Written by
A E Housman |
Be still, my soul, be still; the arms you bear are brittle,
Earth and high heaven are fixt of old and founded strong.
Think rather,-- call to thought, if now you grieve a little,
The days when we had rest, O soul, for they were long.
Men loved unkindness then, but lightless in the quarry
I slept and saw not; tears fell down, I did not mourn;
Sweat ran and blood sprang out and I was never sorry:
Then it was well with me, in days ere I was born.
Now, and I muse for why and never find the reason,
I pace the earth, and drink the air, and feel the sun.
Be still, be still, my soul; it is but for a season:
Let us endure an hour and see injustice done.
Ay, look: high heaven and earth ail from the prime foundation;
All thoughts to rive the heart are here, and all are vain:
Horror and scorn and hate and fear and indignation--
Oh why did I awake? when shall I sleep again?
|
Written by
Robert William Service |
This is the tale that was told to me by the man with the crystal eye,
As I smoked my pipe in the camp-fire light, and the Glories swept the sky;
As the Northlights gleamed and curved and streamed, and the bottle of "hooch" was dry.
A man once aimed that my life be shamed, and wrought me a deathly wrong;
I vowed one day I would well repay, but the heft of his hate was strong.
He thonged me East and he thonged me West; he harried me back and forth,
Till I fled in fright from his peerless spite to the bleak, bald-headed North.
And there I lay, and for many a day I hatched plan after plan,
For a golden haul of the wherewithal to crush and to kill my man;
And there I strove, and there I clove through the drift of icy streams;
And there I fought, and there I sought for the pay-streak of my dreams.
So twenty years, with their hopes and fears and smiles and tears and such,
Went by and left me long bereft of hope of the Midas touch;
About as fat as a chancel rat, and lo! despite my will,
In the weary fight I had clean lost sight of the man I sought to kill.
'Twas so far away, that evil day when I prayed to the Prince of Gloom
For the savage strength and the sullen length of life to work his doom.
Nor sign nor word had I seen or heard, and it happed so long ago;
My youth was gone and my memory wan, and I willed it even so.
It fell one night in the waning light by the Yukon's oily flow,
I smoked and sat as I marvelled at the sky's port-winey glow;
Till it paled away to an absinthe gray, and the river seemed to shrink,
All wobbly flakes and wriggling snakes and goblin eyes a-wink.
'Twas weird to see and it 'wildered me in a *****, hypnotic dream,
Till I saw a spot like an inky blot come floating down the stream;
It bobbed and swung; it sheered and hung; it romped round in a ring;
It seemed to play in a tricksome way; it sure was a merry thing.
In freakish flights strange oily lights came fluttering round its head,
Like butterflies of a monster size--then I knew it for the Dead.
Its face was rubbed and slicked and scrubbed as smooth as a shaven pate;
In the silver snakes that the water makes it gleamed like a dinner-plate.
It gurgled near, and clear and clear and large and large it grew;
It stood upright in a ring of light and it looked me through and through.
It weltered round with a woozy sound, and ere I could retreat,
With the witless roll of a sodden soul it wantoned to my feet.
And here I swear by this Cross I wear, I heard that "floater" say:
"I am the man from whom you ran, the man you sought to slay.
That you may note and gaze and gloat, and say `Revenge is sweet',
In the grit and grime of the river's slime I am rotting at your feet.
"The ill we rue we must e'en undo, though it rive us bone from bone;
So it came about that I sought you out, for I prayed I might atone.
I did you wrong, and for long and long I sought where you might live;
And now you're found, though I'm dead and drowned, I beg you to forgive."
So sad it seemed, and its cheek-bones gleamed, and its fingers flicked the shore;
And it lapped and lay in a weary way, and its hands met to implore;
That I gently said: "Poor, restless dead, I would never work you woe;
Though the wrong you rue you can ne'er undo, I forgave you long ago."
Then, wonder-wise, I rubbed my eyes and I woke from a horrid dream.
The moon rode high in the naked sky, and something bobbed in the stream.
It held my sight in a patch of light, and then it sheered from the shore;
It dipped and sank by a hollow bank, and I never saw it more.
This was the tale he told to me, that man so warped and gray,
Ere he slept and dreamed, and the camp-fire gleamed in his eye in a wolfish way--
That crystal eye that raked the sky in the weird Auroral ray.
|
Written by
A E Housman |
Wake not for the world-heard thunder,
Nor the chimes that earthquakes toll;
Stars may plot in heaven with planet,
Lightning rive the rock of granite,
Tempest tread the oakwood under,
Fear not you for flesh or soul;
Marching, fighting, victory past,
Stretch your limbs in peace at last.
Stir not for the soldier's drilling,
Nor the fever nothing cures;
Throb of drum and timbal's rattle
Call but men alive to battle,
And the fife with death-notes filling
Screams for blood--but not for yours.
Times enough you bled your best;
Sleep on now, and take your rest.
Sleep, my lad; the French have landed,
London's burning, Windsor's down.
Clasp your cloak of earth about you;
We must man the ditch without you,
March unled and fight short-handed,
Charge to fall and swim to drown.
Duty, friendship, bravery o'er,
Sleep away, lad; wake no more.
|
Written by
Robert Burns |
SOME books are lies frae end to end,
And some great lies were never penn’d:
Ev’n ministers they hae been kenn’d,
In holy rapture,
A rousing whid at times to vend,
And nail’t wi’ Scripture.
But this that I am gaun to tell,
Which lately on a night befell,
Is just as true’s the Deil’s in hell
Or Dublin city:
That e’er he nearer comes oursel’
’S a muckle pity.
The clachan yill had made me canty,
I was na fou, but just had plenty;
I stacher’d whiles, but yet too tent aye
To free the ditches;
An’ hillocks, stanes, an’ bushes, kenn’d eye
Frae ghaists an’ witches.
The rising moon began to glowre
The distant Cumnock hills out-owre:
To count her horns, wi’ a my pow’r,
I set mysel’;
But whether she had three or four,
I cou’d na tell.
I was come round about the hill,
An’ todlin down on Willie’s mill,
Setting my staff wi’ a’ my skill,
To keep me sicker;
Tho’ leeward whiles, against my will,
I took a bicker.
I there wi’ Something did forgather,
That pat me in an eerie swither;
An’ awfu’ scythe, out-owre ae shouther,
Clear-dangling, hang;
A three-tae’d leister on the ither
Lay, large an’ lang.
Its stature seem’d lang Scotch ells twa,
The queerest shape that e’er I saw,
For fient a wame it had ava;
And then its shanks,
They were as thin, as sharp an’ sma’
As cheeks o’ branks.
“Guid-een,” quo’ I; “Friend! hae ye been mawin,
When ither folk are busy sawin!” 1
I seem’d to make a kind o’ stan’
But naething spak;
At length, says I, “Friend! whare ye gaun?
Will ye go back?”
It spak right howe,—“My name is Death,
But be na fley’d.”—Quoth I, “Guid faith,
Ye’re maybe come to stap my breath;
But tent me, billie;
I red ye weel, tak care o’ skaith
See, there’s a gully!”
“Gudeman,” quo’ he, “put up your whittle,
I’m no designed to try its mettle;
But if I did, I wad be kittle
To be mislear’d;
I wad na mind it, no that spittle
Out-owre my beard.”
“Weel, weel!” says I, “a bargain be’t;
Come, gie’s your hand, an’ sae we’re gree’t;
We’ll ease our shanks an tak a seat—
Come, gie’s your news;
This while ye hae been mony a gate,
At mony a house.” 2
“Ay, ay!” quo’ he, an’ shook his head,
“It’s e’en a lang, lang time indeed
Sin’ I began to nick the thread,
An’ choke the breath:
Folk maun do something for their bread,
An’ sae maun Death.
“Sax thousand years are near-hand fled
Sin’ I was to the butching bred,
An’ mony a scheme in vain’s been laid,
To stap or scar me;
Till ane Hornbook’s 3 ta’en up the trade,
And faith! he’ll waur me.
“Ye ken Hornbook i’ the clachan,
Deil mak his king’s-hood in spleuchan!
He’s grown sae weel acquaint wi’ Buchan 4
And ither chaps,
The weans haud out their fingers laughin,
An’ pouk my hips.
“See, here’s a scythe, an’ there’s dart,
They hae pierc’d mony a gallant heart;
But Doctor Hornbook, wi’ his art
An’ cursed skill,
Has made them baith no worth a f—t,
D—n’d haet they’ll kill!
“’Twas but yestreen, nae farther gane,
I threw a noble throw at ane;
Wi’ less, I’m sure, I’ve hundreds slain;
But deil-ma-care,
It just play’d dirl on the bane,
But did nae mair.
“Hornbook was by, wi’ ready art,
An’ had sae fortify’d the part,
That when I looked to my dart,
It was sae blunt,
Fient haet o’t wad hae pierc’d the heart
Of a kail-runt.
“I drew my scythe in sic a fury,
I near-hand cowpit wi’ my hurry,
But yet the bauld Apothecary
Withstood the shock;
I might as weel hae tried a quarry
O’ hard whin rock.
“Ev’n them he canna get attended,
Altho’ their face he ne’er had kend it,
Just —— in a kail-blade, an’ sent it,
As soon’s he smells ’t,
Baith their disease, and what will mend it,
At once he tells ’t.
“And then, a’ doctor’s saws an’ whittles,
Of a’ dimensions, shapes, an’ mettles,
A’ kind o’ boxes, mugs, an’ bottles,
He’s sure to hae;
Their Latin names as fast he rattles
As A B C.
“Calces o’ fossils, earths, and trees;
True sal-marinum o’ the seas;
The farina of beans an’ pease,
He has’t in plenty;
Aqua-fontis, what you please,
He can content ye.
“Forbye some new, uncommon weapons,
Urinus spiritus of capons;
Or mite-horn shavings, filings, scrapings,
Distill’d per se;
Sal-alkali o’ midge-tail clippings,
And mony mae.”
“Waes me for Johnie Ged’s-Hole 5 now,”
Quoth I, “if that thae news be true!
His braw calf-ward whare gowans grew,
Sae white and bonie,
Nae doubt they’ll rive it wi’ the plew;
They’ll ruin Johnie!”
The creature grain’d an eldritch laugh,
And says “Ye needna yoke the pleugh,
Kirkyards will soon be till’d eneugh,
Tak ye nae fear:
They’ll be trench’d wi’ mony a sheugh,
In twa-three year.
“Whare I kill’d ane, a fair strae-death,
By loss o’ blood or want of breath
This night I’m free to tak my aith,
That Hornbook’s skill
Has clad a score i’ their last claith,
By drap an’ pill.
“An honest wabster to his trade,
Whase wife’s twa nieves were scarce weel-bred
Gat tippence-worth to mend her head,
When it was sair;
The wife slade cannie to her bed,
But ne’er spak mair.
“A country laird had ta’en the batts,
Or some curmurring in his guts,
His only son for Hornbook sets,
An’ pays him well:
The lad, for twa guid gimmer-pets,
Was laird himsel’.
“A bonie lass—ye kend her name—
Some ill-brewn drink had hov’d her wame;
She trusts hersel’, to hide the shame,
In Hornbook’s care;
Horn sent her aff to her lang hame,
To hide it there.
“That’s just a swatch o’ Hornbook’s way;
Thus goes he on from day to day,
Thus does he poison, kill, an’ slay,
An’s weel paid for’t;
Yet stops me o’ my lawfu’ prey,
Wi’ his d—n’d dirt:
“But, hark! I’ll tell you of a plot,
Tho’ dinna ye be speakin o’t;
I’ll nail the self-conceited sot,
As dead’s a herrin;
Neist time we meet, I’ll wad a groat,
He gets his fairin!”
But just as he began to tell,
The auld kirk-hammer strak the bell
Some wee short hour ayont the twal’,
Which rais’d us baith:
I took the way that pleas’d mysel’,
And sae did Death.
Note 1. This recontre happened in seed-time, 1785.—R. B. [back]
Note 2. An epidemical fever was then raging in that country.—R. B. [back]
Note 3. This gentleman, Dr. Hornbook, is professionally a brother of the sovereign Order of the Ferula; but, by intuition and inspiration, is at once an apothecary, surgeon, and physician.—R. B. [back]
Note 4. Burchan’s Domestic Medicine.—R. B. [back]
Note 5. The grave-digger.—R. B. [back]
|
Written by
Michael Drayton |
But let us leave Queen Mab a while,
Through many a gate, o'er many a stile,
That now had gotten by this wile,
Her dear Pigwiggen kissing;
And tell how Oberon doth fare,
Who grew as mad as any hare,
When he had sought each place with care,
And found his queen was missing.
By grisly Pluto he doth swear,
He rent his clothes, and tore his hair,
And as he runneth here and there,
An acorn-cup he greeteth;
Which soon he taketh by the stalk,
About his head he lets it walk,
Nor doth he any creature balk,
But lays on all he meeteth.
The Tuscan poet doth advance
The frantic Paladine of France,
And those more ancient do enhance
Alcides in his fury,
And others Ajax Telamon:
But to this time there hath been none
So bedlam as our Oberon,
Of which I dare assure you.
And first encount'ring with a wasp,
He in his arms the fly doth clasp,
As tho' his breath he forth would grasp,
Him for Pigwiggen taking:
'Where is my wife, thou rogue?" quoth he,
"Pigwiggen, she is come to thee,
Restore her, or thou di'st by me."
Whereat the poor wasp quaking,
Cries, "Oberon, great Fairy King,
Content thee, I am no such thing;
I am a wasp, behold my sting!"
At which the fairy started;
When soon away the wasp doth go,
Poor wretch was never frighted so,
He thought his wings were much too slow,
O'erjoy'd they so were parted.
He next upon a glow-worm light,
(You must suppose it now was night)
Which, for her hinder part was bright,
He took to be a devil,
And furiously doth her assail
For carrying fire in her tail;
He thrash'd her rough coat with his flail,
The mad king fear'd no evil.
"Oh!" quoth the glow-worm "hold thy hand,
Thou puissant King of Fairy-land,
Thy mighty strokes who may withstand?
Hold, or of life despair I."
Together then herself doth roll,
And tumbling down into a hole,
She seem'd as black as any coal,
Which vext away the fairy.
From thence he ran into a hive,
Amongst the bees he letteth drive,
And down their combs begins to rive,
All likely to have spoiled:
Which with their wax his face besmear'd,
And with their honey daub'd his beard;
It would have made a man afear'd,
To see how he was moiled.
A new adventure him betides:
He met an ant, which he bestrides,
And post thereon away he rides,
Which with his haste doth stumble,
And came full over on her snout,
Her heels so threw the dirt about,
For she by no means could get out,
But over him doth tumble.
And being in this piteous case,
And all beslurried head and face,
On runs he in this wildgoose chase;
As here and there he rambles,
Half-blind, against a mole-hill hit,
And for a mountain taking it,
For all he was out of his wit,
Yet to the top he scrambles.
And being gotten to the top,
Yet there himself he could not stop,
But down on th' other side doth chop,
And to the foot came rumbling:
So that the grubs therein that bred,
Hearing such turmoil overhead,
Thought surely they had all been dead,
So fearful was the jumbling.
And falling down into a lake,
Which him up to the neck doth take,
His fury it doth somewhat slake,
He calleth for a ferry:
Where you may some recovery note,
What was his club he made his boat,
And in his oaken cup doth float,
As safe as in a wherry.
Men talk of the adventures strange
Of Don Quishott, and of their change,
Through which he armed oft did range,
Of Sancha Pancha's travel:
But should a man tell every thing,
Done by this frantic fairy king,
And them in lofty numbers sing,
It well his wits might gravel.
|
Written by
Herman Melville |
(November, 1863)
A kindling impulse seized the host
Inspired by heaven's elastic air;
Their hearts outran their General's plan,
Though Grant commanded there -
Grant, who without reserve can dare;
And, "Well, go on and do your will,"
He said, and measured the mountain then:
So master-riders fling the rein -
But you must know your men.
On yester-morn in grayish mist,
Armies like ghosts on hills had fought,
And rolled from the cloud their thunders loud
The Cumberlands far had caught:
Today the sunlit steeps are sought.
Grant stood on cliffs whence all was plain,
And smoked as one who feels no cares;
But mastered nervousness intense,
Alone such calmness wears.
The summit-cannon plunge their flame
Sheer down the primal wall,
But up and up each linking troop
In stretching festoons crawl -
Nor fire a shot. Such men appal
The foe, though brave. He, from the brink,
Looks far along the breadth of slope,
And sees two miles of dark dots creep,
And knows they mean the cope.
He sees them creep. Yet here and there
Half hid 'mid leafless groves they go;
As men who ply through traceries high
Of turreted marbles show -
So dwindle these to eyes below.
But fronting shot and flanking shell
Sliver and rive the inwoven ways;
High tops of oaks and high hearts fall,
But never the climbing stays.
Near and more near; till now the flags
Run like a catching flame;
And one flares highest, to peril nighest -
He means to make a name:
Salvos! they give him his fame.
The staff is caught, and next the rush,
And then the leap where death has led;
Flag answered flag along the crest,
And swarms of rebels fled.
But some who gained the envied Alp,
And -eager, ardent, earnest there -
Dropped into Death's wide-open arms,
Quelled on the wing like eagles struck in air -
Forever they slumber young and fair,
The smile upon them as they died;
Their end attained, that end a height:
Life was to these a dream fulfilled,
And death a starry night.
|
Written by
Robert Burns |
FAIR fa’ your honest, sonsie face,
Great chieftain o’ the pudding-race!
Aboon them a’ ye tak your place,
Painch, tripe, or thairm:
Weel are ye wordy o’a grace
As lang’s my arm.
The groaning trencher there ye fill,
Your hurdies like a distant hill,
Your pin was help to mend a mill
In time o’need,
While thro’ your pores the dews distil
Like amber bead.
His knife see rustic Labour dight,
An’ cut you up wi’ ready sleight,
Trenching your gushing entrails bright,
Like ony ditch;
And then, O what a glorious sight,
Warm-reekin’, rich!
Then, horn for horn, they stretch an’ strive:
Deil tak the hindmost! on they drive,
Till a’ their weel-swall’d kytes belyve
Are bent like drums;
Then auld Guidman, maist like to rive,
Bethankit! hums.
Is there that owre his French ragout
Or olio that wad staw a sow,
Or fricassee wad make her spew
Wi’ perfect sconner,
Looks down wi’ sneering, scornfu’ view
On sic a dinner?
Poor devil! see him owre his trash,
As feckles as wither’d rash,
His spindle shank, a guid whip-lash;
His nieve a nit;
Thro’ blody flood or field to dash,
O how unfit!
But mark the Rustic, haggis-fed,
The trembling earth resounds his tread.
Clap in his walie nieve a blade,
He’ll mak it whissle;
An’ legs an’ arms, an’ hands will sned,
Like taps o’ trissle.
Ye Pow’rs, wha mak mankind your care,
And dish them out their bill o’ fare,
Auld Scotland wants nae skinking ware
That jaups in luggies;
But, if ye wish her gratefu’ prayer
Gie her a haggis!
|
Written by
Francois Villon |
Freres humains qui apres nous vivez,
N'ayez les coeurs contre nous endurcis ...
Men, brother men, that after us yet live,
Let not your hearts too hard against us be;
For if some pity of us poor men ye give,
The sooner God shall take of you pity.
Here are we five or six strung up, you see,
And here the flesh that all too well we fed
Bit by bit eaten and rotten, rent and shred,
And we the bones grow dust and ash withal;
Let no man laugh at us discomforted,
But pray to God that he forgive us all.
If we call on you, brothers, to forgive,
Ye should not hold our prayer in scorn, though we
Were slain by law; ye know that all alive
Have not wit always to walk righteously;
Make therefore intercession heartily
With him that of a virgin's womb was bred,
That his grace be not as a dr-y well-head
For us, nor let hell's thunder on us fall;
We are dead, let no man harry or vex us dead,
But pray to God that he forgive us all.
The rain has washed and laundered us all five,
And the sun dried and blackened; yea, perdie,
Ravens and pies with beaks that rend and rive
Have dug our eyes out, and plucked off for fee
Our beards and eyebrows; never we are free,
Not once, to rest; but here and there still sped,
Driven at its wild will by the wind's change led,
More pecked of birds than fruits on garden-wall;
Men, for God's love, let no gibe here be said,
But pray to God that he forgive us all.
Prince Jesus, that of all art lord and head,
Keep us, that hell be not our bitter bed;
We have nought to do in such a master's hall.
Be not ye therefore of our fellowhead,
But pray to God that he forgive us all.
Algernon Charles Swinburne, trans.
|
Written by
Francesco Petrarch |
CANZONE VI. Quando il suave mio fido conforto. SHE APPEARS TO HIM, AND, WITH MORE THAN WONTED AFFECTION, ENDEAVOURS TO CONSOLE HIM. When she, the faithful soother of my pain,This life's long weary pilgrimage to cheer,Vouchsafes beside my nightly couch to appear,With her sweet speech attempering reason's strain;O'ercome by tenderness, and terror vain,I cry, "Whence comest thou, O spirit blest?"She from her beauteous breastA branch of laurel and of palm displays,And, answering, thus she says."From th' empyrean seat of holy loveAlone thy sorrows to console I move." In actions, and in words, in humble guiseI speak my thanks, and ask, "How may it beThat thou shouldst know my wretched state?" and she"Thy floods of tears perpetual, and thy sighsBreathed forth unceasing, to high heaven arise.And there disturb thy blissful state serene;So grievous hath it been,[Pg 306]That freed from this poor being, I at lastTo a better life have pass'd,Which should have joy'd thee hadst thou loved as wellAs thy sad brow, and sadder numbers tell." "Oh! not thy ills, I but deplore my own,In darkness, and in grief remaining here,Certain that thou hast reach'd the highest sphere,As of a thing that man hath seen and known.Would God and Nature to the world have shownSuch virtue in a young and gentle breast,Were not eternal restThe appointed guerdon of a life so fair?Thou! of the spirits rare,Who, from a course unspotted, pure and high,Are suddenly translated to the sky. "But I! how can I cease to weep? forlorn,Without thee nothing, wretched, desolate!Oh, in the cradle had I met my fate,Or at the breast! and not to love been born!"And she: "Why by consuming grief thus worn?Were it not better spread aloft thy wings,And now all mortal things,With these thy sweet and idle fantasies,At their just value prize,And follow me, if true thy tender vows,Gathering henceforth with me these honour'd boughs?" Then answering her:—"Fain would I thou shouldst sayWhat these two verdant branches signify.""Methinks," she says, "thou may'st thyself reply,Whose pen has graced the one by many a lay.The palm shows victory; and in youth's bright dayI overcame the world, and my weak heart:The triumph mine in part,Glory to Him who made my weakness strength!And thou, yet turn at length!'Gainst other powers his gracious aid implore,That we may be with Him thy trial o'er!" "Are these the crisped locks, and links of goldThat bind me still? And these the radiant eyes.To me the Sun?" "Err not with the unwise,[Pg 307]Nor think," she says, "as they are wont. BeholdIn me a spirit, among the blest enroll'd;Thou seek'st what hath long been earth again:Yet to relieve thy pain'Tis given me thus to appear, ere I resumeThat beauty from the tomb,More loved, that I, severe in pity, winThy soul with mine to Heaven, from death and sin." I weep; and she my cheek,Soft sighing, with her own fair hand will dry;And, gently chiding, speakIn tones of power to rive hard rocks in twain;Then vanishing, sleep follows in her train. Dacre.
|
Written by
Ben Jonson |
A Vienna ci sono dieci ragazze,
una spalla dove piange la morte
e un bosco di colombe disseccate.
C'e' un frammento del mattino
nel museo della brina.
C'è un salone con mille vetrate.
Ahi! Ahi! Ahi! Ahi!
Prendi questo valzer con la bocca chiusa.
Questo valzer, questo valzer, questo valzer,
di sì, di morte e di cognac
che si bagna la coda nel mare.
Io ti amo, io ti amo, io ti amo
con la poltrona e con il libro morto,
nel malinconico corridoio,
nell'oscura soffitta del giglio,
nel nostro letto della luna,
nella danza che sogna la tartaruga.
Ahi! Ahi! Ahi! Ahi!
Prendi questo valzer dalla spezzata cintura.
A Vienna ci sono quattro specchi,
vi giocano la tua bocca e gli echi.
C'è una morte per pianoforte
che tinge d'azzurro i giovanotti.
Ci sono mendichi sui terrazzi. E
fresche ghirlande di pianto.
Ahi! Ahi! Ahi! Ahi!
Prendi questo valzer che spira fra le mie braccia.
Perchè io ti amo, ti amo, amore mio,
nella soffitta dove giocano i bambini,
sognando vecchie luci d'Ungheria
nel mormorio di una sera mite,
vedendo agnelli e gigli di neve
nell'oscuro silenzio delle tue tempie.
Ahi! Ahi! Ahi! Ahi!
Prendi questo valzer del "Ti amo per sempre".
A Vienna ballerò con te
con un costume che abbia la testa di fiume.
Guarda queste mie rive di giacinti!
Lascerò la mia bocca tra le tue gambe,
la mia anima in foto e fiordalisi,
e nelle onde oscure del tuo passo io voglio,
amore mio, amore mio, lasciare,
violino e sepolcro, i nastri del valzer.
English Translation
Little Viennese Waltz
In Vienna there are ten little girls
a shoulder for death to cry on
and a forest of dried pigeons.
There is a fragment of tomorrow
in the museum of winter frost.
There is a thousand-windowed dance hall.
Ay, ay, ay, ay!
Take this close-mouthed waltz.
Little waltz, little waltz, little waltz,
of itself, of death, and of brandy
that dips its tail in the sea.
I love you, I love you, I love you,
with the armchair and the book of death
down the melancholy hallway,
in the iris's dark garret,
in our bed that was once the moon's bed,
and in that dance the turtle dreamed of.
Ay, ay, ay, ay!
Take this broken-waisted waltz
In Vienna there are four mirrors
in which your mouth and the echoes play.
There is a death for piano
that paints the little boys blue.
There are beggars on the roof.
There are fresh garlands of tears.
Aye, ay, ay, ay!
Take this waltz that dies in my arms.
Because I love you, I love you, my love,
in the attic where children play,
dreaming ancient lights of Hungary
through the noise, the balmy afternoon,
seeing sheep and irises of snow
through the dark silence of your forehead.
Ay, ay, ay ay!
Take this "I will always love you" waltz.
In Vienna I will dance with you
in a costume with a river's head.
See how the hyacinths line my banks!
I will leave my mouth between your legs,
my soul in photographs and lilies,
and in the dark wake of your footsteps,
my love, my love, I will have to leave
violin and grave, the waltzing ribbons.
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