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Best Famous Sappy Poems

Here is a collection of the all-time best famous Sappy poems. This is a select list of the best famous Sappy poetry. Reading, writing, and enjoying famous Sappy poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of sappy poems.

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Written by Denise Duhamel | Create an image from this poem

Snow Whites Acne

 At first she was sure it was just a bit of dried strawberry juice,
or a fleck of her mother's red nail polish that had flaked off
when she'd patted her daughter to sleep the night before.
But as she scrubbed, Snow felt a bump, something festering
under the surface, like a tapeworm curled up and living
in her left cheek.
 Doc the Dwarf was no dermatologist
and besides Snow doesn't get to meet him in this version
because the mint leaves the tall doctor puts over her face
only make matters worse. Snow and the Queen hope
against hope for chicken pox, measles, something
that would be gone quickly and not plague Snow's whole
adolescence.
 If only freckles were red, she cried, if only
concealer really worked. Soon came the pus, the yellow dots,
multiplying like pins in a pin cushion. Soon came
the greasy hair. The Queen gave her daughter a razor
for her legs and a stick of underarm deodorant.
 Snow
doodled through her teenage years—"Snow + ?" in Magic
Markered hearts all over her notebooks. She was an average
student, a daydreamer who might have been a scholar
if she'd only applied herself. She liked sappy music
and romance novels. She liked pies and cake
instead of fruit.
 The Queen remained the fairest in the land.
It was hard on Snow, having such a glamorous mom.
She rebelled by wearing torn shawls and baggy gowns.
Her mother would sometimes say, "Snow darling,
why don't you pull back your hair? Show those pretty eyes?"
or "Come on, I'll take you shopping."
 Snow preferred
staying in her safe room, looking out of her window
at the deer leaping across the lawn. Or she'd practice
her dance moves with invisible princes. And the Queen,
busy being Queen, didn't like to push it.


Written by Robert Browning | Create an image from this poem

Heretics Tragedy The

 A MIDDLE-AGE INTERLUDE.

ROSA MUNDI; SEU, FULCITE ME FLORIBUS.
A CONCEIT OF MASTER GYSBRECHT,
CANON-REGULAR OF SAID JODOCUS-BY-THE-BAR,
YPRES CITY. CANTUQUE, _Virgilius._ 
AND HATH OFTEN BEEN SUNG 
AT HOCK-TIDE AND FESTIVALES. GAVISUS
ERAM, _Jessides._

(It would seem to be a glimpse from the
burning of Jacques du Bourg-Mulay, at Paris,
A. D. 1314; as distorted by the refraction from
Flemish brain to brain, during the course of
a couple of centuries.)

[Molay was Grand Master of the Templars
when that order was suppressed in 1312.]

I.

PREADMONISHETH THE ABBOT DEODAET.

The Lord, we look to once for all,
Is the Lord we should look at, all at once:
He knows not to vary, saith Saint Paul,
Nor the shadow of turning, for the nonce.
See him no other than as he is!
Give both the infinitudes their due---
Infinite mercy, but, I wis,
As infinite a justice too.
[_Organ: plagal-cadence._
As infinite a justice too.

II.

ONE SINGETH.

John, Master of the Temple of God,
Falling to sin the Unknown Sin,
What he bought of Emperor Aldabrod,
He sold it to Sultan Saladin:
Till, caught by Pope Clement, a-buzzing there,
Hornet-prince of the mad wasps' hive,
And clipt of his wings in Paris square,
They bring him now to be burned alive.
[_And wanteth there grace of lute or
clavicithern, ye shall say to confirm
him who singeth---_
We bring John now to be burned alive.

III.

In the midst is a goodly gallows built;
'Twixt fork and fork, a stake is stuck;
But first they set divers tumbrils a-tilt,
Make a trench all round with the city muck;
Inside they pile log upon log, good store;
Faggots no few, blocks great and small,
Reach a man's mid-thigh, no less, no more,---
For they mean he should roast in the sight of all.

CHORUS.

We mean he should roast in the sight of all.


IV.

Good sappy bavins that kindle forthwith;
Billets that blaze substantial and slow;
Pine-stump split deftly, dry as pith;
Larch-heart that chars to a chalk-white glow:
Then up they hoist me John in a chafe,
Sling him fast like a hog to scorch,
Spit in his face, then leap back safe,
Sing ``Laudes'' and bid clap-to the torch.

CHORUS.

_Laus Deo_---who bids clap-to the torch.


V.

John of the Temple, whose fame so bragged,
Is burning alive in Paris square!
How can he curse, if his mouth is gagged?
Or wriggle his neck, with a collar there?
Or heave his chest, which a band goes round?
Or threat with his fist, since his arms are spliced?
Or kick with his feet, now his legs are bound?
---Thinks John, I will call upon Jesus Christ.
[_Here one crosseth himself_


VI.

Jesus Christ---John had bought and sold,
Jesus Christ---John had eaten and drunk;
To him, the Flesh meant silver and gold.
(_Salv reverenti._)
Now it was, ``Saviour, bountiful lamb,
``I have roasted thee Turks, though men roast me!
``See thy servant, the plight wherein I am!
``Art thou a saviour? Save thou me!''

CHORUS.

'Tis John the mocker cries, ``Save thou me!''


VII.

Who maketh God's menace an idle word?
---Saith, it no more means what it proclaims,
Than a damsel's threat to her wanton bird?---
For she too prattles of ugly names.
---Saith, he knoweth but one thing,---what he knows?
That God is good and the rest is breath;
Why else is the same styled Sharon's rose?
Once a rose, ever a rose, he saith.

CHORUS.

O, John shall yet find a rose, he saith!


VIII.

Alack, there be roses and roses, John!
Some, honied of taste like your leman's tongue:
Some, bitter; for why? (roast gaily on!)
Their tree struck root in devil's-dung.
When Paul once reasoned of righteousness
And of temperance and of judgment to come,
Good Felix trembled, he could no less:
John, snickering, crook'd his wicked thumb.

CHORUS.

What cometh to John of the wicked thumb?


IX.

Ha ha, John plucketh now at his rose
To rid himself of a sorrow at heart!
Lo,---petal on petal, fierce rays unclose;
Anther on anther, sharp spikes outstart;
And with blood for dew, the bosom boils;
And a gust of sulphur is all its smell;
And lo, he is horribly in the toils
Of a coal-black giant flower of hell!

CHORUS.

What maketh heaven, That maketh hell.


X.

So, as John called now, through the fire amain.
On the Name, he had cursed with, all his life---
To the Person, he bought and sold again---
For the Face, with his daily buffets rife---
Feature by feature It took its place:
And his voice, like a mad dog's choking bark,
At the steady whole of the Judge's face---
Died. Forth John's soul flared into the dark.

SUBJOINETH THE ABBOT DEODAET.

God help all poor souls lost in the dark!


*1: Fagots.
Written by Robert Browning | Create an image from this poem

Waring

 I

What's become of Waring
Since he gave us all the slip,
Chose land-travel or seafaring,
Boots and chest, or staff and scrip,
Rather than pace up and down
Any longer London-town?

Who'd have guessed it from his lip,
Or his brow's accustomed bearing,
On the night he thus took ship,
Or started landward?—little caring
For us, it seems, who supped together,
(Friends of his too, I remember)
And walked home through the merry weather,
The snowiest in all December;
I left his arm that night myself
For what's-his-name's, the new prose-poet,
That wrote the book there, on the shelf— 
How, forsooth, was I to know it
If Waring meant to glide away
Like a ghost at break of day?
Never looked he half so gay!

He was prouder than the devil:
How he must have cursed our revel!
Ay, and many other meetings,
Indoor visits, outdoor greetings,
As up and down he paced this London,
With no work done, but great works undone,
Where scarce twenty knew his name.
Why not, then, have earlier spoken,
Written, bustled? Who's to blame
If your silence kept unbroken?
"True, but there were sundry jottings,
Stray-leaves, fragments, blurrs and blottings,
Certain first steps were achieved
Already which—(is that your meaning?)
Had well borne out whoe'er believed
In more to come!" But who goes gleaning
Hedge-side chance-blades, while full-sheaved
Stand cornfields by him? Pride, o'erweening
Pride alone, puts forth such claims
O'er the day's distinguished names.

Meantime, how much I loved him,
I find out now I've lost him:
I, who cared not if I moved him,
Henceforth never shall get free
Of his ghostly company,
His eyes that just a little wink
As deep I go into the merit
Of this and that distinguished spirit— 
His cheeks' raised colour, soon to sink,
As long I dwell on some stupendous
And tremendous (Heaven defend us!)
Monstr'-inform'-ingens-horrend-ous
Demoniaco-seraphic
Penman's latest piece of graphic.
Nay, my very wrist grows warm
With his dragging weight of arm!
E'en so, swimmingly appears,
Through one's after-supper musings,
Some lost Lady of old years,
With her beauteous vain endeavour,
And goodness unrepaid as ever;
The face, accustomed to refusings,
We, puppies that we were... Oh never
Surely, nice of conscience, scrupled
Being aught like false, forsooth, to?
Telling aught but honest truth to?
What a sin, had we centupled
Its possessor's grace and sweetness!
No! she heard in its completeness
Truth, for truth's a weighty matter,
And, truth at issue, we can't flatter!
Well, 'tis done with: she's exempt
From damning us through such a sally;
And so she glides, as down a valley,
Taking up with her contempt,
Past our reach; and in, the flowers
Shut her unregarded hours.


Oh, could I have him back once more,
This Waring, but one half-day more!
Back, with the quiet face of yore,
So hungry for acknowledgment
Like mine! I'd fool him to his bent!
Feed, should not he, to heart's content?
I'd say, "to only have conceived
Your great works, though they ne'er make progress,
Surpasses all we've yet achieved!"
I'd lie so, I should be believed.
I'd make such havoc of the claims
Of the day's distinguished names
To feast him with, as feasts an ogress
Her sharp-toothed golden-crowned child!
Or, as one feasts a creature rarely
Captured here, unreconciled
To capture; and completely gives
Its pettish humours licence, barely
Requiring that it lives.

Ichabod, Ichabod,
The glory is departed!
Travels Waring East away?
Who, of knowledge, by hearsay,
Reports a man upstarted
Somewhere as a God,
Hordes grown European-hearted,
Millions of the wild made tame
On a sudden at his fame?
In Vishnu-land what Avatar?
Or who, in Moscow, toward the Czar,
With the demurest of footfalls
Over the Kremlin's pavement, bright
With serpentine and syenite,
Steps, with five other generals,
That simultaneously take snuff,
For each to have pretext enough
To kerchiefwise unfurl his sash
Which, softness' self, is yet the stuff
To hold fast where a steel chain snaps,
And leave the grand white neck no gash?
Waring, in Moscow, to those rough
Cold northern natures borne, perhaps,
Like the lambwhite maiden dear
From the circle of mute kings,
Unable to repress the tear,
Each as his sceptre down he flings,
To Dian's fane at Taurica,
Where now a captive priestess, she alway
Mingles her tender grave Hellenic speech
With theirs, tuned to the hailstone-beaten beach,
As pours some pigeon, from the myrrhy lands
Rapt by the whirlblast to fierce Scythian strands
Where bred the swallows, her melodious cry
Amid their barbarous twitter!
In Russia? Never! Spain were fitter!
Ay, most likely, 'tis in Spain
That we and Waring meet again— 
Now, while he turns down that cool narrow lane
Into the blackness, out of grave Madrid
All fire and shine—abrupt as when there's slid
Its stiff gold blazing pall
From some black coffin-lid.
Or, best of all,
I love to think
The leaving us was just a feint;
Back here to London did he slink;
And now works on without a wink
Of sleep, and we are on the brink
Of something great in fresco-paint:
Some garret's ceiling, walls and floor,
Up and down and o'er and o'er
He splashes, as none splashed before
Since great Caldara Polidore:
Or Music means this land of ours
Some favour yet, to pity won
By Purcell from his Rosy Bowers,— 
"Give me my so long promised son,
Let Waring end what I begun!"
Then down he creeps and out he steals
Only when the night conceals
His face—in Kent 'tis cherry-time,
Or, hops are picking; or, at prime
Of March, he wanders as, too happy,
Years ago when he was young,
Some mild eve when woods grew sappy,
And the early moths had sprung
To life from many a trembling sheath
Woven the warm boughs beneath;
While small birds said to themselves
What should soon be actual song,
And young gnats, by tens and twelves,
Made as if they were the throng
That crowd around and carry aloft
The sound they have nursed, so sweet and pure,
Out of a myriad noises soft,
Into a tone that can endure
Amid the noise of a July noon,
When all God's creatures crave their boon,
All at once and all in tune,
And get it, happy as Waring then,
Having first within his ken
What a man might do with men,
And far too glad, in the even-glow,
To mix with your world he meant to take
Into his hand, he told you, so— 
And out of it his world to make,
To contract and to expand
As he shut or oped his hand.
Oh, Waring, what's to really be?
A clear stage and a crowd to see!
Some Garrick—say—out shall not he
The heart of Hamlet's mystery pluck
Or, where most unclean beasts are rife,
Some Junius—am I right?—shall tuck
His sleeve, and out with flaying-knife!
Some Chatterton shall have the luck
Of calling Rowley into life!
Some one shall somehow run amuck
With this old world, for want of strife
Sound asleep: contrive, contrive
To rouse us, Waring! Who's alive?
Our men scarce seem in earnest now:
Distinguished names!—but 'tis, somehow
As if they played at being names
Still more distinguished, like the games
Of children. Turn our sport to earnest
With a visage of the sternest!
Bring the real times back, confessed
Still better than our very best!

II

"When I last saw Waring..."
(How all turned to him who spoke— 
You saw Waring? Truth or joke?
In land-travel, or seafaring?)

"...We were sailing by Triest,
Where a day or two we harboured:
A sunset was in the West,
When, looking over the vessel's side,
One of our company espied
A sudden speck to larboard.
And, as a sea-duck flies and swins
At once, so came the light craft up,
With its sole lateen sail that trims
And turns (the water round its rims
Dancing, as round a sinking cup)
And by us like a fish it curled,
And drew itself up close beside,
Its great sail on the instant furled,
And o'er its planks, a shrill voice cried
(A neck as bronzed as a Lascar's)
'Buy wine of us, you English Brig?
Or fruit, tobacco and cigars?
A Pilot for you to Triest?
Without one, look you ne'er so big,
They'll never let you up the bay!
We natives should know best.'
I turned, and 'just those fellows' way,'
Our captain said, 'The long-shore thieves
Are laughing at us in their sleeves.'

"In truth, the boy leaned laughing back;
And one, half-hidden by his side
Under the furled sail, soon I spied,
With great grass hat, and kerchief black,
Who looked up, with his kingly throat,
Said somewhat, while the other shook
His hair back from his eyes to look
Their longest at us; then the boat,
I know not how, turned sharply round,
Laying her whole side on the sea
As a leaping fish does; from the lee
Into the weather, cut somehow
Her sparkling path beneath our bow;
And so went off, as with a bound,
Into the rose and golden half
Of the sky, to overtake the sun,
And reach the shore, like the sea-calf
Its singing cave; yet I caught one
Glance ere away the boat quite passed,
And neither time nor toil could mar
Those features: so I saw the last
Of Waring!"—You? Oh, never star
Was lost here, but it rose afar!
Look East, where whole new thousands are!
In Vishnu-land what Avatar?
Written by Alfred Lord Tennyson | Create an image from this poem

Amphion

 MY father left a park to me, 
But it is wild and barren, 
A garden too with scarce a tree, 
And waster than a warren: 
Yet say the neighbours when they call, 
It is not bad but good land, 
And in it is the germ of all 
That grows within the woodland. 

O had I lived when song was great 
In days of old Amphion, 
And ta'en my fiddle to the gate, 
Nor cared for seed or scion! 
And had I lived when song was great, 
And legs of trees were limber, 
And ta'en my fiddle to the gate, 
And fiddled in the timber! 

'Tis said he had a tuneful tongue, 
Such happy intonation, 
Wherever he sat down and sung 
He left a small plantation; 
Wherever in a lonely grove 
He set up his forlorn pipes, 
The gouty oak began to move, 
And flounder into hornpipes. 

The mountain stirr'd its bushy crown, 
And, as tradition teaches, 
Young ashes pirouetted down 
Coquetting with young beeches; 
And briony-vine and ivy-wreath 
Ran forward to his rhyming, 
And from the valleys underneath 
Came little copses climbing. 

The linden broke her ranks and rent 
The woodbine wreaths that bind her, 
And down the middle, buzz! she went 
With all her bees behind her: 
The poplars, in long order due, 
With cypress promenaded, 
The shock-head willows two and two 
By rivers gallopaded. 

Came wet-shod alder from the wave, 
Came yews, a dismal coterie; 
Each pluck'd his one foot from the grave, 
Poussetting with a sloe-tree: 
Old elms came breaking from the vine, 
The vine stream'd out to follow, 
And, sweating rosin, plump'd the pine 
From many a cloudy hollow. 

And wasn't it a sight to see, 
When, ere his song was ended, 
Like some great landslip, tree by tree, 
The country-side descended; 
And shepherds from the mountain-eaves 
Look'd down, half-pleased, half-frighten'd, 
As dash'd about the drunken leaves 
The random sunshine lighten'd! 

Oh, nature first was fresh to men, 
And wanton without measure; 
So youthful and so flexile then, 
You moved her at your pleasure. 
Twang out, my fiddle! shake the twigs' 
And make her dance attendance; 
Blow, flute, and stir the stiff-set sprigs, 
And scirrhous roots and tendons. 

'Tis vain ! in such a brassy age 
I could not move a thistle; 
The very sparrows in the hedge 
Scarce answer to my whistle; 
'Or at the most, when three-parts-sick 
With strumming and with scraping, 
A jackass heehaws from the rick, 
The passive oxen gaping. 

But what is that I hear ? a sound 
Like sleepy counsel pleading; 
O Lord !--'tis in my neighbour's ground, 
The modern Muses reading. 
They read Botanic Treatises, 
And Works on Gardening thro' there, 
And Methods of transplanting trees 
To look as if they grew there. 

The wither'd Misses! how they prose 
O'er books of travell'd seamen, 
And show you slips of all that grows 
From England to Van Diemen. 
They read in arbours clipt and cut, 
And alleys, faded places, 
By squares of tropic summer shut 
And warm'd in crystal cases. 

But these, tho' fed with careful dirt, 
Are neither green nor sappy; 
Half-conscious of the garden-squirt, 
The spindlings look unhappy. 
Better to me the meanest weed 
That blows upon its mountain, 
The vilest herb that runs to seed 
Beside its native fountain. 

And I must work thro' months of toil, 
And years of cultivation, 
Upon my proper patch of soil 
To grow my own plantation. 
I'll take the showers as they fall, 
I will not vex my bosom: 
Enough if at the end of all 
A little garden blossom.
Written by Robert William Service | Create an image from this poem

Successful Failure

 I wonder if successful men
 Are always happy?
And do they sing with gusto when
 Springtime is sappy?
Although I am of snow-white hair
 And nighly mortal,
Each time I sniff the April air
 I chortle.

I wonder if a millionaire
 Jigs with enjoyment,
Having such heaps of time to spare
 For daft employment.
For as I dance the Highland Fling
 My glee is muckle,
And doping out new songs to sing
 I chuckle.

I wonder why so soon forgot
 Are fame and riches;
Let cottage comfort be my lot
 With well-worn britches.
As in a pub a poor unknown,
 Brown ale quaffing,
To think of all I'll never own,--
 I'm laughing.


Written by Robert Burns | Create an image from this poem

67. Epistle to John Goldie in Kilmarnock

 O GOWDIE, terror o’ the whigs,
Dread o’ blackcoats and rev’rend wigs!
Sour Bigotry, on her last legs,
 Girns an’ looks back,
Wishing the ten Egyptian plagues
 May seize you quick.


Poor gapin’, glowrin’ Superstition!
Wae’s me, she’s in a sad condition:
Fye: bring Black Jock, 1 her state physician,
 To see her water;
Alas, there’s ground for great suspicion
She’ll ne’er get better.


Enthusiasm’s past redemption,
Gane in a gallopin’ consumption:
Not a’ her quacks, wi’ a’ their gumption,
 Can ever mend her;
Her feeble pulse gies strong presumption,
 She’ll soon surrender.


Auld Orthodoxy lang did grapple,
For every hole to get a stapple;
But now she fetches at the thrapple,
 An’ fights for breath;
Haste, gie her name up in the chapel, 2
 Near unto death.


It’s you an’ Taylor 3 are the chief
To blame for a’ this black mischief;
But, could the L—d’s ain folk get leave,
 A toom tar barrel
An’ twa red peats wad bring relief,
 And end the quarrel.


For me, my skill’s but very sma’,
An’ skill in prose I’ve nane ava’;
But quietlins-wise, between us twa,
 Weel may you speed!
And tho’ they sud your sair misca’,
 Ne’er fash your head.


E’en swinge the dogs, and thresh them sicker!
The mair they squeel aye chap the thicker;
And still ’mang hands a hearty bicker
 O’ something stout;
It gars an owthor’s pulse beat quicker,
 And helps his wit.


There’s naething like the honest nappy;
Whare’ll ye e’er see men sae happy,
Or women sonsie, saft an’ sappy,
 ’Tween morn and morn,
As them wha like to taste the drappie,
 In glass or horn?


I’ve seen me dazed upon a time,
I scarce could wink or see a styme;
Just ae half-mutchkin does me prime,—
 Ought less is little—
Then back I rattle on the rhyme,
 As gleg’s a whittle.


 Note 1. The Rev. J. Russell, Kilmarnock.—R. B. [back]
Note 2. Mr. Russell’s Kirk.—R. B. [back]
Note 3. Dr. Taylor of Norwich.—R. B. [back]

Book: Radiant Verses: A Journey Through Inspiring Poetry