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Best Famous Scab Poems

Here is a collection of the all-time best famous Scab poems. This is a select list of the best famous Scab poetry. Reading, writing, and enjoying famous Scab poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of scab poems.

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Written by Wystan Hugh (W H) Auden | Create an image from this poem

The Unknown Citizen

He was found by the Bureau of Statistics to beOne against whom there was no official complaint,And all the reports on his conduct agreeThat, in the modern sense of an old-fashioned word, he was asaint,For in everything he did he served the Greater Community.Except for the War till the day he retiredHe worked in a factory and never got fired,But satisfied his employers, Fudge Motors Inc.Yet he wasn't a scab or odd in his views,For his Union reports that he paid his dues,(Our report on his Union shows it was sound)And our Social Psychology workers foundThat he was popular with his mates and liked a drink.The Press are convinced that he bought a paper every dayAnd that his reactions to advertisements were normal in every way.Policies taken out in his name prove that he was fully insured,And his Health-card shows he was once in hospital but left it cured.Both Producers Research and High-Grade Living declareHe was fully sensible to the advantages of the Instalment PlanAnd had everything necessary to the Modern Man,A phonograph, a radio, a car and a frigidaire.Our researchers into Public Opinion are contentThat he held the proper opinions for the time of year;When there was peace, he was for peace: when there was war, he went.He was married and added five children to the population,Which our Eugenist says was the right number for a parent of hisgeneration.And our teachers report that he never interfered with theireducation.Was he free? Was he happy? The question is absurd:Had anything been wrong, we should certainly have heard.


Written by Maggie Estep | Create an image from this poem

Scab Maids On Speed

 My first job was when I was about 15. I had met
a girl named Hope who became my best friend. Hope and I were flunking math
class so we became speed freaks. This honed our algebra skills and we quickly
became whiz kids. For about 5 minutes. Then, our brains started to fry
and we were just teenage speed freaks.

Then, we decided to to seek gainful employment.

We got hired on as part time maids at the Holiday Inn while a maid strike
was happening. We were scab maids on speed and we were coming to clean
your room.

We were subsequently fired for pilfering a Holiday Inn guest's quaalude
stash which we did only because we never thought someone would have the
nerve to call the front desk and say; THE MAIDS STOLE MY LUUDES MAN. But
someone did - or so we surmised - because we were fired. 

I supppose maybe we were fired because we never actually CLEANED but rather
just turned on the vacuum so it SOUNDED like we were cleaning as we picked
the pubic hairs off the sheets and out of the tub then passed out on the
bed and caught up on the sleep we'd missed from being up all night speeding.


When we got fired, we became waitresses at an International House of Pancakes.


We were much happier there.
Written by Randall Jarrell | Create an image from this poem

The Player Piano

 I ate pancakes one night in a Pancake House
Run by a lady my age. She was gay.
When I told her that I came from Pasadena
She laughed and said, "I lived in Pasadena
When Fatty Arbuckle drove the El Molino bus."

I felt that I had met someone from home.
No, not Pasadena, Fatty Arbuckle.
Who's that? Oh, something that we had in common
Like -- like -- the false armistice. Piano rolls.
She told me her house was the first Pancake House

East of the Mississippi, and I showed her
A picture of my grandson. Going home --
Home to the hotel -- I began to hum,
"Smile a while, I bid you sad adieu,
When the clouds roll back I'll come to you."

Let's brush our hair before we go to bed,
I say to the old friend who lives in my mirror.
I remember how I'd brush my mother's hair
Before she bobbed it. How long has it been
Since I hit my funnybone? had a scab on my knee?

Here are Mother and Father in a photograph,
Father's holding me.... They both look so young.
I'm so much older than they are. Look at them,
Two babies with their baby. I don't blame you,
You weren't old enough to know any better;

If I could I'd go back, sit down by you both,
And sign our true armistice: you weren't to blame.
I shut my eyes and there's our living room.
The piano's playing something by Chopin,
And Mother and Father and their little girl

Listen. Look, the keys go down by themselves!
I go over, hold my hands out, play I play --
If only, somehow, I had learned to live!
The three of us sit watching, as my waltz
Plays itself out a half-inch from my fingers.
Written by Randall Jarrell | Create an image from this poem

Gunner

 Did they send me away from my cat and my wife
To a doctor who poked me and counted my teeth,
To a line on a plain, to a stove in a tent?
Did I nod in the flies of the schools?
And the fighters rolled into the tracer like rabbits,
The blood froze over my splints like a scab --
Did I snore, all still and grey in the turret,
Till the palms rose out of the sea with my death?
And the world ends here, in the sand of a grave,
All my wars over? How easy it was to die!
Has my wife a pension of so many mice?
Did the medals go home to my cat?
Written by Paul Laurence Dunbar | Create an image from this poem

A Confidence

Uncle John, he makes me tired;
Thinks 'at he's jest so all-fired
Smart, 'at he kin pick up, so,
Ever'thing he wants to know.
Tried to ketch me up last night,
But you bet I would n't bite.
I jest kep' the smoothes' face,
But I led him sich a chase,
Could n't corner me, you bet—
I skipped all the traps he set.
Makin' out he wan'ed to know
Who was this an' that girl's beau;
So 's he 'd find out, don't you see,
Who was goin' 'long with me.
But I answers jest ez sly,
An' I never winks my eye,
Tell he hollers with a whirl,
"Look here, ain't you got a girl?"
Y' ought 'o seen me spread my eyes,
Like he 'd took me by surprise,
An' I said, "Oh, Uncle John,
Never thought o' havin' one."
An' somehow that seemed to tickle
Him an' he shelled out a nickel.
Then you ought to seen me leave
Jest a-laffin' in my sleeve.
Fool him—well, I guess I did;
He ain't on to this here kid.
Got a girl! well, I guess yes,
Got a dozen more or less,
But I got one reely one,[Pg 74]
Not no foolin' ner no fun;
Fur I 'm sweet on her, you see,
An' I ruther guess 'at she
Must be kinder sweet on me,
So we 're keepin' company.
Honest Injun! this is true,
Ever' word I 'm tellin' you!
But you won't be sich a scab
Ez to run aroun' an' blab.
Mebbe 't ain't the way with you,
But you know some fellers do.
Spoils a girl to let her know
'At you talk about her so.
Don't you know her? her name 's Liz,
Nicest girl in town she is.
Purty? ah, git out, you gilly—
Liz 'ud purt 'nigh knock you silly.
Y' ought 'o see her when she 's dressed
All up in her Sunday best,
All the fellers nudgin' me,
An' a-whisperin', gemunee!
Betcher life 'at I feel proud
When she passes by the crowd.
'T 's kinder nice to be a-goin'
With a girl 'at makes some showin'—
One you know 'at hain't no snide,
Makes you feel so satisfied.
An' I 'll tell you she 's a trump,
Never even seen her jump
Like some silly girls 'ud do,
When I 'd hide and holler "Boo!"
She 'd jest laff an' say "Git out!
What you hollerin' about?"
When some girls 'ud have a fit
That 'un don't git skeered a bit,
Never makes a bit o' row
When she sees a worm er cow.
Them kind 's few an' far between;
Bravest girl I ever seen.
Tell you 'nuther thing she 'll do,
Mebbe you won't think it 's true,
But if she 's jest got a dime
She 'll go halvers ever' time.
Ah, you goose, you need n't laff;
That's the kinder girl to have.
If you knowed her like I do,
Guess you 'd kinder like her too.
Tell you somep'n' if you 'll swear
You won't tell it anywhere.
Oh, you got to cross yer heart
Earnest, truly, 'fore I start.
Well, one day I kissed her cheek;
Gee, but I felt cheap an' weak,
'Cause at first she kinder flared,
'N', gracious goodness! I was scared.
But I need n't been, fer la!
Why, she never told her ma.
That's what I call grit, don't you?
Sich a girl's worth stickin' to.


Written by Peter Huchel | Create an image from this poem

Meeting

 For Michael Hamburger

Barn owl
daughter of snow,
subject to the night wind,

yet taking root
with her talons
in the rotten scab of walls,

beak face
with round eyes,
heart-rigid mask
of feathers a white fire
that touches neither time nor space.

Coldly the wind blows
against the old homestead,
in the yard pale folk,
sledges, baggage, lamps covered with snow,

in the pots death,
in the pitchers poison,
the last will nailed to a post.

The hidden thing
under the rocks' claws,
the opening into night,
the terror of death
thrust into flesh like stinging salt.

Let us go down
in the language of angels
to the broken bricks of Babel.
Written by Andrew Barton Paterson | Create an image from this poem

A Bushmans Song

 I’M travellin’ down the Castlereagh, and I’m a station hand, 
I’m handy with the ropin’ pole, I’m handy with the brand, 
And I can ride a rowdy colt, or swing the axe all day, 
But there’s no demand for a station-hand along the Castlereagh. + 

So it’s shift, boys, shift, for there isn’t the slightest doubt 
That we’ve got to make a shift to the stations further out, 
With the pack-horse runnin’ after, for he follows like a dog, 
We must strike across the country at the old jig-jog. 

This old black horse I’m riding—if you’ll notice what’s his brand, 
He wears the crooked R, you see—none better in the land. 
He takes a lot of beatin’, and the other day we tried, 
For a bit of a joke, with a racing bloke, for twenty pounds a side. 

It was shift, boys, shift, for there wasn’t the slightest doubt 
That I had to make him shift, for the money was nearly out; 
But he cantered home a winner, with the other one at the flog— 
He’s a red-hot sort to pick up with his old jig-jog. 

I asked a cove for shearin’ once along the Marthaguy: 
“We shear non-union here,” says he. “I call it scab,” says I. 
I looked along the shearin’ floor before I turned to go— 
There were eight or ten dashed Chinamen a-shearin’ in a row. 

It was shift, boys, shift, for there wasn’t the slightest doubt 
It was time to make a shift with the leprosy about. 
So I saddled up my horses, and I whistled to my dog, 
And I left his scabby station at the old jig-jog. 

I went to Illawarra, where my brother’s got a farm, 
He has to ask his landlord’s leave before he lifts his arm; 
The landlord owns the country side—man, woman, dog, and cat, 
They haven’t the cheek to dare to speak without they touch their hat. 

It was shift, boys, shift, for there wasn’t the slightest doubt 
Their little landlord god and I would soon have fallen out; 
Was I to touch my hat to him?—was I his bloomin’ dog? 
So I makes for up the country at the old jig-jog. 

But it’s time that I was movin’, I’ve a mighty way to go 
Till I drink artesian water from a thousand feet below; 
Till I meet the overlanders with the cattle comin’ down, 
And I’ll work a while till I make a pile, then have a spree in town. 

So, it’s shift, boys, shift, for there isn’t the slightest doubt 
We’ve got to make a shift to the stations further out; 
The pack-horse runs behind us, for he follows like a dog, 
And we cross a lot of country at the old jig-jog.
Written by Robert Burns | Create an image from this poem

174. The Bard at Inverary

 WHOE’ER he be that sojourns here,
 I pity much his case,
Unless he comes to wait upon
 The Lord their God, His Grace.


There’s naething here but Highland pride,
 And Highland scab and hunger:
If Providence has sent me here,
 ’Twas surely in his anger.

Book: Radiant Verses: A Journey Through Inspiring Poetry