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Best Famous Sal Poems

Here is a collection of the all-time best famous Sal poems. This is a select list of the best famous Sal poetry. Reading, writing, and enjoying famous Sal poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of sal poems.

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Written by Rudyard Kipling | Create an image from this poem

A Song of Kabir

 Oh, light was the world that he weighed in his hands!
Oh, heavy the tale of his fiefs and his lands!
He has gone from the guddee and put on the shroud,
And departed in guise of bairagi avowed!

Now the white road to Delhi is mat for his feet.
The sal and the kikar must guard him from heat.
His home is the camp, and waste, and the crowd -- He is seeking the Way as bairagi avowed! He has looked upon Man, and his eyeballs are clear -- (There was One; there is One, and but One, saith Kabir); The Red Mist of Doing has thinned to a cloud -- He has taken the Path for bairagi avowed! To learn and discern of his brother the clod, Of his brother the brute, and his brother the God, He has gone from the council and put on the shroud ("Can ye hear?" saith Kabir), a bairagi avowed! bairagi -- Wandering holy man.
kikar -- Wayside trees.


Written by T S (Thomas Stearns) Eliot | Create an image from this poem

Sweeney Erect

 And the trees about me,
Let them be dry and leafless; let the rocks
Groan with continual surges; and behind me
Make all a desolation.
Look, look, wenches! PAINT me a cavernous waste shore Cast in the unstilled Cyclades, Paint me the bold anfractuous rocks Faced by the snarled and yelping seas.
Display me Aeolus above Reviewing the insurgent gales Which tangle Ariadne’s hair And swell with haste the perjured sails.
Morning stirs the feet and hands (Nausicaa and Polypheme).
Gesture of orang-outang Rises from the sheets in steam.
This withered root of knots of hair Slitted below and gashed with eyes, This oval O cropped out with teeth: The sickle motion from the thighs Jackknifes upward at the knees Then straightens out from heel to hip Pushing the framework of the bed And clawing at the pillow slip.
Sweeney addressed full length to shave Broadbottomed, pink from nape to base, Knows the female temperament And wipes the suds around his face.
(The lengthened shadow of a man Is history, said Emerson Who had not seen the silhouette Of Sweeney straddled in the sun.
) Tests the razor on his leg Waiting until the shriek subsides.
The epileptic on the bed Curves backward, clutching at her sides.
The ladies of the corridor Find themselves involved, disgraced, Call witness to their principles And deprecate the lack of taste Observing that hysteria Might easily be misunderstood; Mrs.
Turner intimates It does the house no sort of good.
But Doris, towelled from the bath, Enters padding on broad feet, Bringing sal volatile And a glass of brandy neat.
Written by Robert Burns | Create an image from this poem

59. Death and Dr. Hornbook

 SOME books are lies frae end to end,
And some great lies were never penn’d:
Ev’n ministers they hae been kenn’d,
 In holy rapture,
A rousing whid at times to vend,
 And nail’t wi’ Scripture.
But this that I am gaun to tell, Which lately on a night befell, Is just as true’s the Deil’s in hell Or Dublin city: That e’er he nearer comes oursel’ ’S a muckle pity.
The clachan yill had made me canty, I was na fou, but just had plenty; I stacher’d whiles, but yet too tent aye To free the ditches; An’ hillocks, stanes, an’ bushes, kenn’d eye Frae ghaists an’ witches.
The rising moon began to glowre The distant Cumnock hills out-owre: To count her horns, wi’ a my pow’r, I set mysel’; But whether she had three or four, I cou’d na tell.
I was come round about the hill, An’ todlin down on Willie’s mill, Setting my staff wi’ a’ my skill, To keep me sicker; Tho’ leeward whiles, against my will, I took a bicker.
I there wi’ Something did forgather, That pat me in an eerie swither; An’ awfu’ scythe, out-owre ae shouther, Clear-dangling, hang; A three-tae’d leister on the ither Lay, large an’ lang.
Its stature seem’d lang Scotch ells twa, The queerest shape that e’er I saw, For fient a wame it had ava; And then its shanks, They were as thin, as sharp an’ sma’ As cheeks o’ branks.
“Guid-een,” quo’ I; “Friend! hae ye been mawin, When ither folk are busy sawin!” 1 I seem’d to make a kind o’ stan’ But naething spak; At length, says I, “Friend! whare ye gaun? Will ye go back?” It spak right howe,—“My name is Death, But be na fley’d.
”—Quoth I, “Guid faith, Ye’re maybe come to stap my breath; But tent me, billie; I red ye weel, tak care o’ skaith See, there’s a gully!” “Gudeman,” quo’ he, “put up your whittle, I’m no designed to try its mettle; But if I did, I wad be kittle To be mislear’d; I wad na mind it, no that spittle Out-owre my beard.
” “Weel, weel!” says I, “a bargain be’t; Come, gie’s your hand, an’ sae we’re gree’t; We’ll ease our shanks an tak a seat— Come, gie’s your news; This while ye hae been mony a gate, At mony a house.
” 2 “Ay, ay!” quo’ he, an’ shook his head, “It’s e’en a lang, lang time indeed Sin’ I began to nick the thread, An’ choke the breath: Folk maun do something for their bread, An’ sae maun Death.
“Sax thousand years are near-hand fled Sin’ I was to the butching bred, An’ mony a scheme in vain’s been laid, To stap or scar me; Till ane Hornbook’s 3 ta’en up the trade, And faith! he’ll waur me.
“Ye ken Hornbook i’ the clachan, Deil mak his king’s-hood in spleuchan! He’s grown sae weel acquaint wi’ Buchan 4 And ither chaps, The weans haud out their fingers laughin, An’ pouk my hips.
“See, here’s a scythe, an’ there’s dart, They hae pierc’d mony a gallant heart; But Doctor Hornbook, wi’ his art An’ cursed skill, Has made them baith no worth a f—t, D—n’d haet they’ll kill! “’Twas but yestreen, nae farther gane, I threw a noble throw at ane; Wi’ less, I’m sure, I’ve hundreds slain; But deil-ma-care, It just play’d dirl on the bane, But did nae mair.
“Hornbook was by, wi’ ready art, An’ had sae fortify’d the part, That when I looked to my dart, It was sae blunt, Fient haet o’t wad hae pierc’d the heart Of a kail-runt.
“I drew my scythe in sic a fury, I near-hand cowpit wi’ my hurry, But yet the bauld Apothecary Withstood the shock; I might as weel hae tried a quarry O’ hard whin rock.
“Ev’n them he canna get attended, Altho’ their face he ne’er had kend it, Just —— in a kail-blade, an’ sent it, As soon’s he smells ’t, Baith their disease, and what will mend it, At once he tells ’t.
“And then, a’ doctor’s saws an’ whittles, Of a’ dimensions, shapes, an’ mettles, A’ kind o’ boxes, mugs, an’ bottles, He’s sure to hae; Their Latin names as fast he rattles As A B C.
“Calces o’ fossils, earths, and trees; True sal-marinum o’ the seas; The farina of beans an’ pease, He has’t in plenty; Aqua-fontis, what you please, He can content ye.
“Forbye some new, uncommon weapons, Urinus spiritus of capons; Or mite-horn shavings, filings, scrapings, Distill’d per se; Sal-alkali o’ midge-tail clippings, And mony mae.
” “Waes me for Johnie Ged’s-Hole 5 now,” Quoth I, “if that thae news be true! His braw calf-ward whare gowans grew, Sae white and bonie, Nae doubt they’ll rive it wi’ the plew; They’ll ruin Johnie!” The creature grain’d an eldritch laugh, And says “Ye needna yoke the pleugh, Kirkyards will soon be till’d eneugh, Tak ye nae fear: They’ll be trench’d wi’ mony a sheugh, In twa-three year.
“Whare I kill’d ane, a fair strae-death, By loss o’ blood or want of breath This night I’m free to tak my aith, That Hornbook’s skill Has clad a score i’ their last claith, By drap an’ pill.
“An honest wabster to his trade, Whase wife’s twa nieves were scarce weel-bred Gat tippence-worth to mend her head, When it was sair; The wife slade cannie to her bed, But ne’er spak mair.
“A country laird had ta’en the batts, Or some curmurring in his guts, His only son for Hornbook sets, An’ pays him well: The lad, for twa guid gimmer-pets, Was laird himsel’.
“A bonie lass—ye kend her name— Some ill-brewn drink had hov’d her wame; She trusts hersel’, to hide the shame, In Hornbook’s care; Horn sent her aff to her lang hame, To hide it there.
“That’s just a swatch o’ Hornbook’s way; Thus goes he on from day to day, Thus does he poison, kill, an’ slay, An’s weel paid for’t; Yet stops me o’ my lawfu’ prey, Wi’ his d—n’d dirt: “But, hark! I’ll tell you of a plot, Tho’ dinna ye be speakin o’t; I’ll nail the self-conceited sot, As dead’s a herrin; Neist time we meet, I’ll wad a groat, He gets his fairin!” But just as he began to tell, The auld kirk-hammer strak the bell Some wee short hour ayont the twal’, Which rais’d us baith: I took the way that pleas’d mysel’, And sae did Death.
Note 1.
This recontre happened in seed-time, 1785.
—R.
B.
[back] Note 2.
An epidemical fever was then raging in that country.
—R.
B.
[back] Note 3.
This gentleman, Dr.
Hornbook, is professionally a brother of the sovereign Order of the Ferula; but, by intuition and inspiration, is at once an apothecary, surgeon, and physician.
—R.
B.
[back] Note 4.
Burchan’s Domestic Medicine.
—R.
B.
[back] Note 5.
The grave-digger.
—R.
B.
[back]
Written by Paul Laurence Dunbar | Create an image from this poem

A SUMMER PASTORAL

It's hot to-day. The bees is buzzin'
Kinder don't-keer-like aroun'
An' fur off the warm air dances
O'er the parchin' roofs in town.
In the brook the cows is standin';
Childern hidin' in the hay;
Can't keep none of 'em a workin',
'Cause it's hot to-day.
It's hot to-day. The sun is blazin'
Like a great big ball o' fire;
Seems as ef instead o' settin'
It keeps mountin' higher an' higher.
I'm as triflin' as the children,
Though I blame them lots an' scold;
I keep slippin' to the spring-house,
Where the milk is rich an' cold.
The very air within its shadder
Smells o' cool an' restful things,
An' a roguish little robin
Sits above the place an' sings.
I don't mean to be a shirkin',
But I linger by the way
Longer, mebbe, than is needful,
'Cause it's hot to-day.
It's hot to-day. The horses stumble
Half asleep across the fiel's;
An' a host o' teasin' fancies
O'er my burnin' senses steals,—
Dreams o' cool rooms, curtains lowered,
An' a sofy's temptin' look;
Patter o' composin' raindrops
Or the ripple of a brook.
I strike a stump! That wakes me sudden;
Dreams all vanish into air.
Lordy! how I chew my whiskers;
'Twouldn't do fur me to swear.
But I have to be so keerful
'Bout my thoughts an' what I say;
Somethin' might slip out unheeded,
'Cause it's hot to-day.
Git up, there, Suke! you, Sal, git over!
Sakes alive! how I do sweat.
Every stitch that I've got on me,
Bet a cent, is wringin' wet.
[Pg 280]If this keeps up, I'll lose my temper.
Gee there, Sal, you lazy brute!
Wonder who on airth this weather
Could 'a' be'n got up to suit?
You, Sam, go bring a tin o' water;
Dash it all, don't be so slow!
'Pears as ef you tuk an hour
'Tween each step to stop an' blow.
Think I want to stand a meltin'
Out here in this b'ilin' sun,
While you stop to think about it?
Lift them feet o' your'n an' run.
It ain't no use; I'm plumb fetaggled.
Come an' put this team away.
I won't plow another furrer;
It's too mortal hot to-day.
I ain't weak, nor I ain't lazy,
But I'll stand this half day's loss
'Fore I let the devil make me
Lose my patience an' git cross.
Written by Paul Laurence Dunbar | Create an image from this poem

THE SPELLIN'-BEE

I never shall furgit that night when father hitched up Dobbin,
An' all us youngsters clambered in an' down the road went bobbin'
To school where we was kep' at work in every kind o' weather,
But where that night a spellin'-bee was callin' us together.
'Twas one o' Heaven's banner nights, the stars was all a glitter,
The moon was shinin' like the hand o' God had jest then lit her.[Pg 43]
The ground was white with spotless snow, the blast was sort o' stingin';
But underneath our round-abouts, you bet our hearts was singin'.
That spellin'-bee had be'n the talk o' many a precious moment,
The youngsters all was wild to see jes' what the precious show meant,
An' we whose years was in their teens was little less desirous
O' gittin' to the meetin' so 's our sweethearts could admire us.
So on we went so anxious fur to satisfy our mission
That father had to box our ears, to smother our ambition.
But boxin' ears was too short work to hinder our arrivin',
He jest turned roun' an' smacked us all, an' kep' right on a-drivin'.
Well, soon the schoolhouse hove in sight, the winders beamin' brightly;
The sound o' talkin' reached our ears, and voices laffin' lightly.
It puffed us up so full an' big 'at I 'll jest bet a dollar,
There wa'n't a feller there but felt the strain upon his collar.
So down we jumped an' in we went ez sprightly ez you make 'em,
But somethin' grabbed us by the knees an' straight began to shake 'em.
Fur once within that lighted room, our feelin's took a canter,
An' scurried to the zero mark ez quick ez Tam O'Shanter.
'Cause there was crowds o' people there, both sexes an' all stations;
It looked like all the town had come an' brought all their relations.
The first I saw was Nettie Gray, I thought that girl was dearer
'N' gold; an' when I got a chance, you bet I aidged up near her.
An' Farmer Dobbs's girl was there, the one 'at Jim was sweet on,
An' Cyrus Jones an' Mandy Smith an' Faith an' Patience Deaton.
Then Parson Brown an' Lawyer Jones were present—all attention,
An' piles on piles of other folks too numerous to mention.
The master rose an' briefly said: "Good friends, dear brother Crawford,
To spur the pupils' minds along, a little prize has offered.
To him who spells the best to-night—or 't may be 'her'—no tellin'[Pg 44]—
He offers ez a jest reward, this precious work on spellin'."
A little blue-backed spellin'-book with fancy scarlet trimmin';
We boys devoured it with our eyes—so did the girls an' women.
He held it up where all could see, then on the table set it,
An' ev'ry speller in the house felt mortal bound to get it.
At his command we fell in line, prepared to do our dooty,
Outspell the rest an' set 'em down, an' carry home the booty.
'T was then the merry times began, the blunders, an' the laffin',
The nudges an' the nods an' winks an' stale good-natured chaffin'.
Ole Uncle Hiram Dane was there, the clostest man a-livin',
Whose only bugbear seemed to be the dreadful fear o' givin'.
His beard was long, his hair uncut, his clothes all bare an' dingy;
It wasn't 'cause the man was pore, but jest so mortal stingy;
An' there he sot by Sally Riggs a-smilin' an' a-smirkin',
An' all his children lef' to home a diggin' an' a-workin'.
A widower he was, an' Sal was thinkin' 'at she 'd wing him;
I reckon he was wond'rin' what them rings o' hern would bring him.
An' when the spellin'-test commenced, he up an' took his station,
A-spellin' with the best o' them to beat the very nation.
An' when he 'd spell some youngster down, he 'd turn to look at Sally,
An' say: "The teachin' nowadays can't be o' no great vally."
But true enough the adage says, "Pride walks in slipp'ry places,"
Fur soon a thing occurred that put a smile on all our faces.
The laffter jest kep' ripplin' 'roun' an' teacher could n't quell it,
Fur when he give out "charity" ole Hiram could n't spell it.
But laffin' 's ketchin' an' it throwed some others off their bases,
An' folks 'u'd miss the very word that seemed to fit their cases.
Why, fickle little Jessie Lee come near the house upsettin'
By puttin' in a double "kay" to spell the word "coquettin'."
An' when it come to Cyrus Jones, it tickled me all over—
Him settin' up to Mandy Smith an' got sot down on "lover."[Pg 45]
But Lawyer Jones of all gone men did shorely look the gonest,
When he found out that he 'd furgot to put the "h" in "honest."
An' Parson Brown, whose sermons were too long fur toleration,
Caused lots o' smiles by missin' when they give out "condensation."
So one by one they giv' it up—the big words kep' a-landin',
Till me an' Nettie Gray was left, the only ones a-standin',
An' then my inward strife began—I guess my mind was petty—
I did so want that spellin'-book; but then to spell down Nettie
Jest sort o' went ag'in my grain—I somehow could n't do it,
An' when I git a notion fixed, I 'm great on stickin' to it.
So when they giv' the next word out—I had n't orter tell it,
But then 't was all fur Nettie's sake—I missed so's she could spell it.
She spelt the word, then looked at me so lovin'-like an' mello',
I tell you 't sent a hunderd pins a shootin' through a fello'.
O' course I had to stand the jokes an' chaffin' of the fello's,
But when they handed her the book I vow I was n't jealous.
We sung a hymn, an' Parson Brown dismissed us like he orter,
Fur, la! he 'd learned a thing er two an' made his blessin' shorter.
'T was late an' cold when we got out, but Nettie liked cold weather,
An' so did I, so we agreed we 'd jest walk home together.
We both wuz silent, fur of words we nuther had a surplus,
'Till she spoke out quite sudden like, "You missed that word on purpose."
Well, I declare it frightened me; at first I tried denyin',
But Nettie, she jest smiled an' smiled, she knowed that I was lyin'.
Sez she: "That book is yourn by right;" sez I: "It never could be—
I—I—you—ah—" an' there I stuck, an' well she understood me.
So we agreed that later on when age had giv' us tether,
We 'd jine our lots an' settle down to own that book together.[Pg 46]


Written by Paul Laurence Dunbar | Create an image from this poem

A LOVE LETTER

Oh, I des received a letter f'om de sweetest little gal;
Oh, my; oh, my.
She's my lovely little sweetheart an' her name is Sal:
Oh, my; oh, my.
She writes me dat she loves me an' she loves me true,
She wonders ef I'll tell huh dat I loves huh, too;
An' my heaht's so full o' music dat I do' know what to do;
Oh, my; oh, my.
I got a man to read it an' he read it fine;
Oh, my; oh, my.
Dey ain' no use denying dat her love is mine;
Oh, my; oh, my.
But hyeah's de t'ing dat's puttin' me in such a awful plight,
I t'ink of huh at mornin' an' I dream of huh at night;
But how's I gwine to cou't huh w'en I do' know how to write?
Oh, my; oh, my.
My heaht is bubblin' ovah wid de t'ings I want to say;
Oh, my; oh, my.
An' dey's lots of folks to copy what I tell 'em fu' de pay;
Oh, my; oh, my.
But dey's t'ings dat I's a-t'inkin' dat is only fu' huh ears,
An' I couldn't lu'n to write 'em ef I took a dozen years;
So to go down daih an' tell huh is de only way, it 'pears;
[Pg 267]Oh, my; oh, my.
Written by Andrew Barton Paterson | Create an image from this poem

The Man Who Was Away

 The widow sought the lawyer's room with children three in tow, 
She told the lawyer man her tale in tones of deepest woe.
She said, "My husband took to drink for pains in his inside, And never drew a sober breath from then until he died.
"He never drew a sober breath, he died without a will, And I must sell the bit of land the childer's mouth to fill.
There's some is grown and gone away, but some is childer yet, And times is very bad indeed -- a livin's hard to get.
"There's Min and Sis and little Chris, they stops at home with me, And Sal has married Greenhide Bill that breaks for Bidgeree.
And Fred is drovin' Conroy's sheep along the Castlereagh And Charley's shearin' down the Bland, and Peter is away.
" The lawyer wrote the details down in ink of legal blue -- "There's Minnie, Susan, Christopher, they stop at home with you; There's Sarah, Frederick and Charles, I'll write to them today, But what about the other son -- the one who is away? "You'll have to furnish his consent to sell the bit of land.
" The widow shuffled in her seat, "Oh, don't you understand? I thought a lawyer ought to know -- I don't know what to say -- You'll have to do without him, boss, for Peter is away.
" But here the little boy spoke up -- said he, "We thought you knew; He's done six months in Goulburn gaol -- he's got six more to do.
" Thus in one comprehensive flash he made it clear as day, The mystery of Peter's life -- the man who was away.
Written by Paul Laurence Dunbar | Create an image from this poem

THE PHOTOGRAPH

See dis pictyah in my han'?
Dat's my gal;
Ain't she purty? goodness lan'!
Huh name Sal.
Dat's de very way she be—
Kin' o' tickles me to see
Huh a-smilin' back at me.
She sont me dis photygraph
Jes' las' week;
An' aldough hit made me laugh—
My black cheek
Felt somethin' a-runnin' *****;
Bless yo' soul, it was a tear
Jes' f'om wishin' she was here.
Often when I 's all alone
Layin' here,
I git t'inkin' 'bout my own
Sallie dear;
How she say dat I 's huh beau,
An' hit tickles me to know
Dat de gal do love me so.
Some bright day I 's goin' back,
[Pg 145]Fo' de la!
An' ez sho' 's my face is black,
Ax huh pa
Fu' de blessed little miss
Who 's a-smilin' out o dis
Pictyah, lak she wan'ed a kiss!
Written by Paul Laurence Dunbar | Create an image from this poem

MY SWEET BROWN GAL

W'en de clouds is hangin' heavy in de sky,
An' de win's 's a-taihin' moughty vig'rous by,
I don' go a-sighin' all erlong de way;
I des' wo'k a-waitin' fu' de close o' day.
Case I knows w'en evenin' draps huh shadders down,
I won' care a smidgeon fu' de weathah's frown;
Let de rain go splashin', let de thundah raih,
Dey 's a happy sheltah, an' I 's goin' daih.
Down in my ol' cabin wa'm ez mammy's toas',
'Taters in de fiah layin' daih to roas';
No one daih to cross me, got no talkin' pal,
But I 's got de comp'ny o' my sweet brown gal.
So I spen's my evenin' listenin' to huh sing,
Lak a blessid angel; how huh voice do ring!
Sweetah den a bluebird flutterin' erroun',
W'en he sees de steamin' o' de new ploughed groun'.
Den I hugs huh closah, closah to my breas'.
Need n't sing, my da'lin', tek you' hones' res'.
Does I mean Malindy, Mandy, Lize er Sal?
No, I means my fiddle-dat's my sweet brown gal!
Written by Paul Laurence Dunbar | Create an image from this poem

DISCOVERED

Seen you down at chu'ch las' night,
Nevah min', Miss Lucy.
What I mean? oh, dat 's all right,
Nevah min', Miss Lucy.
You was sma't ez sma't could be,
But you could n't hide f'om me.
Ain't I got two eyes to see!
Nevah min', Miss Lucy.
Guess you thought you's awful keen;
Nevah min', Miss Lucy.
Evahthing you done, I seen;
Nevah min', Miss Lucy.
Seen him tek yo' ahm jes' so,
When he got outside de do'—
Oh, I know dat man 's yo' beau!
Nevah min', Miss Lucy.
Say now, honey, wha 'd he say?—
Nevah min', Miss Lucy!
Keep yo' secrets—dat's yo' way—
Nevah min', Miss Lucy.
Won't tell me an' I'm yo' pal—
I'm gwine tell his othah gal,—
Know huh, too, huh name is Sal;
Nevah min', Miss Lucy!

Book: Shattered Sighs