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Best Famous Saunters Poems

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Written by Robert Browning | Create an image from this poem

Up At A Villa— Down In The City

 (As Distinguished by an Italian Person of Quality)

I

Had I but plenty of money, money enough and to spare,
The house for me, no doubt, were a house in the city-square;
Ah, such a life, such a life, as one leads at the window there!

II

Something to see, by Bacchus, something to hear, at least!
There, the whole day long, one's life is a perfect feast;
While up at a villa one lives, I maintain it, no more than a beast.

III

Well now, look at our villa! stuck like the horn of a bull
Just on a mountain's edge as bare as the creature's skull,
Save a mere shag of a bush with hardly a leaf to pull!
- I scratch my own, sometimes, to see if the hair's turned wool.

IV

But the city, oh the city—the square with the houses! Why?
They are stone-faced, white as a curd, there's something to take the eye!
Houses in four straight lines, not a single front awry!
You watch who crosses and gossips, who saunters, who hurries by:
Green blinds, as a matter of course, to draw when the sun gets high;
And the shops with fanciful signs which are painted properly.

V

What of a villa? Though winter be over in March by rights,
'Tis May perhaps ere the snow shall have withered well off the heights:
You've the brown ploughed land before, where the oxen steam and wheeze,
And the hills over-smoked behind by the faint grey olive trees.

VI

Is it better in May, I ask you? You've summer all at once;
In a day he leaps complete with a few strong April suns.
'Mid the sharp short emerald wheat, scarce risen three fingers well,
The wild tulip, at end of its tube, blows out its great red bell
Like a thin clear bubble of blood, for the children to pick and sell.

VII

Is it ever hot in the square? There's a fountain to spout and splash!
In the shade it sings and springs; in the shine such foam-bows flash
On the horses with curling fish-tails, that prance and paddle and pash
Round the lady atop in her conch—fifty gazers do not abash,
Though all that she wears is some weeds round her waist in a sort of sash!

VIII

All the year long at the villa, nothing to see though you linger,
Except yon cypress that points like Death's lean lifted forefinger.
Some think fireflies pretty, when they mix in the corn and mingle,
Or thrid the stinking hemp till the stalks of it seem a-tingle.
Late August or early September, the stunning cicala is shrill,
And the bees keep their tiresome whine round the resinous firs on the hill.
Enough of the seasons,—I spare you the months of the fever and chill.

IX

Ere opening your eyes in the city, the blessed church-bells begin:
No sooner the bells leave off than the diligence rattles in:
You get the pick of the news, and it costs you never a pin.
By and by there's the travelling doctor gives pills, lets blood, draws teeth;
Or the Pulcinello-trumpet breaks up the market beneath.
At the post-office such a scene-picture—the new play, piping hot!
And a notice how, only this morning, three liberal thieves were shot.
Above it, behold the Archbishop's most fatherly of rebukes,
And beneath, with his crown and his lion, some little new law of the Duke's!
Or a sonnet with flowery marge, to the Reverend Don So-and-so
Who is Dante, Boccaccio, Petrarca, Saint Jerome, and Cicero,
"And moreover," (the sonnet goes rhyming,) "the skirts of Saint Paul has 
reached,
Having preached us those six Lent-lectures more unctuous than ever he preached."
Noon strikes,—here sweeps the procession! our Lady borne smiling and smart
With a pink gauze gown all spangles, and seven swords stuck in her heart!
Bang, whang, whang goes the drum, tootle-te-tootle the fife;
No keeping one's haunches still: it's the greatest pleasure in life.

X

But bless you, it's dear—it's dear! fowls, wine, at double the rate.
They have clapped a new tax upon salt, and what oil pays passing the gate
It's a horror to think of. And so, the villa for me, not the city!
Beggars can scarcely be choosers: but still—ah, the pity, the pity!
Look, two and two go the priests, then the monks with cowls and sandals,
And the penitents dressed in white shirts, a-holding the yellow candles;
One, he carries a flag up straight, and another a cross with handles,
And the Duke's guard brings up the rear, for the better prevention of scandals.
Bang, whang, whang goes the drum, tootle-te-tootle the fife.
Oh, a day in the city-square, there is no such pleasure in life!


Written by D. H. Lawrence | Create an image from this poem

Cruelty and Love

 What large, dark hands are those at the window 
Lifted, grasping in the yellow light 
Which makes its way through the curtain web 
At my heart to-night? 

Ah, only the leaves! So leave me at rest, 
In the west I see a redness come 
Over the evening's burning breast -- 
For now the pain is numb. 

The woodbine creeps abroad 
Calling low to her lover: 
The sunlit flirt who all the day 
Has poised above her lips in play 
And stolen kisses, shallow and gay 
Of dalliance, now has gone away 
-- She woos the moth with her sweet, low word, 
And when above her his broad wings hover 
Then her bright breast she will uncover 
And yeild her honey-drop to her lover. 

Into the yellow, evening glow 
Saunters a man from the farm below, 
Leans, and looks in at the low-built shed 
Where hangs the swallow's marriage bed. 
The bird lies warm against the wall. 
She glances quick her startled eyes 
Towards him, then she turns away 
Her small head, making warm display 
Of red upon the throat. Her terrors sway 
Her out of the nest's warm, busy ball, 
Whose plaintive cries start up as she flies 
In one blue stoop from out the sties 
Into the evening's empty hall. 

Oh, water-hen, beside the rushes 
Hide your quaint, unfading blushes, 
Still your quick tail, and lie as dead, 
Till the distance covers his dangerous tread. 

The rabbit presses back her ears, 
Turns back her liquid, anguished eyes 
And crouches low: then with wild spring 
Spurts from the terror of the oncoming 
To be choked back, the wire ring 
Her frantic effort throttling: 
Piteous brown ball of quivering fears! 

Ah soon in his large, hard hands she dies, 
And swings all loose to the swing of his walk. 
Yet calm and kindly are his eyes 
And ready to open in brown surprise 
Should I not answer to his talk 
Or should he my tears surmise. 

I hear his hand on the latch, and rise from my chair 
Watching the door open: he flashes bare 
His strong teeth in a smile, and flashes his eyes 
In a smile like triumph upon me; then careless-wise 
He flihgs the rabbit soft on the table board 
And comes towards me: ah, the uplifted sword 
Of his hand against my bosom, and oh, the broad 
Blade of his hand that raises my face to applaud 
His coming: he raises up my face to him 
And caresses my mouth with his fingers, smelling grim 
Of the rabbit's fur! God, I am caught in a snare! 
I know not what fine wire is round my throat, 
I only know I let him finger there 
My pulse of life, letting him nose like a stoat 
Who sniffs with joy before he drinks the blood: 
And down his mouth comes to my mouth, and down 
His dark bright eyes descend like a fiery hood 
Upon my mind: his mouth meets mine, and a flood 
Of sweet fire sweeps across me, so I drown 
Within him, die, and find death good.
Written by Paul Laurence Dunbar | Create an image from this poem

Morning

 O'ER fallow plains and fertile meads,
AURORA lifts the torch of day;
The shad'wy brow of Night recedes,
Cold dew-drops fall from every spray;
Now o'er the thistle's rugged head,
Thin veils of filmy vapour fly,
On ev'ry violet's perfum'd bed
The sparkling gems of Nature lie. 

The hill's tall brow is crown'd with gold,
The Milk-maid trills her jocund lay,
The Shepherd-boy unpens his fold,
The Lambs along the meadows play;
The pilf'ring LARK, with speckled breast,
From the ripe sheaf's rich banquet flies;
And lifting high his plumy crest,
Soars the proud tenant of the skies. 

The PEASANT steals with timid feet,
And gently taps the cottage door;
Or on the green sod takes his seat,
And chaunts some well-known ditty o'er;
Wak'd by the strain, the blushing MAID,
Unpractis'd in Love's mazy wiles, 
In clean, but homely garb array'd,
From the small casement peeps­and smiles. 

Proud CHANTICLEER unfolds his wing,
And flutt'ring struts in plumage gay;
The glades with vocal echoes ring,
Soft odours deck the hawthorn spray;
The SCHOOL-BOY saunters o'er the green,
With satchel, fill'd with Learning's store;
While with dejected, sullen mien,
He cons his tedious lesson o'er. 

When WINTER spreads her banner chill,
And sweeps the vale with freezing pow'r;
And binds in spells the vagrant rill,
And shrivels ev'ry ling'ring flow'r;
When NATURE quits her verdant dress,
And drops to earth her icy tears;
E'EN THEN thy tardy glance can bless,
And soft thy weeping eye appears. 

Then at the Horn's enliv'ning peal,
Keen Sportsmen for the chase prepare;
Thro' the young Copse shrill echoes steal,
Swift flies the tim'rous, panting hare;
From ev'ry straw-thatch'd cottage soars
Blue curling smoke in many a cloud;
Around the Barn's expanded doors,
The feather'd throng impatient crowd. 

Such are thy charms! health-breathing scene!
Where Nature's children revel gay; 
Where Plenty smiles with radiant mien,
And Labour crowns the circling day;
Where Peace, in conscious Virtue blest,
Invites the Heart to joy supreme;
While polish'd Splendour pants for rest
And pines in Fashion's fev'rish dream.
Written by Robert Burns | Create an image from this poem

224. Epistle to Hugh Parker

 IN this strange land, this uncouth clime,
A land unknown to prose or rhyme;
Where words ne’er cross’t the Muse’s heckles,
Nor limpit in poetic shackles:
A land that Prose did never view it,
Except when drunk he stacher’t thro’ it;
Here, ambush’d by the chimla cheek,
Hid in an atmosphere of reek,
I hear a wheel thrum i’ the neuk,
I hear it—for in vain I leuk.
The red peat gleams, a fiery kernel,
Enhuskèd by a fog infernal:
Here, for my wonted rhyming raptures,
I sit and count my sins by chapters;
For life and ***** like ither Christians,
I’m dwindled down to mere existence,
Wi’ nae converse but Gallowa’ bodies,
Wi’ nae kenn’d face but Jenny Geddes,
Jenny, my Pegasean pride!
Dowie she saunters down Nithside,
And aye a westlin leuk she throws,
While tears hap o’er her auld brown nose!
Was it for this, wi’ cannie care,
Thou bure the Bard through many a shire?
At howes, or hillocks never stumbled,
And late or early never grumbled?—
O had I power like inclination,
I’d heeze thee up a constellation,
To canter with the Sagitarre,
Or loup the ecliptic like a bar;
Or turn the pole like any arrow;
Or, when auld Phoebus bids good-morrow,
Down the zodiac urge the race,
And cast dirt on his godship’s face;
For I could lay my bread and kail
He’d ne’er cast saut upo’ thy tail.—
Wi’ a’ this care and a’ this grief,
And sma’, sma’ prospect of relief,
And nought but peat reek i’ my head,
How can I write what ye can read?—
Tarbolton, twenty-fourth o’ June,
Ye’ll find me in a better tune;
But till we meet and weet our whistle,
Tak this excuse for nae epistle.ROBERT BURNS.
Written by D. H. Lawrence | Create an image from this poem

Cruelty and Love

What large, dark hands are those at the window
Lifted, grasping the golden light
Which weaves its way through the creeper leaves
          To my heart's delight?

Ah, only the leaves! But in the west,
In the west I see a redness come
Over the evening's burning breast--
          --'Tis the wound of love goes home!

  The woodbine creeps abroad
  Calling low to her lover:
    The sun-lit flirt who all the day
    Has poised above her lips in play
    And stolen kisses, shallow and gay
    Of pollen, now has gone away
    --She woos the moth with her sweet, low word,
  And when above her his broad wings hover
  Then her bright breast she will uncover
  And yield her honey-drop to her lover.

  Into the yellow, evening glow
  Saunters a man from the farm below,
  Leans, and looks in at the low-built shed
  Where hangs the swallow's marriage bed.
    The bird lies warm against the wall.
    She glances quick her startled eyes
    Towards him, then she turns away
    Her small head, making warm display
    Of red upon the throat. His terrors sway
    Her out of the nest's warm, busy ball,
    Whose plaintive cry is heard as she flies
    In one blue stoop from out the sties
    Into the evening's empty hall.

Oh, water-hen, beside the rushes
Hide your quaint, unfading blushes,
Still your quick tail, and lie as dead,
Till the distance folds over his ominous tread.

The rabbit presses back her ears,
Turns back her liquid, anguished eyes
And crouches low: then with wild spring
Spurts from the terror of _his_ oncoming
To be choked back, the wire ring
Her frantic effort throttling:
    Piteous brown ball of quivering fears!

Ah soon in his large, hard hands she dies,
And swings all loose to the swing of his walk.
Yet calm and kindly are his eyes
And ready to open in brown surprise
Should I not answer to his talk
Or should he my tears surmise.

I hear his hand on the latch, and rise from my chair
Watching the door open: he flashes bare
His strong teeth in a smile, and flashes his eyes
In a smile like triumph upon me; then careless-wise
He flings the rabbit soft on the table board
And comes towards me: ah, the uplifted sword
Of his hand against my bosom, and oh, the broad
Blade of his hand that raise my face to applaud
His coming: he raises up my face to him
And caresses my mouth with his fingers, which still smell grim
Of the rabbit's fur! God, I am caught in a snare!
I know not what fine wire is round my throat,
I only know I let him finger there
My pulse of life, letting him nose like a stoat
Who sniffs with joy before he drinks the blood:
And down his mouth comes to my mouth, and down
His dark bright eyes descend like a fiery hood
Upon my mind: his mouth meets mine, and a flood
Of sweet fire sweeps across me, so I drown
Within him, die, and find death good.



Book: Reflection on the Important Things