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Best Famous Royally Poems

Here is a collection of the all-time best famous Royally poems. This is a select list of the best famous Royally poetry. Reading, writing, and enjoying famous Royally poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of royally poems.

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Written by Rupert Brooke | Create an image from this poem

A Letter to a Live Poet

 Sir, since the last Elizabethan died,
Or, rather, that more Paradisal muse,
Blind with much light, passed to the light more glorious
Or deeper blindness, no man's hand, as thine,
Has, on the world's most noblest chord of song,
Struck certain magic strains.
Ears satiate With the clamorous, timorous whisperings of to-day, Thrilled to perceive once more the spacious voice And serene unterrance of old.
We heard -- With rapturous breath half-held, as a dreamer dreams Who dares not know it dreaming, lest he wake -- The odorous, amorous style of poetry, The melancholy knocking of those lines, The long, low soughing of pentameters, -- Or the sharp of rhyme as a bird's cry -- And the innumerable truant polysyllables Multitudinously twittering like a bee.
Fulfilled our hearts were with the music then, And all the evenings sighed it to the dawn, And all the lovers heard it from all the trees.
All of the accents upon the all the norms! -- And ah! the stress of the penultimate! We never knew blank verse could have such feet.
Where is it now? Oh, more than ever, now I sometimes think no poetry is read Save where some sepultured C?sura bled, Royally incarnadining all the line.
Is the imperial iamb laid to rest, And the young trochee, having done enough? Ah! turn again! Sing so to us, who are sick Of seeming-simple rhymes, bizarre emotions, Decked in the simple verses of the day, Infinite meaning in a little gloom, Irregular thoughts in stanzas regular, Modern despair in antique metres, myths Incomprehensible at evening, And symbols that mean nothing in the dawn.
The slow lines swell.
The new style sighs.
The Celt Moans round with many voices.
God! to see Gaunt anap?sts stand up out of the verse, Combative accents, stress where no stress should be, Spondee on spondee, iamb on choriamb, The thrill of all the tribrachs in the world, And all the vowels rising to the E! To hear the blessed mutter of those verbs, Conjunctions passionate toward each other's arms, And epithets like amaranthine lovers Stretching luxuriously to the stars, All prouder pronouns than the dawn, and all The thunder of the trumpets of the noun!


Written by Ella Wheeler Wilcox | Create an image from this poem

Individuality

 Ah yes, I love you, and with all my heart; 
Just as a weaker woman loves her own, 
Better than I love my beloved art, 
Which, until you came, reigned royally, alone, 
My king, my master.
Since I saw your face I have dethroned it, and you hold that place.
I am as weak as other women are – Your frown can make the whole world like a tomb Your smile shines brighter than the sun, by far; Sometimes I think there is not space or room In all the earth for such a love as mine, And it soars up to breathe in realms divine.
I know that your desertion or neglect Could break my heart, as women’s hearts do break; If my wan days had nothing to expect From your love’s splendour, all joy would forsake The chambers of my soul.
Yes this is true.
And yet, and yet – one thing I keep from you.
There is a subtle part of me, which went Into my long pursued and worshipped art; Though your great love fills me with such content, No other love finds room now in my heart.
Yet that rare essence was my art’s alone.
Thank God, you cannot grasp it; ‘tis mine own.
Thank God, I say, for while I love you so, With that vast love, as passionate as tender, I feel an exultation as I know I have not made you a complete surrender.
Here is my body; bruise it, if you will, And break my heart; I have that something still.
You cannot grasp it.
Seize the breath of morn, Or bind the perfume of the rose as well.
God put it in my soul when I was born; It is not mine to give away, or sell, Or offer up on any alter shrine.
It was my art’s; and when not art’s, ‘tis mine.
For Love’s sake, I can put the art away, Or anything which stands ‘twixt me and you, But that strange essence God bestowed, I say, To permeate the work He gave to do: And it cannot be drained, dissolved, or sent Through any channel, save the one He meant.
Written by Robert William Service | Create an image from this poem

The Joy Of Being Poor

 I

Let others sing of gold and gear, the joy of being rich;
But oh, the days when I was poor, a vagrant in a ditch!
When every dawn was like a gem, so radiant and rare,
And I had but a single coat, and not a single care;
When I would feast right royally on bacon, bread and beer,
And dig into a stack of hay and doze like any peer;
When I would wash beside a brook my solitary shirt,
And though it dried upon my back I never took a hurt;
When I went romping down the road contemptuous of care,
And slapped Adventure on the back -- by Gad! we were a pair;
When, though my pockets lacked a coin, and though my coat was old,
The largess of the stars was mine, and all the sunset gold;
When time was only made for fools, and free as air was I,
And hard I hit and hard I lived beneath the open sky;
When all the roads were one to me, and each had its allure .
.
.
Ye Gods! these were the happy days, the days when I was poor.
II Or else, again, old pal of mine, do you recall the times You struggled with your storyettes, I wrestled with my rhymes; Oh, we were happy, were we not? -- we used to live so "high" (A little bit of broken roof between us and the sky); Upon the forge of art we toiled with hammer and with tongs; You told me all your rippling yarns, I sang to you my songs.
Our hats were frayed, our jackets patched, our boots were down at heel, But oh, the happy men were we, although we lacked a meal.
And if I sold a bit of rhyme, or if you placed a tale, What feasts we had of tenderloins and apple-tarts and ale! And yet how often we would dine as cheerful as you please, Beside our little friendly fire on coffee, bread and cheese.
We lived upon the ragged edge, and grub was never sure, But oh, these were the happy days, the days when we were poor.
III Alas! old man, we're wealthy now, it's sad beyond a doubt; We cannot dodge prosperity, success has found us out.
Your eye is very dull and drear, my brow is creased with care, We realize how hard it is to be a millionaire.
The burden's heavy on our backs -- you're thinking of your rents, I'm worrying if I'll invest in five or six per cents.
We've limousines, and marble halls, and flunkeys by the score, We play the part .
.
.
but say, old chap, oh, isn't it a bore? We work like slaves, we eat too much, we put on evening dress; We've everything a man can want, I think .
.
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but happiness.
Come, let us sneak away, old chum; forget that we are rich, And earn an honest appetite, and scratch an honest itch.
Let's be two jolly garreteers, up seven flights of stairs, And wear old clothes and just pretend we aren't millionaires; And wonder how we'll pay the rent, and scribble ream on ream, And sup on sausages and tea, and laugh and loaf and dream.
And when we're tired of that, my friend, oh, you will come with me; And we will seek the sunlit roads that lie beside the sea.
We'll know the joy the gipsy knows, the freedom nothing mars, The golden treasure-gates of dawn, the mintage of the stars.
We'll smoke our pipes and watch the pot, and feed the crackling fire, And sing like two old jolly boys, and dance to heart's desire; We'll climb the hill and ford the brook and camp upon the moor .
.
.
Old chap, let's haste, I'm mad to taste the Joy of Being Poor.
Written by Robert Graves | Create an image from this poem

To Juan at the Winter Solstice

 There is one story and one story only
That will prove worth your telling,
Whether as learned bard or gifted child;
To it all lines or lesser gauds belong
That startle with their shining
Such common stories as they stray into.
Is it of trees you tell, their months and virtues, Or strange beasts that beset you, Of birds that croak at you the Triple will? Or of the Zodiac and how slow it turns Below the Boreal Crown, Prison to all true kings that ever reigned? Water to water, ark again to ark, From woman back to woman: So each new victim treads unfalteringly The never altered circuit of his fate, Bringing twelve peers as witness Both to his starry rise and starry fall.
Or is it of the Virgin's silver beauty, All fish below the thighs? She in her left hand bears a leafy quince; When, with her right hand she crooks a finger, smiling, How many the King hold back? Royally then he barters life for love.
Or of the undying snake from chaos hatched, Whose coils contain the ocean, Into whose chops with naked sword he springs, Then in black water, tangled by the reeds, Battles three days and nights, To be spewed up beside her scalloped shore? Much snow if falling, winds roar hollowly, The owl hoots from the elder, Fear in your heart cries to the loving-cup: Sorrow to sorrow as the sparks fly upward.
The log groans and confesses: There is one story and one story only.
Dwell on her graciousness, dwell on her smiling, Do not forget what flowers The great boar trampled down in ivy time.
Her brow was creamy as the crested wave, Her sea-blue eyes were wild But nothing promised that is not performed.
Written by Christopher Marlowe | Create an image from this poem

Hero and Leander: The First Sestiad

 1 On Hellespont, guilty of true love's blood,
2 In view and opposite two cities stood,
3 Sea-borderers, disjoin'd by Neptune's might;
4 The one Abydos, the other Sestos hight.
5 At Sestos Hero dwelt; Hero the fair, 6 Whom young Apollo courted for her hair, 7 And offer'd as a dower his burning throne, 8 Where she could sit for men to gaze upon.
9 The outside of her garments were of lawn, 10 The lining purple silk, with gilt stars drawn; 11 Her wide sleeves green, and border'd with a grove, 12 Where Venus in her naked glory strove 13 To please the careless and disdainful eyes 14 Of proud Adonis, that before her lies; 15 Her kirtle blue, whereon was many a stain, 16 Made with the blood of wretched lovers slain.
17 Upon her head she ware a myrtle wreath, 18 From whence her veil reach'd to the ground beneath; 19 Her veil was artificial flowers and leaves, 20 Whose workmanship both man and beast deceives; 21 Many would praise the sweet smell as she past, 22 When 'twas the odour which her breath forth cast; 23 And there for honey bees have sought in vain, 24 And beat from thence, have lighted there again.
25 About her neck hung chains of pebble-stone, 26 Which lighten'd by her neck, like diamonds shone.
27 She ware no gloves; for neither sun nor wind 28 Would burn or parch her hands, but, to her mind, 29 Or warm or cool them, for they took delight 30 To play upon those hands, they were so white.
31 Buskins of shells, all silver'd, used she, 32 And branch'd with blushing coral to the knee; 33 Where sparrows perch'd, of hollow pearl and gold, 34 Such as the world would wonder to behold: 35 Those with sweet water oft her handmaid fills, 36 Which as she went, would chirrup through the bills.
37 Some say, for her the fairest Cupid pin'd, 38 And looking in her face, was strooken blind.
39 But this is true; so like was one the other, 40 As he imagin'd Hero was his mother; 41 And oftentimes into her bosom flew, 42 About her naked neck his bare arms threw, 43 And laid his childish head upon her breast, 44 And with still panting rock'd there took his rest.
45 So lovely-fair was Hero, Venus' nun, 46 As Nature wept, thinking she was undone, 47 Because she took more from her than she left, 48 And of such wondrous beauty her bereft: 49 Therefore, in sign her treasure suffer'd wrack, 50 Since Hero's time hath half the world been black.
51 Amorous Leander, beautiful and young 52 (Whose tragedy divine Mus?us sung), 53 Dwelt at Abydos; since him dwelt there none 54 For whom succeeding times make greater moan.
55 His dangling tresses, that were never shorn, 56 Had they been cut, and unto Colchos borne, 57 Would have allur'd the vent'rous youth of Greece 58 To hazard more than for the golden fleece.
59 Fair Cynthia wish'd his arms might be her sphere; 60 Grief makes her pale, because she moves not there.
61 His body was as straight as Circe's wand; 62 Jove might have sipt out nectar from his hand.
63 Even as delicious meat is to the taste, 64 So was his neck in touching, and surpast 65 The white of Pelops' shoulder: I could tell ye, 66 How smooth his breast was, and how white his belly; 67 And whose immortal fingers did imprint 68 That heavenly path with many a curious dint 69 That runs along his back; but my rude pen 70 Can hardly blazon forth the loves of men, 71 Much less of powerful gods: let it suffice 72 That my slack Muse sings of Leander's eyes; 73 Those orient cheeks and lips, exceeding his 74 That leapt into the water for a kiss 75 Of his own shadow, and, despising many, 76 Died ere he could enjoy the love of any.
77 Had wild Hippolytus Leander seen, 78 Enamour'd of his beauty had he been.
79 His presence made the rudest peasant melt, 80 That in the vast uplandish country dwelt; 81 The barbarous Thracian soldier, mov'd with nought, 82 Was mov'd with him, and for his favour sought.
83 Some swore he was a maid in man's attire, 84 For in his looks were all that men desire,-- 85 A pleasant smiling cheek, a speaking eye, 86 A brow for love to banquet royally; 87 And such as knew he was a man, would say, 88 "Leander, thou art made for amorous play; 89 Why art thou not in love, and lov'd of all? 90 Though thou be fair, yet be not thine own thrall.
" 91 The men of wealthy Sestos every year, 92 For his sake whom their goddess held so dear, 93 Rose-cheek'd Adonis, kept a solemn feast.
94 Thither resorted many a wandering guest 95 To meet their loves; such as had none at all 96 Came lovers home from this great festival; 97 For every street, like to a firmament, 98 Glister'd with breathing stars, who, where they went, 99 Frighted the melancholy earth, which deem'd 100 Eternal heaven to burn, for so it seem'd 101 As if another Pha{"e}ton had got 102 The guidance of the sun's rich chariot.
103 But far above the loveliest, Hero shin'd, 104 And stole away th' enchanted gazer's mind; 105 For like sea-nymphs' inveigling harmony, 106 So was her beauty to the standers-by; 107 Nor that night-wandering, pale, and watery star 108 (When yawning dragons draw her thirling car 109 From Latmus' mount up to the gloomy sky, 110 Where, crown'd with blazing light and majesty, 111 She proudly sits) more over-rules the flood 112 Than she the hearts of those that near her stood.
113 Even as when gaudy nymphs pursue the chase, 114 Wretched Ixion's shaggy-footed race, 115 Incens'd with savage heat, gallop amain 116 From steep pine-bearing mountains to the plain, 117 So ran the people forth to gaze upon her, 118 And all that view'd her were enamour'd on her.
119 And as in fury of a dreadful fight, 120 Their fellows being slain or put to flight, 121 Poor soldiers stand with fear of death dead-strooken, 122 So at her presence all surpris'd and tooken, 123 Await the sentence of her scornful eyes; 124 He whom she favours lives; the other dies.
125 There might you see one sigh, another rage, 126 And some, their violent passions to assuage, 127 Compile sharp satires; but, alas, too late, 128 For faithful love will never turn to hate.
129 And many, seeing great princes were denied, 130 Pin'd as they went, and thinking on her, died.
131 On this feast-day--O cursed day and hour!-- 132 Went Hero thorough Sestos, from her tower 133 To Venus' temple, where unhappily, 134 As after chanc'd, they did each other spy.
135 So fair a church as this had Venus none: 136 The walls were of discolour'd jasper-stone, 137 Wherein was Proteus carved; and over-head 138 A lively vine of green sea-agate spread, 139 Where by one hand light-headed Bacchus hung, 140 And with the other wine from grapes out-wrung.
141 Of crystal shining fair the pavement was; 142 The town of Sestos call'd it Venus' glass: 143 There might you see the gods in sundry shapes, 144 Committing heady riots, incest, rapes: 145 For know, that underneath this radiant flower 146 Was Danae's statue in a brazen tower, 147 Jove slyly stealing from his sister's bed, 148 To dally with Idalian Ganimed, 149 And for his love Europa bellowing loud, 150 And tumbling with the rainbow in a cloud; 151 Blood-quaffing Mars heaving the iron net, 152 Which limping Vulcan and his Cyclops set; 153 Love kindling fire, to burn such towns as Troy, 154 Sylvanus weeping for the lovely boy 155 That now is turn'd into a cypress tree, 156 Under whose shade the wood-gods love to be.
157 And in the midst a silver altar stood: 158 There Hero, sacrificing turtles' blood, 159 Vail'd to the ground, veiling her eyelids close; 160 And modestly they opened as she rose.
161 Thence flew Love's arrow with the golden head; 162 And thus Leander was enamoured.
163 Stone-still he stood, and evermore he gazed, 164 Till with the fire that from his count'nance blazed 165 Relenting Hero's gentle heart was strook: 166 Such force and virtue hath an amorous look.
167 It lies not in our power to love or hate, 168 For will in us is over-rul'd by fate.
169 When two are stript, long ere the course begin, 170 We wish that one should lose, the other win; 171 And one especially do we affect 172 Of two gold ingots, like in each respect: 173 The reason no man knows, let it suffice, 174 What we behold is censur'd by our eyes.
175 Where both deliberate, the love is slight: 176 Who ever lov'd, that lov'd not at first sight?


Written by Edwin Arlington Robinson | Create an image from this poem

An Island

 Take it away, and swallow it yourself.
Ha! Look you, there’s a rat.
Last night there were a dozen on that shelf, And two of them were living in my hat.
Look! Now he goes, but he’ll come back— Ha? But he will, I say … Il reviendra-z-à Pâques, Ou à la Trinité … Be very sure that he’ll return again; For said the Lord: Imprimis, we have rats, And having rats, we have rain.
— So on the seventh day He rested, and made Pain.
—Man, if you love the Lord, and if the Lord Love liars, I will have you at your word And swallow it.
Voilà.
Bah! Where do I say it is That I have lain so long? Where do I count myself among the dead, As once above the living and the strong? And what is this that comes and goes, Fades and swells and overflows, Like music underneath and overhead? What is it in me now that rings and roars Like fever-laden wine? What ruinous tavern-shine Is this that lights me far from worlds and wars And women that were mine? Where do I say it is That Time has made my bed? What lowering outland hostelry is this For one the stars have disinherited? An island, I have said: A peak, where fiery dreams and far desires Are rained on, like old fires: A vermin region by the stars abhorred, Where falls the flaming word By which I consecrate with unsuccess An acreage of God’s forgetfulness, Left here above the foam and long ago Made right for my duress; Where soon the sea, My foaming and long-clamoring enemy, Will have within the cryptic, old embrace Of her triumphant arms—a memory.
Why then, the place? What forage of the sky or of the shore Will make it any more, To me, than my award of what was left Of number, time, and space? And what is on me now that I should heed The durance or the silence or the scorn? I was the gardener who had the seed Which holds within its heart the food and fire That gives to man a glimpse of his desire; And I have tilled, indeed, Much land, where men may say that I have planted Unsparingly my corn— For a world harvest-haunted And for a world unborn.
Meanwhile, am I to view, as at a play, Through smoke the funeral flames of yesterday And think them far away? Am I to doubt and yet be given to know That where my demon guides me, there I go? An island? Be it so.
For islands, after all is said and done, Tell but a wilder game that was begun, When Fate, the mistress of iniquities, The mad Queen-spinner of all discrepancies, Beguiled the dyers of the dawn that day, And even in such a curst and sodden way Made my three colors one.
—So be it, and the way be as of old: So be the weary truth again retold Of great kings overthrown Because they would be kings, and lastly kings alone.
Fling to each dog his bone.
Flags that are vanished, flags that are soiled and furled, Say what will be the word when I am gone: What learned little acrid archive men Will burrow to find me out and burrow again,— But all for naught, unless To find there was another Island.
… Yes, There are too many islands in this world, There are too many rats, and there is too much rain.
So three things are made plain Between the sea and sky: Three separate parts of one thing, which is Pain … Bah, what a way to die!— To leave my Queen still spinning there on high, Still wondering, I dare say, To see me in this way … Madame à sa tour monte Si haut qu’elle peut monter— Like one of our Commissioners… ai! ai! Prometheus and the women have to cry, But no, not I … Faugh, what a way to die! But who are these that come and go Before me, shaking laurel as they pass? Laurel, to make me know For certain what they mean: That now my Fate, my Queen, Having found that she, by way of right reward, Will after madness go remembering, And laurel be as grass,— Remembers the one thing That she has left to bring.
The floor about me now is like a sward Grown royally.
Now it is like a sea That heaves with laurel heavily, Surrendering an outworn enmity For what has come to be.
But not for you, returning with your curled And haggish lips.
And why are you alone? Why do you stay when all the rest are gone? Why do you bring those treacherous eyes that reek With venom and hate the while you seek To make me understand?— Laurel from every land, Laurel, but not the world? Fury, or perjured Fate, or whatsoever, Tell me the bloodshot word that is your name And I will pledge remembrance of the same That shall be crossed out never; Whereby posterity May know, being told, that you have come to me, You and your tongueless train without a sound, With covetous hands and eyes and laurel all around, Foreshowing your endeavor To mirror me the demon of my days, To make me doubt him, loathe him, face to face.
Bowed with unwilling glory from the quest That was ordained and manifest, You shake it off and wish me joy of it? Laurel from every place, Laurel, but not the rest? Such are the words in you that I divine, Such are the words of men.
So be it, and what then? Poor, tottering counterfeit, Are you a thing to tell me what is mine? Grant we the demon sees An inch beyond the line, What comes of mine and thine? A thousand here and there may shriek and freeze, Or they may starve in fine.
The Old Physician has a crimson cure For such as these, And ages after ages will endure The minims of it that are victories.
The wreath may go from brow to brow, The state may flourish, flame, and cease; But through the fury and the flood somehow The demons are acquainted and at ease, And somewhat hard to please.
Mine, I believe, is laughing at me now In his primordial way, Quite as he laughed of old at Hannibal, Or rather at Alexander, let us say.
Therefore, be what you may, Time has no further need Of you, or of your breed.
My demon, irretrievably astray, Has ruined the last chorus of a play That will, so he avers, be played again some day; And you, poor glowering ghost, Have staggered under laurel here to boast Above me, dying, while you lean In triumph awkward and unclean, About some words of his that you have read? Thing, do I not know them all? He tells me how the storied leaves that fall Are tramped on, being dead? They are sometimes: with a storm foul enough They are seized alive and they are blown far off To mould on islands.
—What else have you read? He tells me that great kings look very small When they are put to bed; And this being said, He tells me that the battles I have won Are not my own, But his—howbeit fame will yet atone For all defect, and sheave the mystery: The follies and the slaughters I have done Are mine alone, And so far History.
So be the tale again retold And leaf by clinging leaf unrolled Where I have written in the dawn, With ink that fades anon, Like Cæsar’s, and the way be as of old.
Ho, is it you? I thought you were a ghost.
Is it time for you to poison me again? Well, here’s our friend the rain,— Mironton, mironton, mirontaine.
.
.
Man, I could murder you almost, You with your pills and toast.
Take it away and eat it, and shoot rats.
Ha! there he comes.
Your rat will never fail, My punctual assassin, to prevail— While he has power to crawl, Or teeth to gnaw withal— Where kings are caged.
Why has a king no cats? You say that I’ll achieve it if I try? Swallow it?—No, not I … God, what a way to die!
Written by Lucy Maud Montgomery | Create an image from this poem

If Mary Had Known

 If Mary had known
When she held her Babe's hands in her own­
Little hands that were tender and white as a rose,
All dented with dimples from finger to wrist,
Such as mothers have kissed­
That one day they must feel the fierce blows
Of a hatred insane,
Must redden with holiest stain,
And grasp as their guerdon the boon of the bitterest pain,
Oh, I think that her sweet, brooding face
Must have blanched with its anguish of knowledge above her embrace.
But­ if Mary had known, As she held her Babe's hands in her own, What a treasure of gifts to the world they would bring; What healing and hope to the hearts that must ache, And without him must break; Had she known they would pluck forth death's sting And set open the door Of the close, jealous grave evermore, Making free who were captives in sorrow and darkness before, Oh, I think that a gracious sunrise Of rapture had broken across the despair of her eyes! If Mary had known As she sat with her baby alone, And guided so gently his bare little feet To take their first steps from the throne of her knee, How weary must be The path that for them should be meet; And how it must lead To the cross of humanity's need, Giving hissing and shame, giving blame and reproach for its meed, Oh, I think that her tears would have dewed Those dear feet that must walk such a hard, starless way to the Rood! But­ if Mary had known, As she sat with her Baby alone, On what errands of mercy and peace they would go, How those footsteps would ring through the years of all time With an echo sublime, Making holy the land of their woe, That the pathway they trod Would guide the world back to its God, And lead ever upward away from the grasp of the clod, She had surely forgot to be sad And only remembered to be most immortally glad! If Mary had known, As she held him so closely, her own, Cradling his shining, fair head on her breast, Sunned over with ringlets as bright as the morn, That a garland of thorn On that tender brow would be pressed Till the red drops would fall Into eyes that looked out upon all, Abrim with a pity divine over clamor and brawl, Oh, I think that her lullaby song Would have died on her lips into wailing impassioned and long! But ­if Mary had known, As she held him so closely, her own, That over the darkness and pain he would be The Conqueror hailed in all oncoming days, The world's hope and praise, And the garland of thorn, The symbol of mocking and scorn Would be a victorious diadem royally worn, Oh, I think that ineffable joy Must have flooded her soul as she bent o'er her wonderful Boy!
Written by Helen Hunt Jackson | Create an image from this poem

My Tenants

 I never had a title-deed 
To my estate.
But little heed Eyes give to me, when I walk by My fields, to see who occupy.
Some clumsy men who lease and hire And cut my trees to feed their fire, Own all the land that I possess, And tax my tenants to distress.
And if I say I had been first, And, reaping, left for them the worst, That they were beggars at the hands Of dwellers on my royal lands, With idle laugh of passing scorn As unto words of madness born, They would reply I do not care; They cannot crowd the charméd air; They cannot touch the bonds I hold On all that they have bought and sold.
They can waylay my faithful bees, Who, lulled to sleep, with fatal ease, Are robbe.
Is one day's honey sweet Thus snatched? All summer round my feet In golden drifts from plumy wings, In shining drops on fragrant things Free gift, it came to me.
My corn, With burnished banners, morn by morn, Comes out to meet and honor me; The glittering ranks spread royally Far as I walk.
When hasty greed Tramples it down for food and seed, I, with a certain veiled delight, Hear half the crop is lost by blight.
Letter of the law these may fulfil, Plant where they like, slay what they will, Count up their gains and make them great; Nevertheless, the whole estate Always belongs to me and mine.
We are the only royal line.
And though I have no title-deed My tenants pay me royal heed When our sweet fields I wander by To see what strangers occupy.
Written by Robert Southey | Create an image from this poem

Inscription 06 - For A Monument In The New For

 This is the place where William's kingly power
Did from their poor and peaceful homes expel,
Unfriended, desolate, and shelterless,
The habitants of all the fertile track
Far as these wilds extend.
He levell'd down Their little cottages, he bade their fields Lie barren, so that o'er the forest waste He might most royally pursue his sports! If that thine heart be human, Passenger! Sure it will swell within thee, and thy lips Will mutter curses on him.
Think thou then What cities flame, what hosts unsepulchred Pollute the passing wind, when raging Power Drives on his blood-hounds to the chase of Man; And as thy thoughts anticipate that day When God shall judge aright, in charity Pray for the wicked rulers of mankind.
Written by Robert Louis Stevenson | Create an image from this poem

Loves Vicissitudes

 AS Love and Hope together
Walk by me for a while,
Link-armed the ways they travel
For many a pleasant mile -
Link-armed and dumb they travel,
They sing not, but they smile.
Hope leaving, Love commences To practise on the lute; And as he sings and travels With lingering, laggard foot, Despair plays obligato The sentimental flute.
Until in singing garments Comes royally, at call - Comes limber-hipped Indiff'rence Free stepping, straight and tall - Comes singing and lamenting, The sweetest pipe of all.

Book: Reflection on the Important Things