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Best Famous Sax Poems

Here is a collection of the all-time best famous Sax poems. This is a select list of the best famous Sax poetry. Reading, writing, and enjoying famous Sax poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of sax poems.

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Written by James A Emanuel | Create an image from this poem

Im A Jazz Singer She Replied

 He dug what she said:
bright jellies, smooth marmalade
spread on warm brown bread.

"Jazz" from drowsy lips
orchids lift to honeybees
floating on long sips.

"Jazz": quick fingerpops
pancake on a griddle-top
of memories. Stop.

"Jazz": mysterious
as nutmeg, missing fingers,
gold, Less serious.

"Jazz": cool bannister.
Don't need no stair. Ways to climb
when the sax is there.


Written by Billy Collins | Create an image from this poem

Nightclub

 You are so beautiful and I am a fool
to be in love with you
is a theme that keeps coming up
in songs and poems.
There seems to be no room for variation.
I have never heard anyone sing
I am so beautiful
and you are a fool to be in love with me,
even though this notion has surely
crossed the minds of women and men alike.
You are so beautiful, too bad you are a fool
is another one you don't hear.
Or, you are a fool to consider me beautiful.
That one you will never hear, guaranteed.

For no particular reason this afternoon
I am listening to Johnny Hartman
whose dark voice can curl around
the concepts on love, beauty, and foolishness
like no one else's can.
It feels like smoke curling up from a cigarette
someone left burning on a baby grand piano
around three o'clock in the morning;
smoke that billows up into the bright lights
while out there in the darkness
some of the beautiful fools have gathered
around little tables to listen,
some with their eyes closed,
others leaning forward into the music
as if it were holding them up,
or twirling the loose ice in a glass,
slipping by degrees into a rhythmic dream.

Yes, there is all this foolish beauty,
borne beyond midnight,
that has no desire to go home,
especially now when everyone in the room
is watching the large man with the tenor sax
that hangs from his neck like a golden fish.
He moves forward to the edge of the stage
and hands the instrument down to me
and nods that I should play.
So I put the mouthpiece to my lips
and blow into it with all my living breath.
We are all so foolish,
my long bebop solo begins by saying,
so damn foolish
we have become beautiful without even knowing it.
Written by Robert Pinsky | Create an image from this poem

Ginza Samba

 A monosyllabic European called Sax
Invents a horn, walla whirledy wah, a kind of twisted
Brazen clarinet, but with its column of vibrating
Air shaped not in a cylinder but in a cone
Widening ever outward and bawaah spouting
Infinitely upward through an upturned
Swollen golden bell rimmed
Like a gloxinia flowering
In Sax's Belgian imagination

And in the unfathomable matrix
Of mothers and fathers as a genius graven
Humming into the cells of the body
Or cupped in the resonating grail
Of memory changed and exchanged
As in the trading of brasses,
Pearls and ivory, calicos and slaves,
Laborers and girls, two

Cousins in a royal family
Of Niger known as the Birds or Hawks.
In Christendom one cousin's child
Becomes a "favorite *****" ennobled
By decree of the Czar and founds
A great family, a line of generals,
Dandies and courtiers including the poet
Pushkin, killed in a duel concerning
His wife's honor, while the other cousin sails

In the belly of a slaveship to the port
Of Baltimore where she is raped
And dies in childbirth, but the infant
Will marry a Seminole and in the next
Chorus of time their child fathers
A great Hawk or Bird, with many followers
Among them this great-grandchild of the Jewish
Manager of a Pushkin estate, blowing

His American breath out into the wiggly
Tune uncurling its triplets and sixteenths--the Ginza
Samba of breath and brass, the reed
Vibrating as a valve, the aether, the unimaginable
Wires and circuits of an ingenious box
Here in my room in this house built
A hundred years ago while I was elsewhere:

It is like falling in love, the atavistic
Imperative of some one
Voice or face--the skill, the copper filament,
The golden bellful of notes twirling through
Their invisible element from
Rio to Tokyo and back again gathering
Speed in the variations as they tunnel
The twin haunted labyrinths of stirrup
And anvil echoing here in the hearkening
Instrument of my skull.
Written by Adrian Green | Create an image from this poem

Pink Champagne (for Digby Fairweather)

 Not blues in twelve
but there is joy
and pink champagne,

the maker’s music
trading eights
in syncopated synergy
from Dixieland to Rock ‘n’ Roll,

and here the cornet-master
leads in tones
a trumpet cannot blow.

The sidemen nod their harmonies,
engrossed;
their music coursing
through an energy of swing;

piano-player’s fingers
dancing round the tune;
a lover’s touch
caressing melody from bass;
and sax, deep throated tenor
shouting counterpoint
above the drums’
percussive ricochets.

Not blues in twelve,
but upbeat late
and shimmying
like Sister Kate.

The cornet-master
blows
an emptiness away.
Written by Robert Burns | Create an image from this poem

59. Death and Dr. Hornbook

 SOME books are lies frae end to end,
And some great lies were never penn’d:
Ev’n ministers they hae been kenn’d,
 In holy rapture,
A rousing whid at times to vend,
 And nail’t wi’ Scripture.


But this that I am gaun to tell,
Which lately on a night befell,
Is just as true’s the Deil’s in hell
 Or Dublin city:
That e’er he nearer comes oursel’
 ’S a muckle pity.


The clachan yill had made me canty,
I was na fou, but just had plenty;
I stacher’d whiles, but yet too tent aye
 To free the ditches;
An’ hillocks, stanes, an’ bushes, kenn’d eye
 Frae ghaists an’ witches.


The rising moon began to glowre
The distant Cumnock hills out-owre:
To count her horns, wi’ a my pow’r,
 I set mysel’;
But whether she had three or four,
 I cou’d na tell.


I was come round about the hill,
An’ todlin down on Willie’s mill,
Setting my staff wi’ a’ my skill,
 To keep me sicker;
Tho’ leeward whiles, against my will,
 I took a bicker.


I there wi’ Something did forgather,
That pat me in an eerie swither;
An’ awfu’ scythe, out-owre ae shouther,
 Clear-dangling, hang;
A three-tae’d leister on the ither
 Lay, large an’ lang.


Its stature seem’d lang Scotch ells twa,
The queerest shape that e’er I saw,
For fient a wame it had ava;
 And then its shanks,
They were as thin, as sharp an’ sma’
 As cheeks o’ branks.


“Guid-een,” quo’ I; “Friend! hae ye been mawin,
When ither folk are busy sawin!” 1
I seem’d to make a kind o’ stan’
 But naething spak;
At length, says I, “Friend! whare ye gaun?
 Will ye go back?”


It spak right howe,—“My name is Death,
But be na fley’d.”—Quoth I, “Guid faith,
Ye’re maybe come to stap my breath;
 But tent me, billie;
I red ye weel, tak care o’ skaith
 See, there’s a gully!”


“Gudeman,” quo’ he, “put up your whittle,
I’m no designed to try its mettle;
But if I did, I wad be kittle
 To be mislear’d;
I wad na mind it, no that spittle
 Out-owre my beard.”


“Weel, weel!” says I, “a bargain be’t;
Come, gie’s your hand, an’ sae we’re gree’t;
We’ll ease our shanks an tak a seat—
 Come, gie’s your news;
This while ye hae been mony a gate,
 At mony a house.” 2


“Ay, ay!” quo’ he, an’ shook his head,
“It’s e’en a lang, lang time indeed
Sin’ I began to nick the thread,
 An’ choke the breath:
Folk maun do something for their bread,
 An’ sae maun Death.


“Sax thousand years are near-hand fled
Sin’ I was to the butching bred,
An’ mony a scheme in vain’s been laid,
 To stap or scar me;
Till ane Hornbook’s 3 ta’en up the trade,
 And faith! he’ll waur me.


“Ye ken Hornbook i’ the clachan,
Deil mak his king’s-hood in spleuchan!
He’s grown sae weel acquaint wi’ Buchan 4
 And ither chaps,
The weans haud out their fingers laughin,
 An’ pouk my hips.


“See, here’s a scythe, an’ there’s dart,
They hae pierc’d mony a gallant heart;
But Doctor Hornbook, wi’ his art
 An’ cursed skill,
Has made them baith no worth a f—t,
 D—n’d haet they’ll kill!


“’Twas but yestreen, nae farther gane,
I threw a noble throw at ane;
Wi’ less, I’m sure, I’ve hundreds slain;
But deil-ma-care,
It just play’d dirl on the bane,
But did nae mair.


“Hornbook was by, wi’ ready art,
An’ had sae fortify’d the part,
That when I looked to my dart,
 It was sae blunt,
Fient haet o’t wad hae pierc’d the heart
 Of a kail-runt.


“I drew my scythe in sic a fury,
I near-hand cowpit wi’ my hurry,
But yet the bauld Apothecary
 Withstood the shock;
I might as weel hae tried a quarry
 O’ hard whin rock.


“Ev’n them he canna get attended,
Altho’ their face he ne’er had kend it,
Just —— in a kail-blade, an’ sent it,
 As soon’s he smells ’t,
Baith their disease, and what will mend it,
 At once he tells ’t.


“And then, a’ doctor’s saws an’ whittles,
Of a’ dimensions, shapes, an’ mettles,
A’ kind o’ boxes, mugs, an’ bottles,
 He’s sure to hae;
Their Latin names as fast he rattles
 As A B C.


“Calces o’ fossils, earths, and trees;
True sal-marinum o’ the seas;
The farina of beans an’ pease,
 He has’t in plenty;
Aqua-fontis, what you please,
 He can content ye.


“Forbye some new, uncommon weapons,
Urinus spiritus of capons;
Or mite-horn shavings, filings, scrapings,
 Distill’d per se;
Sal-alkali o’ midge-tail clippings,
 And mony mae.”


“Waes me for Johnie Ged’s-Hole 5 now,”
Quoth I, “if that thae news be true!
His braw calf-ward whare gowans grew,
 Sae white and bonie,
Nae doubt they’ll rive it wi’ the plew;
 They’ll ruin Johnie!”


The creature grain’d an eldritch laugh,
And says “Ye needna yoke the pleugh,
Kirkyards will soon be till’d eneugh,
 Tak ye nae fear:
They’ll be trench’d wi’ mony a sheugh,
 In twa-three year.


“Whare I kill’d ane, a fair strae-death,
By loss o’ blood or want of breath
This night I’m free to tak my aith,
 That Hornbook’s skill
Has clad a score i’ their last claith,
 By drap an’ pill.


“An honest wabster to his trade,
Whase wife’s twa nieves were scarce weel-bred
Gat tippence-worth to mend her head,
 When it was sair;
The wife slade cannie to her bed,
 But ne’er spak mair.


“A country laird had ta’en the batts,
Or some curmurring in his guts,
His only son for Hornbook sets,
 An’ pays him well:
The lad, for twa guid gimmer-pets,
 Was laird himsel’.


“A bonie lass—ye kend her name—
Some ill-brewn drink had hov’d her wame;
She trusts hersel’, to hide the shame,
 In Hornbook’s care;
Horn sent her aff to her lang hame,
 To hide it there.


“That’s just a swatch o’ Hornbook’s way;
Thus goes he on from day to day,
Thus does he poison, kill, an’ slay,
 An’s weel paid for’t;
Yet stops me o’ my lawfu’ prey,
 Wi’ his d—n’d dirt:


“But, hark! I’ll tell you of a plot,
Tho’ dinna ye be speakin o’t;
I’ll nail the self-conceited sot,
 As dead’s a herrin;
Neist time we meet, I’ll wad a groat,
 He gets his fairin!”


But just as he began to tell,
The auld kirk-hammer strak the bell
Some wee short hour ayont the twal’,
 Which rais’d us baith:
I took the way that pleas’d mysel’,
 And sae did Death.


 Note 1. This recontre happened in seed-time, 1785.—R. B. [back]
Note 2. An epidemical fever was then raging in that country.—R. B. [back]
Note 3. This gentleman, Dr. Hornbook, is professionally a brother of the sovereign Order of the Ferula; but, by intuition and inspiration, is at once an apothecary, surgeon, and physician.—R. B. [back]
Note 4. Burchan’s Domestic Medicine.—R. B. [back]
Note 5. The grave-digger.—R. B. [back]


Written by Robert Burns | Create an image from this poem

86. The Auld Farmer's New-Year-Morning Salutation to his Auld Mare Maggie

 A GUID New-year I wish thee, Maggie!
Hae, there’s a ripp to thy auld baggie:
Tho’ thou’s howe-backit now, an’ knaggie,
 I’ve seen the day
Thou could hae gaen like ony staggie,
 Out-owre the lay.


Tho’ now thou’s dowie, stiff, an’ crazy,
An’ thy auld hide as white’s a daisie,
I’ve seen thee dappl’t, sleek an’ glaizie,
 A bonie gray:
He should been tight that daur’t to raize thee,
 Ance in a day.


Thou ance was i’ the foremost rank,
A filly buirdly, steeve, an’ swank;
An’ set weel down a shapely shank,
 As e’er tread yird;
An’ could hae flown out-owre a stank,
 Like ony bird.


It’s now some nine-an’-twenty year,
Sin’ thou was my guid-father’s mear;
He gied me thee, o’ tocher clear,
 An’ fifty mark;
Tho’ it was sma’, ’twas weel-won gear,
 An’ thou was stark.


When first I gaed to woo my Jenny,
Ye then was trotting wi’ your minnie:
Tho’ ye was trickie, slee, an’ funnie,
 Ye ne’er was donsie;
But hamely, tawie, quiet, an’ cannie,
 An’ unco sonsie.


That day, ye pranc’d wi’ muckle pride,
When ye bure hame my bonie bride:
An’ sweet an’ gracefu’ she did ride,
 Wi’ maiden air!
Kyle-Stewart I could bragged wide
 For sic a pair.


Tho’ now ye dow but hoyte and hobble,
An’ wintle like a saumont coble,
That day, ye was a jinker noble,
 For heels an’ win’!
An’ ran them till they a’ did wauble,
 Far, far, behin’!


When thou an’ I were young an’ skeigh,
An’ stable-meals at fairs were dreigh,
How thou wad prance, and snore, an’ skreigh
 An’ tak the road!
Town’s-bodies ran, an’ stood abeigh,
 An’ ca’t thee mad.


When thou was corn’t, an’ I was mellow,
We took the road aye like a swallow:
At brooses thou had ne’er a fellow,
 For pith an’ speed;
But ev’ry tail thou pay’t them hollow,
 Whare’er thou gaed.


The sma’, droop-rumpl’t, hunter cattle
Might aiblins waur’t thee for a brattle;
But sax Scotch mile, thou try’t their mettle,
 An’ gar’t them whaizle:
Nae whip nor spur, but just a wattle
 O’ saugh or hazel.


Thou was a noble fittie-lan’,
As e’er in tug or tow was drawn!
Aft thee an’ I, in aught hours’ gaun,
 In guid March-weather,
Hae turn’d sax rood beside our han’,
 For days thegither.


Thou never braing’t, an’ fetch’t, an’ fliskit;
But thy auld tail thou wad hae whiskit,
An’ spread abreed thy weel-fill’d brisket,
 Wi’ pith an’ power;
Till sprittie knowes wad rair’t an’ riskit
 An’ slypet owre.


When frosts lay lang, an’ snaws were deep,
An’ threaten’d labour back to keep,
I gied thy cog a wee bit heap
 Aboon the timmer:
I ken’d my Maggie wad na sleep,
 For that, or simmer.


In cart or car thou never reestit;
The steyest brae thou wad hae fac’t it;
Thou never lap, an’ sten’t, and breastit,
 Then stood to blaw;
But just thy step a wee thing hastit,
 Thou snoov’t awa.


My pleugh is now thy bairn-time a’,
Four gallant brutes as e’er did draw;
Forbye sax mae I’ve sell’t awa,
 That thou hast nurst:
They drew me thretteen pund an’ twa,
 The vera warst.


Mony a sair daurk we twa hae wrought,
An’ wi’ the weary warl’ fought!
An’ mony an anxious day, I thought
 We wad be beat!
Yet here to crazy age we’re brought,
 Wi’ something yet.


An’ think na’, my auld trusty servan’,
That now perhaps thou’s less deservin,
An’ thy auld days may end in starvin;
 For my last fow,
A heapit stimpart, I’ll reserve ane
 Laid by for you.


We’ve worn to crazy years thegither;
We’ll toyte about wi’ ane anither;
Wi’ tentie care I’ll flit thy tether
 To some hain’d rig,
Whare ye may nobly rax your leather,
 Wi’ sma’ fatigue.
Written by Robert Burns | Create an image from this poem

61. Second Epistle to J. Lapraik

 WHILE new-ca’d kye rowte at the stake
An’ pownies reek in pleugh or braik,
This hour on e’enin’s edge I take,
 To own I’m debtor
To honest-hearted, auld Lapraik,
 For his kind letter.


Forjesket sair, with weary legs,
Rattlin the corn out-owre the rigs,
Or dealing thro’ amang the naigs
 Their ten-hours’ bite,
My awkart Muse sair pleads and begs
 I would na write.


The tapetless, ramfeezl’d hizzie,
She’s saft at best an’ something lazy:
Quo’ she, “Ye ken we’ve been sae busy
 This month an’ mair,
That trowth, my head is grown right dizzie,
 An’ something sair.”


Her dowff excuses pat me mad;
“Conscience,” says I, “ye thowless jade!
I’ll write, an’ that a hearty blaud,
 This vera night;
So dinna ye affront your trade,
 But rhyme it right.


“Shall bauld Lapraik, the king o’ hearts,
Tho’ mankind were a pack o’ cartes,
Roose you sae weel for your deserts,
 In terms sae friendly;
Yet ye’ll neglect to shaw your parts
 An’ thank him kindly?”


Sae I gat paper in a blink,
An’ down gaed stumpie in the ink:
Quoth I, “Before I sleep a wink,
 I vow I’ll close it;
An’ if ye winna mak it clink,
 By Jove, I’ll prose it!”


Sae I’ve begun to scrawl, but whether
In rhyme, or prose, or baith thegither;
Or some hotch-potch that’s rightly neither,
 Let time mak proof;
But I shall scribble down some blether
 Just clean aff-loof.


My worthy friend, ne’er grudge an’ carp,
Tho’ fortune use you hard an’ sharp;
Come, kittle up your moorland harp
 Wi’ gleesome touch!
Ne’er mind how Fortune waft and warp;
 She’s but a *****.


She ’s gien me mony a jirt an’ fleg,
Sin’ I could striddle owre a rig;
But, by the L—d, tho’ I should beg
 Wi’ lyart pow,
I’ll laugh an’ sing, an’ shake my leg,
 As lang’s I dow!


Now comes the sax-an’-twentieth simmer
I’ve seen the bud upon the timmer,
Still persecuted by the limmer
 Frae year to year;
But yet, despite the kittle kimmer,
 I, Rob, am here.


Do ye envy the city gent,
Behint a kist to lie an’ sklent;
Or pursue-proud, big wi’ cent. per cent.
 An’ muckle wame,
In some bit brugh to represent
 A bailie’s name?


Or is’t the paughty, feudal thane,
Wi’ ruffl’d sark an’ glancing cane,
Wha thinks himsel nae sheep-shank bane,
 But lordly stalks;
While caps and bonnets aff are taen,
 As by he walks?


“O Thou wha gies us each guid gift!
Gie me o’ wit an’ sense a lift,
Then turn me, if thou please, adrift,
 Thro’ Scotland wide;
Wi’ cits nor lairds I wadna shift,
 In a’ their pride!”


Were this the charter of our state,
“On pain o’ hell be rich an’ great,”
Damnation then would be our fate,
 Beyond remead;
But, thanks to heaven, that’s no the gate
 We learn our creed.


For thus the royal mandate ran,
When first the human race began;
“The social, friendly, honest man,
 Whate’er he be—
’Tis he fulfils great Nature’s plan,
 And none but he.”


O mandate glorious and divine!
The ragged followers o’ the Nine,
Poor, thoughtless devils! yet may shine
 In glorious light,
While sordid sons o’ Mammon’s line
 Are dark as night!


Tho’ here they scrape, an’ squeeze, an’ growl,
Their worthless nievefu’ of a soul
May in some future carcase howl,
 The forest’s fright;
Or in some day-detesting owl
 May shun the light.


Then may Lapraik and Burns arise,
To reach their native, kindred skies,
And sing their pleasures, hopes an’ joys,
 In some mild sphere;
Still closer knit in friendship’s ties,
 Each passing year!
Written by Robert Burns | Create an image from this poem

512. Song—Guid ale keeps the heart aboon

 Chorus—O gude ale comes and gude ale goes;
Gude ale gars me sell my hose,
Sell my hose, and pawn my shoon—
Gude ale keeps my heart aboon!


I HAD sax owsen in a pleugh,
And they drew a’ weel eneugh:
I sell’d them a’ just ane by ane—
Gude ale keeps the heart aboon!
 O gude ale comes, &c.


Gude ale hauds me bare and busy,
Gars me moop wi’ the servant hizzie,
Stand i’ the stool when I hae done—
Gude ale keeps the heart aboon!
 O gude ale comes, &c.

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