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Written by Lewis Carroll | Create an image from this poem

Four Riddles

 I 

There was an ancient City, stricken down
With a strange frenzy, and for many a day
They paced from morn to eve the crowded town,
And danced the night away.
I asked the cause: the aged man grew sad: They pointed to a building gray and tall, And hoarsely answered "Step inside, my lad, And then you'll see it all.
" Yet what are all such gaieties to me Whose thoughts are full of indices and surds? x*x + 7x + 53 = 11/3 But something whispered "It will soon be done: Bands cannot always play, nor ladies smile: Endure with patience the distasteful fun For just a little while!" A change came o'er my Vision - it was night: We clove a pathway through a frantic throng: The steeds, wild-plunging, filled us with affright: The chariots whirled along.
Within a marble hall a river ran - A living tide, half muslin and half cloth: And here one mourned a broken wreath or fan, Yet swallowed down her wrath; And here one offered to a thirsty fair (His words half-drowned amid those thunders tuneful) Some frozen viand (there were many there), A tooth-ache in each spoonful.
There comes a happy pause, for human strength Will not endure to dance without cessation; And every one must reach the point at length Of absolute prostration.
At such a moment ladies learn to give, To partners who would urge them over-much, A flat and yet decided negative - Photographers love such.
There comes a welcome summons - hope revives, And fading eyes grow bright, and pulses quicken: Incessant pop the corks, and busy knives Dispense the tongue and chicken.
Flushed with new life, the crowd flows back again: And all is tangled talk and mazy motion - Much like a waving field of golden grain, Or a tempestuous ocean.
And thus they give the time, that Nature meant For peaceful sleep and meditative snores, To ceaseless din and mindless merriment And waste of shoes and floors.
And One (we name him not) that flies the flowers, That dreads the dances, and that shuns the salads, They doom to pass in solitude the hours, Writing acrostic-ballads.
How late it grows! The hour is surely past That should have warned us with its double knock? The twilight wanes, and morning comes at last - "Oh, Uncle, what's o'clock?" The Uncle gravely nods, and wisely winks.
It MAY mean much, but how is one to know? He opens his mouth - yet out of it, methinks, No words of wisdom flow.
II Empress of Art, for thee I twine This wreath with all too slender skill.
Forgive my Muse each halting line, And for the deed accept the will! O day of tears! Whence comes this spectre grim, Parting, like Death's cold river, souls that love? Is not he bound to thee, as thou to him, By vows, unwhispered here, yet heard above? And still it lives, that keen and heavenward flame, Lives in his eye, and trembles in his tone: And these wild words of fury but proclaim A heart that beats for thee, for thee alone! But all is lost: that mighty mind o'erthrown, Like sweet bells jangled, piteous sight to see! "Doubt that the stars are fire," so runs his moan, "Doubt Truth herself, but not my love for thee!" A sadder vision yet: thine aged sire Shaming his hoary locks with treacherous wile! And dost thou now doubt Truth to be a liar? And wilt thou die, that hast forgot to smile? Nay, get thee hence! Leave all thy winsome ways And the faint fragrance of thy scattered flowers: In holy silence wait the appointed days, And weep away the leaden-footed hours.
III.
The air is bright with hues of light And rich with laughter and with singing: Young hearts beat high in ecstasy, And banners wave, and bells are ringing: But silence falls with fading day, And there's an end to mirth and play.
Ah, well-a-day Rest your old bones, ye wrinkled crones! The kettle sings, the firelight dances.
Deep be it quaffed, the magic draught That fills the soul with golden fancies! For Youth and Pleasance will not stay, And ye are withered, worn, and gray.
Ah, well-a-day! O fair cold face! O form of grace, For human passion madly yearning! O weary air of dumb despair, From marble won, to marble turning! "Leave us not thus!" we fondly pray.
"We cannot let thee pass away!" Ah, well-a-day! IV.
My First is singular at best: More plural is my Second: My Third is far the pluralest - So plural-plural, I protest It scarcely can be reckoned! My First is followed by a bird: My Second by believers In magic art: my simple Third Follows, too often, hopes absurd And plausible deceivers.
My First to get at wisdom tries - A failure melancholy! My Second men revered as wise: My Third from heights of wisdom flies To depths of frantic folly.
My First is ageing day by day: My Second's age is ended: My Third enjoys an age, they say, That never seems to fade away, Through centuries extended.
My Whole? I need a poet's pen To paint her myriad phases: The monarch, and the slave, of men - A mountain-summit, and a den Of dark and deadly mazes - A flashing light - a fleeting shade - Beginning, end, and middle Of all that human art hath made Or wit devised! Go, seek HER aid, If you would read my riddle!


Written by William Wordsworth | Create an image from this poem

Lines Composed a Few Miles above Tintern Abbey

Five years have passed; five summers, with the length 
Of five long winters! and again I hear
These waters, rolling from their mountain-springs
With a soft inland murmur.
Once again Do I behold these steep and lofty cliffs, That on a wild secluded scene impress Thoughts of more deep seclusion; and connect The landscape with the quiet of the sky.
The day is come when I again repose Here, under this dark sycamore, and view These plots of cottage-ground, these orchard-tufts, Which at this season, with their unripe fruits, Are clad in one green hue, and lose themselves 'Mid groves and copses.
Once again I see These hedgerows, hardly hedgerows, little lines Of sportive wood run wild; these pastoral farms, Green to the very door; and wreaths of smoke Sent up, in silence, from among the trees! With some uncertain notice, as might seem Of vagrant dwellers in the houseless woods, Or of some Hermit's cave, where by his fire The Hermit sits alone.
These beauteous forms, Through a long absence, have not been to me As is a landscape to a blind man's eye; But oft, in lonely rooms, and 'mid the din Of towns and cities, I have owed to them, In hours of weariness, sensations sweet, Felt in the blood, and felt along the heart; And passing even into my purer mind With tranquil restoration—feelings too Of unremembered pleasure; such, perhaps, As have no slight or trivial influence On that best portion of a good man's life, His little, nameless, unremembered, acts Of kindness and of love.
Nor less, I trust, To them I may have owed another gift, Of aspect more sublime; that blessed mood, In which the burthen of the mystery, In which the heavy and the weary weight Of all this unintelligible world, Is lightened—that serene and blessed mood, In which the affections gently lead us on— Until, the breath of this corporeal frame And even the motion of our human blood Almost suspended, we are laid asleep In body, and become a living soul; While with an eye made quiet by the power Of harmony, and the deep power of joy, We see into the life of things.
If this Be but a vain belief, yet, oh! how oft— In darkness and amid the many shapes Of joyless daylight; when the fretful stir Unprofitable, and the fever of the world, Have hung upon the beatings of my heart— How oft, in spirit, have I turned to thee, O sylvan Wye! thou wanderer through the woods, How often has my spirit turned to thee! And now, with gleams of half-extinguished thought, With many recognitions dim and faint, And somewhat of a sad perplexity, The picture of the mind revives again; While here I stand, not only with the sense Of present pleasure, but with pleasing thoughts That in this moment there is life and food For future years.
And so I dare to hope, Though changed, no doubt, from what I was when first I came among these hills; when like a roe I bounded o'er the mountains, by the sides Of the deep rivers, and the lonely streams, Wherever nature led—more like a man Flying from something that he dreads than one Who sought the thing he loved.
For nature then (The coarser pleasures of my boyish days And their glad animal movements all gone by) To me was all in all.
—I cannot paint What then I was.
The sounding cataract Haunted me like a passion; the tall rock, The mountain, and the deep and gloomy wood, Their colors and their forms, were then to me An appetite; a feeling and a love, That had no need of a remoter charm, By thought supplied, not any interest Unborrowed from the eye.
—That time is past, And all its aching joys are now no more, And all its dizzy raptures.
Not for this Faint I, nor mourn nor murmur; other gifts Have followed; for such loss, I would believe, Abundant recompense.
For I have learned To look on nature, not as in the hour Of thoughtless youth; but hearing oftentimes The still sad music of humanity, Nor harsh nor grating, though of ample power To chasten and subdue.
And I have felt A presence that disturbs me with the joy Of elevated thoughts; a sense sublime Of something far more deeply interfused, Whose dwelling is the light of setting suns, And the round ocean and the living air, And the blue sky, and in the mind of man: A motion and a spirit, that impels All thinking things, all objects of all thought, And rolls through all things.
Therefore am I still A lover of the meadows and the woods, And mountains; and of all that we behold From this green earth; of all the mighty world Of eye, and ear—both what they half create, And what perceive; well pleased to recognize In nature and the language of the sense The anchor of my purest thoughts, the nurse, The guide, the guardian of my heart, and soul Of all my moral being.
Nor perchance, If I were not thus taught, should I the more Suffer my genial spirits to decay: For thou art with me here upon the banks Of this fair river; thou my dearest Friend, My dear, dear Friend; and in thy voice I catch The language of my former heart, and read My former pleasures in the shooting lights Of thy wild eyes.
Oh! yet a little while May I behold in thee what I was once, My dear, dear Sister! and this prayer I make, Knowing that Nature never did betray The heart that loved her; 'tis her privilege, Through all the years of this our life, to lead From joy to joy: for she can so inform The mind that is within us, so impress With quietness and beauty, and so feed With lofty thoughts, that neither evil tongues, Rash judgments, nor the sneers of selfish men, Nor greetings where no kindness is, nor all The dreary intercourse of daily life, Shall e'er prevail against us, or disturb Our cheerful faith, that all which we behold Is full of blessings.
Therefore let the moon Shine on thee in thy solitary walk; And let the misty mountain winds be free To blow against thee: and, in after years, When these wild ecstasies shall be matured Into a sober pleasure; when thy mind Shall be a mansion for all lovely forms, Thy memory be as a dwelling place For all sweet sounds and harmonies; oh! then, If solitude, or fear, or pain, or grief, Should be thy portion, with what healing thoughts Of tender joy wilt thou remember me, And these my exhortations! Nor, perchance— If I should be where I no more can hear Thy voice, nor catch from thy wild eyes these gleams Of past existence—wilt thou then forget That on the banks of this delightful stream We stood together; and that I, so long A worshipper of Nature, hither came Unwearied in that service; rather say With warmer love—oh! with far deeper zeal Of holier love.
Nor wilt thou then forget, That after many wanderings, many years Of absence, these steep woods and lofty cliffs, And this green pastoral landscape, were to me More dear, both for themselves and for thy sake!
Written by Henry Wadsworth Longfellow | Create an image from this poem

An April Day

 When the warm sun, that brings
Seed-time and harvest, has returned again,
'T is sweet to visit the still wood, where springs
The first flower of the plain.
I love the season well, When forest glades are teeming with bright forms, Nor dark and many-folded clouds foretell The coming-on of storms.
From the earth's loosened mould The sapling draws its sustenance, and thrives; Though stricken to the heart with winter's cold, The drooping tree revives.
The softly-warbled song Comes from the pleasant woods, and colored wings Glance quick in the bright sun, that moves along The forest openings.
When the bright sunset fills The silver woods with light, the green slope throws Its shadows in the hollows of the hills, And wide the upland glows.
And when the eve is born, In the blue lake the sky, o'er-reaching far, Is hollowed out and the moon dips her horn, And twinkles many a star.
Inverted in the tide Stand the gray rocks, and trembling shadows throw, And the fair trees look over, side by side, And see themselves below.
Sweet April! many a thought Is wedded unto thee, as hearts are wed; Nor shall they fail, till, to its autumn brought, Life's golden fruit is shed.
Written by Marilyn Hacker | Create an image from this poem

Morning News

 Spring wafts up the smell of bus exhaust, of bread
and fried potatoes, tips green on the branches,
repeats old news: arrogance, ignorance, war.
A cinder-block wall shared by two houses is new rubble.
On one side was a kitchen sink and a cupboard, on the other was a bed, a bookshelf, three framed photographs.
Glass is shattered across the photographs; two half-circles of hardened pocket bread sit on the cupboard.
There provisionally was shelter, a plastic truck under the branches of a fig tree.
A knife flashed in the kitchen, merely dicing garlic.
Engines of war move inexorably toward certain houses while citizens sit safe in other houses reading the newspaper, whose photographs make sanitized excuses for the war.
There are innumerable kinds of bread brought up from bakeries, baked in the kitchen: the date, the latitude, tell which one was dropped by a child beneath the bloodied branches.
The uncontrolled and multifurcate branches of possibility infiltrate houses' walls, windowframes, ceilings.
Where there was a tower, a town: ash and burnt wires, a graph on a distant computer screen.
Elsewhere, a kitchen table's setting gapes, where children bred to branch into new lives were culled for war.
Who wore this starched smocked cotton dress? Who wore this jersey blazoned for the local branch of the district soccer team? Who left this black bread and this flat gold bread in their abandoned houses? Whose father begged for mercy in the kitchen? Whose memory will frame the photograph and use the memory for what it was never meant for by this girl, that old man, who was caught on a ball field, near a window: war, exhorted through the grief a photograph revives.
(Or was the team a covert branch of a banned group; were maps drawn in the kitchen, a bomb thrust in a hollowed loaf of bread?) What did the old men pray for in their houses of prayer, the teachers teach in schoolhouses between blackouts and blasts, when each word was flensed by new censure, books exchanged for bread, both hostage to the happenstance of war? Sometimes the only schoolroom is a kitchen.
Outside the window, black strokes on a graph of broken glass, birds line up on bare branches.
"This letter curves, this one spreads its branches like friends holding hands outside their houses.
" Was the lesson stopped by gunfire? Was there panic, silence? Does a torn photograph still gather children in the teacher's kitchen? Are they there meticulously learning war- time lessons with the signs for house, book, bread?
Written by William Blake | Create an image from this poem

Fair Elanor

 The bell struck one, and shook the silent tower;
The graves give up their dead: fair Elenor
Walk'd by the castle gate, and look?d in.
A hollow groan ran thro' the dreary vaults.
She shriek'd aloud, and sunk upon the steps, On the cold stone her pale cheeks.
Sickly smells Of death issue as from a sepulchre, And all is silent but the sighing vaults.
Chill Death withdraws his hand, and she revives; Amaz'd, she finds herself upon her feet, And, like a ghost, thro' narrow passages Walking, feeling the cold walls with her hands.
Fancy returns, and now she thinks of bones And grinning skulls, and corruptible death Wrapp'd in his shroud; and now fancies she hears Deep sighs, and sees pale sickly ghosts gliding.
At length, no fancy but reality Distracts her.
A rushing sound, and the feet Of one that fled, approaches--Ellen stood Like a dumb statue, froze to stone with fear.
The wretch approaches, crying: `The deed is done; Take this, and send it by whom thou wilt send; It is my life--send it to Elenor:-- He's dead, and howling after me for blood! `Take this,' he cried; and thrust into her arms A wet napkin, wrapp'd about; then rush'd Past, howling: she receiv'd into her arms Pale death, and follow'd on the wings of fear.
They pass'd swift thro' the outer gate; the wretch, Howling, leap'd o'er the wall into the moat, Stifling in mud.
Fair Ellen pass'd the bridge, And heard a gloomy voice cry `Is it done?' As the deer wounded, Ellen flew over The pathless plain; as the arrows that fly By night, destruction flies, and strikes in darkness.
She fled from fear, till at her house arriv'd.
Her maids await her; on her bed she falls, That bed of joy, where erst her lord hath press'd: `Ah, woman's fear!' she cried; `ah, curs?d duke! Ah, my dear lord! ah, wretched Elenor! `My lord was like a flower upon the brows Of lusty May! Ah, life as frail as flower! O ghastly death! withdraw thy cruel hand, Seek'st thou that flow'r to deck thy horrid temples? `My lord was like a star in highest heav'n Drawn down to earth by spells and wickedness; My lord was like the opening eyes of day When western winds creep softly o'er the flowers; `But he is darken'd; like the summer's noon Clouded; fall'n like the stately tree, cut down; The breath of heaven dwelt among his leaves.
O Elenor, weak woman, fill'd with woe!' Thus having spoke, she rais?d up her head, And saw the bloody napkin by her side, Which in her arms she brought; and now, tenfold More terrifi?d, saw it unfold itself.
Her eyes were fix'd; the bloody cloth unfolds, Disclosing to her sight the murder'd head Of her dear lord, all ghastly pale, clotted With gory blood; it groan'd, and thus it spake: `O Elenor, I am thy husband's head, Who, sleeping on the stones of yonder tower, Was 'reft of life by the accurs?d duke! A hir?d villain turn'd my sleep to death! `O Elenor, beware the curs?d duke; O give not him thy hand, now I am dead; He seeks thy love; who, coward, in the night, Hir?d a villain to bereave my life.
' She sat with dead cold limbs, stiffen'd to stone; She took the gory head up in her arms; She kiss'd the pale lips; she had no tears to shed; She hugg'd it to her breast, and groan'd her last.


Written by George (Lord) Byron | Create an image from this poem

To Mary On Receiving Her Picture

 This faint resemblance of thy charms,
(Though strong as mortal art could give,)
My constant heart of fear disarms,
Revives my hopes, and bids me live.
Here, I can trace the locks of gold Which round thy snowy forehead wave; The cheeks which sprung from Beauty's mould, The lips, which made me Beauty's slave.
Here I can trace---ah, no! that eye, Whose azure floats in liquid fire, Must all the painter's art defy, And bid him from the task retire.
Here, I behold its beauteous hue; But where's the beam so sweetly straying, Which gave a lustre to its blue, Like Luna o'er the ocean playing? Sweet copy! far more dear to me, Lifeless, unfeeling as thou art, Than all the living forms could be, Save her who plac'd thee next my heart.
She plac'd it, sad, with needless fear, Lest time might shake my wavering soul, Unconscious that her image there Held every sense in fast control.
Thro' hours, thro' years, thro' time, 'twill cheer--- My hope, in gloomy moments, raise; In life's last conflict 'twill appear, And meet my fond, expiring gaze.
Written by Henry Lawson | Create an image from this poem

After All

 The brooding ghosts of Australian night have gone from the bush and town; 
My spirit revives in the morning breeze, 
though it died when the sun went down; 
The river is high and the stream is strong, 
and the grass is green and tall, 
And I fain would think that this world of ours is a good world after all.
The light of passion in dreamy eyes, and a page of truth well read, The glorious thrill in a heart grown cold of the spirit I thought was dead, A song that goes to a comrade's heart, and a tear of pride let fall -- And my soul is strong! and the world to me is a grand world after all! Let our enemies go by their old dull tracks, and theirs be the fault or shame (The man is bitter against the world who has only himself to blame); Let the darkest side of the past be dark, and only the good recall; For I must believe that the world, my dear, is a kind world after all.
It well may be that I saw too plain, and it may be I was blind; But I'll keep my face to the dawning light, though the devil may stand behind! Though the devil may stand behind my back, I'll not see his shadow fall, But read the signs in the morning stars of a good world after all.
Rest, for your eyes are weary, girl -- you have driven the worst away -- The ghost of the man that I might have been is gone from my heart to-day; We'll live for life and the best it brings till our twilight shadows fall; My heart grows brave, and the world, my girl, is a good world after all.
Written by Algernon Charles Swinburne | Create an image from this poem

A Channel Crossing

 Forth from Calais, at dawn of night, when sunset summer on autumn shone,
Fared the steamer alert and loud through seas whence only the sun was gone:
Soft and sweet as the sky they smiled, and bade man welcome: a dim sweet hour
Gleamed and whispered in wind and sea, and heaven was fair as a field in flower,
Stars fulfilled the desire of the darkling world as with music: the star-bright air
Made the face of the sea, if aught may make the face of the sea, more fair.
Whence came change? Was the sweet night weary of rest? What anguish awoke in the dark? Sudden, sublime, the strong storm spake: we heard the thunders as hounds that bark.
Lovelier if aught may be lovelier than stars, we saw the lightnings exalt the sky, Living and lustrous and rapturous as love that is born but to quicken and lighten and die.
Heaven's own heart at its highest of delight found utterance in music and semblance in fire: Thunder on thunder exulted, rejoicing to live and to satiate the night's desire.
And the night was alive and an-hungered of life as a tiger from toils cast free: And a rapture of rage made joyous the spirit and strength of the soul of the sea.
All the weight of the wind bore down on it, freighted with death for fraught: And the keen waves kindled and quickened as things transfigured or things distraught.
And madness fell on them laughing and leaping; and madness came on the wind: And the might and the light and the darkness of storm were as storm in the heart of Ind.
Such glory, such terror, such passion, as lighten and harrow the far fierce East, Rang, shone, spake, shuddered around us: the night was an altar with death for priest.
The channel that sunders England from shores where never was man born free Was clothed with the likeness and thrilled with the strength and the wrath of a tropic sea.
As a wild steed ramps in rebellion, and rears till it swerves from a backward fall, The strong ship struggled and reared, and her deck was upright as a sheer cliff's wall.
Stern and prow plunged under, alternate: a glimpse, a recoil, a breath, And she sprang as the life in a god made man would spring at the throat of death.
Three glad hours, and it seemed not an hour of supreme and supernal joy, Filled full with delight that revives in remembrance a sea-bird's heart in a boy.
For the central crest of the night was cloud that thundered and flamed, sublime As the splendour and song of the soul everlasting that quickens the pulse of time.
The glory beholden of man in a vision, the music of light overheard, The rapture and radiance of battle, the life that abides in the fire of a word, In the midmost heaven enkindled, was manifest far on the face of the sea, And the rage in the roar of the voice of the waters was heard but when heaven breathed free.
Far eastward, clear of the covering of cloud, the sky laughed out into light From the rims of the storm to the sea's dark edge with flames that were flowerlike and white.
The leaping and luminous blossoms of live sheet lightning that laugh as they fade From the cloud's black base to the black wave's brim rejoiced in the light they made.
Far westward, throned in a silent sky, where life was in lustrous tune, Shone, sweeter and surer than morning or evening, the steadfast smile of the moon.
The limitless heaven that enshrined them was lovelier than dreams may behold, and deep As life or as death, revealed and transfigured, may shine on the soul through sleep.
All glories of toil and of triumph and passion and pride that it yearns to know Bore witness there to the soul of its likeness and kinship, above and below.
The joys of the lightnings, the songs of the thunders, the strong sea's labour and rage, Were tokens and signs of the war that is life and is joy for the soul to wage.
No thought strikes deeper or higher than the heights and the depths that the night made bare, Illimitable, infinite, awful and joyful, alive in the summit of air-- Air stilled and thrilled by the tempest that thundered between its reign and the sea's, Rebellious, rapturous, and transient as faith or as terror that bows men's knees.
No love sees loftier and fairer the form of its godlike vision in dreams Than the world shone then, when the sky and the sea were as love for a breath's length seems-- One utterly, mingled and mastering and mastered and laughing with love that subsides As the glad mad night sank panting and satiate with storm, and released the tides.
In the dense mid channel the steam-souled ship hung hovering, assailed and withheld As a soul born royal, if life or if death be against it, is thwarted and quelled.
As the glories of myriads of glow-worms in lustrous grass on a boundless lawn Were the glories of flames phosphoric that made of the water a light like dawn.
A thousand Phosphors, a thousand Hespers, awoke in the churning sea, And the swift soft hiss of them living and dying was clear as a tune could be; As a tune that is played by the fingers of death on the keys of life or of sleep, Audible alway alive in the storm, too fleet for a dream to keep: Too fleet, too sweet for a dream to recover and thought to remember awake: Light subtler and swifter than lightning, that whispers and laughs in the live storm's wake, In the wild bright wake of the storm, in the dense loud heart of the labouring hour, A harvest of stars by the storm's hand reaped, each fair as a star-shaped flower.
And sudden and soft as the passing of sleep is the passing of tempest seemed When the light and the sound of it sank, and the glory was gone as a dream half dreamed.
The glory, the terror, the passion that made of the midnight a miracle, died, Not slain at a stroke, nor in gradual reluctance abated of power and of pride; With strong swift subsidence, awful as power that is wearied of power upon earth, As a God that were wearied of power upon heaven, and were fain of a new God's birth, The might of the night subsided: the tyranny kindled in darkness fell: And the sea and the sky put off them the rapture and radiance of heaven and of hell.
The waters, heaving and hungering at heart, made way, and were wellnigh fain, For the ship that had fought them, and wrestled, and revelled in labour, to cease from her pain.
And an end was made of it: only remembrance endures of the glad loud strife; And the sense that a rapture so royal may come not again in the passage of life.
Written by William Blake | Create an image from this poem

The Book of Thel

 THEL'S MOTTO 

1 Does the Eagle know what is in the pit? 
2 Or wilt thou go ask the Mole?
3 Can Wisdom be put in a silver rod?
4 Or Love in a golden bowl? 

I 

1.
1 The daughters of the Seraphim led round their sunny flocks, 1.
2 All but the youngest: she in paleness sought the secret air, 1.
3 To fade away like morning beauty from her mortal day: 1.
4 Down by the river of Adona her soft voice is heard, 1.
5 And thus her gentle lamentation falls like morning dew: 1.
6 "O life of this our spring! why fades the lotus of the water, 1.
7 Why fade these children of the spring, born but to smile and fall? 1.
8 Ah! Thel is like a wat'ry bow, and like a parting cloud; 1.
9 Like a reflection in a glass; like shadows in the water; 1.
10 Like dreams of infants, like a smile upon an infant's face; 1.
11 Like the dove's voice; like transient day; like music in the air.
1.
12 Ah! gentle may I lay me down, and gentle rest my head, 1.
13 And gentle sleep the sleep of death, and gentle hear the voice 1.
14 Of him that walketh in the garden in the evening time.
" 1.
15 The Lily of the valley, breathing in the humble grass, 1.
16 Answer'd the lovely maid and said: "I am a wat'ry weed, 1.
17 And I am very small and love to dwell in lowly vales; 1.
18 So weak, the gilded butterfly scarce perches on my head.
1.
19 Yet I am visited from heaven, and he that smiles on all 1.
20 Walks in the valley and each morn over me spreads his hand, 1.
21 Saying, 'Rejoice, thou humble grass, thou new-born lily-flower, 1.
22 Thou gentle maid of silent valleys and of modest brooks; 1.
23 For thou shalt be clothed in light, and fed with morning manna, 1.
24 Till summer's heat melts thee beside the fountains and the springs 1.
25 To flourish in eternal vales.
' Then why should Thel complain? 1.
26 Why should the mistress of the vales of Har utter a sigh?" 1.
27 She ceas'd and smil'd in tears, then sat down in her silver shrine.
1.
28 Thel answer'd: "O thou little virgin of the peaceful valley, 1.
29 Giving to those that cannot crave, the voiceless, the o'ertired; 1.
30 Thy breath doth nourish the innocent lamb, he smells thy milky garments, 1.
31 He crops thy flowers while thou sittest smiling in his face, 1.
32 Wiping his mild and meekin mouth from all contagious taints.
1.
33 Thy wine doth purify the golden honey; thy perfume, 1.
34 Which thou dost scatter on every little blade of grass that springs, 1.
35 Revives the milked cow, and tames the fire-breathing steed.
1.
36 But Thel is like a faint cloud kindled at the rising sun: 1.
37 I vanish from my pearly throne, and who shall find my place?" 1.
38 "Queen of the vales," the Lily answer'd, "ask the tender cloud, 1.
39 And it shall tell thee why it glitters in the morning sky, 1.
40 And why it scatters its bright beauty thro' the humid air.
1.
41 Descend, O little Cloud, and hover before the eyes of Thel.
" 1.
42 The Cloud descended, and the Lily bow'd her modest head 1.
43 And went to mind her numerous charge among the verdant grass.
II 2.
1 "O little Cloud," the virgin said, "I charge thee tell to me 2.
2 Why thou complainest not when in one hour thou fade away: 2.
3 Then we shall seek thee, but not find.
Ah! Thel is like to thee: 2.
4 I pass away: yet I complain, and no one hears my voice.
" 2.
5 The Cloud then shew'd his golden head and his bright form emerg'd, 2.
6 Hovering and glittering on the air before the face of Thel.
2.
7 "O virgin, know'st thou not our steeds drink of the golden springs 2.
8 Where Luvah doth renew his horses? Look'st thou on my youth, 2.
9 And fearest thou, because I vanish and am seen no more, 2.
10 Nothing remains? O maid, I tell thee, when I pass away 2.
11 It is to tenfold life, to love, to peace and raptures holy: 2.
12 Unseen descending, weigh my light wings upon balmy flowers, 2.
13 And court the fair-eyed dew to take me to her shining tent: 2.
14 The weeping virgin trembling kneels before the risen sun, 2.
15 Till we arise link'd in a golden band and never part, 2.
16 But walk united, bearing food to all our tender flowers.
" 2.
17 "Dost thou, O little Cloud? I fear that I am not like thee, 2.
18 For I walk thro' the vales of Har, and smell the sweetest flowers, 2.
19 But I feed not the little flowers; I hear the warbling birds, 2.
20 But I feed not the warbling birds; they fly and seek their food: 2.
21 But Thel delights in these no more, because I fade away; 2.
22 And all shall say, 'Without a use this shining woman liv'd, 2.
23 Or did she only live to be at death the food of worms?' " 2.
24 The Cloud reclin'd upon his airy throne and answer'd thus: 2.
25 "Then if thou art the food of worms, O virgin of the skies, 2.
26 How great thy use, how great thy blessing! Every thing that lives 2.
27 Lives not alone nor for itself.
Fear not, and I will call 2.
28 The weak worm from its lowly bed, and thou shalt hear its voice, 2.
29 Come forth, worm of the silent valley, to thy pensive queen.
" 2.
30 The helpless worm arose, and sat upon the Lily's leaf, 2.
31 And the bright Cloud sail'd on, to find his partner in the vale.
III 3.
1 Then Thel astonish'd view'd the Worm upon its dewy bed.
3.
2 "Art thou a Worm? Image of weakness, art thou but a Worm? 3.
3 I see thee like an infant wrapped in the Lily's leaf 3.
4 Ah! weep not, little voice, thou canst not speak, but thou canst weep.
3.
5 Is this a Worm? I see thee lay helpless and naked, weeping, 3.
6 And none to answer, none to cherish thee with mother's smiles.
" 3.
7 The Clod of Clay heard the Worm's voice and rais'd her pitying head: 3.
8 She bow'd over the weeping infant, and her life exhal'd 3.
9 In milky fondness: then on Thel she fix'd her humble eyes.
3.
10 "O beauty of the vales of Har! we live not for ourselves.
3.
11 Thou seest me the meanest thing, and so I am indeed.
3.
12 My bosom of itself is cold, and of itself is dark; 3.
13 But he, that loves the lowly, pours his oil upon my head, 3.
14 And kisses me, and binds his nuptial bands around my breast, 3.
15 And says: 'Thou mother of my children, I have loved thee 3.
16 And I have given thee a crown that none can take away.
' 3.
17 But how this is, sweet maid, I know not, and I cannot know; 3.
18 I ponder, and I cannot ponder; yet I live and love.
" 3.
19 The daughter of beauty wip'd her pitying tears with her white veil, 3.
20 And said: "Alas! I knew not this, and therefore did I weep.
3.
21 That God would love a Worm I knew, and punish the evil foot 3.
22 That wilful bruis'd its helpless form; but that he cherish'd it 3.
23 With milk and oil I never knew, and therefore did I weep; 3.
24 And I complain'd in the mild air, because I fade away, 3.
25 And lay me down in thy cold bed, and leave my shining lot.
" 3.
26 "Queen of the vales," the matron Clay answer'd, "I heard thy sighs, 3.
27 And all thy moans flew o'er my roof, but I have call'd them down.
3.
28 Wilt thou, O Queen, enter my house? 'Tis given thee to enter 3.
29 And to return: fear nothing, enter with thy virgin feet.
" IV 4.
1 The eternal gates' terrific porter lifted the northern bar: 4.
2 Thel enter'd in and saw the secrets of the land unknown.
4.
3 She saw the couches of the dead, and where the fibrous roots 4.
4 Of every heart on earth infixes deep its restless twists: 4.
5 A land of sorrows and of tears where never smile was seen.
4.
6 She wander'd in the land of clouds thro' valleys dark, list'ning 4.
7 Dolours and lamentations; waiting oft beside a dewy grave 4.
8 She stood in silence, list'ning to the voices of the ground, 4.
9 Till to her own grave plot she came, and there she sat down, 4.
10 And heard this voice of sorrow breathed from the hollow pit.
4.
11 "Why cannot the Ear be closed to its own destruction? 4.
12 Or the glist'ning Eye to the poison of a smile? 4.
13 Why are Eyelids stor'd with arrows ready drawn, 4.
14 Where a thousand fighting men in ambush lie? 4.
15 Or an Eye of gifts and graces show'ring fruits and coined gold? 4.
16 Why a Tongue impress'd with honey from every wind? 4.
17 Why an Ear, a whirlpool fierce to draw creations in? 4.
18 Why a Nostril wide inhaling terror, trembling, and affright? 4.
19 Why a tender curb upon the youthful burning boy? 4.
20 Why a little curtain of flesh on the bed of our desire?" 4.
21 The Virgin started from her seat, and with a shriek 4.
22 Fled back unhinder'd till she came into the vales of Har.
Written by Isaac Watts | Create an image from this poem

Psalm 112

 The blessings of the liberal man.
That man is blest who stands in awe Of God, and loves his sacred law: His seed on earth shall be renowned; His house the seat of wealth shall be, An inexhausted treasury, And with successive honors crowned.
His lib'ral favors he extends, To some he gives, to others lends; A gen'rous pity fills his mind: Yet what his charity impairs, He saves by prudence in affairs And thus he's just to all mankind.
His hands, while they his alms bestowed, His glory's future harvest sowed; The sweet remembrance of the just, Like a green root, revives and bears A train of blessings for his heirs, When dying nature sleeps in dust.
Beset with threat'ning dangers round, Unmoved shall he maintain his ground; His conscience holds his courage up: The soul that's filled with virtue's light, Shines brightest in affliction's night, And sees in darkness beams of hope.
PAUSE.
[Ill tidings never can surprise His heart that fixed on God relies, Though waves and tempests roar around: Safe on the rock he sits, and sees The shipwreck of his enemies, And all their hope and glory drowned.
The wicked shall his triumph see, And gnash their teeth in agony, To find their expectations crossed; They and their envy, pride, and spite, Sink down to everlasting night, And all their names in darkness lost.
]

Book: Reflection on the Important Things