Written by
Sylvia Plath |
(1)
This is the sea, then, this great abeyance.
How the sun's poultice draws on my inflammation.
Electrifyingly-colored sherbets, scooped from the freeze
By pale girls, travel the air in scorched hands.
Why is it so quiet, what are they hiding?
I have two legs, and I move smilingly..
A sandy damper kills the vibrations;
It stretches for miles, the shrunk voices
Waving and crutchless, half their old size.
The lines of the eye, scalded by these bald surfaces,
Boomerang like anchored elastics, hurting the owner.
Is it any wonder he puts on dark glasses?
Is it any wonder he affects a black cassock?
Here he comes now, among the mackerel gatherers
Who wall up their backs against him.
They are handling the black and green lozenges like the parts of a body.
The sea, that crystallized these,
Creeps away, many-snaked, with a long hiss of distress.
(2)
This black boot has no mercy for anybody.
Why should it, it is the hearse of a dad foot,
The high, dead, toeless foot of this priest
Who plumbs the well of his book,
The bent print bulging before him like scenery.
Obscene bikinis hid in the dunes,
Breasts and hips a confectioner's sugar
Of little crystals, titillating the light,
While a green pool opens its eye,
Sick with what it has swallowed----
Limbs, images, shrieks. Behind the concrete bunkers
Two lovers unstick themselves.
O white sea-crockery,
What cupped sighs, what salt in the throat....
And the onlooker, trembling,
Drawn like a long material
Through a still virulence,
And a weed, hairy as privates.
(3)
On the balconies of the hotel, things are glittering.
Things, things----
Tubular steel wheelchairs, aluminum crutches.
Such salt-sweetness. Why should I walk
Beyond the breakwater, spotty with barnacles?
I am not a nurse, white and attendant,
I am not a smile.
These children are after something, with hooks and cries,
And my heart too small to bandage their terrible faults.
This is the side of a man: his red ribs,
The nerves bursting like trees, and this is the surgeon:
One mirrory eye----
A facet of knowledge.
On a striped mattress in one room
An old man is vanishing.
There is no help in his weeping wife.
Where are the eye-stones, yellow and vvaluable,
And the tongue, sapphire of ash.
(4)
A wedding-cake face in a paper frill.
How superior he is now.
It is like possessing a saint.
The nurses in their wing-caps are no longer so beautiful;
They are browning, like touched gardenias.
The bed is rolled from the wall.
This is what it is to be complete. It is horrible.
Is he wearing pajamas or an evening suit
Under the glued sheet from which his powdery beak
Rises so whitely unbuffeted?
They propped his jaw with a book until it stiffened
And folded his hands, that were shaking: goodbye, goodbye.
Now the washed sheets fly in the sun,
The pillow cases are sweetening.
It is a blessing, it is a blessing:
The long coffin of soap-colored oak,
The curious bearers and the raw date
Engraving itself in silver with marvelous calm.
(5)
The gray sky lowers, the hills like a green sea
Run fold upon fold far off, concealing their hollows,
The hollows in which rock the thoughts of the wife----
Blunt, practical boats
Full of dresses and hats and china and married daughters.
In the parlor of the stone house
One curtain is flickering from the open window,
Flickering and pouring, a pitiful candle.
This is the tongue of the dead man: remember, remember.
How far he is now, his actions
Around him like livingroom furniture, like a décor.
As the pallors gather----
The pallors of hands and neighborly faces,
The elate pallors of flying iris.
They are flying off into nothing: remember us.
The empty benches of memory look over stones,
Marble facades with blue veins, and jelly-glassfuls of daffodils.
It is so beautiful up here: it is a stopping place.
(6)
The natural fatness of these lime leaves!----
Pollarded green balls, the trees march to church.
The voice of the priest, in thin air,
Meets the corpse at the gate,
Addressing it, while the hills roll the notes of the dead bell;
A glittler of wheat and crude earth.
What is the name of that color?----
Old blood of caked walls the sun heals,
Old blood of limb stumps, burnt hearts.
The widow with her black pocketbook and three daughters,
Necessary among the flowers,
Enfolds her lace like fine linen,
Not to be spread again.
While a sky, wormy with put-by smiles,
Passes cloud after cloud.
And the bride flowers expend a fershness,
And the soul is a bride
In a still place, and the groom is red and forgetful, he is featureless.
(7)
Behind the glass of this car
The world purrs, shut-off and gentle.
And I am dark-suited and stil, a member of the party,
Gliding up in low gear behind the cart.
And the priest is a vessel,
A tarred fabric,sorry and dull,
Following the coffin on its flowery cart like a beautiful woman,
A crest of breasts, eyelids and lips
Storming the hilltop.
Then, from the barred yard, the children
Smell the melt of shoe-blacking,
Their faces turning, wordless and slow,
Their eyes opening
On a wonderful thing----
Six round black hats in the grass and a lozenge of wood,
And a naked mouth, red and awkward.
For a minute the sky pours into the hole like plasma.
There is no hope, it is given up.
|
Written by
Adrienne Rich |
the quality of being complete; unbroken condition; entirety
~ Webster
A wild patience has taken me this far
as if I had to bring to shore
a boat with a spasmodic outboard motor
old sweaters, nets, spray-mottled books
tossed in the prow
some kind of sun burning my shoulder-blades.
Splashing the oarlocks. Burning through.
Your fore-arms can get scalded, licked with pain
in a sun blotted like unspoken anger
behind a casual mist.
The length of daylight
this far north, in this
forty-ninth year of my life
is critical.
The light is critical: of me, of this
long-dreamed, involuntary landing
on the arm of an inland sea.
The glitter of the shoal
depleting into shadow
I recognize: the stand of pines
violet-black really, green in the old postcard
but really I have nothing but myself
to go by; nothing
stands in the realm of pure necessity
except what my hands can hold.
Nothing but myself?....My selves.
After so long, this answer.
As if I had always known
I steer the boat in, simply.
The motor dying on the pebbles
cicadas taking up the hum
dropped in the silence.
Anger and tenderness: my selves.
And now I can believe they breathe in me
as angels, not polarities.
Anger and tenderness: the spider's genius
to spin and weave in the same action
from her own body, anywhere --
even from a broken web.
The cabin in the stand of pines
is still for sale. I know this. Know the print
of the last foot, the hand that slammed and locked the door,
then stopped to wreathe the rain-smashed clematis
back on the trellis
for no one's sake except its own.
I know the chart nailed to the wallboards
the icy kettle squatting on the burner.
The hands that hammered in those nails
emptied that kettle one last time
are these two hands
and they have caught the baby leaping
from between trembling legs
and they have worked the vacuum aspirator
and stroked the sweated temples
and steered the boat there through this hot
misblotted sunlight, critical light
imperceptibly scalding
the skin these hands will also salve.
|
Written by
Oliver Wendell Holmes |
"Man wants but little here below."
LITTLE I ask; my wants are few;
I only wish a hut of stone,
(A very plain brown stone will do,)
That I may call my own;
And close at hand is such a one,
In yonder street that fronts the sun.
Plain food is quite enough for me;
Three courses are as good as ten;--
If Nature can subsist on three,
Thank Heaven for three. Amen!
I always thought cold victual nice;--
My choice would be vanilla-ice.
I care not much for gold or land;--
Give me a mortgage here and there,--
Some good bank-stock, some note of hand,
Or trifling railroad share,--
I only ask that Fortune send
A little more than I shall spend.
Honors are silly toys, I know,
And titles are but empty names;
I would, perhaps, be Plenipo,--
But only near St. James;
I'm very sure I should not care
To fill our Gubernator's chair.
Jewels are baubles; 't is a sin
To care for such unfruitful things;--
One good-sized diamond in a pin,--
Some, not so large, in rings,--
A ruby, and a pearl, or so,
Will do for me;--I laugh at show.
My dame should dress in cheap attire;
(Good, heavy silks are never dear;) -
I own perhaps I might desire
Some shawls of true Cashmere,--
Some marrowy crapes of China silk,
Like wrinkled skins on scalded milk.
I would not have the horse I drive
So fast that folks must stop and stare;
An easy gait--two forty-five--
Suits me; I do not care;--
Perhaps, for just a single spurt,
Some seconds less would do no hurt.
Of pictures, I should like to own
Titians aud Raphaels three or four,--
I love so much their style and tone,
One Turner, and no more,
(A landscape,--foreground golden dirt,--
The sunshine painted with a squirt.)
Of books but few,--some fifty score
For daily use, and bound for wear;
The rest upon an upper floor;--
Some little luxury there
Of red morocco's gilded gleam
And vellum rich as country cream.
Busts, cameos, gems,--such things as these,
Which others often show for pride,
I value for their power to please,
And selfish churls deride;--
One Stradivarius, I confess,
Two Meerschaums, I would fain possess.
Wealth's wasteful tricks I will not learn,
Nor ape the glittering upstart fool;--
Shall not carved tables serve my turn,
But all must be of buhl?
Give grasping pomp its double share,--
I ask but one recumbent chair.
Thus humble let me live and die,
Nor long for Midas' golden touch;
If Heaven more generous gifts deny,
I shall not miss them much,--
Too grateful for the blessing lent
Of simple tastes and mind content!
|
Written by
Henry Lawson |
Roll up, Eureka's heroes, on that grand Old Rush afar,
For Lalor's gone to join you in the big camp where you are;
Roll up and give him welcome such as only diggers can,
For well he battled for the rights of miner and of Man.
In that bright golden country that lies beyond our sight,
The record of his honest life shall be his Miner's Right;
But many a bearded mouth shall twitch, and many a tear be shed,
And many a grey old digger sigh to hear that Lalor's dead.
Yet wipe your eyes, old fossickers, o'er worked-out fields that roam,
You need not weep at parting from a digger going home.
Now from the strange wild seasons past, the days of golden strife,
Now from the Roaring Fifties comes a scene from Lalor's life:
All gleaming white amid the shafts o'er gully, hill and flat
Again I see the tents that form the camp at Ballarat.
I hear the shovels and the picks, and all the air is rife
With the rattle of the cradles and the sounds of digger-life;
The clatter of the windlass-boles, as spinning round they go,
And then the signal to his mate, the digger's cry, "Below!"
From many a busy pointing-forge the sound of labour swells,
The tinkling of the anvils is as clear as silver bells.
I hear the broken English from the mouth of many a one
From every state and nation that is known beneath the sun;
The homely tongue of Scotland and the brogue of Ireland blend
With the dialects of England, right from Berwick to Lands End;
And to the busy concourse here the States have sent a part,
The land of gulches that has been immortalised by Harte;
The land where long from mining-camps the blue smoke upward curled;
The land that gave the "Partner" true and "Mliss" unto the world;
The men from all the nations in the New World and the Old,
All side by side, like brethren here, are delving after gold.
But suddenly the warning cries are heard on every side
As closing in around the field, a ring of troopers ride,
Unlicensed diggers are the game--their class and want are sins,
And so with all its shameful scenes, the digger hunt begins.
The men are seized who are too poor the heavy tax to pay,
Chained man to man as convicts were, and dragged in gangs away.
Though in the eyes of many a man the menace scarce was hid,
The diggers' blood was slow to boil, but scalded when it did.
But now another match is lit that soon must fire the charge
"Roll up! Roll up!" the poignant cry awakes the evening air,
And angry faces surge like waves around the speakers there.
"What are our sins that we should be an outlawed class?" they say,
"Shall we stand by while mates are seized and dragged like lags away?
Shall insult be on insult heaped? Shall we let these things go?"
And with a roar of voices comes the diggers' answer--"No!"
The day has vanished from the scene, but not the air of night
Can cool the blood that, ebbing back, leaves brows in anger white.
Lo, from the roof of Bentley's Inn the flames are leaping high;
They write "Revenge!" in letters red across the smoke-dimmed sky.
"To arms! To arms!" the cry is out; "To arms and play your part;
For every pike upon a pole will find a tyrant's heart!"
Now Lalor comes to take the lead, the spirit does not lag,
And down the rough, wild diggers kneel beneath the Diggers' Flag;
Then, rising to their feet, they swear, while rugged hearts beat high,
To stand beside their leader and to conquer or to die!
Around Eureka's stockade now the shades of night close fast,
Three hundred sleep beside their arms, and thirty sleep their last.
About the streets of Melbourne town the sound of bells is borne
That call the citizens to prayer that fateful Sabbath morn;
But there upon Eureka's hill, a hundred miles away,
The diggers' forms lie white and still above the blood-stained clay.
The bells that toll the diggers' death might also ring a knell
For those few gallant soldiers, dead, who did their duty well.
The sight of murdered heroes is to hero-hearts a goad,
A thousand men are up in arms upon the Creswick road,
And wildest rumours in the air are flying up and down,
'Tis said the men of Ballarat will march on Melbourne town.
But not in vain those diggers died. Their comrades may rejoice,
For o'er the voice of tyranny is heard the people's voice;
It says: "Reform your rotten law, the diggers' wrongs make right,
Or else with them, our brothers now, we'll gather to the fight."
'Twas of such stuff the men were made who saw our nation born,
And such as Lalor were the men who led the vanguard on;
And like such men may we be found, with leaders such as they,
In the roll-up of Australians on our darkest, grandest day!
|
Written by
Craig Raine |
The sun rose like a tarnished
looking-glass to catch the sun
and flash His hot message
at the missionaries below--
Isabella and the Rev. Roger Price,
and the Helmores with a broken axle
left, two days behind, at Fever Ponds.
The wilderness was full of home:
a glinting beetle on its back
struggled like an orchestra
with Beethoven. The Hallé,
Isabella thought and hummed.
Makololo, their Zulu guide,
puzzled out the Bible, replacing
words he didn't know with Manchester.
Spikenard, alabaster, Leviticus,
were Manchester and Manchester.
His head reminded Mrs. Price
of her old pomander stuck with cloves,
forgotten in some pungent tallboy.
The dogs drank under the wagon
with a far away clip-clopping sound,
and Roger spat into the fire,
leaned back and watched his phlegm
like a Welsh rarebit
bubbling on the brands. . .
When Baby died, they sewed her
in a scrap of carpet and prayed,
with milk still darkening
Isabella's grubby button-through.
Makololo was sick next day
and still the Helmores didn't come.
The outspanned oxen moved away
at night in search of water,
were caught and goaded on
to Matabele water-hole--
nothing but a dark stain on the sand.
Makololo drank vinegar and died.
Back they turned for Fever Ponds
and found the Helmores on the way. . .
Until they got within a hundred yards,
the vultures bobbed and trampolined
around the bodies, then swirled
a mile above their heads
like scalded tea leaves.
The Prices buried everything--
all the tattered clothes and flesh,
Mrs. Helmore's bright chains of hair,
were wrapped in bits of calico
then given to the sliding sand.
'In the beginning was the Word'--
Roger read from Helmore's Bible
found open at St. John.
Isabella moved her lips,
'The Word was Manchester.'
Shhh, shhh, the shovel said. Shhh. . .
|
Written by
Joseph Brodsky |
Citizen enemy mama's boy sucker utter
garbage panhandler swine refujew verrucht;
a scalp so often scalded with boiling water
that the puny brain feels completely cooked.
Yes we have dwelt here: in this concrete brick wooden
rubble which you now arrive to sift.
All our wires were crossed barbed tangled or interwoven.
Also: we didn't love our women but they conceived.
Sharp is the sound of pickax that hurts dead iron
still it's gentler that what we've been told or
have said ourselves.
Stranger! move carefully through our carrion:
what seems carrion to you is freedom to our cells
Leave our names alone. Don't reconstruct those vowels
consonants and so forth: they won't resemble larks
but a demented bloodhound whose maw devours
its own traces feces and barks and barks.
|
Written by
Andrew Barton Paterson |
When Ironbark the turtle came to Anthony's lagoon
The hills were hid behind a mist of equinoctal rain,
The ripple of the rivulets was like a cheerful tune
And wild companions waltzed among the grass as tall as grain.
But Ironbark the turtle cared no whit for all of these;
The ripple of the rivulets, the rustle of the trees
Were only apple sauce to him, or just a piece of cheese.
Now, Dan-di-dan the water rat was exquisitely dressed,
For not a seal in Bass's Straits had half as fine a coat,
And every day he combed and brushed his golden-yellow vest,
A contrast with the white cravat he wore beneath his throat.
And Dan-di-dan the water rat could move with ease and grace,
So Ironbark appeared to him a creature out of place,
With iron-plated overcoat and dirty little face.
A crawfish at the point of death came drifting down the drains.
Said he, "I'm scalded to the heart with bathing near the bore."
The turtle and the water rat disputed his remains,
For crawfish meat all day they'd eat, and then they'd ask for more.
Said Dan-di-dan, "The prize is mine, for I was fishing here
Before you tumbled down the bank and landed on your ear."
"I wouldn't care," the turtle said, "if you'd have fished a year."
So Baggy-beak the Pelican was asked to arbitrate;
The scales of justice seemed to hang beneath his noble beak.
He said, "I'll take possession of the subject of debate";
He stowed the fish inside his pouch and then began to speak.
"The case is far from clear," he said, "and justices of note" --
But here he snapped his beak and flapped his piebald overcoat --
"Oh dear," he said, "that wretched fish has slithered down my throat."
"But still," he said, "the point involved requires a full debate.
I'll have to get the lawyer birds and fix a special day.
Ad interim I rule that costs come out of the estate."
And Baggy-beak the Pelican got up and flew away.
So both the pair who went to law were feeling very small.
Said they, "We might have halved the fish and saved a nasty brawl;
For half a crawfish isn't much, but more than none at all."
|
Written by
Philip Levine |
"I've been where it hurts." the Kid
He becomes Sierra Kid
I passed Slimgullion, Morgan Mine,
Camp Seco, and the rotting Lode.
Dark walls of sugar pine --,
And where I left the road
I left myself behind;
Talked to no one, thought
Of nothing. When my luck ran out
Lived on berries, nuts, bleached grass.
Driven by the wind
Through great Sonora pass,
I found an Indian's teeth;
Turned and climbed again
Without direction, compass, path,
Without a way of coming down,
Until I stopped somewhere
And gave the place a name.
I called the forests mine;
Whatever I could hear
I took to be a voice: a man
Was something I would never hear.
He faces his second winter in the Sierra
A hard brown bug, maybe a beetle,
Packing a ball of sparrow **** --
What shall I call it?
**** beetle? Why's it pushing here
At this great height in the thin air
With its ridiculous waddle
Up the hard side of Hard Luck Hill?
And the furred thing that frightened me --
Bobcat, coyote, wild dog --
Flat eyes in winter bush, stiff tail
Holding his ground, a rotted log.
Grass snakes that wouldn't die,
And night hawks hanging on the rim
Of what was mine. I know them now;
They have absorbed a mind
Which must endure the freezing snow
They endure and, freezing, find
A clear sustaining stream.
He learns to lose
She was afraid
Of everything,
The little Digger girl.
Pah Utes had killed
Her older brother
Who may have been her lover
The way she cried
Over his ring --
The heavy brass
On the heavy hand.
She carried it for weeks
Clenched in her fist
As if it might
Keep out the loneliness
Or the plain fact
That he was gone.
When the first snows
Began to fall
She stopped her crying, picked
Berries, sweet grass,
Mended her clothes
And sewed a patchwork shawl.
We slept together
But did not speak.
It may have been
The Pah Utes took
Her off, perhaps her kin.
I came back
To find her gone
With half the winter left
To face alone --
The slow grey dark
Moving along
The dark tipped grass
Between the numbed pines.
Night after night
For four long months
My face to her dark face
We two had lain
Till the first light.
Civilization comes to Sierra Kid
They levelled Tater Hill
And I was sick.
First sun, and the chain saws
Coming on; blue haze,
Dull blue exhaust
Rising, dust rising, and the smell.
Moving from their thatched huts
The crazed wood rats
By the thousand; grouse, spotted quail
Abandoning the hills
For the sparse trail
On which, exposed, I also packed.
Six weeks. I went back down
Through my own woods
Afraid of what I knew they'd done.
There, there, an A&P,
And not a tree
For Miles, and mammoth hills of goods.
Fat men in uniforms,
Young men in aprons
With one face shouting, "He is mad!"
I answered: "I am Lincoln,
Aaron Burr,
The aging son of Appleseed.
"I am American
And I am cold."
But not a one would hear me out.
Oh God, what have I seen
That was not sold!
They shot an old man in the gut.
Mad, dying, Sierra Kid enters the capital
What have I changed?
I unwound burdocks from my hair
And scalded stains
Of the black grape
And hid beneath long underwear
The yellowed tape.
Who will they find
In the dark woods of the dark mind
Now I have gone
Into the world?
Across the blazing civic lawn
A shadow's hurled
And I must follow.
Something slides beneath my vest
Like melted tallow,
Thick but thin,
Burning where it comes to rest
On what was skin.
Who will they find?
A man with no eyes in his head?
Or just a mind
Calm and alone?
Or just a mouth, silent, dead,
The lips half gone?
Will they presume
That someone once was half alive
And that the air
Was massive where
The sickening pyracanthus thrive
Staining his tomb?
I came to touch
The great heart of a dying state.
Here is the wound!
It makes no sound.
All that we learn we learn too late,
And it's not much.
|
Written by
Robinson Jeffers |
Why listen, even the water is sobbing for something.
The west wind is dead, the waves
Forget to hate the cliff, in the upland canyons
Whole hillsides burst aglow
With golden broom. Dear how it rained last month,
And every pool was rimmed
With sulphury pollen dust of the wakening pines.
Now tall and slender suddenly
The stalks of purple iris blaze by the brooks,
The pencilled ones on the hill;
This deerweed shivers with gold, the white globe-tulips
Blow out their silky bubbles,
But in the next glen bronze-bells nod, the does
Scalded by some hot longing
Can hardly set their pointed hoofs to expect
Love but they crush a flower;
Shells pair on the rock, birds mate, the moths fly double.
O it Is time for us now
Mouth kindling mouth to entangle our maiden bodies
To make that burning flower.
|
Written by
Rg Gregory |
(i)
how new the world is
trying to find
nerve in an old rind
(ii)
the bread is crumbled
for birds to swallow
rolled into droppings
flowers from the hair
of noseless statues
tyrants of parks
where men have cowered
too long and mistaken
unmanned by he dark
(iii)
when we awaken
(how have we fallen)
machines are broken
wires lie strangled
by the messages they nursed
lathes are swinging
from trees in derision
pipes burst and scalded
houses contorted
(what went on in such rooms
that stare from their windows)
cars tap the kerb
their eyes put out
by the order of fingers
that have jabbed
through the skin of the earth
infected with visions
there is ink in us
swirling (if we spill it
we bloom) - no writing
erupting from the cave
where the guilt-laden
beast has his parchment
will do for our murders
we must stab with a
brash shape of pen
no quill but a sting-ray
(iv)
marshes are the womb
of the poor - the flowers
that creep out of doors
will be crowned by and by
will unite with the worm
who (crawling for light
in the last breath of time)
mangles itself in the cogs
of the cyclops
who crashes to death
unable to function
hence the sun is revealed
parasites begin the digestion
in the harsh shack of winter
corn is conspired
the marsh bares its breast
to a medal
a gold
leaf is born - there is
hatred and hunger
a cry
from the rushes
proclaims a long journey
whose sundown will
see us in safety - whose home
be our grave
where we scratch
there is blood on the rockface
that we murder ourselves
is no setback - we arise
from the tomb unprovided
what-is-known is our crutches
let the light kick them from us
the sun eats us up and renews us
inside me am i turning to stone
the drill niggles downwards
there may be oil in my bone
though the flesh is all gone
only in the dark was it dumb
if we squeeze our darkness
through a doorway
what new voice might come
(v)
how old the world is
trying to put
grey on a green shoot
how thick the answers
when questions find
nerve in a new mind
|