Written by
John Greenleaf Whittier |
In the outskirts of the village
On the river's winding shores
Stand the Occidental plane-trees,
Stand the ancient sycamores.
One long century hath been numbered,
And another half-way told
Since the rustic Irish gleeman
Broke for them the virgin mould.
Deftly set to Celtic music
At his violin's sound they grew,
Through the moonlit eves of summer,
Making Amphion's fable true.
Rise again, thou poor Hugh Tallant!
Pass in erkin green along
With thy eyes brim full of laughter,
And thy mouth as full of song.
Pioneer of Erin's outcasts
With his fiddle and his pack-
Little dreamed the village Saxons
Of the myriads at his back.
How he wrought with spade and fiddle,
Delved by day and sang by night,
With a hand that never wearied
And a heart forever light,---
Still the gay tradition mingles
With a record grave and drear
Like the rollic air of Cluny
With the solemn march of Mear.
When the box-tree, white with blossoms,
Made the sweet May woodlands glad,
And the Aronia by the river
Lighted up the swarming shad,
And the bulging nets swept shoreward
With their silver-sided haul,
Midst the shouts of dripping fishers,
He was merriest of them all.
When, among the jovial huskers
Love stole in at Labor's side
With the lusty airs of England
Soft his Celtic measures vied.
Songs of love and wailing lyke-wake
And the merry fair's carouse;
Of the wild Red Fox of Erin
And the Woman of Three Cows,
By the blazing hearths of winter
Pleasant seemed his simple tales,
Midst the grimmer Yorkshire legends
And the mountain myths of Wales.
How the souls in Purgatory
Scrambled up from fate forlorn
On St.
Keven's sackcloth ladder
Slyly hitched to Satan's horn.
Of the fiddler who at Tara
Played all night to ghosts of kings;
Of the brown dwarfs, and the fairies
Dancing in their moorland rings!
Jolliest of our birds of singing
Best he loved the Bob-o-link.
"Hush!" he'd say, "the tipsy fairies!
Hear the little folks in drink!"
Merry-faced, with spade and fiddle,
Singing through the ancient town,
Only this, of poor Hugh Tallant
Hath Tradtion handed down.
Not a stone his grave discloses;
But if yet his spirit walks
Tis beneath the trees he planted
And when Bob-o-Lincoln talks.
Green memorials of the gleeman!
Linking still the river-shores,
With their shadows cast by sunset
Stand Hugh Tallant's sycamores!
When the Father of his Country
Through the north-land riding came
And the roofs were starred with banners,
And the steeples rang acclaim,---
When each war-scarred Continental
Leaving smithy, mill,.
and farm,
Waved his rusted sword in welcome,
And shot off his old king's-arm,---
Slowly passed that august Presence
Down the thronged and shouting street;
Village girls as white as angels
Scattering flowers around his feet.
Midway, where the plane-tree's shadow
Deepest fell, his rein he drew:
On his stately head, uncovered,
Cool and soft the west-wind blew.
And he stood up in his stirrups,
Looking up and looking down
On the hills of Gold and Silver
Rimming round the little town,---
On the river, full of sunshine,
To the lap of greenest vales
Winding down from wooded headlands,
Willow-skirted, white with sails.
And he said, the landscape sweeping
Slowly with his ungloved hand
"I have seen no prospect fairer
In this goodly Eastern land.
"
Then the bugles of his escort
Stirred to life the cavalcade:
And that head, so bare and stately
Vanished down the depths of shade.
Ever since, in town and farm-house,
Life has had its ebb and flow;
Thrice hath passed the human harvest
To its garner green and low.
But the trees the gleeman planted,
Through the changes, changeless stand;
As the marble calm of Tadmor
Mocks the deserts shifting sand.
Still the level moon at rising
Silvers o'er each stately shaft;
Still beneath them, half in shadow,
Singing, glides the pleasure craft;
Still beneath them, arm-enfolded,
Love and Youth together stray;
While, as heart to heart beats faster,
More and more their feet delay.
Where the ancient cobbler, Keezar,
On the open hillside justice wrought,
Singing, as he drew his stitches,
Songs his German masters taught.
Singing, with his gray hair floating
Round a rosy ample face,---
Now a thousand Saxon craftsmen
Stitch and hammer in his place.
All the pastoral lanes so grassy
Now are Traffic's dusty streets;
From the village, grown a city,
Fast the rural grace retreats.
But, still green and tall and stately,
On the river's winding shores,
Stand the occidental plane-trees,
Stand Hugh Tallant's sycamores.
|
Written by
Countee Cullen |
Some are teethed on a silver spoon,
With the stars strung for a rattle;
I cut my teeth as the black racoon--
For implements of battle.
Some are swaddled in silk and down,
And heralded by a star;
They swathed my limbs in a sackcloth gown
On a night that was black as tar.
For some, godfather and goddame
The opulent fairies be;
Dame Poverty gave me my name,
And Pain godfathered me.
For I was born on Saturday--
"Bad time for planting a seed,"
Was all my father had to say,
And, "One mouth more to feed.
"
Death cut the strings that gave me life,
And handed me to Sorrow,
The only kind of middle wife
My folks could beg or borrow.
|
Written by
Gerard Manley Hopkins |
Pure fasted faces draw unto this feast:
God comes all sweetness to your Lenten lips.
You striped in secret with breath-taking whips,
Those crooked rough-scored chequers may be pieced
To crosses meant for Jesu's; you whom the East
With draught of thin and pursuant cold so nips
Breathe Easter now; you serged fellowships,
You vigil-keepers with low flames decreased,
God shall o'er-brim the measures you have spent
With oil of gladness, for sackcloth and frieze
And the ever-fretting shirt of punishment
Give myrrhy-threaded golden folds of ease.
Your scarce-sheathed bones are weary of being bent:
Lo, God shall strengthen all the feeble knees.
|
Written by
Rudyard Kipling |
1903
Lived a woman wonderful,
(May the Lord amend her!)
Neither simple, kind, nor true,
But her Pagan beauty drew
Christian gentlemen a few
Hotly to attend her.
Christian gentlemen a few
From Berwick unto Dover;
For she was South Africa,
Ana she was South Africa,
She was Our South Africa,
Africa all over!
Half her land was dead with drouth,
Half was red with battle;
She was fenced with fire and sword
Plague on pestilence outpoured,
Locusts on the greening sward
And murrain on the cattle!
True, ah true, and overtrue.
That is why we love her!
For she is South Africa,
And she is South Africa,
She is Our South Africa,
Africa all over!
Bitter hard her lovers toild,
Scandalous their paymen, --
Food forgot on trains derailed;
Cattle -- dung where fuel failed;
Water where the mules had staled;
And sackcloth for their raiment!
So she filled their mouths with dust
And their bones with fever;
Greeted them with cruel lies;
Treated them despiteful-wise;
Meted them calamities
Till they vowed to leave her!
They took ship and they took sail,
Raging, from her borders --
In a little, none the less,
They forgat their sore duresse;
They forgave her waywardness
And returned for orders!
They esteemed her favour more
Than a Throne's foundation.
For the glory of her face
Bade farewell to breed and race --
Yea, and made their burial-place
Altar of a Nation!
Wherefore, being bought by blood,
And by blood restored
To the arms that nearly lost,
She, because of all she cost,
Stands, a very woman, most
Perfect and adored!
On your feet, and let them know
This is why we love her!
For she is South Africa,
She is Our South Africa,
Is Our Own 5outh Africa,
Africa all over!
|
Written by
Dylan Thomas |
Never until the mankind making
Bird beast and flower
Fathering and all humbling darkness
Tells with silence the last light breaking
And the still hour
Is come of the sea tumbling in harness
And I must enter again the round
Zion of the water bead
And the synagogue of the ear of corn
Shall I let pray the shadow of a sound
Or sow my salt seed
In the least valley of sackcloth to mourn
The majesty and burning of the child's death.
I shall not murder
The mankind of her going with a grave truth
Nor blaspheme down the stations of the breath
With any further
Elegy of innocence and youth.
Deep with the first dead lies London's daughter,
Robed in the long friends,
The grains beyond age, the dark veins of her mother,
Secret by the unmourning water
Of the riding Thames.
After the first death, there is no other.
|
Written by
Denise Levertov |
Among the blight-killed eucalypts, among
trees and bushes rusted by Christmas frosts,
the yards and hillsides exhausted by five years of drought,
certain airy white blossoms punctually
reappeared, and dense clusters of pale pink, dark pink--
a delicate abundance.
They seemed
like guests arriving joyfully on the accustomed
festival day, unaware of the year's events, not perceiving
the sackcloth others were wearing.
To some of us, the dejected landscape consorted well
with our shame and bitterness.
Skies ever-blue,
daily sunshine, disgusted us like smile-buttons.
Yet the blossoms, clinging to thin branches
more lightly than birds alert for flight,
lifted the sunken heart
even against its will.
But not
as symbols of hope: they were flimsy
as our resistance to the crimes committed
--again, again--in our name; and yes, they return,
year after year, and yes, they briefly shone with serene joy
over against the dark glare
of evil days.
They are, and their presence
is quietness ineffable--and the bombings are, were,
no doubt will be; that quiet, that huge cacophany
simultaneous.
No promise was being accorded, the blossoms
were not doves, there was no rainbow.
And when it was claimed
the war had ended, it had not ended.
|
Written by
Rudyard Kipling |
There was a strife 'twixt man and maid--
Oh, that was at the birth of time!
But what befell 'twixt man and maid,
Oh, that's beyond the grip of rhyme.
'Twas "Sweet, I must not bide with you,"
And, "Love, I cannot bide alone";
For both were young and both were true.
And both were hard as the nether stone.
Beware the man who's crossed in love;
For pent-up steam must find its vent.
Stand back when he is on the move,
And lend him all the Continent.
Your patience, Sirs.
The Devil took me up
To the burned mountain over Sicily
(Fit place for me) and thence I saw my Earth--
(Not all Earth's splendour, 'twas beyond my need--)
And that one spot I love--all Earth to me,
And her I love, my Heaven.
What said I?
My love was safe from all the powers of Hell-
For you--e'en you--acquit her of my guilt--
But Sula, nestling by our sail--specked sea,
My city, child of mine, my heart, my home--
Mine and my pride--evil might visit there!
It was for Sula and her naked port,
Prey to the galleys of the Algerine,
Our city Sula, that I drove my price--
For love of Sula and for love of her.
The twain were woven--gold on sackcloth--twined
Past any sundering till God shall judge
The evil and the good.
Now it is not good for the Christian's health to hustle the Aryan
brown,
For the Christian riles, and the Aryan smiles and he weareth the
Christian down;
And the end of the fight is a tombstone white with the name of
the late deceased,
And the epitaph drear: "A Fool lies here who tried to hustle the
East.
"
There is pleasure in the wet, wet clay
When the artist's hand is potting it.
There is pleasure in the wet, wet lay --
When the poet's pad is blotting it.
There is pleasure in the shine of your picture on the line
At the Royal Acade-my;
But the pleasure felt in these is as chalk to Cheddar cheese
When it comes to a well-made Lie--
To a quite unwreckable Lie,
To a most impeccable Lie!
To a water-right, fire-proof, angle-iron, sunk-hinge, time-lock,
steel-faced Lie!
Not a private handsome Lie,
But a pair-and-brougham Lie,
Not a little-place-at-Tooting, but a country-house-with-shooting
And a ring-fence-deer-park Lie.
When a lover hies abroad
Looking for his love,
Azrael smiling sheathes his sword,
Heaven smiles above.
Earth and sea
His servants be,
And to lesser compass round,
That his love be sooner found!
We meet in an evil land
That is near to the gates of Hell.
I wait for thy command
To serve, to speed or withstand.
And thou sayest I do not well?
Oh Love, the flowers so red
Are only tongues of flame,
The earth is full of the dead,
The new-killed, restless dead.
There is danger beneath and o'erhead,
And I guard thy gates in fear
Of words thou canst not hear,
Of peril and jeopardy,
Of signs thou canst not see--
.
And thou sayest 'tis ill that I came?
This I saw when the rites were done,
And the lamps were dead and the Gods alone,
And the grey snake coiled on the altar stone--
Ere I fled from a Fear that I could not see,
And the Gods of the East made mouths at me.
Beat off in our last fight were we?
The greater need to seek the sea.
For Fortune changeth as the moon
To caravel and picaroon.
Then Eastward Ho! or Westward Ho!
Whichever wind may meetest blow.
Our quarry sails on either sea,
Fat prey for such bold lads as we,
And every sun-dried buccaneer
Must hand and reef and watch and steer,
And bear great wrath of sea and sky
Before the plate-ships wallow by.
Now, as our tall bows take the foam,
Let no man turn his heart to home,
Save to desire plunder more
And larger warehouse for his store,
When treasure won from Santos Bay
Shall make our sea-washed village gay.
Because I sought it far from men,
In deserts and alone,
I found it burning overhead,
The jewel of a Throne.
Because I sought--I sought it so
And spent my days to find--
It blazed one moment ere it left
The blacker night behind.
We be the Gods of the East--
Older than all--
Masters of Mourning and Feast--
How shall we fall?
Will they gape for the husks that ye proffer
Or yearn to your song
And we--have we nothing to offer
Who ruled them so long--
In the fume of incense, the clash of the cymbals, the blare of
the conch and the gong?
Over the strife of the schools
Low the day burns--
Back with the kine from the pools
Each one returns
To the life that he knows where the altar-flame glows and the
tulsi is trimmed in the urns.
|
Written by
Vachel Lindsay |
Climbing the heights of Berkeley
Nightly I watch the West.
There lies new San Francisco,
Sea-maid in purple dressed,
Wearing a dancer's girdle
All to inflame desire:
Scorning her days of sackcloth,
Scorning her cleansing fire.
See, like a burning city
Sets now the red sun's dome.
See, mystic firebrands sparkle
There on each store and home.
See how the golden gateway
Burns with the day to be —
Torch-bearing fiends of portent
Loom o'er the earth and sea.
Not by the earthquake daunted
Nor by new fears made tame,
Painting her face and laughing
Plays she a new-found game.
Here on her half-cool cinders
'Frisco abides in mirth,
Planning the wildest splendor
Ever upon the earth.
Here on this crumbling rock-ledge
'Frisco her all will stake,
Blowing her bubble-towers,
Swearing they will not break,
Rearing her Fair transcendent,
Singing with piercing art,
Calling to Ancient Asia,
Wooing young Europe's heart.
Here where her God has scourged her
Wantoning, singing sweet:
Waiting her mad bad lovers
Here by the judgment-seat!
'Frisco, God's doughty foeman,
Scorns and blasphemes him strong.
Tho' he again should smite her
She would not slack her song.
Nay, she would shriek and rally —
'Frisco would ten times rise!
Not till her last tower crumbles,
Not till her last rose dies,
Not till the coast sinks seaward,
Not till the cold tides beat
Over the high white Shasta,
'Frisco will cry defeat.
God loves this rebel city,
Loves foemen brisk and game,
Tho', just to please the angels,
He may send down his flame.
God loves the golden leopard
Tho' he may spoil her lair.
God smites, yet loves the lion.
God makes the panther fair.
Dance then, wild guests of 'Frisco,
Yellow, bronze, white and red!
Dance by the golden gateway —
Dance, tho' he smite you dead!
|
Written by
Brooks Haxton |
I made sackcloth also my garment; and I
became a proverb to them.
They that sit in
the gate speak against me; and I was the
song of drunkards.
Psalm 102
I made sackcloth my garment once, by cutting
arm and neck holes into a burlap bag.
A croker sack they called it.
Sackdragger
they called the man who dragged a croker sack
between the cotton rows to pick.
He dragged
a gunnysack behind him in the ditch
collecting empties.
Him they chose
the Likeliest to Sack Seed in the feed store,
or to suck seed.
He was your daddy.
He sacked
groceries part-time, and they jeered:
you sorry sack of ****.
Sackcloth,
which Job sewed upon his skin, was goat hair.
God who clothed the heavens with such blackness
said, I make sackcloth their covering.
Isaiah understood.
God had him speak a word
in season to the weary.
Speak, Isaiah, now, to me.
Before the stars like green figs in a windstorm
drop, the sun is black as sackcloth, and the moon
becomes as blood.
My soul is weary.
Speak,
Isaiah.
Sing.
I was a scholar as a boy:
I cut the neck and arm holes into the burlap,
pulled it on, and cinched it with a hank of rope:
what I have done from then till now is itch.
|
Written by
Isaac Watts |
v.
6
L.
M.
Health, sickness, and recovery.
Firm was my health, my day was bright,
And I presumed 'twould ne'er be night;
Fondly I said within my heart,
"Pleasure and peace shall ne'er depart.
"
But I forgot thine arm was strong
Which made my mountain stand so long:
Soon as thy face began to hide,
My health was gone, my comforts died.
I cried aloud to thee, my God,
"What canst thou profit by my blood?
Deep in the dust can I declare
Thy truth, or sing thy goodness there?
"Hear me, O God of grace," I said,
"And bring me from among the dead:"
Thy word rebuked the pains I felt,
Thy pard'ning love removed my guilt.
My groans, and tears, and forms of woe
Are turned to joy and praises now;
I throw my sackcloth on the ground,
And ease and gladness gird me round
My tongue, the glory of my frame,
Shall ne'er be silent of thy name;
Thy praise shall sound through earth and heav'n
For sickness healed and sins forgiv'n.
|