all smokes
know each other.
Smoke of the fields in spring and leaves in autumn,
Smoke of the finished steel, chilled and blue,
By the oath of work they swear: “I know you.”
Hunted and hissed from the center
Deep down long ago when God made us over,
Deep down are the cinders we came from—
You and I and our heads of smoke.
Some of the smokes God dropped on the job
Cross on the sky and count our years
And sing in the secrets of our numbers;
Sing their dawns and sing their evenings,
Sing an old log-fire song:
You may put the damper up,
You may put the damper down,
The smoke goes up the chimney just the same.
Smoke of a city sunset skyline,
Smoke of a country dusk horizon—
They cross on the sky and count our years.
Smoke of a brick-red dust
Winds on a spiral
Out of the stacks
For a hidden and glimpsing moon.
This, said the bar-iron shed to the blooming mill,
This is the slang of coal and steel.
The day-gang hands it to the night-gang,
The night-gang hands it back.
Stammer at the slang of this—
Let us understand half of it.
In the rolling mills and sheet mills,
In the harr and boom of the blast fires,
The smoke changes its shadow
And men change their shadow;
A ******, a wop, a bohunk changes.
A bar of steel—it is only
Smoke at the heart of it, smoke and the blood of a man.
A runner of fire ran in it, ran out, ran somewhere else,
And left—smoke and the blood of a man
And the finished steel, chilled and blue.
So fire runs in, runs out, runs somewhere else again,
And the bar of steel is a gun, a wheel, a nail, a shovel,
A rudder under the sea, a steering-gear in the sky;
And always dark in the heart and through it,
Smoke and the blood of a man.
Pittsburg, Youngstown, Gary—they make their steel with men.
In the blood of men and the ink of chimneys
The smoke nights write their oaths:
Smoke into steel and blood into steel;
Homestead, Braddock, Birmingham, they make their steel with men.
Smoke and blood is the mix of steel.
The birdmen drone
in the blue; it is steel
a motor sings and zooms.
Steel barb-wire around The Works.
Steel guns in the holsters of the guards at the gates of The Works.
Steel ore-boats bring the loads clawed from the earth by steel, lifted and lugged by arms of steel, sung on its way by the clanking clam-shells.
The runners now, the handlers now, are steel; they dig and clutch and haul; they hoist their automatic knuckles from job to job; they are steel making steel.
Fire and dust and air fight in the furnaces; the pour is timed, the billets wriggle; the clinkers are dumped:
Liners on the sea, skyscrapers on the land; diving steel in the sea, climbing steel in the sky.
Finders in the dark, you Steve with a dinner bucket, you Steve clumping in the dusk on the sidewalks with an evening paper for the woman and kids, you Steve with your head wondering where we all end up—
Finders in the dark, Steve: I hook my arm in cinder sleeves; we go down the street together; it is all the same to us; you Steve and the rest of us end on the same stars; we all wear a hat in hell together, in hell or heaven.
Smoke nights now, Steve.
Smoke, smoke, lost in the sieves of yesterday;
Dumped again to the scoops and hooks today.
Smoke like the clocks and whistles, always.
Smoke nights now.
To-morrow something else.
Luck moons come and go:
Five men swim in a pot of red steel.
Their bones are kneaded into the bread of steel:
Their bones are knocked into coils and anvils
And the sucking plungers of sea-fighting turbines.
Look for them in the woven frame of a wireless station.
So ghosts hide in steel like heavy-armed men in mirrors.
Peepers, skulkers—they shadow-dance in laughing tombs.
They are always there and they never answer.
One of them said: “I like my job, the company is good to me, America is a wonderful country.”
One: “Jesus, my bones ache; the company is a liar; this is a free country, like hell.”
One: “I got a girl, a peach; we save up and go on a farm and raise pigs and be the boss ourselves.”
And the others were roughneck singers a long ways from home.
Look for them back of a steel vault door.
They laugh at the cost.
They lift the birdmen into the blue.
It is steel a motor sings and zooms.
In the subway plugs and drums,
In the slow hydraulic drills, in gumbo or gravel,
Under dynamo shafts in the webs of armature spiders,
They shadow-dance and laugh at the cost.
The ovens light a red dome.
Spools of fire wind and wind.
Quadrangles of crimson sputter.
The lashes of dying maroon let down.
Fire and wind wash out the slag.
Forever the slag gets washed in fire and wind.
The anthem learned by the steel is:
Do this or go hungry.
Look for our rust on a plow.
Listen to us in a threshing-engine razz.
Look at our job in the running wagon wheat.
Fire and wind wash at the slag.
Box-cars, clocks, steam-shovels, churns, pistons, boilers, scissors—
Oh, the sleeping slag from the mountains, the slag-heavy pig-iron will go down many roads.
Men will stab and shoot with it, and make butter and tunnel rivers, and mow hay in swaths, and slit hogs and skin beeves, and steer airplanes across North America, Europe, Asia, round the world.
Hacked from a hard rock country, broken and baked in mills and smelters, the rusty dust waits
Till the clean hard weave of its atoms cripples and blunts the drills chewing a hole in it.
The steel of its plinths and flanges is reckoned, O God, in one-millionth of an inch.
Once when I saw the curves of fire, the rough scarf women dancing,
Dancing out of the flues and smoke-stacks—flying hair of fire, flying feet upside down;
Buckets and baskets of fire exploding and chortling, fire running wild out of the steady and fastened ovens;
Sparks cracking a harr-harr-huff from a solar-plexus of rock-ribs of the earth taking a laugh for themselves;
Ears and noses of fire, gibbering gorilla arms of fire, gold mud-pies, gold bird-wings, red jackets riding purple mules, scarlet autocrats tumbling from the humps of camels, assassinated czars straddling vermillion balloons;
I saw then the fires flash one by one: good-by: then smoke, smoke;
And in the screens the great sisters of night and cool stars, sitting women arranging their hair,
Waiting in the sky, waiting with slow easy eyes, waiting and half-murmuring:
“Since you know all
and I know nothing,
tell me what I dreamed last night.”
Pearl cobwebs in the windy rain,
in only a flicker of wind,
are caught and lost and never known again.
A pool of moonshine comes and waits,
but never waits long: the wind picks up
loose gold like this and is gone.
A bar of steel sleeps and looks slant-eyed
on the pearl cobwebs, the pools of moonshine;
sleeps slant-eyed a million years,
sleeps with a coat of rust, a vest of moths,
a shirt of gathering sod and loam.
The wind never bothers … a bar of steel.
The wind picks only .. pearl cobwebs .. pools of moonshine.
|
Written by
Sylvia Plath |
You bring me good news from the clinic,
Whipping off your silk scarf, exhibiting the tight white
Mummy-cloths, smiling: I'm all right.
When I was nine, a lime-green anesthetist
Fed me banana-gas through a frog mask. The nauseous vault
Boomed with bad dreams and the Jovian voices of surgeons.
Then mother swam up, holding a tin basin.
O I was sick.
They've changed all that. Traveling
Nude as Cleopatra in my well-boiled hospital shift,
Fizzy with sedatives and unusually humorous,
I roll to an anteroom where a kind man
Fists my fingers for me. He makes me feel something precious
Is leaking from the finger-vents. At the count of two,
Darkness wipes me out like chalk on a blackboard. . .
I don't know a thing.
For five days I lie in secret,
Tapped like a cask, the years draining into my pillow.
Even my best friend thinks I'm in the country.
Skin doesn't have roots, it peels away easy as paper.
When I grin, the stitches tauten. I grow backward. I'm twenty,
Broody and in long skirts on my first husband's sofa, my fingers
Buried in the lambswool of the dead poodle;
I hadn't a cat yet.
Now she's done for, the dewlapped lady
I watched settle, line by line, in my mirror—
Old sock-face, sagged on a darning egg.
They've trapped her in some laboratory jar.
Let her die there, or wither incessantly for the next fifty years,
Nodding and rocking and fingering her thin hair.
Mother to myself, I wake swaddled in gauze,
Pink and smooth as a baby.
|
Written by
Elizabeth Jennings |
Why did you travel?
Because the house was cold.
Why did you travel?
Because it is what I have always done between sunset and sunrise.
What did you wear?
I wore a blue suit, a white shirt, yellow tie, and yellow socks.
What did you wear?
I wore nothing. A scarf of pain kept me warm.
Who did you sleep with?
I slept with a different woman each night.
Who did you sleep with?
I slept alone. I have always slept alone.
Why did you lie to me?
I always thought I told the truth.
Why did you lie to me?
Because the truth lies like nothing else and I love the truth.
Why are you going?
Because nothing means much to me anymore.
Why are you going?
I don't know. I have never known.
How long shall I wait for you?
Do not wait for me. I am tired and I want to lie down.
Are you tired and do you want to lie down?
Yes, I am tired and I want to lie down.
|
Written by
John Greenleaf Whittier |
Up from the meadows rich with corn,
Clear in the cool September morn,
The clustered spires of Frederick stand
Green-walled by the hills of Maryland.
Round about them orchards sweep,
Apple and peach tree fruited deep,
Fair as the garden of the Lord
To the eyes of the famished rebel horde,
On that pleasant morn of the early fall
When Lee marched over the mountain-wall;
Over the mountains winding down,
Horse and foot, into Frederick town.
Forty flags with their silver stars,
Forty flags with their crimson bars,
Flapped in the morning wind: the sun
Of noon looked down, and saw not one.
Up rose old Barbara Frietchie then,
Bowed with her fourscore years and ten;
Bravest of all in Frederick town,
She took up the flag the men hauled down;
In her attic window the staff she set,
To show that one heart was loyal yet,
Up the street came the rebel tread,
Stonewall Jackson riding ahead.
Under his slouched hat left and right
He glanced; the old flag met his sight.
'Halt!' - the dust-brown ranks stood fast.
'Fire!' - out blazed the rifle-blast.
It shivered the window, pane and sash;
It rent the banner with seam and gash.
Quick, as it fell, from the broken staff
Dame Barbara snatched the silken scarf.
She leaned far out on the window-sill,
And shook it forth with a royal will.
'Shoot, if you must, this old gray head,
But spare your country's flag,' she said.
A shade of sadness, a blush of shame,
Over the face of the leader came;
The nobler nature within him stirred
To life at that woman's deed and word;
'Who touches a hair of yon gray head
Dies like a dog! March on! he said.
All day long through Frederick street
Sounded the tread of marching feet:
All day long that free flag tost
Over the heads of the rebel host.
Ever its torn folds rose and fell
On the loyal winds that loved it well;
And through the hill-gaps sunset light
Shone over it with a warm good-night.
Barbara Frietchie's work is o'er,
And the Rebel rides on his raids nor more.
Honor to her! and let a tear
Fall, for her sake, on Stonewalls' bier.
Over Barbara Frietchie's grave,
Flag of Freedom and Union, wave!
Peace and order and beauty draw
Round they symbol of light and law;
And ever the stars above look down
On thy stars below in Frederick town!
|
Written by
Edward Taylor |
The directions to the lunatic asylum were confusing,
more likely they were the random associations
and confused ramblings of a lunatic.
We arrived three hours late for lunch
and the lunatics were stacked up on their shelves,
quite neatly, I might add, giving credit where credit is due.
The orderlies were clearly very orderly, and they
should receive all the credit that is their due.
When I asked one of the doctors for a corkscrew
he produced one without a moment's hesitation.
And it was a corkscrew of the finest craftsmanship,
very shiny and bright not unlike the doctor himself.
"We'll be conducting our picnic under the great oak
beginning in just a few minutes, and if you'd care
to join us we'd be most honored. However, I understand
you have your obligations and responsibilities,
and if you would prefer to simply visit with us
from time to time, between patients, our invitation
is nothing if not flexible. And, we shan't be the least slighted
or offended in any way if, due to your heavy load,
we are altogether deprived of the pleasure
of exchanging a few anecdotes, regarding the mentally ill,
depraved, diseased, the purely knavish, you in your bughouse,
if you'll pardon my vernacular, O yes, and we in our crackbrain
daily rounds, there are so many gone potty everywhere we roam,
not to mention in one's own home, dead moonstruck.
Well, well, indeed we would have many notes to compare
if you could find the time to join us after your injections."
My invitation was spoken in the evenest tones,
but midway though it I began to suspect I was addressing
an imposter. I returned the corkscrew in a nonthreatening manner.
What, for instance, I asked myself, would a doctor, a doctor of the mind,
be doing with a cordscrew in his pocket?
This was a very sick man, one might even say dangerous.
I began moving away cautiously, never taking my eyes off of him.
His right eyelid was twitching guiltily, or at least anxiously,
and his smock flapping slightly in the wind.
Several members of our party were mingling with the nurses
down by the duck pond, and my grip on the situation
was loosening, the planks in my picnic platform were rotting.
I was thinking about the potato salad in an unstable environment.
A weeping spell was about to overtake me.
I was very close to howling and gnashing the gladiola.
I noticed the great calm of the clouds overhead.
And below, several nurses appeared to me in need of nursing.
The psychopaths were stirring from their naps,
I should say, their postprandial slumbers.
They were lumbering through the pines like inordinately sad moose.
Who could eat liverwurst at a time like this?
But, then again, what's a picnic without pathos?
Lacking a way home, I adjusted the flap in my head and duck-walked
down to the pond and into the pond and began gliding
around in circles, quacking, quacking like a scarf.
Inside the belly of that image I began
recycling like a sorry whim, sincerest regrets
are always best.
|
Written by
Oscar Wilde |
An omnibus across the bridge
Crawls like a yellow butterfly
And, here and there, a passer-by
Shows like a little restless midge.
Big barges full of yellow hay
Are moored against the shadowy wharf,
And, like a yellow silken scarf,
The thick fog hangs along the quay.
The yellow leaves begin to fade
And flutter from the Temple elms,
And at my feet the pale green Thames
Lies like a rod of rippled jade.
|
Written by
Victor Hugo |
("Le parfum d'un lis.")
{Bk. V. xiii.}
The lily's perfume pure, fame's crown of light,
The latest murmur of departing day,
Fond friendship's plaint, that melts at piteous sight,
The mystic farewell of each hour at flight,
The kiss which beauty grants with coy delay,—
The sevenfold scarf that parting storms bestow
As trophy to the proud, triumphant sun;
The thrilling accent of a voice we know,
The love-enthralled maiden's secret vow,
An infant's dream, ere life's first sands be run,—
The chant of distant choirs, the morning's sigh,
Which erst inspired the fabled Memnon's frame,—
The melodies that, hummed, so trembling die,—
The sweetest gems that 'mid thought's treasures lie,
Have naught of sweetness that can match HER NAME!
Low be its utterance, like a prayer divine,
Yet in each warbled song be heard the sound;
Be it the light in darksome fanes to shine,
The sacred word which at some hidden shrine,
The selfsame voice forever makes resound!
O friends! ere yet, in living strains of flame,
My muse, bewildered in her circlings wide,
With names the vaunting lips of pride proclaim,
Shall dare to blend the one, the purer name,
Which love a treasure in my breast doth hide,—
Must the wild lay my faithful harp can sing,
Be like the hymns which mortals, kneeling, hear;
To solemn harmonies attuned the string,
As, music show'ring from his viewless wing,
On heavenly airs some angel hovered near.
CAROLINE BOWLES (MRS. SOUTHEY)
|
Written by
John Wilmot |
At five this morn, when Phoebus raised his head
From Thetis' lap, I raised myself from bed,
And mounting steed, I trotted to the waters
The rendesvous of fools, buffoons, and praters,
Cuckolds, whores, citizens, their wives and daughters.
My squeamish stomach I with wine had bribed
To undertake the dose that was prescribed;
But turning head, a sudden curséd view
That innocent provision overthrew,
And without drinking, made me purge and spew.
From coach and six a thing unweildy rolled,
Whose lumber, card more decently would hold.
As wise as calf it looked, as big as bully,
But handled, proves a mere Sir Nicholas Cully;
A bawling fop, a natural Nokes, and yet
He dares to censure as if he had wit.
To make him more ridiculous, in spite
Nature contrived the fool should be a knight.
Though he alone were dismal signet enough,
His train contributed to set him off,
All of his shape, all of the selfsame stuff.
No spleen or malice need on them be thrown:
Nature has done the business of lampoon,
And in their looks their characters has shown.
Endeavoring this irksome sight to balk,
And a more irksome noise, their silly talk,
I silently slunk down t' th' Lower Walk,
But often when one would Charybdis shun,
Down upon Scilla 'tis one's fate to run,
For here it was my curséd luck to find
As great a fop, though of another kind,
A tall stiff fool that walked in Spanish guise:
The buckram puppet never stirred its eyes,
But grave as owl it looked, as woodcock wise.
He scorns the empty talking of this mad age,
And speaks all proverbs, sentences, and adage;
Can with as much solemnity buy eggs
As a cabal can talk of their intrigues;
Master o' th' Ceremonies, yet can dispense
With the formality of talking sense.
From hence unto the upper walk I ran,
Where a new scene of foppery began.
A tribe of curates, priests, canonical elves,
Fit company for none besides themselves,
Were got together. Each his distemper told,
Scurvy, stone, strangury; some were so bold
To charge the spleen to be their misery,
And on that wise disease brought infamy.
But none had modesty enough t' complain
Their want of learning, honesty, and brain,
The general diseases of that train.
These call themselves ambassadors of heaven,
And saucily pretend commissions given;
But should an Indian king, whose small command
Seldom extends beyond ten miles of land,
Send forth such wretched tools in an ambassage,
He'd find but small effects of such a message.
Listening, I found the cob of all this rabble
Pert Bays, with his importance comfortable.
He, being raised to an archdeaconry
By trampling on religion, liberty,
Was grown to great, and looked too fat and jolly,
To be disturbed with care and melancholy,
Though Marvell has enough exposed his folly.
He drank to carry off some old remains
His lazy dull distemper left in 's veins.
Let him drink on, but 'tis not a whole flood
Can give sufficient sweetness to his blood
To make his nature of his manners good.
Next after these, a fulsome Irish crew
Of silly Macs were offered to my view.
The things did talk, but th' hearing what they said
I did myself the kindness to evade.
Nature has placed these wretches beneath scorn:
They can't be called so vile as they are born.
Amidst the crowd next I myself conveyed,
For now were come, whitewash and paint being laid,
Mother and daughter, mistress and the maid,
And squire with wig and pantaloon displayed.
But ne'er could conventicle, play, or fair
For a true medley, with this herd compare.
Here lords, knights, squires, ladies and countesses,
Chandlers, mum-bacon women, sempstresses
Were mixed together, nor did they agree
More in their humors than their quality.
Here waiting for gallant, young damsel stood,
Leaning on cane, and muffled up in hood.
The would-be wit, whose business was to woo,
With hat removed and solemn scrape of shoe
Advanceth bowing, then genteelly shrugs,
And ruffled foretop into order tugs,
And thus accosts her: "Madam, methinks the weather
Is grown much more serene since you came hither.
You influence the heavens; but should the sun
Withdraw himself to see his rays outdone
By your bright eyes, they would supply the morn,
And make a day before the day be born."
With mouth screwed up, conceited winking eyes,
And breasts thrust forward, "Lord, sir!" she replies.
"It is your goodness, and not my deserts,
Which makes you show this learning, wit, and parts."
He, puzzled, butes his nail, both to display
The sparkling ring, and think what next to say,
And thus breaks forth afresh: "Madam, egad!
Your luck at cards last night was very bad:
At cribbage fifty-nine, and the next show
To make the game, and yet to want those two.
God damn me, madam, I'm the son of a whore
If in my life I saw the like before!"
To peddler's stall he drags her, and her breast
With hearts and such-like foolish toys he dressed;
And then, more smartly to expound the riddle
Of all his prattle, gives her a Scotch fiddle.
Tired with this dismal stuff, away I ran
Where were two wives, with girl just fit for man -
Short-breathed, with pallid lips and visage wan.
Some curtsies past, and the old compliment
Of being glad to see each other, spent,
With hand in hand they lovingly did walk,
And one began thus to renew the talk:
"I pray, good madam, if it may be thought
No rudeness, what cause was it hither brought
Your ladyship?" She soon replying, smiled,
"We have a good estate, but have no child,
And I'm informed these wells will make a barren
Woman as fruitful as a cony warren."
The first returned, "For this cause I am come,
For I can have no quietness at home.
My husband grumbles though we have got one,
This poor young girl, and mutters for a son.
And this is grieved with headache, pangs, and throes;
Is full sixteen, and never yet had those."
She soon replied, "Get her a husband, madam:
I married at that age, and ne'er had 'em;
Was just like her. Steel waters let alone:
A back of steel will bring 'em better down."
And ten to one but they themselves will try
The same means to increase their family.
Poor foolish fribble, who by subtlety
Of midwife, truest friend to lechery,
Persuaded art to be at pains and charge
To give thy wife occasion to enlarge
Thy silly head! For here walk Cuff and Kick,
With brawny back and legs and potent prick,
Who more substantially will cure thy wife,
And on her half-dead womb bestow new life.
From these the waters got the reputation
Of good assistants unto generation.
Some warlike men were now got into th' throng,
With hair tied back, singing a bawdy song.
Not much afraid, I got a nearer view,
And 'twas my chance to know the dreadful crew.
They were cadets, that seldom can appear:
Damned to the stint of thirty pounds a year.
With hawk on fist, or greyhound led in hand,
The dogs and footboys sometimes they command.
But now, having trimmed a cast-off spavined horse,
With three hard-pinched-for guineas in their purse,
Two rusty pistols, scarf about the ****,
Coat lined with red, they here presume to swell:
This goes for captain, that for colonel.
So the Bear Garden ape, on his steed mounted,
No longer is a jackanapes accounted,
But is, by virtue of his trumpery, then
Called by the name of "the young gentleman."
Bless me! thought I, what thing is man, that thus
In all his shapes, he is ridiculous?
Ourselves with noise of reason we do please
In vain: humanity's our worst disease.
Thrice happy beasts are, who, because they be
Of reason void, and so of foppery.
Faith, I was so ashamed that with remorse
I used the insolence to mount my horse;
For he, doing only things fit for his nature,
Did seem to me by much the wiser creature.
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