Written by
George (Lord) Byron |
I
Our life is twofold; Sleep hath its own world,
A boundary between the things misnamed
Death and existence: Sleep hath its own world,
And a wide realm of wild reality,
And dreams in their development have breath,
And tears, and tortures, and the touch of joy;
They leave a weight upon our waking thoughts,
They take a weight from off waking toils,
They do divide our being; they become
A portion of ourselves as of our time,
And look like heralds of eternity;
They pass like spirits of the past—they speak
Like sibyls of the future; they have power—
The tyranny of pleasure and of pain;
They make us what we were not—what they will,
And shake us with the vision that's gone by,
The dread of vanished shadows—Are they so?
Is not the past all shadow?—What are they?
Creations of the mind?—The mind can make
Substances, and people planets of its own
With beings brighter than have been, and give
A breath to forms which can outlive all flesh.
I would recall a vision which I dreamed
Perchance in sleep—for in itself a thought,
A slumbering thought, is capable of years,
And curdles a long life into one hour.
II
I saw two beings in the hues of youth
Standing upon a hill, a gentle hill,
Green and of mild declivity, the last
As 'twere the cape of a long ridge of such,
Save that there was no sea to lave its base,
But a most living landscape, and the wave
Of woods and corn-fields, and the abodes of men
Scattered at intervals, and wreathing smoke
Arising from such rustic roofs: the hill
Was crowned with a peculiar diadem
Of trees, in circular array, so fixed,
Not by the sport of nature, but of man:
These two, a maiden and a youth, were there
Gazing—the one on all that was beneath
Fair as herself—but the boy gazed on her;
And both were young, and one was beautiful:
And both were young—yet not alike in youth.
As the sweet moon on the horizon's verge,
The maid was on the eve of womanhood;
The boy had fewer summers, but his heart
Had far outgrown his years, and to his eye
There was but one beloved face on earth,
And that was shining on him; he had looked
Upon it till it could not pass away;
He had no breath, no being, but in hers:
She was his voice; he did not speak to her,
But trembled on her words; she was his sight,
For his eye followed hers, and saw with hers,
Which coloured all his objects;—he had ceased
To live within himself: she was his life,
The ocean to the river of his thoughts,
Which terminated all; upon a tone,
A touch of hers, his blood would ebb and flow,
And his cheek change tempestuously—his heart
Unknowing of its cause of agony.
But she in these fond feelings had no share:
Her sighs were not for him; to her he was
Even as a brother—but no more; 'twas much,
For brotherless she was, save in the name
Her infant friendship had bestowed on him;
Herself the solitary scion left
Of a time-honoured race.—It was a name
Which pleased him, and yet pleased him not—and why?
Time taught him a deep answer—when she loved
Another; even now she loved another,
And on the summit of that hill she stood
Looking afar if yet her lover's steed
Kept pace with her expectancy, and flew.
III
A change came o'er the spirit of my dream.
There was an ancient mansion, and before
Its walls there was a steed caparisoned:
Within an antique Oratory stood
The Boy of whom I spake;—he was alone,
And pale, and pacing to and fro: anon
He sate him down, and seized a pen, and traced
Words which I could not guess of; then he leaned
His bowed head on his hands and shook, as 'twere
With a convulsion—then rose again,
And with his teeth and quivering hands did tear
What he had written, but he shed no tears.
And he did calm himself, and fix his brow
Into a kind of quiet: as he paused,
The Lady of his love re-entered there;
She was serene and smiling then, and yet
She knew she was by him beloved; she knew—
For quickly comes such knowledge—that his heart
Was darkened with her shadow, and she saw
That he was wretched, but she saw not all.
He rose, and with a cold and gentle grasp
He took her hand; a moment o'er his face
A tablet of unutterable thoughts
Was traced, and then it faded, as it came;
He dropped the hand he held, and with slow steps
Retired, but not as bidding her adieu,
For they did part with mutual smiles; he passed
From out the massy gate of that old Hall,
And mounting on his steed he went his way;
And ne'er repassed that hoary threshold more.
IV
A change came o'er the spirit of my dream.
The Boy was sprung to manhood: in the wilds
Of fiery climes he made himself a home,
And his Soul drank their sunbeams; he was girt
With strange and dusky aspects; he was not
Himself like what he had been; on the sea
And on the shore he was a wanderer;
There was a mass of many images
Crowded like waves upon me, but he was
A part of all; and in the last he lay
Reposing from the noontide sultriness,
Couched among fallen columns, in the shade
Of ruined walls that had survived the names
Of those who reared them; by his sleeping side
Stood camels grazing, and some goodly steeds
Were fastened near a fountain; and a man,
Glad in a flowing garb, did watch the while,
While many of his tribe slumbered around:
And they were canopied by the blue sky,
So cloudless, clear, and purely beautiful,
That God alone was to be seen in heaven.
V
A change came o'er the spirit of my dream.
The Lady of his love was wed with One
Who did not love her better: in her home,
A thousand leagues from his,—her native home,
She dwelt, begirt with growing Infancy,
Daughters and sons of Beauty,—but behold!
Upon her face there was a tint of grief,
The settled shadow of an inward strife,
And an unquiet drooping of the eye,
As if its lid were charged with unshed tears.
What could her grief be?—she had all she loved,
And he who had so loved her was not there
To trouble with bad hopes, or evil wish,
Or ill-repressed affliction, her pure thoughts.
What could her grief be?—she had loved him not,
Nor given him cause to deem himself beloved,
Nor could he be a part of that which preyed
Upon her mind—a spectre of the past.
VI
A change came o'er the spirit of my dream.
The Wanderer was returned.—I saw him stand
Before an altar—with a gentle bride;
Her face was fair, but was not that which made
The Starlight of his Boyhood;—as he stood
Even at the altar, o'er his brow there came
The selfsame aspect and the quivering shock
That in the antique Oratory shook
His bosom in its solitude; and then—
As in that hour—a moment o'er his face
The tablet of unutterable thoughts
Was traced—and then it faded as it came,
And he stood calm and quiet, and he spoke
The fitting vows, but heard not his own words,
And all things reeled around him; he could see
Not that which was, nor that which should have been—
But the old mansion, and the accustomed hall,
And the remembered chambers, and the place,
The day, the hour, the sunshine, and the shade,
All things pertaining to that place and hour,
And her who was his destiny, came back
And thrust themselves between him and the light;
What business had they there at such a time?
VII
A change came o'er the spirit of my dream.
The Lady of his love;—Oh! she was changed,
As by the sickness of the soul; her mind
Had wandered from its dwelling, and her eyes,
They had not their own lustre, but the look
Which is not of the earth; she was become
The queen of a fantastic realm; her thoughts
Were combinations of disjointed things;
And forms impalpable and unperceived
Of others' sight familiar were to hers.
And this the world calls frenzy; but the wise
Have a far deeper madness, and the glance
Of melancholy is a fearful gift;
What is it but the telescope of truth?
Which strips the distance of its fantasies,
And brings life near in utter nakedness,
Making the cold reality too real!
VIII
A change came o'er the spirit of my dream.
The Wanderer was alone as heretofore,
The beings which surrounded him were gone,
Or were at war with him; he was a mark
For blight and desolation, compassed round
With Hatred and Contention; Pain was mixed
In all which was served up to him, until,
Like to the Pontic monarch of old days,
He fed on poisons, and they had no power,
But were a kind of nutriment; he lived
Through that which had been death to many men,
And made him friends of mountains; with the stars
And the quick Spirit of the Universe
He held his dialogues: and they did teach
To him the magic of their mysteries;
To him the book of Night was opened wide,
And voices from the deep abyss revealed
A marvel and a secret.—Be it so.
IX
My dream is past; it had no further change.
It was of a strange order, that the doom
Of these two creatures should be thus traced out
Almost like a reality—the one
To end in madness—both in misery.
|
Written by
Emily Dickinson |
How far is it to Heaven?
As far as Death this way --
Of River or of Ridge beyond
Was no discovery.
How far is it to Hell?
As far as Death this way --
How far left hand the Sepulchre
Defies Topography.
|
Written by
Allen Ginsberg |
I
What new element before us unborn in nature? Is there
a new thing under the Sun?
At last inquisitive Whitman a modern epic, detonative,
Scientific theme
First penned unmindful by Doctor Seaborg with poison-
ous hand, named for Death's planet through the
sea beyond Uranus
whose chthonic ore fathers this magma-teared Lord of
Hades, Sire of avenging Furies, billionaire Hell-
King worshipped once
with black sheep throats cut, priests's face averted from
underground mysteries in single temple at Eleusis,
Spring-green Persephone nuptialed to his inevitable
Shade, Demeter mother of asphodel weeping dew,
her daughter stored in salty caverns under white snow,
black hail, grey winter rain or Polar ice, immemor-
able seasons before
Fish flew in Heaven, before a Ram died by the starry
bush, before the Bull stamped sky and earth
or Twins inscribed their memories in clay or Crab'd
flood
washed memory from the skull, or Lion sniffed the
lilac breeze in Eden--
Before the Great Year began turning its twelve signs,
ere constellations wheeled for twenty-four thousand
sunny years
slowly round their axis in Sagittarius, one hundred
sixty-seven thousand times returning to this night
Radioactive Nemesis were you there at the beginning
black dumb tongueless unsmelling blast of Disil-
lusion?
I manifest your Baptismal Word after four billion years
I guess your birthday in Earthling Night, I salute your
dreadful presence last majestic as the Gods,
Sabaot, Jehova, Astapheus, Adonaeus, Elohim, Iao,
Ialdabaoth, Aeon from Aeon born ignorant in an
Abyss of Light,
Sophia's reflections glittering thoughtful galaxies, whirl-
pools of starspume silver-thin as hairs of Einstein!
Father Whitman I celebrate a matter that renders Self
oblivion!
Grand Subject that annihilates inky hands & pages'
prayers, old orators' inspired Immortalities,
I begin your chant, openmouthed exhaling into spacious
sky over silent mills at Hanford, Savannah River,
Rocky Flats, Pantex, Burlington, Albuquerque
I yell thru Washington, South Carolina, Colorado,
Texas, Iowa, New Mexico,
Where nuclear reactors creat a new Thing under the
Sun, where Rockwell war-plants fabricate this death
stuff trigger in nitrogen baths,
Hanger-Silas Mason assembles the terrified weapon
secret by ten thousands, & where Manzano Moun-
tain boasts to store
its dreadful decay through two hundred forty millenia
while our Galaxy spirals around its nebulous core.
I enter your secret places with my mind, I speak with
your presence, I roar your Lion Roar with mortal
mouth.
One microgram inspired to one lung, ten pounds of
heavy metal dust adrift slow motion over grey
Alps
the breadth of the planet, how long before your radiance
speeds blight and death to sentient beings?
Enter my body or not I carol my spirit inside you,
Unnaproachable Weight,
O heavy heavy Element awakened I vocalize your con-
sciousness to six worlds
I chant your absolute Vanity. Yeah monster of Anger
birthed in fear O most
Ignorant matter ever created unnatural to Earth! Delusion
of metal empires!
Destroyer of lying Scientists! Devourer of covetous
Generals, Incinerator of Armies & Melter of Wars!
Judgement of judgements, Divine Wind over vengeful
nations, Molester of Presidents, Death-Scandal of
Capital politics! Ah civilizations stupidly indus-
trious!
Canker-Hex on multitudes learned or illiterate! Manu-
factured Spectre of human reason! O solidified
imago of practicioner in Black Arts
I dare your reality, I challenge your very being! I
publish your cause and effect!
I turn the wheel of Mind on your three hundred tons!
Your name enters mankind's ear! I embody your
ultimate powers!
My oratory advances on your vaunted Mystery! This
breath dispels your braggart fears! I sing your
form at last
behind your concrete & iron walls inside your fortress
of rubber & translucent silicon shields in filtered
cabinets and baths of lathe oil,
My voice resounds through robot glove boxes & ignot
cans and echoes in electric vaults inert of atmo-
sphere,
I enter with spirit out loud into your fuel rod drums
underground on soundless thrones and beds of
lead
O density! This weightless anthem trumpets transcendent
through hidden chambers and breaks through
iron doors into the Infernal Room!
Over your dreadful vibration this measured harmony
floats audible, these jubilant tones are honey and
milk and wine-sweet water
Poured on the stone black floor, these syllables are
barley groats I scatter on the Reactor's core,
I call your name with hollow vowels, I psalm your Fate
close by, my breath near deathless ever at your
side
to Spell your destiny, I set this verse prophetic on your
mausoleum walls to seal you up Eternally with
Diamond Truth! O doomed Plutonium.
II
The Bar surveys Plutonian history from midnight
lit with Mercury Vapor streetlamps till in dawn's
early light
he contemplates a tranquil politic spaced out between
Nations' thought-forms proliferating bureaucratic
& horrific arm'd, Satanic industries projected sudden
with Five Hundred Billion Dollar Strength
around the world same time this text is set in Boulder,
Colorado before front range of Rocky Mountains
twelve miles north of Rocky Flats Nuclear Facility in
United States of North America, Western Hemi-
sphere
of planet Earth six months and fourteen days around
our Solar System in a Spiral Galaxy
the local year after Dominion of the last God nineteen
hundred seventy eight
Completed as yellow hazed dawn clouds brighten East,
Denver city white below
Blue sky transparent rising empty deep & spacious to a
morning star high over the balcony
above some autos sat with wheels to curb downhill
from Flatiron's jagged pine ridge,
sunlit mountain meadows sloped to rust-red sandstone
cliffs above brick townhouse roofs
as sparrows waked whistling through Marine Street's
summer green leafed trees.
III
This ode to you O Poets and Orators to come, you
father Whitman as I join your side, you Congress
and American people,
you present meditators, spiritual friends & teachers,
you O Master of the Diamond Arts,
Take this wheel of syllables in hand, these vowels and
consonants to breath's end
take this inhalation of black poison to your heart, breath
out this blessing from your breast on our creation
forests cities oceans deserts rocky flats and mountains
in the Ten Directions pacify with exhalation,
enrich this Plutonian Ode to explode its empty thunder
through earthen thought-worlds
Magnetize this howl with heartless compassion, destroy
this mountain of Plutonium with ordinary mind
and body speech,
thus empower this Mind-guard spirit gone out, gone
out, gone beyond, gone beyond me, Wake space,
so Ah!
July 14, 1978
|
Written by
Billy Collins |
You know the brick path in the back of the house,
the one you see from the kitchen window,
the one that bends around the far end of the garden
where all the yellow primroses are?
And you know how if you leave the path
and walk into the woods you come
to a heap of rocks, probably pushed
down during the horrors of the Ice Age,
and a grove of tall hemlocks, dark green now
against the light-brown fallen leaves?
And farther on, you know
the small footbridge with the broken railing
and if you go beyond the you arrive
at the bottom of sheep's head hill?
Well, if you start climbing, and you
might have to grab on to a sapling
when the going gets steep,
you will eventually come to a long stone
ridge with a border of pine trees
which is a high as you can go
and a good enough place to stop.
The best time for this is late afternoon
en the sun strobes through
the columns of trees as you are hiking up,
and when you find an agreeable rock
to sit on, you will be able to see
the light pouring down into the woods
and breaking into the shapes and tones
of things and you will hear nothing
but a sprig of a birdsong or leafy
falling of a cone or t through the trees,
and if this is your day you might even
spot a hare or feel the wing-beats of geese
driving overhead toward some destination.
But it is hard to speak of these things
how the voices of light enter the body
and begin to recite their stories
how the earth holds us painfully against
ts breast made of humus and brambles
how we will soon be gone regard
the entities that continue to return
greener than ever, spring water flowing
through a meadow and the shadows of clouds
passing over the hills and the ground
where we stand in the tremble of thought
taking the vast outside into ourselves.
Still, let me know before you set out.
Come knock on my door
and I will walk with you as far as the garden
with one hand on your shoulder.
I will even watch after you and not turn back
to the house until you disappear
into the crowd of maple and ash,
heading up toward the hill,
percing the ground with your stick.
|
Written by
Henry Wadsworth Longfellow |
Sing, O Song of Hiawatha,
Of the happy days that followed,
In the land of the Ojibways,
In the pleasant land and peaceful!
Sing the mysteries of Mondamin,
Sing the Blessing of the Cornfields!
Buried was the bloody hatchet,
Buried was the dreadful war-club,
Buried were all warlike weapons,
And the war-cry was forgotten.
There was peace among the nations;
Unmolested roved the hunters,
Built the birch canoe for sailing,
Caught the fish in lake and river,
Shot the deer and trapped the beaver;
Unmolested worked the women,
Made their sugar from the maple,
Gathered wild rice in the meadows,
Dressed the skins of deer and beaver.
All around the happy village
Stood the maize-fields, green and shining,
Waved the green plumes of Mondamin,
Waved his soft and sunny tresses,
Filling all the land with plenty.
`T was the women who in Spring-time
Planted the broad fields and fruitful,
Buried in the earth Mondamin;
`T was the women who in Autumn
Stripped the yellow husks of harvest,
Stripped the garments from Mondamin,
Even as Hiawatha taught them.
Once, when all the maize was planted,
Hiawatha, wise and thoughtful,
Spake and said to Minnehaha,
To his wife, the Laughing Water:
"You shall bless to-night the cornfields,
Draw a magic circle round them,
To protect them from destruction,
Blast of mildew, blight of insect,
Wagemin, the thief of cornfields,
Paimosaid, who steals the maize-ear
"In the night, when all Is silence,'
In the night, when all Is darkness,
When the Spirit of Sleep, Nepahwin,
Shuts the doors of all the wigwams,
So that not an ear can hear you,
So that not an eye can see you,
Rise up from your bed in silence,
Lay aside your garments wholly,
Walk around the fields you planted,
Round the borders of the cornfields,
Covered by your tresses only,
Robed with darkness as a garment.
"Thus the fields shall be more fruitful,
And the passing of your footsteps
Draw a magic circle round them,
So that neither blight nor mildew,
Neither burrowing worm nor insect,
Shall pass o'er the magic circle;
Not the dragon-fly, Kwo-ne-she,
Nor the spider, Subbekashe,
Nor the grasshopper, Pah-puk-keena;
Nor the mighty caterpillar,
Way-muk-kwana, with the bear-skin,
King of all the caterpillars!"
On the tree-tops near the cornfields
Sat the hungry crows and ravens,
Kahgahgee, the King of Ravens,
With his band of black marauders.
And they laughed at Hiawatha,
Till the tree-tops shook with laughter,
With their melancholy laughter,
At the words of Hiawatha.
"Hear him!" said they; "hear the Wise Man,
Hear the plots of Hiawatha!"
When the noiseless night descended
Broad and dark o'er field and forest,
When the mournful Wawonaissa
Sorrowing sang among the hemlocks,
And the Spirit of Sleep, Nepahwin,
Shut the doors of all the wigwams,
From her bed rose Laughing Water,
Laid aside her garments wholly,
And with darkness clothed and guarded,
Unashamed and unaffrighted,
Walked securely round the cornfields,
Drew the sacred, magic circle
Of her footprints round the cornfields.
No one but the Midnight only
Saw her beauty in the darkness,
No one but the Wawonaissa
Heard the panting of her bosom
Guskewau, the darkness, wrapped her
Closely in his sacred mantle,
So that none might see her beauty,
So that none might boast, "I saw her!"
On the morrow, as the day dawned,
Kahgahgee, the King of Ravens,
Gathered all his black marauders,
Crows and blackbirds, jays and ravens,
Clamorous on the dusky tree-tops,
And descended, fast and fearless,
On the fields of Hiawatha,
On the grave of the Mondamin.
"We will drag Mondamin," said they,
"From the grave where he is buried,
Spite of all the magic circles
Laughing Water draws around it,
Spite of all the sacred footprints
Minnehaha stamps upon it!"
But the wary Hiawatha,
Ever thoughtful, careful, watchful,
Had o'erheard the scornful laughter
When they mocked him from the tree-tops.
"Kaw!" he said, "my friends the ravens!
Kahgahgee, my King of Ravens!
I will teach you all a lesson
That shall not be soon forgotten!"
He had risen before the daybreak,
He had spread o'er all the cornfields
Snares to catch the black marauders,
And was lying now in ambush
In the neighboring grove of pine-trees,
Waiting for the crows and blackbirds,
Waiting for the jays and ravens.
Soon they came with caw and clamor,
Rush of wings and cry of voices,
To their work of devastation,
Settling down upon the cornfields,
Delving deep with beak and talon,
For the body of Mondamin.
And with all their craft and cunning,
All their skill in wiles of warfare,
They perceived no danger near them,
Till their claws became entangled,
Till they found themselves imprisoned
In the snares of Hiawatha.
From his place of ambush came he,
Striding terrible among them,
And so awful was his aspect
That the bravest quailed with terror.
Without mercy he destroyed them
Right and left, by tens and twenties,
And their wretched, lifeless bodies
Hung aloft on poles for scarecrows
Round the consecrated cornfields,
As a signal of his vengeance,
As a warning to marauders.
Only Kahgahgee, the leader,
Kahgahgee, the King of Ravens,
He alone was spared among them
As a hostage for his people.
With his prisoner-string he bound him,
Led him captive to his wigwam,
Tied him fast with cords of elm-bark
To the ridge-pole of his wigwam.
"Kahgahgee, my raven!" said he,
"You the leader of the robbers,
You the plotter of this mischief,
The contriver of this outrage,
I will keep you, I will hold you,
As a hostage for your people,
As a pledge of good behavior!"
And he left him, grim and sulky,
Sitting in the morning sunshine
On the summit of the wigwam,
Croaking fiercely his displeasure,
Flapping his great sable pinions,
Vainly struggling for his freedom,
Vainly calling on his people!
Summer passed, and Shawondasee
Breathed his sighs o'er all the landscape,
From the South-land sent his ardor,
Wafted kisses warm and tender;
And the maize-field grew and ripened,
Till it stood in all the splendor
Of its garments green and yellow,
Of its tassels and its plumage,
And the maize-ears full and shining
Gleamed from bursting sheaths of verdure.
Then Nokomis, the old woman,
Spake, and said to Minnehaha:
`T is the Moon when, leaves are falling;
All the wild rice has been gathered,
And the maize is ripe and ready;
Let us gather in the harvest,
Let us wrestle with Mondamin,
Strip him of his plumes and tassels,
Of his garments green and yellow!"
And the merry Laughing Water
Went rejoicing from the wigwam,
With Nokomis, old and wrinkled,
And they called the women round them,
Called the young men and the maidens,
To the harvest of the cornfields,
To the husking of the maize-ear.
On the border of the forest,
Underneath the fragrant pine-trees,
Sat the old men and the warriors
Smoking in the pleasant shadow.
In uninterrupted silence
Looked they at the gamesome labor
Of the young men and the women;
Listened to their noisy talking,
To their laughter and their singing,
Heard them chattering like the magpies,
Heard them laughing like the blue-jays,
Heard them singing like the robins.
And whene'er some lucky maiden
Found a red ear in the husking,
Found a maize-ear red as blood is,
"Nushka!" cried they all together,
"Nushka! you shall have a sweetheart,
You shall have a handsome husband!"
"Ugh!" the old men all responded
From their seats beneath the pine-trees.
And whene'er a youth or maiden
Found a crooked ear in husking,
Found a maize-ear in the husking
Blighted, mildewed, or misshapen,
Then they laughed and sang together,
Crept and limped about the cornfields,
Mimicked in their gait and gestures
Some old man, bent almost double,
Singing singly or together:
"Wagemin, the thief of cornfields!
Paimosaid, who steals the maize-ear!"
Till the cornfields rang with laughter,
Till from Hiawatha's wigwam
Kahgahgee, the King of Ravens,
Screamed and quivered in his anger,
And from all the neighboring tree-tops
Cawed and croaked the black marauders.
"Ugh!" the old men all responded,
From their seats beneath the pine-trees!
|
Written by
William Topaz McGonagall |
'Twas in the year of 1869, and on the 19th of November,
Which the people in Southern Germany will long remember,
The great rain-storm which for twenty hours did pour down,
That the rivers were overflowed and petty streams all around.
The rain fell in such torrents as had never been seen before,
That it seemed like a second deluge, the mighty torrents' roar,
At nine o'clock at night the storm did rage and moan
When Carl Springel set out on his crutches all alone --
From the handsome little hut in which he dwelt,
With some food to his father, for whom he greatly felt,
Who was watching at the railway bridge,
Which was built upon a perpendicular rocky ridge.
The bridge was composed of iron and wooden blocks,
And crossed o'er the Devil's Gulch, an immense cleft of rocks,
Two hundred feet wide and one hundred and fifty feet deep,
And enough to make one's flesh to creep.
Far beneath the bridge a mountain-stream did boil and rumble,
And on that night did madly toss and tumble;
Oh! it must have been an awful sight
To see the great cataract falling from such a height.
It was the duty of Carl's father to watch the bridge on stormy nights,
And warn the on-coming trains of danger with the red lights;
So, on this stormy night, the boy Carl hobbled along
Slowly and fearlessly upon his crutches, because he wasn't strong.
He struggled on manfully with all his might
Through the fearful darkness of the night,
And half-blinded by the heavy rain,
But still resolved the bridge to gain.
But when within one hundred yards of the bridge, it gave way with an awful crash,
And fell into the roaring flood below, and made a fearful splash,
Which rose high above the din of the storm,
The like brave Carl never heard since he was born.
Then; 'Father! father!' cried Carl in his loudest tone,
'Father! father!' he shouted again in very pitiful moans;
But no answering voice did reply,
Which caused him to heave a deep-fetched sigh.
And now to brave Carl the truth was clear
That he had lost his father dear,
And he cried, 'My poor father's lost, and cannot be found,
He's gone down with the bridge, and has been drowned.'
But he resolves to save the on-coming train,
So every nerve and muscle he does strain,
And he trudges along dauntlessly on his crutches,
And tenaciously to them he clutches.
And just in time he reaches his father's car
To save the on-coming train from afar,
So he seizes the red light, and swings it round,
And cried with all his might, 'The bridge is down! The bridge is down!'
So forward his father's car he drives,
Determined to save the passengers' lives,
Struggling hard with might and main,
Hoping his struggle won't prove in vain.
So on comes the iron-horse snorting and rumbling,
And the mountain-torrent at the bridge kept roaring and tumbling;
While brave Carl keeps shouting, 'The bridge is down! The bridge is down!'
He cried with a pitiful wail and sound.
But, thank heaven, the engine-driver sees the red light
That Carl keeps swinging round his head with all his might;
But bang! bang! goes the engine with a terrible crash,
And the car is dashed all to smash.
But the breaking of the car stops the train,
And poor Carl's struggle is not in vain;
But, poor soul, he was found stark dead,
Crushed and mangled from foot to head!
And the passengers were all loud in Carl's praise,
And from the cold wet ground they did him raise,
And tears for brave Carl fell silently around,
Because he had saved two hundred passengers from being drowned.
In a quiet village cemetery he now sleeps among the silent dead,
In the south of Germany, with a tombstone at his head,
Erected by the passengers he saved in the train,
And which to his memory will long remain.
|
Written by
William Butler Yeats |
I
What shall I do with this absurdity -
O heart, O troubled heart - this caricature,
Decrepit age that has been tied to me
As to a dog's tail?
Never had I more
Excited, passionate, fantastical
Imagination, nor an ear and eye
That more expected the impossible -
No, not in boyhood when with rod and fly,
Or the humbler worm, I climbed Ben Bulben's back
And had the livelong summer day to spend.
It seems that I must bid the Muse go pack,
Choose Plato and Plotinus for a friend
Until imagination, ear and eye,
Can be content with argument and deal
In abstract things; or be derided by
A sort of battered kettle at the heel.
II
I pace upon the battlements and stare
On the foundations of a house, or where
Tree, like a sooty finger, starts from the earth;
And send imagination forth
Under the day's declining beam, and call
Images and memories
From ruin or from ancient trees,
For I would ask a question of them all.
Beyond that ridge lived Mrs. French, and once
When every silver candlestick or sconce
Lit up the dark mahogany and the wine.
A serving-man, that could divine
That most respected lady's every wish,
Ran and with the garden shears
Clipped an insolent farmer's ears
And brought them in a little covered dish.
Some few remembered still when I was young
A peasant girl commended by a Song,
Who'd lived somewhere upon that rocky place,
And praised the colour of her face,
And had the greater joy in praising her,
Remembering that, if walked she there,
Farmers jostled at the fair
So great a glory did the song confer.
And certain men, being maddened by those rhymes,
Or else by toasting her a score of times,
Rose from the table and declared it right
To test their fancy by their sight;
But they mistook the brightness of the moon
For the prosaic light of day -
Music had driven their wits astray -
And one was drowned in the great bog of Cloone.
Strange, but the man who made the song was blind;
Yet, now I have considered it, I find
That nothing strange; the tragedy began
With Homer that was a blind man,
And Helen has all living hearts betrayed.
O may the moon and sunlight seem
One inextricable beam,
For if I triumph I must make men mad.
And I myself created Hanrahan
And drove him drunk or sober through the dawn
From somewhere in the neighbouring cottages.
Caught by an old man's juggleries
He stumbled, tumbled, fumbled to and fro
And had but broken knees for hire
And horrible splendour of desire;
I thought it all out twenty years ago:
Good fellows shuffled cards in an old bawn;
And when that ancient ruffian's turn was on
He so bewitched the cards under his thumb
That all but the one card became
A pack of hounds and not a pack of cards,
And that he changed into a hare.
Hanrahan rose in frenzy there
And followed up those baying creatures towards -
O towards I have forgotten what - enough!
I must recall a man that neither love
Nor music nor an enemy's clipped ear
Could, he was so harried, cheer;
A figure that has grown so fabulous
There's not a neighbour left to say
When he finished his dog's day:
An ancient bankrupt master of this house.
Before that ruin came, for centuries,
Rough men-at-arms, cross-gartered to the knees
Or shod in iron, climbed the narrow stairs,
And certain men-at-arms there were
Whose images, in the Great Memory stored,
Come with loud cry and panting breast
To break upon a sleeper's rest
While their great wooden dice beat on the board.
As I would question all, come all who can;
Come old, necessitous. half-mounted man;
And bring beauty's blind rambling celebrant;
The red man the juggler sent
Through God-forsaken meadows; Mrs. French,
Gifted with so fine an ear;
The man drowned in a bog's mire,
When mocking Muses chose the country wench.
Did all old men and women, rich and poor,
Who trod upon these rocks or passed this door,
Whether in public or in secret rage
As I do now against old age?
But I have found an answer in those eyes
That are impatient to be gone;
Go therefore; but leave Hanrahan,
For I need all his mighty memories.
Old lecher with a love on every wind,
Bring up out of that deep considering mind
All that you have discovered in the grave,
For it is certain that you have
Reckoned up every unforeknown, unseeing
plunge, lured by a softening eye,
Or by a touch or a sigh,
Into the labyrinth of another's being;
Does the imagination dwell the most
Upon a woman won or woman lost?
If on the lost, admit you turned aside
From a great labyrinth out of pride,
Cowardice, some silly over-subtle thought
Or anything called conscience once;
And that if memory recur, the sun's
Under eclipse and the day blotted out.
III
It is time that I wrote my will;
I choose upstanding men
That climb the streams until
The fountain leap, and at dawn
Drop their cast at the side
Of dripping stone; I declare
They shall inherit my pride,
The pride of people that were
Bound neither to Cause nor to State.
Neither to slaves that were spat on,
Nor to the tyrants that spat,
The people of Burke and of Grattan
That gave, though free to refuse -
pride, like that of the morn,
When the headlong light is loose,
Or that of the fabulous horn,
Or that of the sudden shower
When all streams are dry,
Or that of the hour
When the swan must fix his eye
Upon a fading gleam,
Float out upon a long
Last reach of glittering stream
And there sing his last song.
And I declare my faith:
I mock plotinus' thought
And cry in plato's teeth,
Death and life were not
Till man made up the whole,
Made lock, stock and barrel
Out of his bitter soul,
Aye, sun and moon and star, all,
And further add to that
That, being dead, we rise,
Dream and so create
Translunar paradise.
I have prepared my peace
With learned Italian things
And the proud stones of Greece,
Poet's imaginings
And memories of love,
Memories of the words of women,
All those things whereof
Man makes a superhuman,
Mirror-resembling dream.
As at the loophole there
The daws chatter and scream,
And drop twigs layer upon layer.
When they have mounted up,
The mother bird will rest
On their hollow top,
And so warm her wild nest.
I leave both faith and pride
To young upstanding men
Climbing the mountain-side,
That under bursting dawn
They may drop a fly;
Being of that metal made
Till it was broken by
This sedentary trade.
Now shall I make my soul,
Compelling it to study
In a learned school
Till the wreck of body,
Slow decay of blood,
Testy delirium
Or dull decrepitude,
Or what worse evil come -
The death of friends, or death
Of every brilliant eye
That made a catch in the breath -
Seem but the clouds of the sky
When the horizon fades;
Or a bird's sleepy cry
Among the deepening shades.
|
Written by
James A Emanuel |
When three, he fished these lakes,
Curled sleeping on a lip of rock,
Crib blankets tucked from ants and fishbone flies,
Twitching as the strike of bass and snarling reel
Uncoiled my shouts not quit
Till he jerked blinking up on all-fours,
Swaying with the winking leaves.
Strong awake, he shook his cane pole like a spoon
And dipped among the wagging perch
Till, tired, he drew his silver rubber blade
And poked the winding fins that tugged our string,
Or sprayed the dimpling minnows with his plastic gun,
Or, rainstruck, squirmed to my armpit in the poncho.
Then years uncurled him, thinned him hard.
Now, far he cast his line into the wrinkled blue
And easy toes a rock, reel on his thigh
Till bone and crank cry out the strike
He takes with manchild chuckles, cunning
In his play of zigzag line and plunging silver.
Now fishing far from me, he strides through rain, shoulders
A spiny ridge of pines, and disappears
Near lakes that cannot be, while I must choose
To go or stay: bring blanket, blade, and gun,
Or stand a fisherman.
|
Written by
Bliss Carman |
I
The rutted roads are all like iron; skies
Are keen and brilliant; only the oak-leaves cling
In the bare woods, or the hardy bitter-sweet;
Drivers have put their sheepskin jackets on;
And all the ponds are sealed with sheeted ice
That rings with stroke of skate and hockey-stick,
Or in the twilight cracks with running whoop.
Bring in the logs of oak and hickory,
And make an ample blaze on the wide hearth.
Now is the time, with winter o'er the world,
For books and friends and yellow candle-light,
And timeless lingering by the settling fire.
While all the shuddering stars are keen with cold.
II
Out from the silent portal of the hours,
When frosts are come and all the hosts put on.
Their burnished gear to march across the night
And o'er a darkened earth in splendor shine,
Slowly above the world Orion wheels
His glittering square, while on the shadowy hill
And throbbing like a sea-light through the dusk,
Great Sirius rises in his flashing blue.
Lord of the winter night, august and pure,
Returning year on year untouched by time,
To hearten faith with thine unfaltering fire,
There are no hurts that beauty cannot ease,
No ills that love cannot at last repair,
In the victorious progress of the soul.
III
Russet and white and gray is the oak wood
In the great snow. Still from the North it comes,
Whispering, settling, sifting through the trees,
O'erloading branch and twig. The road is lost.
Clearing and meadow, stream and ice-bound pond
Are made once more a trackless wilderness
In the white hush where not a creature stirs;
And the pale sun is blotted from the sky.
In that strange twilight the lone traveller halts
To listen to the stealthy snowflakes fall.
And then far off toward the Stamford shore,
Where through the storm the coastwise liners go,
Faint and recurrent on the muffled air,
A foghorn booming through the Smother--hark!
IV
When the day changed and the mad wind died down,
The powdery drifts that all day long had blown
Across the meadows and the open fields,
Or whirled like diamond dust in the bright sun,
Settled to rest, and for a tranquil hour
The lengthening bluish shadows on the snow
Stole down the orchard slope, and a rose light
Flooded the earth with beauty and with peace.
Then in the west behind the cedars black
The sinking sun stained red the winter dusk
With sullen flare upon the snowy ridge,--
As in a masterpiece by Hokusai,
Where on a background gray, with flaming breath
A scarlet dragon dies in dusky gold.
|
Written by
Andrew Hudgins |
Our Father who art in heaven, I am drunk.
Again. Red wine. For which I offer thanks.
I ought to start with praise, but praise
comes hard to me. I stutter. Did I tell you
about the woman, whom I taught, in bed,
this prayer? It starts with praise; the simple form
keeps things in order. I hear from her sometimes.
Do you? And after love, when I was hungry,
I said, Make me something to eat. She yelled,
Poof! You're a casserole! - and laughed so hard
she fell out of bed. Take care of her.
Next, confession - the dreary part. At night
deer drift from the dark woods and eat my garden.
They're like enormous rats on stilts except,
of course, they're beautiful. But why? What makes
them beautiful? I haven't shot one yet.
I might. When I was twelve I'd ride my bike
out to the dump and shoot the rats. It's hard
to kill your rats, our Father. You have to use
a hollow point and hit them solidly.
A leg is not enough. The rat won't pause.
Yeep! Yeep! it screams, and scrabbles, three-legged, back
into the trash, and I would feel a little bad
to kill something that wants to live
more savagely than I do, even if
it's just a rat. My garden's vanishing.
Perhaps I'll plant more beans, though that
might mean more beautiful and hungry deer.
Who knows?
I'm sorry for the times I've driven
home past a black, enormous, twilight ridge.
Crested with mist it looked like a giant wave
about to break and sweep across the valley,
and in my loneliness and fear I've thought,
O let it come and wash the whole world clean.
Forgive me. This is my favorite sin: despair-
whose love I celebrate with wine and prayer.
Our Father, thank you for all the birds and trees,
that nature stuff. I'm grateful for good health,
food, air, some laughs, and all the other things I've never had to do
without. I have confused myself. I'm glad
there's not a rattrap large enough for deer.
While at the zoo last week, I sat and wept
when I saw one elephant insert his trunk
into another's ass, pull out a lump,
and whip it back and forth impatiently
to free the goodies hidden in the lump.
I could have let it mean most anything,
but I was stunned again at just how little
we ask for in our lives. Don't look! Don't look!
Two young nuns tried to herd their giggling
schoolkids away. Line up, they called, Let's go
and watch the monkeys in the monkey house.
I laughed and got a dirty look. Dear Lord,
we lurch from metaphor to metaphor,
which is -let it be so- a form of praying.
I'm usually asleep by now -the time
for supplication. Requests. As if I'd stayed
up late and called the radio and asked
they play a sentimental song. Embarrassed.
I want a lot of money and a woman.
And, also, I want vanishing cream. You know-
a character like Popeye rubs it on
and disappears. Although you see right through him,
he's there. He chuckles, stumbles into things,
and smoke that's clearly visible escapes
from his invisible pipe. It make me think,
sometimes, of you. What makes me think of me
is the poor jerk who wanders out on air
and then looks down. Below his feet, he sees
eternity, and suddenly his shoes
no longer work on nothingness, and down
he goes. As I fall past, remember me.
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